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Davies, W. (2020) Samuel Beckett's trilogy and the revolution of the body in Vichy France. Twentieth-Century Literature, 66 (1). pp. 11-36. ISSN 0041-462X doi: 10.1215/0041462X-8196685

Davies, W. (2017) A text become provisional: revisiting the capital of the ruins. Journal of Beckett Studies, 26 (2). pp. 169-187. ISSN 1759-7811 doi: 10.3366/jobs.2017.0201

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Frost, E. and McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2003) The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon. In: Ben-Zvi, L. (ed.) Drawing on Beckett : portraits, performances, and cultural contexts. Assaph Books. Tel Aviv University, Tel Aviv, pp. 215-238. ISBN 9789659062508

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

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McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988

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Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Germany: circa 1936-1937. In: Uhlmann, A. (ed.) Beckett in Context. Literature in context. Cambridge University Press, Cambridge / New York, pp. 99-108. ISBN 9781107017030

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Gospel und Verbot: Beckett und Nazi Germany. In: Giesing, M., Hartel, G. and Veit, C. (eds.) Das Raubage in der Stadt: Beckett liest Hamburg. Wallstein Verlag, Göttingen, pp. 69-78. ISBN 9783835301931

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) 'Guess where': from reading to writing in Beckett. Genetic Joyce Studies, 16. ISSN 2031-9002

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2012) 'Happily melancholy’: pleasure and pain in Early Beckett. In: Tanaka, M. H., Tsushima, M. and Tajiri, Y. (eds.) Samuel Beckett and Pain. Rodopi, Amsterdam, pp. 27-42. ISBN 978904203523

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) "Infernal streams": Beckett's rivers. Samuel Beckett Today / Aujourd'hui, 20. pp. 33-47. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Postman and scholar: James Knowlson's friendship with Samuel Beckett. In: On in their company - Essays on Beckett, with Tributes and Sketches; Presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp. 17-23. ISBN 9780704915343

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2011) Publishing Samuel Beckett. British Library , pp304. ISBN 9780712358262

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Ruptures of the visual: Beckett as critic and poet. In: Van Hulle, D. (ed.) The New Cambridge Companion to Samuel Beckett. 2nd edition. Cambridge Companions to Literature. Cambridge University Press, pp. 73-88. ISBN 9781107075191

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett Németországban, 1936-37 – felvilágosítók és hályogkovácsok – Bevezetés Beckett Német naplóihoz’ [translation by Török Gabor]. Nagyvilág, 58 (5). pp. 522-531.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Samuel Beckett and Romanticism in the 1930s. Samuel Beckett Today / Aujourd'hui, 18. pp. 61-76. ISSN 0927-3131 (special issue 'All sturm and no drang')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Samuel Beckett's ‘Film Vidéo-Cassette projet’. Journal of Beckett Studies, 18 (1-2). pp. 32-43. ISSN 1759-7811 doi: 10.3366/E0309520709000259

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2014) Samuel Beckett: Echo's Bones. Grove Press, New York, pp128. ISBN 9780802120458

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2019) Samuel Beckett: la traduction en anglais de 'Textes pour rien'. In: Brown, L. (ed.) Textes pour rien / Texts for Nothing de Samuel Beckett: Le corps de la voix impossible. Lettres Modernes Minard, Paris, pp. 55-66. ISBN 9782406081425 doi: 10.15122/isbn.978-2-406-08143-2.p.0055

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2010) Samuel Beckett: texts for nothing and other shorter prose, 1950-1976. Faber, London. ISBN 9780571244621

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett: video artist. In: Fifield, P. and Addyman, D. (eds.) Samuel Beckett: Debts and legacies: New critical essays. Bloomsbury Methuen, London, pp. 177-190. ISBN 9781408184523

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Samuel Beckett’s German diaries 1936-37. Historicizing Modernism . Continuum, pp272. ISBN 9781441152589

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2005) Samuel Beckett’s presence in modern Irish poetry. Yearbook of English Studies, 35. pp. 43-57. ISSN 2222-4289

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) “Scraps of German”: Samuel Beckett reading German literature. Samuel Beckett Today / Aujourd'hui, 16. pp. 259-282. ISSN 0927-3131 (special issue 'Notes diverse holo[graph]')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Solitude(s) and creative fidgets: Beckett reading Rainer Maria Rilke. Litteraria Pragensia, 17 (33). pp. 6-18. ISSN 0862-8424 (special issue 'Samuel Beckett: textual genesis and reception')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) 'Text-void': silent words in Paul Celan and Samuel Beckett. In: Feldman, M. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Beckett’s literary legacies. Cambridge Scholars Publishing, Newcastle, pp. 152-168. ISBN 9781847182814

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2008) "Unutterably Faint": Beckett’s late English poetry. Fulcrum: an annual of poetry and aesthetics, 6. pp. 507-521. ISSN 1534-7877

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Writing myself into the ground. In: Barfield, S., Feldman, M. and Tew, P. (eds.) Beckett and Death. Continuum Literary Studies (2). Continuum, London, pp. 22-30. ISBN 9780826498359

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) 'Writing': die Bedeutung der Deutschlandreise 1936/37 für Becketts schriftstellerische Entwicklung. In: Dittrich, L., Veit, C. and Wichner, E. (eds.) "Obergeschoss still closed": Samuel Beckett in Berlin 1936/37. Matthes & Seitz, Berlin, pp. 103-122. ISBN 9783882219203

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2022) 'The missing poème: Beckett's fêtes galantes'. In: Brophy, J. and Davies, W. (eds.) Samuel Beckett's Poetry. Cambridge University Press, pp. 115-125. ISBN 9781009222563 doi: 10.1017/9781009222563.009

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) The remains of trace: intra- and intertextual transferences in Beckett’s 'Mirlitonnades' manuscripts. Journal of Beckett Studies, 16 (1 & 2). pp. 121-134. ISSN 1759-7811

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) “a space to note”: Raumästhetik in Becketts Manuskripten. In: Sick , F. (ed.) Raum und Objekt im Werk von Samuel Beckett. transcript verlag, pp. 1-11. ISBN 9783837615159

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Hulle, D. V. (2009) Beckett's library: from marginalia to notebooks. In: Guardamagna, D. and Sebellin, R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Rome, pp. 57-74. ISBN 9788842090700

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Pilling, J., eds. (2015) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp254. ISBN 9780704915343

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Séguier (transl.), J. (2017) Chronologie du voyage de Samuel Beckett en Allegmagne (28 Septembre 1936 - 2 Avril 1937). In: Brown, L. (ed.) La Violence dans l'oeuvre de Samuel Beckett. Série Samuel Beckett (4). Lettres Modernes Minard, Paris, pp. 313-345. ISBN 9782812450228

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2010) Beckett and Germany. Journal of Beckett Studies, 19 (2). Edinburgh University Press, UK, pp128. ISBN 9780748641390

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (2017) German fever: Beckett in Deutschland. Marbacher Magazine, 158/159. Deutsche Schillergesellschaft, Marbach am Neckar, pp247. ISBN 9783944469300

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2019) 'never neglect the little things in life': Beckett and the Everyday. Journal of Beckett Studies, 28 (1). Edinburgh University Press.

Pilling, J. (2011) Samuel Beckett’s ‘More Pricks Than Kicks’: in a strait of two wills. Historicizing Modernism. Continuum, London, pp288. ISBN 9781441159472

Pilling, J. and Lawlor, S. P., eds. (2012) Collected poems of Samuel Beckett. Faber and Faber, London, pp499. ISBN 9780571249848

Pilling, J. (2009) Beckett and Italian literature (after Dante). In: Guardamagna , D. and Sebellin , R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Bardi, Italy, pp. 178-191. ISBN 9788842090700

Pilling, J. (2009) Beckett's Letters. Journal of Beckett Studies, 18 (1-2). pp. 178-191. ISSN 1759-7811 doi: 10.3366/E0309520709000351

Pilling, J. (2010) On not being there: going on without in Beckett. In: Caselli, D. (ed.) Beckett and Nothing. Manchester University Press, Manchester, pp. 20-27. ISBN 9780719080197

Pilling, J. (2009) A critique of aesthetic judgment: Beckett’s “Dissonance of Ends and Means". In: Gontarski, S. E. (ed.) A Companion to Beckett. Wiley-Blackwell, Oxford, pp. 63-72. ISBN 9781405158695

Pilling, J. (2009) The uses of enchantment: Beckett and the fairy tale. Samuel Beckett Today / Aujourd'hui, 21. pp. 75-85. ISSN 0927-3131

Pilling, J. and Lawlor, S. P. (2010) Beckett in transition. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (ed.) Publishing Samuel Beckett. British Library, London, pp. 83-96. ISBN 9780712358262

Pilling, J. and Nash, A. (2011) The 'Shatton and Windup' Affair: Beckett's dealings with the firm of Chatto & Windus, 'Wholesale, Retail and for Exportation'. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (ed.) Publishing Samuel Beckett. The British Library, London, pp. 11-22. ISBN 9780712358262

Rapcsak, B., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, P., eds. (2022) Beckett and media. Manchester University Press, pp248. ISBN 9781526145833 doi: 10.7765/9781526145840

Saunders, G. (2007) Reclaiming Sam for Ireland: the Beckett on film project. In: Cave, R. and Levitas, B. (eds.) Irish Theatre in England. Irish Theatrical Diaspora (2). Carysfort Press, Dublin. ISBN 9781904505266

Saunders, G. (2005) 'A theatre of ruins'. Edward Bond & Samuel Beckett: theatrical antagonists. Studies in Theatre & Performance, 25 (1). pp. 66-77. ISSN 2040-0616 doi: 10.1386/stap.25.1.67/0

Thomson, S. ORCID: https://orcid.org/0000-0003-2698-3458 (2021) Whatever: Giorgio Agamben's gender trouble. Textual Practice, 35 (5). pp. 787-807. ISSN ‎0950-236X doi: 10.1080/0950236X.2020.1731585

Tucker, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Toward a scholarly edition of Beckett's critical writings. Journal of Beckett Studies, 24 (1). pp. 49-56. ISSN 0309-5207 doi: 10.3366/jobs.2015.0119

Tucker, D., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2014) Revisiting Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable. Samuel Beckett Today / Aujourd'hui, 26. Rodopi, Amsterdam, pp316. ISBN 9789042038806

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2012) Historisch-krritische genetic crritic! editio, 26 (1). pp. 30-37. ISSN 1865-9446 doi: 10.1515/editio-2012-0004

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2014) Performance and Beckett's Bare room. Journal of Beckett Studies, 23 (1). v-xi. ISSN 0309-5207 doi: 10.3366/jobs.2014.0082

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett's library. Cambridge University Press, pp342. ISBN 9781107001268

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2024) Write cut rewrite: the cutting-room floor of modern literature. Bodleian Library Publishing, Oxford, pp192. ISBN 9781851246182

Wilm, J. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2013) Samuel Beckett und die deutsche Literatur. transcript verlag, pp194. ISBN 9783837620672

van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) “Holo and unholo”: the Beckett Digital Manuscript Project. Samuel Beckett Today / Aujourd'hui, 18. pp. 313-322. ISSN 0927-3131 (special issue 'All sturm and no drang')