Antonielli, Arianna and Nixon, Mark, eds. (2016) Edwin John Ellis’s and William Butler Yeats’s "The Works of William Blake: Poetic, Symbolic and Critical"; a manuscript edition, with critical analysis. Firenze University Press, pp762. ISBN 978864533407

Bignell, Jonathan (2009) Beckett on screen: the television plays. Manchester University Press, Manchester, pp230. ISBN 9780719064203

Bignell, Jonathan (2021) Beckett and television: anachronism as innovation. In: Kiryushina, Galina, Adar, Einat and Nixon, Mark (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287

Bignell, Jonathan (2005) How to watch television? Pedagogy and paedocracy in Beckett’s television plays. Samuel Beckett Today / Aujourd'hui, 15. pp. 281-293. ISSN 0927-3131 (Historicising Beckett / Issues of Performance)

Bignell, Jonathan (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, Daniela (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197

Bignell, Jonathan (2015) Performing right: legal constraints and Beckett’s plays on BBC television. Samuel Beckett Today / Aujourd'hui, 27. 129- 142. ISSN 0927-3131 doi: https://doi.org/10.1163/9789004309937_011

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2020) “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas. In: Rakoczy, Anita, Hori Tanaka, Mariko and Johnson, Nicholas (eds.) Influencing Beckett / Beckett Influencing. Collection Karoli. L'Harmattan, Budapest & Paris, pp. 61-74. ISBN 9782343219110

Bignell, Jonathan ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Screen and stage space in Beckett’s theatre plays on television. In: Wrigley, Amanda and Wyver, John (eds.) Screen Plays: Theatre Plays on British Television. Manchester University Press, Manchester, pp. 226-245. ISBN 9780719097928

Bignell, Jonathan (2020) Specially for television? Eh Joe, intermediality and Beckett’s drama. Samuel Beckett Today/Aujourd’hui, 32 (1). pp. 41-54. ISSN 1875-7405 doi: https://doi.org/10.1163/18757405-03201004

Bignell, Jonathan (2020) When Beckett on Film migrated to television. Књижевна историја (Literary History), 51 (169). pp. 97-108. ISSN 0350-6428 doi: https://doi.org/10.18485/kis.2019.51.169.5

Bignell, Jonathan and Davies, William (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314

Bryden, Mary, ed. (2013) Beckett and animals. Cambridge University Press. ISBN 9781107019607

Bryden, Mary (2009) Beckett's Proust/Deleuze's Proust. Palgrave MacMillan, Basingstoke, pp272. ISBN 9780230239470

Bryden, Mary (2008) Graley Herren, Samuel Beckett’s plays on film and television. In: Constantinidis, S. (ed.) Text and presentation. McFarland, Jefferson, NC, pp. 211-213. ISBN 9780786443666

Bryden, Mary (2008) "The Snowball Act": Beckett's literary pathfinding. Rose des vents/Suiseisha, 22. pp. 68-80.

Bryden, Mary (2008) Beckett, Böll, and clowns. Samuel Beckett Today / Aujourd'hui, 19. pp. 157-171. ISSN 0927-3131

Bryden, Mary (2013) The Beckettian bestiary. In: Bryden, Mary (ed.) Beckett and animals. Cambridge University Press, Cambridge, pp. 40-58. ISBN 9781107019607

Bryden, Mary (2008) The mid-century Godot: Beckett and Saroyan. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: revolving it all. Oxford University Press, Oxford, pp. 259-270. ISBN 9780195325485

Carville, Conor (2018) Samuel Beckett and the visual. Cambridge University Press, Cambridge. ISBN 9781108422772

Carville, Conor (2012) The ends of Ireland: history, criticism, subjectivity. Manchester University Press, Manchester, pp272. ISBN 9780719083839

Carville, Conor and Nixon, Mark, eds. (2015) 'Beginning of the murmur': archival pre-texts and other sources. Samuel Beckett Today / Aujourd'hui, 27. Brill / Rodopi, Leiden. ISBN 9789004309913

Carville, Conor (2011) Autonomy and the everyday: Beckett, late modernism and post-war visual art. Beckett Today/ Aujourd'hui, 23. pp. 63-80. ISSN 0927-3131 (Filiations & Connexions/Filiations & Connecting Lines)

Carville, Conor (2015) Beckett beyond the avant-garde: the case of “Casket of Pralinen for a daughter of a dissipated Mandarin". In: Nixon, Mark and Pilling, John (eds.) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading. ISBN 9780704915343

Carville, Conor (2016) Murphy's thanatopolitics. The Irish Review, 53. pp. 74-88. ISSN 0790-7850

Davies, William (2020) 'Crawling in the Flanders mud': Samuel Beckett, war writing and scatological pacifism. Journal of War and Culture Studies, 13 (2). pp. 145-162. ISSN 1752-6280 doi: https://doi.org/10.1080/17526272.2019.1644273

Davies, William (2017) “Home and visiting temperaments”: Beckett’s diasporic encounters. In: Bariselli, Michela, Bowe, N. M. and Davies, William (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 55-76. ISBN 9781443896306

Davies, William (2017) Introduction: Samuel Beckett and the question of Europe. In: Bariselli, Michela, Bowe, N. M. and Davies, William (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 1-14. ISBN 9781443896306

Davies, William (2019) “Occasional extinction or more likely occultation”: form and source in “Long Observation of the Ray”. Samuel Beckett Today/Aujourd'hui, 31 (1). pp. 82-97. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03101007

Davies, William (2020) Samuel Beckett's trilogy and the revolution of the body in Vichy France. Twentieth-Century Literature, 66 (1). pp. 11-36. ISSN 0041-462X doi: https://doi.org/10.1215/0041462X-8196685

Davies, William (2017) A text become provisional: revisiting the capital of the ruins. Journal of Beckett Studies, 26 (2). pp. 169-187. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2017.0201

Davies, William, Bariselli, Michela and Bowe, N. M., eds. (2017) Samuel Beckett and Europe: history, culture, tradition. Cambridge Scholars. ISBN 9781443896306

Frost, Everett and McMullan, Anna (2003) The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon. In: Ben-Zvi, Linda (ed.) Drawing on Beckett : portraits, performances, and cultural contexts. Assaph Books. Tel Aviv University, Tel Aviv, pp. 215-238. ISBN 9789659062508

Gonzalez Ortiz, Camila (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, Giovanna, González, Marcos and Mella, Camila (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

Gosteva, Ekaterina (2020) Metaphysical Comedy: Samuel Beckett and Fyodor Dostoevsky. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00093437

Hulle, Dirk Van and Nixon, Mark, eds. (2015) My Texts are in a Terrible Mess. Journal of Beckett Studies, 24 (1). Edinburgh University Press, Edinburgh, pp161.

Hulle, Dirk Van, Nixon, Mark and Neyt, Vincent, eds. (2016) Samuel Beckett's digital library. Beckett Digital Manuscript Project

Kiryushina, Galina ORCID: https://orcid.org/0000-0002-3730-1785 and Nixon, Mark ORCID: https://orcid.org/0000-0002-3730-1785 (2021) Samuel Beckett's 'The North'. Journal of Beckett Studies, 30 (2). pp. 188-204. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2021.0340

Kiryushina, Galina, Adar, Einat and Nixon, Mark ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2021) Samuel Beckett and technology. Edinburgh University Press, Edinburgh, pp288. ISBN 9781474463287

Little, James, Nugent-Folan, Georgina, Morin, Emilie and Nixon, Mark, eds. (2019) Draff / Résidu. Samuel Beckett Today / Aujourd'hui, 31 (1). Brill | Rodopi, Leiden, The Netherlands, pp181.

Matthews, Steven (2017) Meditations and monologues: Beckett’s mid-late prose on the radio. In: Addyman, David, Feldman, Matthew and Tonning, Erik (eds.) Samuel Beckett and BBC Radio. Palgrave, Basingstoke and London, pp. 249-267. ISBN 9781349951307 doi: https://doi.org/10.1057/978-1-137-54265-6_12

Matthews, Steven and Feldman, Matthew, eds. (2020) Samuel Beckett's Philosophy Notes. Oxford University Press, Oxford.

Matthews, Steven (2013) T.S. Eliot and early modern literature. Oxford University Press, Oxford , pp240. ISBN 9780199574773

Matthews, Steven (2011) The books are in the study as before: Samuel Beckett’s Berkeley. Sofia Philosophical Review, V (I). ISSN 1313-275X

Matthews, Steven (2012) The books are in the study as before: Samuel Beckett’s Berkeley. In: Feldman, Matthew and Mamdani, Karim (eds.) Beckett / Philosophy. Sophia University Press, Sophia, pp. 162-83. ISBN 9789540733845

Maude, Ulrika (2009) Beckett, technology and the body. Cambridge University Press, Cambridge, pp222. ISBN 9780521515375

Maude, Ulrika and Nixon, Mark, eds. (2018) The Bloomsbury companion to modernist literature. Bloomsbury, pp560. ISBN 9781780936413

Maude, Ulrika (2011) Beckett and the laws of habit. Modernism/Modernity , 18 (4). pp. 1-9. ISSN 1080-6601

Maude, Ulrika (2009) 'Material of a Strictly Peculiar Order': Beckett, Merleau-Ponty and perception. In: Maude, Ulrika and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, pp. 77-96. ISBN 9780826497147

Maude, Ulrika (2009) 'A Stirring Beyond Coming and Going’: Beckett and Tourette's. Journal of Beckett Studies, 17 (1-2). pp. 153-168. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000119

Maude, Ulrika and Feldman, Matthew, eds. (2009) Beckett and phenomenology. Continuum Literary Studies . Continuum, pp226. ISBN 9780826497147

McFrederick, Matthew (2016) Feckham, Peckham, Fulham, Clapham…Hammersmith: Beckett at Riverside Studios. In: Tucker, David and McTighe, Trish (eds.) Staging Beckett in Great Britain. Bloomsbury, Methuen Drama, London, pp. 37-55. ISBN 9781474240178

McFrederick, Matthew ORCID: https://orcid.org/0000-0002-4816-8465 (2020) ‘The air is full of our cries’: staging Godot during apartheid South Africa. In: Beckett and Politics. Palgrave MacMillan, pp. 195-211. ISBN 9783030471095 doi: https://doi.org/10.1007/978-3-030-47110-1

McMullan, Anna (2007) From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre. In: Sihra, Melissa (ed.) Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. Palgrave Macmillan, Basingstoke, pp. 97-108. ISBN 9780230006478

McMullan, Anna (2004) Irish/postcolonial Beckett. In: Oppenheim, Lois (ed.) Palgrave Advances in Samuel Beckett Studies. Palgrave Advances. Palgrave Macmillan, pp. 89-109. ISBN 9781403903525

McMullan, Anna (2007) Samuel Beckett’s theatre: liminal subjects and the politics of perception. The Princeton University Library Chronicle, 68 (1/2). pp. 450-464.

McMullan, Anna (2016) Staging Beckett in Ireland: scenographic remains. In: McTighe, Trish and Tucker, David (eds.) Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London, pp. 103-119. ISBN 9781474240550

McMullan, Anna and Wilmer, S. E., eds. (2009) Reflections on Beckett: a centenary celebration. Theater: theory/text/performance. University of Michigan Press, Ann Arbor, pp256. ISBN 9780472116645

McMullan, Anna, Pattie, David and Nixon, Mark, eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden.

McMullan, Anna ORCID: https://orcid.org/0000-0002-2531-3746 (2022) Barthes, Beckett and the theatre: three dialogues. Paragraph, 45 (2). pp. 172-186. ISSN 0264-8334 doi: https://doi.org/10.3366/para.2022.0395

McMullan, Anna (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, Linda and Moorjani, Angela (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

McMullan, Anna (2014) Designing Beckett: Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics. In: Gontarski, S. E. (ed.) The Edinburgh companion to Samuel Beckett and the arts. Edinburgh University Press, Edinburgh, pp. 409-422. ISBN 9780748675685

McMullan, Anna (2014) Historical legacies and unhomely cultural memories in Brian Friel’s The home place. Nordic Irish Studies, 13 (1). pp. 189-203. ISSN 1602-124X

McMullan, Anna (2008) History in tatters: bodies and things in Samuel Beckett’s theatre. Etudes Britanniques Contemporaines, 35. pp. 27-37. ISSN 1168-4917

McMullan, Anna (2007) Mutated bodies: stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, 12 (1). pp. 57-65. ISSN 1469-9990 doi: https://doi.org/10.1080/1352816070138081

McMullan, Anna (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985

McMullan, Anna (2020) Samuel Beckett and intermedial performance: passing between. Samuel Beckett Today / Aujourd'hui, 32 (1). pp. 71-85. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03201006

McMullan, Anna (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990

McMullan, Anna (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378

McMullan, Anna (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902012

McMullan, Anna (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, Laurens, Tanaka, Mariko Hori and Johnson, Nicholas (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013

McMullan, Anna (1993) Theatre on trial: the later drama of Samuel Beckett. Routledge, London, pp168. ISBN 9780415052023

McMullan, Anna and McTighe, Trish (2014) Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history. Breac: A Digital Journal of Irish Studies, July. ISSN 2372-2231

McMullan, Anna and Pattie, David (2017) Introduction: staging Beckett at the margins. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 227-230. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902001

McMullan, Anna and Saunders, Graham, eds. (2018) Special issue on staging Beckett and contemporary theatre and performance cultures. Contemporary Theatre Review, 28 (1). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2017.1405393

McMullan, Anna, McTighe, Trish, Pattie, David and Tucker, David (2014) Staging Beckett: constructing histories of performance. Journal of Beckett Studies, 23 (1). pp. 11-33. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0084

McTighe, Trish (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, Fintan (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355

McTighe, Trish (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988

McTighe, Trish (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131

McTighe, Trish, Morin, Emilie and Nixon, Mark, eds. (2020) Beckett and Intermediality / Beckett, artiste intérmedial. Samuel Beckett Today / Aujourd'hui, 32 (1). Brill, Leiden.

Nixon, Mark (2019) "All the variants". In: Rabaté, Jean-Michel (ed.) The New Samuel Beckett Studies. Cambridge University Press, Cambridge, pp. 36-47. ISBN 9781108559331 doi: https://doi.org/10.1017/9781108559331.003

Nixon, Mark (2009) Between gospel and prohibition: Beckett in Nazi Germany 1936-1937. In: Kennedy, Seán and Weiss, Katherine (eds.) Samuel Beckett: History, Memory, Archive. Palgrave MacMillan, pp. 31-46. ISBN 9780230619449

Nixon, Mark, ed. (2014) 'Echo's Bones' by Samuel Beckett. Faber & Faber, London, pp128. ISBN 9780571246380

Nixon, Mark (2013) Germany: circa 1936-1937. In: Uhlmann, Anthony (ed.) Beckett in Context. Literature in context. Cambridge University Press, Cambridge / New York, pp. 99-108. ISBN 9781107017030

Nixon, Mark (2007) Gospel und Verbot: Beckett und Nazi Germany. In: Giesing, Michaela, Hartel, Gaby and Veit, Carola (eds.) Das Raubage in der Stadt: Beckett liest Hamburg. Wallstein Verlag, Göttingen, pp. 69-78. ISBN 9783835301931

Nixon, Mark (2012) 'Happily melancholy’: pleasure and pain in Early Beckett. In: Tanaka, M H, Tsushima, M and Tajiri, Y (eds.) Samuel Beckett and Pain. Rodopi, Amsterdam, pp. 27-42. ISBN 978904203523

Nixon, Mark, ed. (2011) Publishing Samuel Beckett. British Library , pp304. ISBN 9780712358262

Nixon, Mark (2015) Ruptures of the visual: Beckett as critic and poet. In: Van Hulle, Dirk (ed.) The New Cambridge Companion to Samuel Beckett. 2nd edition. Cambridge Companions to Literature. Cambridge University Press, pp. 73-88. ISBN 9781107075191

Nixon, Mark (2013) Samuel Beckett Németországban, 1936-37 – felvilágosítók és hályogkovácsok – Bevezetés Beckett Német naplóihoz’ [translation by Török Gabor]. Nagyvilág, 58 (5). pp. 522-531.

Nixon, Mark (2019) Samuel Beckett: la traduction en anglais de 'Textes pour rien'. In: Brown, L. (ed.) Textes pour rien / Texts for Nothing de Samuel Beckett: Le corps de la voix impossible. Lettres Modernes Minard, Paris, pp. 55-66. ISBN 9782406081425 doi: https://doi.org/10.15122/isbn.978-2-406-08143-2.p.0055

Nixon, Mark, ed. (2010) Samuel Beckett: texts for nothing and other shorter prose, 1950-1976. Faber, London. ISBN 9780571244621

Nixon, Mark (2013) Samuel Beckett: video artist. In: Fifield, Peter and Addyman, David (eds.) Samuel Beckett: Debts and legacies: New critical essays. Bloomsbury Methuen, London, pp. 177-190. ISBN 9781408184523

Nixon, Mark (2011) Samuel Beckett’s German diaries 1936-37. Historicizing Modernism . Continuum, pp272. ISBN 9781441152589

Nixon, Mark (2009) Writing myself into the ground. In: Barfield, S., Feldman, M. and Tew, P. (eds.) Beckett and Death. Continuum Literary Studies (2). Continuum, London, pp. 22-30. ISBN 9780826498359

Nixon, Mark (2006) 'Writing': die Bedeutung der Deutschlandreise 1936/37 für Becketts schriftstellerische Entwicklung. In: Dittrich, Lutz, Veit, Carola and Wichner, Ernest (eds.) "Obergeschoss still closed": Samuel Beckett in Berlin 1936/37. Matthes & Seitz, Berlin, pp. 103-122. ISBN 9783882219203

Nixon, Mark (2011) “a space to note”: Raumästhetik in Becketts Manuskripten. In: Sick , Franziska (ed.) Raum und Objekt im Werk von Samuel Beckett. transcript verlag, pp. 1-11. ISBN 9783837615159

Nixon, Mark and Séguier (transl.), Julia (2017) Chronologie du voyage de Samuel Beckett en Allegmagne (28 Septembre 1936 - 2 Avril 1937). In: Brown, Llewellyn (ed.) La Violence dans l'oeuvre de Samuel Beckett. Série Samuel Beckett (4). Lettres Modernes Minard, Paris, pp. 313-345. ISBN 9782812450228

Nixon, Mark and Van Hulle, Dirk, eds. (2010) Beckett and Germany. Journal of Beckett Studies, 19 (2). Edinburgh University Press, UK, pp128. ISBN 9780748641390

Nixon, Mark and Van Hulle, Dirk (2017) German fever: Beckett in Deutschland. Marbacher Magazine, 158/159. Deutsche Schillergesellschaft, Marbach am Neckar, pp247. ISBN 9783944469300

Nixon, Mark and Van Hulle, Dirk, eds. (2019) 'never neglect the little things in life': Beckett and the Everyday. Journal of Beckett Studies, 28 (1). Edinburgh University Press.

Nixon, Mark (2010) Beckett and Germany in the 1930s: the development of a poetics. In: Gontarski , S.E. (ed.) A companion to Samuel Beckett. Wiley-Blackwell, Oxford, UK, pp. 130-142. ISBN 9781405158695

Nixon, Mark (2010) Beckett back with the Irish. Times Literary Supplement, 23 July 20. ISSN 0307-661X

Nixon, Mark (2013) Beckett liest deutsche Literatur 1945-1989: Eine Übersicht. In: Wilm, Jan and Nixon, Mark (eds.) Samuel Beckett und die deutsche Literatur. transcript verlag, pp. 19-31. ISBN 9783837620672

Nixon, Mark (2009) Beckett publishing/publishing Beckett in the 1930s. Variants, 6. pp. 209-219. ISSN 1573-3084

Nixon, Mark (2010) Beckett – Frisch – Dürrenmatt. Samuel Beckett Today / Aujourd'hui, 22. ISSN 0927-3131

Nixon, Mark (2011) Beckett's 'Film Vidéo-Cassette projet'. In: Hartel, G. and Glasmeier, G. (eds.) The Eye of Prey: Becketts Film-, Fernseh- und Videoarbeiten: Becketts Fernseh-, Film- und Videoarbeiten. Suhrkamp, Frankfurt am Main, pp. 401-414. ISBN 9783518124604

Nixon, Mark (2014) Beckett's unpublished canon. In: Gontarski, S.E. (ed.) The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh University Press, Edinburgh, pp. 282-305. ISBN 9780748675685

Nixon, Mark (2011) Beckett’s manuscripts in the marketplace. Modernism/Modernity, 18 (4). 823 -831. ISSN 1080-6601 doi: https://doi.org/10.1353/mod.2011.0105

Nixon, Mark (2010) Belacqua revididus: Beckett’s short story 'Echo’s Bones’. Limit(e) Beckett , 1. pp. 92-101. ISSN 2105-1119

Nixon, Mark (2009) Between art-world and life-world: Beckett's 'Dream of Fair to Middling Women'. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, London, pp. 97-108. ISBN 9780826497147

Nixon, Mark (2010) Chronology of Beckett's journey to Germany 1936-1937 (based on the German diaries). Journal of Beckett Studies, 19 (2). pp. 245-272. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2010.0007

Nixon, Mark (2007) Ewangelia i zakaz: Beckett i nazistowskie Niemcy. Kwartalnik Artystyczny, 53 (1). pp. 69-78. ISSN 1232–2105

Nixon, Mark (2006) 'Guess where': from reading to writing in Beckett. Genetic Joyce Studies, 16. ISSN 2031-9002

Nixon, Mark (2009) "Infernal streams": Beckett's rivers. Samuel Beckett Today / Aujourd'hui, 20. pp. 33-47. ISSN 0927-3131

Nixon, Mark (2015) Postman and scholar: James Knowlson's friendship with Samuel Beckett. In: On in their company - Essays on Beckett, with Tributes and Sketches; Presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp. 17-23. ISBN 9780704915343

Nixon, Mark (2007) Samuel Beckett and Romanticism in the 1930s. Samuel Beckett Today / Aujourd'hui, 18. pp. 61-76. ISSN 0927-3131 (special issue 'All sturm and no drang')

Nixon, Mark (2009) Samuel Beckett's ‘Film Vidéo-Cassette projet’. Journal of Beckett Studies, 18 (1-2). pp. 32-43. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000259

Nixon, Mark, ed. (2014) Samuel Beckett: Echo's Bones. Grove Press, New York, pp128. ISBN 9780802120458

Nixon, Mark (2005) Samuel Beckett’s presence in modern Irish poetry. Yearbook of English Studies, 35. pp. 43-57. ISSN 2222-4289

Nixon, Mark (2006) “Scraps of German”: Samuel Beckett reading German literature. Samuel Beckett Today / Aujourd'hui, 16. pp. 259-282. ISSN 0927-3131 (special issue 'Notes diverse holo[graph]')

Nixon, Mark (2007) Solitude(s) and creative fidgets: Beckett reading Rainer Maria Rilke. Litteraria Pragensia, 17 (33). pp. 6-18. ISSN 0862-8424 (special issue 'Samuel Beckett: textual genesis and reception')

Nixon, Mark (2007) 'Text-void': silent words in Paul Celan and Samuel Beckett. In: Feldman, Matthew and Nixon, Mark (eds.) Beckett’s literary legacies. Cambridge Scholars Publishing, Newcastle, pp. 152-168. ISBN 9781847182814

Nixon, Mark (2008) "Unutterably Faint": Beckett’s late English poetry. Fulcrum: an annual of poetry and aesthetics, 6. pp. 507-521. ISSN 1534-7877

Nixon, Mark ORCID: https://orcid.org/0000-0002-3730-1785 (2022) 'The missing poème: Beckett's fêtes galantes'. In: Brophy, James and Davies, William (eds.) Samuel Beckett's Poetry. Cambridge University Press, pp. 115-125. ISBN 9781009222563 doi: https://doi.org/10.1017/9781009222563.009

Nixon, Mark (2007) The remains of trace: intra- and intertextual transferences in Beckett’s 'Mirlitonnades' manuscripts. Journal of Beckett Studies, 16 (1 & 2). pp. 121-134. ISSN 1759-7811

Nixon, Mark and Hulle, D. V. (2009) Beckett's library: from marginalia to notebooks. In: Guardamagna, D and Sebellin, R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Rome, pp. 57-74. ISBN 9788842090700

Nixon, Mark and Pilling, John, eds. (2015) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp254. ISBN 9780704915343

Pilling, John (2011) Samuel Beckett’s ‘More Pricks Than Kicks’: in a strait of two wills. Historicizing Modernism. Continuum, London, pp288. ISBN 9781441159472

Pilling, John and Lawlor, Sean Patrick, eds. (2012) Collected poems of Samuel Beckett. Faber and Faber, London, pp499. ISBN 9780571249848

Pilling, John (2009) Beckett and Italian literature (after Dante). In: Guardamagna , Daniela and Sebellin , Rossana M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Bardi, Italy, pp. 178-191. ISBN 9788842090700

Pilling, John (2009) Beckett's Letters. Journal of Beckett Studies, 18 (1-2). pp. 178-191. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000351

Pilling, John (2010) On not being there: going on without in Beckett. In: Caselli, D. (ed.) Beckett and Nothing. Manchester University Press, Manchester, pp. 20-27. ISBN 9780719080197

Pilling, John (2009) A critique of aesthetic judgment: Beckett’s “Dissonance of Ends and Means". In: Gontarski, S. E. (ed.) A Companion to Beckett. Wiley-Blackwell, Oxford, pp. 63-72. ISBN 9781405158695

Pilling, John (2009) The uses of enchantment: Beckett and the fairy tale. Samuel Beckett Today / Aujourd'hui, 21. pp. 75-85. ISSN 0927-3131

Pilling, John and Lawlor, Sean Patrick (2010) Beckett in transition. In: Nixon, Mark (ed.) Publishing Samuel Beckett. British Library, London, pp. 83-96. ISBN 9780712358262

Pilling, John and Nash, Andrew (2011) The 'Shatton and Windup' Affair: Beckett's dealings with the firm of Chatto & Windus, 'Wholesale, Retail and for Exportation'. In: Nixon, Mark (ed.) Publishing Samuel Beckett. The British Library, London, pp. 11-22. ISBN 9780712358262

Rapcsak, Balazs, Nixon, Mark ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, Philipp, eds. (2022) Beckett and media. Manchester University Press, pp248. ISBN 9781526145833

Saunders, Graham (2007) Reclaiming Sam for Ireland: the Beckett on film project. In: Cave, Richard and Levitas, Ben (eds.) Irish Theatre in England. Irish Theatrical Diaspora (2). Carysfort Press, Dublin. ISBN 9781904505266

Saunders, Graham (2005) 'A theatre of ruins'. Edward Bond & Samuel Beckett: theatrical antagonists. Studies in Theatre & Performance, 25 (1). pp. 66-77. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.25.1.67/0

Thomson, Stephen (2021) Whatever: Giorgio Agamben's gender trouble. Textual Practice, 35 (5). pp. 787-807. ISSN ‎0950-236X doi: https://doi.org/10.1080/0950236X.2020.1731585

Tucker, David and Nixon, Mark (2015) Toward a scholarly edition of Beckett's critical writings. Journal of Beckett Studies, 24 (1). pp. 49-56. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2015.0119

Tucker, David, Nixon, Mark and Van Hulle, Dirk, eds. (2014) Revisiting Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable. Samuel Beckett Today / Aujourd'hui, 26. Rodopi, Amsterdam, pp316. ISBN 9789042038806

Van Hulle, Dirk and Nixon, Mark (2013) Samuel Beckett's library. Cambridge University Press, pp342. ISBN 9781107001268

Van Hulle, Dirk and Nixon, Mark (2012) Historisch-krritische genetic crritic! editio, 26 (1). pp. 30-37. ISSN 1865-9446 doi: https://doi.org/10.1515/editio-2012-0004

Van Hulle, Dirk and Nixon, Mark (2014) Performance and Beckett's Bare room. Journal of Beckett Studies, 23 (1). v-xi. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0082

Wilm, Jan and Nixon, Mark, eds. (2013) Samuel Beckett und die deutsche Literatur. transcript verlag, pp194. ISBN 9783837620672

van Hulle, Dirk and Nixon, Mark (2007) “Holo and unholo”: the Beckett Digital Manuscript Project. Samuel Beckett Today / Aujourd'hui, 18. pp. 313-322. ISSN 0927-3131 (special issue 'All sturm and no drang')