Items where Division is "English Literature"

Reading Faculties, Schools and Departments (1261)
- Arts, Humanities and Social Science (1261)
  - School of Literature and Languages (1261)
    - English Literature (1261)

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Number of items at this level: 1261.

A

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2024) “Being / together”: Bernardine Evaristo’s Girl, Woman, Other and the Black British women’s movement. Contemporary Women's Writing, 18. vpae018. ISSN 1754-1484 doi: https://doi.org/10.1093/cww/vpae018

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2012) Bernard Spencer's compositional processes. In: Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (ed.) Bernard Spencer: Essays on his Poetry & Life. Shearsman, Bristol, pp. 96-110. ISBN 9781848612549

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2020) Black British Women's Theatre: Intersectionality, Archives, Aesthetics. Palgrave Macmillan, Basingstoke, UK. ISBN 9783030514587 doi: https://doi.org/10.1007/978-3-030-51459-4

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2014) Looking back: Winsome Pinnock's politics of representation. In: Brewer, M., Goddard, L. and Osborne, D. (eds.) Modern and Contemporary Black British Drama. Palgrave Macmillan, Basingstoke. ISBN 9780230303195

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2017) Sensory signification in Juniper’s Whitening and Victimese. In: Ilott, S. and Buckley, C. (eds.) “Telling it Slant”: Critical Approaches to Helen Oyeyemi. Sussex Academic Press, Eastbourne. ISBN 9781845197902

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2014) Staging the unsayable: debbie tucker green's political theatre. Journal of Contemporary Drama in English, 2 (12). pp. 113-130. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2014-0009

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2024) ‘being / together’: Bernardine Evaristo’s Girl, Woman, Other and the Black British women’s movement. Contemporary Women's Writing. ISSN 1754-1484 (In Press)

Abram, N. L. ORCID: https://orcid.org/0000-0002-9695-0494 (2020) Forging connections: anthologies, arts collectives, and the politics of inclusion. In: Nasta, S. and Stein, M. U. (eds.) The Cambridge History of Black and Asian British Writing. Cambridge University Press, Cambridge, pp. 403-416. doi: https://doi.org/10.1017/9781108164146.026

Alrashidy, F. (2023) A postcritical reading of agency in contemporary British Muslim women’s fiction. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00113634

Antognini, R. and Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2023) Giorgio Bassani, the collected poems. Agincourt Press, New York, pp343. ISBN 9781946328366

Antonielli, A. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2016) Edwin John Ellis’s and William Butler Yeats’s "The Works of William Blake: Poetic, Symbolic and Critical"; a manuscript edition, with critical analysis. Firenze University Press, pp762. ISBN 978864533407

Antonielli, A. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Toward an edition of Edwin John Ellis and William Butler Yeats’s The works of William Blake: poetic, symbolic and critical. Variants - The Journal of the European Society for Textual Scholarship, 10. pp. 271-286. ISSN 1573-3084

B

Baird, C. (2017) Board game squares, face cards, and chess in 'Antony and Cleopatra'. Notes and Queries, 64 (2). pp. 297-300. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjx062

Baird, C. (2015) From court to playhouse and back: Middleton's appropriation of the masque. Early Theatre, 18 (2). ISSN 1206-9078 doi: https://doi.org/10.12745/et.18.2.2517

Baird, C. C. (2019) Stakes and hazards: games and gaming in early modern drama. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088555

Bark, D. (2013) Poetry of social conscience, poetry of transition: Ann Hawkshaw's 'Introductory Stanzas' and 'The Mother to her Starving Child'. In: Hanson, I., Rhoden, W. J. and Snyder, E.E. (eds.) Poetry, Politics and Pictures: Culture and Identity in Europe, 1984-1914. Writing and Culture in the Long Nineteenth Century (3). Peter Lang, Oxford, pp. 45-65. ISBN 9783034309813

Battershill, C. (2014) Circus. McClelland & Stewart, Toronto, Canada, pp224. ISBN 9780771012785

Battershill, C. (2014) Johnson and Juvenal in John Ashbery's 'An Additional Poem' (1962). Notes and Queries, 61 (4). pp. 612-614. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gju127

Battershill, C. (2016) Life before ‘The New Biography’: Modernist biographical methods in the Hogarth Press ‘Books on Tolstoi’ 1920-24. Auto/Biography Studies, 36 (1). pp. 109-132. ISSN 2151-7290 doi: https://doi.org/10.1080/08989575.2016.1089679 (special issue: Essay cluster: biofictions)

Battershill, C. (2015) Reticent autobiography: Henry Green and Christopher Isherwood at the Hogarth Press. Journal of Modern Literature, 39 (1). pp. 38-54. ISSN 1529-1464 doi: https://doi.org/10.2979/jmodelite.39.1.38

Battershill, C. (2014) Writers' rooms: theories of contemporary authorship in portraits of creative spaces. Authorship, 3 (2). pp. 1-14. ISSN 2034-4643

Battershill, C., Southworth, H., Staveley, A., Widner, M., Willson Gordon, E. and Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2017) Scholarly adventures in the digital humanities: making the Modernist Archives Publishing Project. Palgrave Pivot. Palgrave Macmillan, Houndmills. ISBN 9783319472102

Battershill, C., Staveley, A. and Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2024) Making fields: women in publishing. In: Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, Claire, B., Heywood, S. ORCID: https://orcid.org/0000-0001-6641-2065, Joseph, M. ORCID: https://orcid.org/0000-0002-3045-9897, La Penna, D. ORCID: https://orcid.org/0000-0002-4197-0041, Southworth, H., Staveley, A. and Gordon, E. W. (eds.) The Edinburgh Companion to Women in Publishing, 1900-2000. Edinburgh companions to Literature and the humanities. Edinburgh University Press, Edinburgh. (In Press)

Baxter, J. (2018) The problem of Beckett in postmodern American literature. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00077543

Beal, P. and Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727, eds. (2007) Elizabeth I and the culture of writing. British Library Publishing, London, pp240. ISBN 9780712306782

Becker, C. ORCID: https://orcid.org/0000-0002-7629-3757 (2024) Creating a student identity: belonging and mattering. In: Hale, S. and Leech, S. (eds.) Foundation Years and Why They Matter. Emerald Publishing, Leeds, pp. 123-131. ISBN 9781837972135 doi: https://doi.org/10.1108/9781837972128

Becker, C. ORCID: https://orcid.org/0000-0002-7629-3757, ed. (2023) SAGE Student Success online platform - communication and interpersonal skills: module overview. SAGE Student Success. SAGE Publications

Becker, C. ORCID: https://orcid.org/0000-0002-7629-3757, ed. (2023) SAGE Student Success online platform - personal development and wellbeing: module overview. SAGE Student Success. SAGE Publications

Becker, C. ORCID: https://orcid.org/0000-0002-7629-3757, Becker, F. and Becker, A. (2022) Acing Online Assessment. Student Success. SAGE Publications, London, pp200. ISBN 9781529771893

Becker, F. (2020) Boost your Employability. Super Quick Skills. SAGE. ISBN 9781529745009

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2010) 14 days to exam success. Pocket Study Skills. Palgrave Macmillan, Basingstoke, pp112. ISBN 9780230249103

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2018) 14 days to exam success. 2nd edition. Pocket Study Skills. Palgrave, Basingstoke, Hampshire, pp126. ISBN 9781352003710

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2017) Creating a learning community on seasteads. In: Tiberius, V. (ed.) Seasteads: opportunities and challenges for small new societies. vdf Hochschulverlag , Zurich, pp. 221-230. ISBN 9783728138217

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2022) Creating an accidental sense of belonging in a foundation flock. The Journal of the Foundation Year Network, 4. pp. 25-32.

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2003) Death and the early modern Englishwoman. Ashgate, pp236. ISBN 9780754633495

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2007) Engaging with the present, believing in the future: why our students' career planning should matter to us. English Subject Centre Newsletter, 12. pp. 14-16. ISSN 1479-7089

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2019) Give Great Presentations. Super Quick Skills. SAGE, London, UK, pp124. ISBN 152970118X

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2021) How my failure to read a play helped my students develop their learning. Journal of Learning Development in Higher Education (22). ISSN 1759-667X doi: https://doi.org/10.47408/jldhe.vi22.706

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2002) How to manage your arts, humanities and social sciences degree. Palgrave Study Skills. Palgrave Macmillan, Basingstoke, pp192. ISBN 9781403900548

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2004) How to manage your distance and open learning course. Palgrave Study Skills. Palgrave, Basingstoke, pp224. ISBN 9781403921529

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2004) How to manage your postgraduate course. Palgrave, Basingstoke, pp200. ISBN 9781403916563

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2008) Managing the research process and the supervisory relationship. In: Hall, G. and Longman, J. (eds.) The Postgraduate's Companion. Sage, London, 144 -162. ISBN 9781412930253

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2014) Mastering Q & A sessions. In: Daly, I. and Haney, A. B. (eds.) 53 Interesting Ways to Communicate your Research. The Professional and Higher Partnership, Suffolk, pp. 111-112. ISBN 9781907076633

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757, ed. (2011) Old Whiteknights House papers. University of Reading, Reading, pp167. ISBN 9780704915103

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2021) Presenting research ideas in a seminar setting. In: Morrison, K. A. (ed.) Making the grade: re-imagining the graduate seminar essay in literary studies. Rowman and Littlefield, Lanham, MD, pp. 121-136, 208. ISBN 9781475856378

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2014) Presenting your research. Success in Research. SAGE, London, pp160. ISBN 9781446275894

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757, (2022) SAGE Student Success - being assertive. SAGE Student Success. SAGE Publications, London. doi: https://doi.org/10.4135/9781071891582 (ISBN 9781071891582)

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757, (2022) SAGE Student Success - giving a successful presentation. SAGE Student Success. SAGE Publications, London. doi: https://doi.org/10.4135/9781071892282 (ISBN 9781071892282)

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757, (2022) SAGE Student Success - how you like to learn. SAGE Student Success. SAGE Publications, London. doi: https://doi.org/10.4135/9781071891735 (ISBN 9781071891735)

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757, (2022) SAGE Student Success - leadership and negotiation. SAGE Student Success. SAGE Publications, London. doi: https://doi.org/10.4135/9781071892015 (ISBN 9781071892015)

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757, (2022) SAGE Success Student Skills - managing your time. Student Success. SAGE Publications, London. doi: https://doi.org/10.4135/9781071893494 (ISBN 9781071893494)

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2017) Searcher in the dawn. Endeavour Press, pp213. ISBN 9781549932267

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2019) Serendipity and the impact of tiny innovations. Journal for Research and Practice in College Teaching, 3 (2). pp. 39-43.

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2022) 'Still learning together': the way YouTube videos helped arts and humanities students during lockdown. In: Jamil, M. G. and Morley, D. A. (eds.) Agile learning environments during disruption: evaluating academic innovations in Higher Education during COVID-19. Palgrave Macmillan, Cham, pp. 425-439. ISBN 9783030929787 doi: https://doi.org/10.1007/978-3-030-92979-4_27

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2019) Students as partners in academic placements. International Journal for Students as Partners, 3 (2). pp. 149-155. ISSN 2560-7367 doi: https://doi.org/10.15173/ijsap.v3i2.3377

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2019) Study your way to your perfect career. Student Success. SAGE, pp280. ISBN 9781526435019

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2020) Write a Brilliant CV. Super Quick Skills. SAGE Publishing, pp140. ISBN 9781529715224

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2001) The absent body: representations of dying early modern women in a selection of seventeenth-century diaries. Women's Writing, 8 (2). pp. 251-262. ISSN 1747-5848 doi: https://doi.org/10.1080/09699080100200132

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2009) The mature student's handbook. Palgrave Study Skills. Palgrave Macmillan, Basingstoke, pp139. ISBN 9780230210264

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 (2008) The supervision process and the nature of the research degree. In: Hall, G. and Longman, J. (eds.) The Postgraduate's Companion. Sage, London, pp. 123-143. ISBN 9781412930253

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 and Becker, F. (2016) Seven steps to a successful career. SAGE Study Skills. SAGE, UK, pp205. ISBN 9781473919419

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 and Denicolo, P. (2012) Developing research proposals. Success in Research. SAGE, London, pp160. ISBN 9780857028655

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 and Denicolo, P. (2012) Publishing journal articles. Success in Research. SAGE, London, pp160. ISBN 9781446200629

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 and Denicolo, P. (2012) Teaching in higher education. Success in Research. SAGE, London, pp176. ISBN 9781446256046

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 and Price, D. (2003) How to manage your science and technology degree. Palgrave Study Skills. Palgrave Macmillan, Basingstoke, pp184. ISBN 9781403906403

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757 and van Emden, J. (2003) Effective communication for arts and humanities students. Palgrave Study Skills. Palgrave Macmillan, Basingstoke, pp224. ISBN 9780333984871

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757, Collier, J. and Setter, J. ORCID: https://orcid.org/0000-0001-7334-5702 (2018) Students as change partners in the School of Literature and Languages at the University of Reading. The Journal of Educational Innovation, Partnership and Change, 4 (1). ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v4i1.712

Becker, L. ORCID: https://orcid.org/0000-0002-7629-3757, Denicolo, P. and Reeves, P. (2014) Success in research kit. SAGE, London. ISBN 9781473906808

Becker, L. M. ORCID: https://orcid.org/0000-0002-7629-3757 (2000) Death and the Early Modern Englishwoman. PhD thesis, University of Reading.

Becker, L. M. ORCID: https://orcid.org/0000-0002-7629-3757 (2019) Student screencasts within a learning partnership. Student Engagement in Higher Education Journal, 2 (2). pp. 133-140. ISSN 2399-1836

Becker, L. M. ORCID: https://orcid.org/0000-0002-7629-3757 (2014) Writing successful reports and dissertations. SAGE study skills series. SAGE, Los Angeles, pp208. ISBN 9781446298275

Bending, L. (2008) Falling over the banister: Harriet Martineau and the uneasy escape from the private. In: Gómez Reus, T. and Usandizaga, A. (eds.) Inside Out: women negotiating, subverting, appropriating public and private space. Spatial Practices: An Interdisciplinary Series in Cultural History, Geography and Literature (4). Rodopi, pp. 35-46. ISBN 9789042024410

Bending, L. (2009) 'Fishing in a Strange Element': Harriet Martineau and the Visible World. In: Strange Sisters: Literature and Aesthetics in the Nineteenth Century. Cultural Interactions: Studies in the Relationship between the Arts, 9. Peter Lang, Oxford. ISBN 97830391184-3

Bending, L. (2004) Pain and religion in the Victorian era. In: Moscoso, J. (ed.) Pain: passion, compassion, sensibility. Wellcome Trust, London. ISBN 1841290505

Bending, L. (2010) Self-presentation and instability in Harriet Martineau's autobiography. In: Dzelzainis, E. and Kaplan, C. (eds.) Harriet Martineau: authorship, society and empire. Manchester University Press, UK, pp. 63-73. ISBN 9780719081330

Bending, L. (2018) 'The sad language of pain': S. Weir Mitchell, the American Civil War, and interpreting physical suffering. In: Gonzalez-Polledo, E. J. and Tarr, J. (eds.) Painscapes: framing pain communication. Palgrave Macmillan, London, UK, pp. 25-40. ISBN 9781349952717

Bending, L. (2006) Approximation, suggestion, and analogy: translating pain into language. Yearbook of English Studies, 36 (1). pp. 131-137. ISSN 2222-4289 (special issue 'Translation')

Bernard, S., Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 and McTague, J. (2017) The plays and poems of Nicholas Rowe, Volume I: the early plays. The Pickering Masters. Routledge. ISBN 9781138762039

Blamires, A. (2017) ‘Shrill cryings’ and ‘often dyings’: wedding night tragedy on the Renaissance stage. PhD thesis, University of Reading.

Bolchi, E. (2020) Incontri artistici in spazi estremi. Solar di Ian McEwan e il progretto Cape Farewell. In: Brazzelli, N. (ed.) Estremi confini. Spazi e narrazioni nella letteratura di lingua inglese. Di/Segni. Ledizioni, Milan, pp. 177-188. ISBN 9788855262187

Bolchi, E. (2019) No way back: war trauma in Richard Aldington and Virginia Woolf. In: Riede, A. (ed.) Transatlantic Shell Shock. British and American Literatures of World War I Trauma. University of North Georgia Press, Dahlonega, pp. 208-231. ISBN 9781940771656

Bolchi, E., Child, P., ed. (2019) Richard Aldington. Death of a Hero. The Literary Enciclopedia (Volume 1.2.1.08: English Writing and Culture of the early Twentieth Century , 1900-1945.)

Bolchi, E. (2019) A good European. Richard Aldington and Italy. In: Tortora, M. and Volpone, A. (eds.) Borders of Modernism. European Modernism (5). Morlacchi Editore, Perugia, pp. 237-258. ISBN 9788893921060

Bolchi, E. (2020) Bloomsbury writers in Italy: a comparison of the Italian publication history of E.M. Forster, Lytton Strachey and Virginia Woolf. Letteratura e letterature, 14. pp. 71-87. ISSN 1973-2600 doi: https://doi.org/10.19272 / 202009801006

Bolchi, E. (2021) Filling the void: Virginia Woolf and the feminism of difference in Italy. The Italianist, 41 (1). pp. 97-115. ISSN 1748-619X doi: https://doi.org/10.1080/02614340.2021.1922177

Bolchi, E. (2021) Solid and living: the Italian Woolf renaissance. In: Dubino, J., Pająk, P., Hollis, C. W., Celiese, L. and Neverow, V. (eds.) The Edinburgh companion to Virginia Woolf and contemporary global literature. Edinburgh companions to literature and the humanities. Edinburgh University Press, Edinburgh, pp. 183-198. ISBN 9781474448475

Bold, V. and Nash, A., eds. (2014) Gateway to the modern: resituating J.M. Barrie. Association for Scottish Literary Studies Occasional Papers, 18. Scottish Literature International, Glasgow. ISBN 9781908980021

Bold, V. and Nash, A. (2014) Introduction. In: Bold, V. and Nash, A. (eds.) Gateway to the Modern: Resituating J.M. Barrie. Association of Scottish Literary Studies Occasional Papers: Number 18. Scottish Literature International, Glasgow, vii-xii. ISBN 9781908980021

Boxall, P. and Cheyette, B., eds. (2016) Volume 7: British and Irish Fiction since 1940. The Oxford History of the Novel in English. Oxford University Press, Oxford. ISBN 9780198749394

Boxall, P. and Cheyette, B. (2016) The future of the novel. In: Boxall, P. and Cheyette, B. (eds.) Volume 7: British and Irish Fiction since 1940. The Oxford History of the Novel in English. Oxford University Press, Oxford, pp. 564-592. ISBN 9780198749394

Boxall, P. and Cheyette, B. (2016) The life and death of the post-war novel. In: Boxall, P. and Cheyette, B. (eds.) Volume 7: British and Irish Fiction since 1940. The Oxford History of the Novel in English. Oxford University Press, Oxford, pp. 1-20. ISBN 9780198749394

Bradbury, N. (2008) Dickens’s use of the “Autobiographical Fragment”. In: Paroissien, D. (ed.) A Companion to Charles Dickens. Blackwell Companions to Literature and Culture . Wiley-Blackwell, Oxford, pp. 18-32. ISBN 9781405130974

Bradbury, N. (2010) Dolce far niente. In: Hollington, M. and Orestano , F. (eds.) Dickens and Italy: Little Dorrit and pictures from Italy. Cambridge Scholars Publishing, UK, pp. 15-25. ISBN 9781443814430

Bradbury, N. (2011) Epilogue: ghost writing. In: Despotopoulou, A. and Reed, K. C. (eds.) Henry James and the supernatural. Palgrave Macmillan, pp. 183-189. ISBN 9780230115262

Bradbury, N. (2008) Henry James and Britain. In: Zacharias, G.W. (ed.) A Companion to Henry James. Wiley-Blackwell, Oxford, pp. 400-415. ISBN 9781405140423

Bradbury, N. (2006) 'De cette triste plume tâtonnante': Henry James and 'The task of the translator'. Yearbook of English Studies, 36 (1). pp. 138-144. ISSN 2222-4289 (special issue 'Translation')

Bradbury, N. (2008) Introduction. In: "La Cosa Reale" by Henry James. Galaad, Milan, pp. 57-71.

Bradbury, N. (2008) Rules of engagement and strategies of withdrawal: The war on terror in 'The Bench of Desolation'. The Cambridge Quarterly, 37 (1). pp. 114-120. ISSN 1471-6836 doi: https://doi.org/10.1093/camqtly/bfm030

Bradbury, N. (2004) 'While I waggled my small feet': Henry James's return to Paris. Yearbook of English Studies, 34. pp. 186-193. ISSN 2222-4289 doi: https://doi.org/10.2307/3509493

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2016) Absent presences: paradoxes of representation and self-representation in (post)-9/11 comics. In: Morley, C. (ed.) 9/11. Topics in Contemporary North American Literature. Bloomsbury Academic, pp. 61-81. ISBN 9781472569707

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2011) American anti-pastoral: incontinence and impurity in 'American Pastoral' and 'The Human Stain'. In: Ivanovna, V. D. (ed.) Reading Philip Roth’s American Pastoral. Universitaire du Mirail, Mirail, Toulouse, pp. 195-204. ISBN 9782810701605

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2004) American anti-pastoral: incontinence and impurity in Philip Roth’s 'American Pastoral' and 'The Human Stain'. Studies in American Jewish Literature, 23. pp. 67-76. ISSN 1948-5077

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2003) Arguing with himself: the criticism of Leslie Fiedler. Jewish Quarterly, 190. pp. 53-57. ISSN 1456-640X

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2006) Bellow at your elbow, Roth breathing down your neck: gender and ethnicity in Linda Grant and Bernice Rubens. In: Tylee, C. M. (ed.) "In the open": Jewish women writers and British culture. University of Delaware Press, Newark, USA, pp. 96-109. ISBN 0874139333

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2017) Bellow's short fiction. In: The Cambridge Companion to Saul Bellow. Cambridge University Press, pp. 159-170. ISBN 9781107108936

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2004) Brilliant Jewish boys and gifted Jewish girls: the child prodigy in Bernice Rubens and Rebecca Goldstein. In: Behlau, U. and Reitz, B. (eds.) Jewish Women's Writing of the 1990s and Beyond in Great Britain and the United States. Mainz University Studies in English (5). Wissenschaftlicher Verlag Trier, pp. 217-226. ISBN 3884766686

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2010) Contemporary American fiction. Edinburgh critical guides to literature. Edinburgh University Press, UK, pp256. ISBN 9780748622672

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2014) Fetishizing the Holocaust: comedy and transatlantic connections in Howard Jacobson's 'Kalooki Nights'. European Judaism, 47 (2). pp. 21-29. ISSN 1752-2323 doi: https://doi.org/10.3167/ej.2014.47.02.04

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2007) Fifty ways to see your lover: vision and revision in the fiction of Amy Bloom. In: Stähler, A. (ed.) Anglophone Jewish literature. Routledge Studies in Twentieth-Century Literature. Routledge, Oxford, pp. 108-120. ISBN 9780415414647

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2005) "Getting in your retaliation first": narrative strategies in Portnoy's complaint. In: Royal, D. P. (ed.) Philip Roth: new perspectives on an American author. Praeger, Westport, pp. 43-57. ISBN 9780275983635

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2015) History on a personal note: postwar American Jewish short stories. In: The Edinburgh companion to modern Jewish fiction. Edinburgh University Press, Edinburgh, 105 -118. ISBN 9780748646159

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2020) Howard Jacobson. Manchester University Press, pp248. ISBN 9781526101495 doi: https://doi.org/10.7765/9781526101501

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2015) Intertextuality, authenticity, and gonzo selves in Anya Ulinich’s 'Lena Finkle’s Magic Barrel'. Studies in Comics, 6 (2). pp. 253-269. ISSN 2040-3232 doi: https://doi.org/10.1386/stic.6.2.253_1

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2023) ‘Is this the real me? What is the real me?’ : deconstructing authenticity in Aline Kominsky-Crumb’s Need More Love. Humanities, 12 (3). 43. ISSN 2076-0787 doi: https://doi.org/10.3390/h12030043

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2010) Jewish American fiction. In: Seed, D. (ed.) A companion to twentieth-century United States fiction. Wiley-Blackwell, Oxford, UK, pp. 96-108. ISBN 9781405146913

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2014) Jewish mothers and Jewish memory in contemporary memoirs. In: Valman, N. (ed.) Jewish Women Writers in Britain. Wayne State University Press, pp. 192-215. ISBN 9780814332382

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2002) Lisa Appignanesi. In: Kramer, S. L. (ed.) Holocaust literature: an encyclopedia of writers and their work. Routledge, London, pp. 61-63. ISBN 9780415929851

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2012) Lorrie Moore collection, 'A Little Ethnic Kink Is Always Good to See”: Jewish performance anxiety and anti-passing in the fiction of Lorrie Moore. Journal of American Studies, 46 (3). pp. 581-602. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875811001940

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2002) Louise Kehoe. In: Kramer, S. L. (ed.) Holocaust literature: an encyclopedia of writers and their work. Routledge, London, pp. 625-627. ISBN 9780415929851

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2010) Masturbation and its discontents; or, serious relief: Freudian comedy in 'Portnoy's Complaint'. In: Siegel, B. and Halio, J. L. (eds.) Playful and Serious: Philip Roth as a Comic Writer. University of Delaware Press, pp. 47-67. ISBN 9781611491470

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2012) Much ado about nothing: boredom, banality and bathos in late Henry Green and early John Updike. Yearbook of English Studies, 42. pp. 186-203. ISSN 2222-4289 doi: https://doi.org/10.5699/yearenglstud.42.2012.0186 (Literature of the 1950s and 1960s)

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2019) My own private Philip Roth. Philip Roth Studies, 15 (1). pp. 39-44. ISSN 1547-3929 doi: https://doi.org/10.5703/philrothstud.15.1.0039

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2012) No Man's Land: the transgendered voice in Jeffrey Eugenides' Middlesex and Rose Tremain's Sacred Country. In: Kim, R. and Westall, C. (eds.) Cross-gendered literary voices: appropriating, resisting, embracing. Palgrave Macmillan, pp. 148-163. ISBN 9780230299870

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2016) Performance anxiety: impotence, queerness, and the 'drama of self-disgust' in Philip Roth's 'The Professor of Desire and The Humbling'. In: Gooblar, D. and Pozorski, A. (eds.) Roth After Eighty: Philip Roth and the American Literary Imagination. Lexington Books, pp. 61-78. ISBN 9781498514651

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2007) Philip Roth. Contemporary American and Canadian novelists. Manchester University Press, Manchester, pp272. ISBN 9780719074240

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2024) Philip Roth and fine art. In: Pozorski, A. and Scheurer, M. (eds.) The Bloomsbury Handbook to Philip Roth. Bloomsbury, New York, pp. 113-124. ISBN 9781501380242 doi: https://doi.org/10.5040/9781501380273.ch-10

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2001) Post-War Jewish fiction: ambivalence, self-explanation and transatlantic connections. Palgrave Macmillan, pp236. ISBN 9780333740354

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2015) Queering Philip Roth: homosocial discourse in 'An actor’s life for me', 'Letting go', 'Sabbath’s theater' and the 'American trilogy'. Studies in the Novel, 48 (1). pp. 86-106. ISSN 1934-1512 doi: https://doi.org/10.1353/sdn.2016.0003

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2019) Reimagining the past, imagining the future: myth, history,and mystery in contemporary Jewish American fiction. In: Aarons, V. (ed.) The New Jewish American Literary Studies. Cambridge University Press, pp. 140-155. ISBN 9781108665322 doi: https://doi.org/10.1017/9781108665322

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) Representations of Shylock in Arnold Wesker’s The Merchant, Howard Jacobson’s Shylock is My Name and Clive Sinclair’s Shylock Must Die. Humanities, 10 (2). p. 59. ISSN 2076-0787 doi: https://doi.org/10.3390/h10020059

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) Roth and Sexuality. In: McKinley, M. (ed.) Philip Roth in Context. Literature in context. Cambridge University Press, Cambridge, pp. 287-297. ISBN 9781108489294

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2017) The Sons of Phil: Rothian self-satire and self-incrimination in Shalom Auslander’s 'Foreskin’s Lament' and Gary Shteyngart’s 'Little Failure'. Open Library of the Humanities, 3 (2). 15. ISSN 2056-6700 doi: https://doi.org/10.16995/olh.143

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2013) 'Stories never told : canonicity, history and herstory in Dan Jacobson's Her story and the godfearer'. In: Andermahr, S. and Pellicer-Ortin, S. (eds.) Trauma narratives and herstory. Palgrave/Macmillan, pp. 129-140. ISBN 9781137268341

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2023) Strategies of self-detachment and ‘The business of daily life’ in the fiction of Benjamin Markovits. In: Kalisch, M. (ed.) Benjamin Markovits: Critical Essays. Routledge. ISBN 9781032614908

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2011) “What was not supposed to happen had happened and what was supposed to happen had not happened”: subverting history in American pastoral. In: Shostak, D. (ed.) Philip Roth: American Pastoral, The Human Stain and The Plot Against America. Continuum Studies in Contemporary North American Fiction. Continuum, pp. 19-32. ISBN 9780826422279

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) ‘Why is this girl telling us all this stuff?’: authenticity and the confessional impulse in Elizabeth Wurtzel’s Prozac Nation. Comparative American Studies, 18 (2). pp. 192-205. ISSN 1741-2676 doi: https://doi.org/10.1080/14775700.2021.1982327

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2006) Will the real King David please stand up?: unauthorized versions of the King David story in three post-war Jewish novels. In: Knight, M. and Woodman, T. (eds.) Biblical religion and the novel, 1700–2000. Ashgate Publishing, Aldershot, pp. 105-120. ISBN 9780754651178

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2010) Writing the triple whammy: Canadian-Jewish Québécois identity, the comedy of self-deprecation, and the triumph of Duddy Kravitz. Canadian Literature, 207. pp. 76-88. ISSN 0008-4360

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) A bit of Jewish-American mischief: fictional metabiography in Alan Lelchuk’s Ziff: A Life? and Philip Roth’s Exit Ghost. Revue Française d'Etudes Américaines, 166 (1). pp. 46-61. ISSN 0397-7870 doi: https://doi.org/10.3917/rfea.166.0046

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2009) "The days after" and "the ordinary run of hours": counternarratives and double vision in Don DeLillo's 'Falling Man'. Review of International America Studies, 3/4 (3/1). pp. 72-81. ISSN 1991-2773

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2019) The politics of identity: cultural appropriation and black-Jewish Relations in Zoe Heller’s 'The Believers'. Jewish Culture and History, 20 (3). pp. 263-276. ISSN 1462-169X doi: https://doi.org/10.1080/1462169X.2019.1639332

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2014) The turd that won't flush: the comedy of Jewish self-hatred in the work of Corinne Pearlman, Aline Kominsky-Crumb, Miss Lasko-Gross and Ariel Schrag. In: Lightman, S. (ed.) Graphic Details: Jewish Women's Confessional Comics. McFarland, pp. 131-148. ISBN 9780786465538

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Abrams, N., eds. (2019) The interface between British contemporary Black and Jewish cultures. Jewish Culture and History, 20 (3). Taylor & Francis, pp. 199-203. doi: https://doi.org/10.1080/1462169X.2019.1639892

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Cheyette, B., eds. (2022) Howard Jacobson at eighty. European Judaism A Journal for the New Europe, 55 (2). Berghahn. (ISSN 1752-2323)

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and MacPherson, H. S. (2012) Lorrie Moore: Mo(o)re than an interim assessment. Journal of American Studies, 46 (3). pp. 541-550. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875811001927

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Shostak, D. (2019) Editors' note for special memorial issue of Philip Roth Studies. Philip Roth Studies, 15 (1). pp. 1-2. ISSN 1547-3929 doi: https://doi.org/10.5703/philrothstud.15.1.0001

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Staehler, A., eds. (2015) The Edinburgh companion to modern Jewish fiction. Edinburgh Companions to Literature. Edinburgh University Press, Edinburgh. ISBN 9780748646159

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Staehler, A. (2015) Introduction: modern Jewish fiction. In: The Edinburgh companion to modern Jewish fiction. Edinburgh University Press, Edinburgh, pp. 1-15. ISBN 9780748646159

Brown, C. C. (2003) Recusant community and Jesuit mission in Parliament Days: Bodleian MS Eng. poet. b. 5. Yearbook of English Studies, 33. pp. 290-315. ISSN 2222-4289

Brown, T. (2011) Spectacle and value in classical Hollywood cinema. In: Hubner, L. (ed.) Valuing Films: Shifting Perceptions of Worth. Palgrave Macmillan, pp. 49-68. ISBN 9780230229686

Bruce, B. (2024) Publishing 1922: popular writing, modernism, and the reader. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119894

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2019) Against the experts: Swift and political satire. In: Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (ed.) Oxford Handbook of Eighteenth-Century Satire. Oxford University Press, Oxford. ISBN 9780198727835

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2012) Burke’s aesthetic psychology. In: Dwan, D. and Insole, C. (eds.) The Cambridge Companion to Edmund Burke. Cambridge University Press, Cambridge, pp. 53-66. ISBN 9781107005594 doi: https://doi.org/10.1017/cco9780511794315.007

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2019) Des querelles que nous fair la nature: Gulliver, Latour et les croisement de la modernité. In: Hostiou, J.-M. and Tadié, A. (eds.) Querelles et Création en Europe à L’époque Moderne. Classiques Garnier, Paris, France, pp. 161-183. ISBN 9782406073567 doi: https://doi.org/10.15122/isbn.978-2-406-07358-1

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2019) Describing eighteenth-century British satire. In: Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (ed.) Oxford Handbook of Eighteenth-Century Satire. Oxford University Press, Oxford, UK. ISBN 9780198727835

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2012) Digital editing and the eighteenth-century text: works, archives and miscellanies. Eighteenth-Century Life, 36 (3). pp. 57-80. ISSN 0098-2601 doi: https://doi.org/10.1215/00982601-1672826

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2013) Digital humanities and electronic resources in the long eighteenth century. Literature Compass, 10 (10). pp. 748-760. ISSN 1741-4113 doi: https://doi.org/10.1111/lic3.12085

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2011) Edmund Burke among the poets: Milton, Lucretius and the philosophical enquiry. In: Vermeir, K. and Dekard, M. F. (eds.) The Science of Sensibility: Reading Burke's Philosophical Enquiry. Springer, Dordrecht, pp. 247-263. ISBN 9789400721012 doi: https://doi.org/10.1007/978-94-007-2102-9_12

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2011) Edmund Burke and the Art of Rhetoric. Cambridge University Press, Cambridge, UK, pp272. ISBN 9780511902635 doi: https://doi.org/10.1017/cbo9780511902635

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2016) Eighteenth-century minds: from associationism to cognitive psychology. In: Oxford Handbooks Online. Oxford University Press, Oxford. doi: https://doi.org/10.1093/oxfordhb/9780199935338.013.95

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2007) The Figure of Emancipation: Paradox, Rhetoric and the Enlightenments of Rousseau and Burke. In: France, P. and Manning, S. (eds.) Enlightenment and Emancipation. Bucknell University Press. ISBN 9780838756195

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2016) Gulliver, medium, technique. English Literary History, 83 (2). pp. 517-541. ISSN 1080-6547 doi: https://doi.org/10.1353/elh.2016.0010

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2022) Introduction: a survey of English georgic writing, 1521-2021. In: Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (ed.) A History of English Georgic Writing. Cambridge University Press, Cambridge, pp. 1-56. ISBN 9781009019507 doi: https://doi.org/10.1017/9781009019507.001

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2016) John Evelyn as modern architect and ancient gardener: 'lessons of perpetual practice'. In: Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 and Tadié, A. (eds.) Ancients and moderns in Europe: comparative perspectives. Oxford University Studies in the Enlightenment. Voltaire Foundation. University of Oxford, Oxford, pp. 171-188. ISBN 9780729411776

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2005) The Latitude of Whiggism: Burnet, Tillotson and Lord William Russell in Whig historiography, 1675-1775. In: Womersley, D., Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 and Williams, A. (eds.) Cultures of Whiggism: New Essays on English Literature and Culture in the Long Eighteenth Century. University of Delaware Press. ISBN 9781611492682

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2022) Low lands: fen georgic. In: Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (ed.) A History of English Georgic Writing. Cambridge University Press, Cambridge, pp. 275-295. ISBN 9781009019507 doi: https://doi.org/10.1017/9781009019507.017

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2005) The Meaning of the 'Sublime and Beautiful': Shaftesburian contexts and rhetorical issues in Edmund Burke's Philosophical Enquiry. The Review of English Studies, 56 (224). pp. 169-191. ISSN 0034-6551 doi: https://doi.org/10.1093/res/hgi048 (Review of English Studies Prize Essay, 2005)

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844, ed. (2019) The Oxford Handbook of Eighteenth-Century Satire. Oxford Handbooks. Oxford University Press, Oxford, pp752. ISBN 9780198727835

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2023) Philosophical tale. In: Cook, D. and Seager, N. (eds.) The Cambridge Companion to Gulliver's Travels. Cambridge companions to literature. Cambridge University Press, Cambridge, pp. 96-108. ISBN 9781108830195 doi: https://doi.org/10.1017/9781108909488.010

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2012) Pride, pulpit eloquence, and the rhetoric of Jonathan Swift. Rhetorica, 30 (3). pp. 252-279. ISSN 1533-8541 doi: https://doi.org/10.1525/RH.2012.30.3.252

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2019) Re-reading 'The Wheelwright's Shop'. In: Olding, S. (ed.) Shoulder to the Wheel. Craft Studies Centre, Farnham, pp. 25-30. ISBN 9780957021297

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2020) Restoring The Wheelwright's Shop. Journal of Modern Craft, 13 (2). pp. 161-178. ISSN 1749-6772 doi: https://doi.org/10.1080/17496772.2020.1783803

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2013) Rhetoric and eloquence: the language of persuasion. In: Harris, J. A. (ed.) The Oxford Handbook to British Philosophy in the Eighteenth Century. Oxford University Press, pp. 84-105. ISBN 9780199549023 doi: https://doi.org/10.1093/oxfordhb/9780199549023.013.005

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2019) Robinson Crusoe and the natural mechanick. Études anglaises: revue du monde anglophone, 72 (2). pp. 182-195. ISSN 1965-0159 doi: https://doi.org/10.3917/etan.722.0182

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2013) The Scriblerian mock-arts: pseudo-technical satire in Swift and his contemporaries. Studies in Philology, 110 (3). pp. 611-636. ISSN 0039-3738

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2016) Swift's razor. Modern Philology, 113 (3). pp. 353-372. ISSN 0013-8304 doi: https://doi.org/10.1086/684098

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2013) What Swift did in libraries. In: Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 and McLaverty, J. (eds.) Jonathan Swift and the Eighteenth-Century Book. Cambridge University Press, Cambridge, pp. 65-84. ISBN 9781107016262

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844, ed. (2022) A history of English georgic writing. Cambridge University Press, Cambridge, pp401. ISBN 9781009019507 doi: https://doi.org/10.1017/9781009019507

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (2018) The satirists and the experts. Critical Quarterly, 59 (4). pp. 5-20. ISSN 1467-8705 doi: https://doi.org/10.1111/criq.12377

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 and McLaverty, J. (2013) Introduction. In: Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 and McLaverty, J. (eds.) Jonathan Swift and the Eighteenth-Century Book. Cambridge University Press, Cambridge, pp. 1-28. ISBN 9781107016262

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 and McLaverty, J., eds. (2013) Jonathan Swift and the eighteenth-century book. Cambridge University Press, Cambridge. ISBN 9781107016262

Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 and Tadié, A., eds. (2016) Ancients and moderns in Europe: comparative perspectives. Oxford University Studies in Enlightenment, 2016:06. Voltaire Foundation, Oxford, pp316. ISBN 9780729411776

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2023) Defoe as historian. In: Seager, N. and Downie, J. A. (eds.) The Oxford Handbook of Daniel Defoe. Oxford University Press, New York, pp. 161-176. ISBN 9780198827177 doi: https://doi.org/10.1093/oxfordhb/9780198827177.013.9

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2019) Foreword. Daniel Defoe's Robinson Crusoe: a gazetteer. Études Anglaises, 72 (2). pp. 131-134. ISSN 1965-0159

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2011) Gatherings in exile: interpreting the bibliographical structure of 'Natures Pictures Drawn by Fancies Pencil to the Life' (1656). English Studies, 92 (7). pp. 786-805. ISSN 1744-4217 doi: https://doi.org/10.1080/0013838X.2011.622167

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2017) Introduction: reconsidering secret history. In: Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 and Carnell, R. (eds.) The Secret History in Literature, 1660–1820. Cambridge University Press, Cambridge. ISBN 9781107150461

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2020) Paper wraps stone: monumental, manuscript, and printed epitaphs in eighteenth-century England. Inscription, 1. pp. 18-31. ISSN 2634-7210

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2018) Politics, history, and the Robinson Crusoe story. In: Richetti, J. J. (ed.) The Cambridge companion to 'Robinson Crusoe'. Cambridge University Press, pp. 84-98. ISBN 9781107696808

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2020) Samuel Johnson's houses. In: Kennedy, K. and Lee, H. (eds.) Lives of Houses. Princeton University Press, Princeton, pp. 133-148. ISBN 9780691193663

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2016) Secret history, politics and the early novel. In: Downie, J. A. (ed.) The Oxford Handbook of the Eighteenth-Century Novel. Oxford University Press, Oxford. ISBN 9780199566747

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2014) Signs of the times? Reading signatures in two late seventeenth-century secret histories. In: McElligott, J. and Patten, E. (eds.) The Perils of Print Culture: Book, Print and Publishing History in Theory and Practice. New directions in book history. Palgrave Macmillan, Basingstoke, pp. 118-133. ISBN 9781137415318

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2008) Textual disruption in Anna Trapnel’s 'Report and Plea'. The Seventeenth Century, 23 (1). pp. 34-53. ISSN 0268-117X

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2010) 'A bright coelestiall mind': a new set of writings by Lady Dorothy Browne (1621–1685). Huntington Library Quarterly, 73 (1). pp. 99-122. ISSN 1544-399X doi: https://doi.org/10.1525/hlq.2010.73.1.99

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 (2009) The politics of disclosure, 1674-1725: secret history narratives. Pickering and Chatto, London, pp258. ISBN 9781851969692

Bullard, R. ORCID: https://orcid.org/0000-0002-9484-9579 and Carnell, R., eds. (2017) The secret history in literature, 1660–1820. Cambridge University Press, Cambridge, pp294. ISBN 9781107150461

Bullen, B. (2003) Gauguin en Grande-Bretagne: son accueil à Londres en 1910-1911. In: Pineri, R. (ed.) Paul Gauguin: héritage et confrontations. Éditions le Motu, Papeete, Tahiti, pp. 145-155. ISBN 2915105073

Bullen, B. (2006) Loerke's statuette. In: Ellis, D. (ed.) D.H. Lawrence's 'Women in love': a casebook. Oxford University Press, Oxford, pp. 273-278. ISBN 9780195170276

Bullen, J. B. (2005) Continental crosscurrents: British criticism and continental art 1810-1910. Oxford University Press, Oxford, pp308. ISBN 9780198186915

Bullen, J. B. (2006) Alfred Waterhouse's Romanesque 'Temple of Nature': the Natural History Museum, London. Architectural History, 49. pp. 257-285. ISSN 0066-622X

Bullen, J. B. (2006) Loerke's statuette. In: Ellis, D. (ed.) D.H. Lawrence's Women in love: a casebook. Casebooks in criticism. Oxford University Press, Oxford, pp. 273-278. ISBN 9780195170276

Bullen, J. B. (2005) Louis Comfort Tiffany and Romano-Byzantine design. The Burlington Magazine, 147 (1227). pp. 390-398. ISSN 0007-6287 (special issue 'Furniture, decorative arts, sculpture')

Bullen, J.B. (2003) Byzantium rediscovered. Phaidon Press, London, pp240. ISBN 9780714846385

Bullen, J.B. (2003) Sara Losh: architect, romantic, mythologist. In: Levey, M. (ed.) The Burlington Magazine: a centenary anthology. Yale University Press, New Haven, pp. 215-227. ISBN 9780300099119

Bullen, J.B. (2003) D.H. Lawrence and sculpture in 'Women in love'. The Burlington Magazine, 145 (1209). pp. 841-846. ISSN 0007-6287

Bullen, J.B. (2003) Great British Gauguin: his reception in London in 1910-11. Apollo (158). pp. 3-12. ISSN 0003-6536

Burke, V. (2018) Intermedial anatomy: nineteenth century literature and collections culture through the Cole Library of early medicine and zoology. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084892

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2011) Arthur’s refusal to eat: ritual and control in the romance feast. Journal of Medieval History, 37. pp. 62-74. ISSN 0304-4181 doi: https://doi.org/10.1016/j.jmedhist.2010.12.009

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2022) Between epic and romance: the Matter of England and the Chansons de Geste. In: Flood, V. and Leitch, M. G. (eds.) Cultural Translations in Medieval Romance. Studies in Medieval Romance. D. S. Brewer, Cambridge, pp. 192-208. ISBN 9781843846208

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2022) Charlemagne in Ireland: manuscripts and audiences. In: Fulton, H. and Rikhardsdottir, S. (eds.) Charlemagne in the Norse and Celtic Worlds. Bristol Studies in Medieval Cultures (10). D. S. Brewer, Cambridge, pp. 160-190. ISBN 9781843846680 doi: https://doi.org/10.2307/j.ctv2nv8c3x

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2016) Cultural intersections in Trinity College Dublin MS 1298. In: Harlos, A. and Harlos, N. (eds.) Adapting texts and styles in a Celtic context: interdisciplinary perspectives on processes of literary transfer in the Middle Ages. Studien und Texte zur Keltologie (13). Nodus Publikationen, Münster, pp. 289-304. ISBN 9783893236237

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2013) The Earls of Kildare and their books at the end of the Middle Ages. The Library, 14 (2). pp. 129-153. ISSN 0024-2160 doi: https://doi.org/10.1093/library/14.2.129

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2014) Fairy lovers: sexuality, order and narrative in Medieval romance. In: Hopkins, A., Rouse, R. A. and Rushton, C. J. (eds.) Sexual Culture in the Literature of Medieval Britain. D. S. Brewer, Cambridge, pp. 99-110. ISBN 9781843843795

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2012) Faithful Teate’s 'Ter Tria' as an influence on Edward Taylor. Notes and Queries, 59 (2). pp. 206-209. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjs015

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2013) Family, locality and nationality: vernacular adaptations of the Expugnatio Hibernica from late medieval Ireland. Medium Aevum, 82 (1). pp. 101-118. ISSN 0025-8385‎

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2023) Fictions of Britain. In: Boffey, J. and Edwards, A. S. G. (eds.) Medieval Poetry: 1400-1500. The Oxford History of Poetry in English, 3. Oxford University Press, Oxford, pp. 341-354. ISBN 9780198839682 doi: https://doi.org/10.1093/oso/9780198839682.003.0020

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2020) From Hólar to Lisbon: Middle English literature in medieval translation, c.1286-c.1550. Review of English Studies, 71 (300). pp. 433-459. ISSN 1471-6968 doi: https://doi.org/10.1093/res/hgz085

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2016) The Geraldines and the culture of the wider world. In: Crooks, P. and Duffy, S. (eds.) The Geraldines and medieval Ireland: the making of a myth. Trinity Medieval Ireland Series (1). Four Courts Press, Dublin, pp. 278-292. ISBN 9781846825712

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2021) Guy of Warwick in Iberia: England, Portugal and the background to "Tirant lo Blanch". Medium Aevum, 90 (1). 92 -109. ISSN 0025-8385‎

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2022) Irish. In: Radulescu, R. and Rikhardsdottir, S. (eds.) The Routledge Companion to Medieval English Literature. Routledge, Abingdon, pp. 88-97. ISBN 9780367186494 doi: https://doi.org/10.4324/9780429197390-9

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2019) Irish translations and romances. In: Lloyd-Morgan, C. and Poppe, E. (eds.) Arthur in the Celtic Languages: The Arthurian Legend in Celtic Literatures and Traditions. Arthurian Literature in the Middle Ages, 9. University of Wales Press, Cardiff, pp. 344-357. ISBN 9781786833433

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2021) The Island of Sicily and the Matter of Britain. In: Edwards, A. S. G. (ed.) Medieval Romance, Arthurian Literature: Essays in Honour of Elizabeth Archibald. D. S. Brewer, Cambridge, pp. 34-45. ISBN 9781843846161

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2015) Language networks, literary translation and the friars in late medieval ireland. In: Carruthers, M. (ed.) Language in Medieval Britain: Networks and Exchanges. Harlaxton Medieval Studies (25). Paul Watkins Publishing, Donington, UK, pp. 166-178. ISBN 9781907730429

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2013) Malory’s sources for the 'Tale of the Sankgreal': some overlooked evidence from the Irish 'Lorgaireacht an tSoidhigh Naomhtha'. Arthurian Literature, 30. pp. 87-100. ISSN 0261-9946

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2025) Medieval Britain and the transmission of the Chansons de Geste. In: Tether, L., Moran, P. and Salamon, A. (eds.) Medieval French on the Move: Studies in Honour of Keith Busby. De Gruyter, Berlin, pp. 169-182. ISBN 9783111006765 (In Press)

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2014) Medieval romance, English. Oxford Bibliographies Online. doi: https://doi.org/10.1093/OBO/9780199846719-0115

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2016) Otherworlds: fantasy and history in medieval literature. Oxford University Press, Oxford, pp224. ISBN 9780198746003

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118, (2019) Translating Europe: imported narratives and Irish readers at the end of the Middle Ages. Paul Walsh Memorial Lecture. School of Celtic Studies, Maynooth University, Maynooth, Ireland. ISBN 9781091127142

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2019) Translating the Crusades in late Medieval Ireland. In: Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 and Flood, V. (eds.) Crossing Borders in the Insular Middle Ages. Medieval Texts and Cultures of Northern Europe, 30. Brepols, Turnhout, pp. 125-136. ISBN 9782503566733

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2011) West is east: the Irish Saracens in 'Of Arthour and of Merlin'. Nottingham Medieval Studies, 55. pp. 217-230. ISSN 0078-2122 doi: https://doi.org/10.1484/J.NMS.1.102424

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2016) Writing westwards: medieval English literature and its early modern Irish audiences. In: King, A. and Woodcock, M. (eds.) Medieval Into Renaissance: A Festschrift for Helen Cooper. D. S. Brewer, Cambridge, pp. 73-89. ISBN 9781843844327

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2015) The circulation of romances from England in late-medieval Ireland. In: Perkins, N. (ed.) Medieval Romance and Material Culture. D. S. Brewer, Cambridge, pp. 183-198. ISBN 9781843843900

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2017) The evolution of the critical canon. In: Tether, L. and McFadyen, J. (eds.) Handbook of Arthurian Romance: King Arthur’s Court in Medieval European Literature. De Gruyter Reference. De Gruyter, Berlin, pp. 43-58. ISBN 9783110440614

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2010) The intruder at the feast: negotiating boundaries in Medieval insular romance. Arthurian Literature, 27. pp. 33-57. ISSN 0261–9946

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2013) The king's champion: re-enacting Arthurian romance at the English coronation banquet. English Studies, 94 (5). pp. 505-518. ISSN 1744-4217 doi: https://doi.org/10.1080/0013838X.2013.795720

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 (2014) A lost insular version of the romance of Octavian. Medium Aevum, 83 (2). pp. 288-302. ISSN 0025-8385‎

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 and Flood, V., eds. (2019) Crossing borders in the insular Middle Ages. Medieval Texts and Cultures of Northern Europe, 30. Brepols, Turnhout, pp243. ISBN 9782503566733

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 and Flood, V. (2019) Insular connections and comparisons in the later Middle Ages. In: Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 and Flood, V. (eds.) Crossing Borders in the Insular Middle Ages. Medieval Texts and Cultures of Northern Europe, 30. Brepols, Turnhout, pp. 7-22. ISBN 9782503566733

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 and Flood, V. (2015) The romance of the Stanleys: regional and national imaginings in the Percy Folio. Viator, 46 (1). pp. 327-351. ISSN 0083-5897 doi: https://doi.org/10.1484/J.VIATOR.5.103512

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118 and Wingfield, E. (2024) Arthur in Irish, Scots, Cornish and Breton. In: Radulescu, R. and Lynch, A. (eds.) Cambridge History of Arthurian Literature and Culture. Cambridge University Press, Cambridge. (In Press)

Byrne, A. ORCID: https://orcid.org/0000-0001-7211-7118, Giraud, E. and Williamson, M. (2024) Rediscovered polyphony from Tudor Ireland: the Gloria Amice Christi Johannes. Early Music. ISSN 1741-7260 (In Press)

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Cano-Echevarria, B. and Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2019) La ruta de los Ingleses: de Cervantes a Shakespeare. [Artefact]

Cano-Echevarria, B. and Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2016) La ruta de los ingleses: Valladolid, 1605. [Artefact]

Cano-Echevarria, B. and Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2016) The Route of the English Ambassador: Valladolid, 1605. [Artefact]

Cano-Echevarria, B. and Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2019) The Route of the English Ambassador: from Cervantes to Shakespeare. [Artefact]

Cano-Echevarria, B. and Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2012) The Spanish Ambassador and Samuel Daniel's Vision of the Twelve Goddesses: A New Document [with text]. English Literary Renaissance, 42 (2). pp. 223-257. ISSN 1475-6757 doi: https://doi.org/10.1111/j.1475-6757.2012.01105.x

Cano-Echevarria, B., Saez-Hidalgo, A., Redworth, G. and Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2008) "Comfort without offence?" The performance and transmission of exile literature, the English College at Valladolid, 1592-1615. Renaissance and Reformation / Renaissance et Reforme, 31 (1). pp. 31-67.

Cano-Echevarría, B. and Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2018) Valladolid, 1605: a theatre for peace. In: Mulryne, J.R., de Jonge, K., Morris, R. L. M. and Martens, P. (eds.) Occasions of State: Early Modern European Festivals and the Negotiation of Power. Routledge, London & New York. ISBN 9781472431974

Carmagno, F. and Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) Peter Robinson. Aforistica/mente Rivista.

Carnie Holdsworth, E. (2016) Helen of Four Gates. The Ethel Carnie Holdsworth Series. Kennedy & Boyd, Edinburgh, pp215. ISBN 9781849211284

Carnie Holdsworth, E. and Smalley, R. (2019) General Belinda. The Ethel Carnie Holdsworth Series. Kennedy & Boyd, Edinburgh, pp226. ISBN 9781849211369

Carnie, E. (2013) Miss Nobody. The Ethel Carnie Holdsworth Series, 1. Kennedy & Boyd, Kilkerran, pp264. ISBN 9781849211277

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2024) “Abiding there unliving” death and bare life in the unnamable. Samuel Beckett Today / Aujourd’hui, 36 (2). pp. 219-232. ISSN 1875-7405 doi: https://doi.org/10.1163/18757405-03602005

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2022) Absorption and theatricality: on Ghost Trio. Elements in Beckett Studies. Cambridge University Press, Cambridge, pp65. ISBN 9781009001175 doi: https://doi.org/10.1017/9781009000369

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2011) Autonomy and the everyday: Beckett, late modernism and post-war visual art. Beckett Today/ Aujourd'hui, 23. pp. 63-80. ISSN 0927-3131 (Filiations & Connexions/Filiations & Connecting Lines)

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2022) Beckett, Sade, The Avengers: Patrick Magee and character acting in the 1960s. Studies in Theatre and Performance, 42 (2). pp. 182-195. ISSN 2040-0616 doi: https://doi.org/10.1080/14682761.2020.1757318

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (1998) Becoming minor: Daniel Corkery and the expatriated nation. Irish Studies Review, 6 (2). pp. 139-147. ISSN 1469-9303 doi: https://doi.org/10.1080/09670889808455600

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2019) English Martyrs. Two Rivers Press, Reading, UK. ISBN 9781909747531

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2013) Harm's way. Dedalus Press. ISBN 9781906614621

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2014) Heaney and the neighbour: poetry between politics and ethics. Textual Practice, 28 (4). pp. 571-592. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2013.858069

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2008) “Keeping that wound green”: Irish studies and trauma culture. In: Alcobia-Murphy, S. (ed.) What Rough Beasts? Irish and Scottish Studies in the New Millennium. Cambridge Scholars Publishing, Newcastle UK, pp. 45-71. ISBN 9781847185365

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2008) Modernism, nationalism and postcolonialism: four figures from 'The Dead'. Journal of Irish Studies, 23. pp. 12-23. ISSN 1346-7700

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2007) Ne Pas Céder Son Désir: Symptom and fantasy in Seamus Deane's Reading in the Dark. Irish Studies Review, 15 (4). pp. 411-423. ISSN 1469-9303 doi: https://doi.org/10.1080/01292980701637678

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2020) 'Room to rhyme': Heaney, arts policy and cultural tradition in Northern Ireland 1968-1971. Review of English Studies, 71 (300). pp. 554-568. ISSN 1471-6968 doi: https://doi.org/10.1093/res/hgz136

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2007) Spectral ethnicity: writing race in Victorian Ireland. The Irish Review (1986-) (36/37). pp. 67-77. ISSN 0790-7850

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2023) ‘Viewless forms’/ Form-of-life: death, story and poiēsis in Texts for Nothing. Journal of Beckett Studies, 32 (2). pp. 179-194. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2023.0403

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2010) Warding off an epitaph: had I a thousand lives. In: Alcobia-Murphy, S. and Kirkland, R. (eds.) The Poetry of Medbh McGuckian: The Interior of Words. Cork University Press, pp. 117-129. ISBN 9781859184653

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2013) The degree of power exercised: recent ekphrasis. In: Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (ed.) The Oxford Handbook of Contemporary British and Irish Poetry. Oxford University Press, Oxford. ISBN 9780199596805 doi: https://doi.org/10.1093/oxfordhb/9780199596805.013.028

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2012) The ends of Ireland: history, criticism, subjectivity. Manchester University Press, Manchester, pp272. ISBN 9780719083839

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 and Butler, M., eds. (1999) The Works of Maria Edgeworth. Part 1. Vol 6 & 7: Patronage. The Pickering Masters. Pickering & Chatto, London. ISBN 9781851961887

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2015) 'Beginning of the murmur': archival pre-texts and other sources. Samuel Beckett Today / Aujourd'hui, 27. Brill / Rodopi, Leiden. ISBN 9789004309913

Cheyette, B. (2013) Diasporas of the mind: Jewish and postcolonial writing and the nightmare of history. Yale University Press, London, pp336. ISBN 9780300093186

Cheyette, B. (2009) Eliot and 'Race': Jews, Irish and Blacks. In: Chinitz, D. (ed.) A Companion to TS Eliot. Blackwells Companions Literature and Culture Series. Wiley-Blackwell, Oxford, pp. 335-349. ISBN 9781405162371

Cheyette, B. (2018) English Literature saved my life. In: Eaglestone, R. (ed.) Brexit and Literature: Critical and Cultural Responses. Routledge, pp. 66-72. ISBN 9780815376682

Cheyette, B. (2006) Fanon et Sartre: Noirs et Juifs. Les temps modernes, 2006 (635). pp. 159-174.

Cheyette, B. (2006) Frantz Fanon and the Black-Jewish imaginary. In: Silverman, M. (ed.) Frantz Fanon’s 'Black skin, white masks'. Texts in Culture. Manchester University Press, Manchester, pp. 74-99. ISBN 9780719064487

Cheyette, B. (2007) Imagined communities: Jewish writing in Great Britain. In: Liska, V. and Nolden, T. (eds.) Contemporary Jewish Writing in Europe: A Guide. Jewish Literature and Culture. Indiana University Press, Bloomington Indiana, pp. 90-117. ISBN 9780253348753

Cheyette, B. (2006) Muriel Spark’s The prime of Miss Jean Brodie. In: Shaffer, B. W. (ed.) A companion to the British and Irish novel 1945-2000. Blackwell Companions to Literature and Culture. Blackwell, Oxford, pp. 367-375. ISBN 9781405167451

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Cheyette, B. (2012) A glorious achievement: Edward Said and the Last Jewish Intellectual. In: Doring, T. and Stein, M. (eds.) Edward Said's Translocations: Essays in Secular Criticism. Routledge Research in Postcolonial Literatures. Routledge, pp. 74-94. ISBN 9780415886376

Cheyette, B. (2013) A race to leave alone: Kipling and the Jews. In: Montefiore, J. (ed.) In Time’s eye: essays on Rudyard Kipling. Manchester University Press, Manchester, pp. 250-284. ISBN 9780719090172

Cheyette, B. (2017) Against supersessionist thinking: old and new, Jews and postcolonialism, the ghetto and diaspora. The Cambridge Journal of Postcolonial Literary Inquiry, 4 (3). pp. 424-439. ISSN 2052-2622 doi: https://doi.org/10.1017/pli.2017.31

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Cheyette, B. (2005) British-Jewish writing and the turn towards diaspora. In: Marcus, L. and Nicholls, P. (eds.) The Cambridge history of twentieth-century English literature. The New Cambridge History of English Literature. Cambridge University Press, Cambridge, pp. 700-715. ISBN 9780521820776

Cheyette, B. (2011) English anti-Semitism: a counter-narrative. Textual Practice, 25 (1). pp. 15-32. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2011.546084

Cheyette, B. (2018) “Enthusiast”: a response to the responses. The Cambridge Journal of Postcolonial Literary Inquiry, 5 (1). pp. 129-133. ISSN 2052-2622 doi: https://doi.org/10.1017/pli.2017.48

Cheyette, B. (2024) Following Laura Marcus: from autobiography to testimony. Textual Practice. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236x.2024.2323271

Cheyette, B. (2005) Frantz Fanon and Jean Paul Sartre: blacks and jews. Wasifiri, 44. pp. 7-12. ISSN 0269-0055 (special issue 'Frantz Fanon')

Cheyette, B. (2024) Israel Zangwill: past, present and future - an introduction. European Judaism, 57 (2). pp. 4-19. ISSN 1752-2323 doi: https://doi.org/10.3167/ej.2024.570202

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Cheyette, B. (2009) Jewish/postcolonial diasporas: on being ill-disciplined [editorial]. Wasafiri, 24 (1). pp. 1-2. ISSN 1747-1508 doi: https://doi.org/10.1080/02690050802588950

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Cocks, N. (2013) The child and the letter: Anne Brontë’s The Tenant of Wildfell Hall. Textual Practice, 27 (7). pp. 1125-1147. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2013.767854

Cocks, N. (2021) The flight of (the) concord: Joan Copjec and Slavoj Žižek read ‘Irma’s Injection’. International Journal of Zizek Studies, 15 (2). ISSN 1751-8229

Cocks, N. (2023) "…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real. Textual Practice. pp. 1-19. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2023.2214122

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Cocks, N., Green, K. and Stoorie, J. (2020) Ghost story in a box booklet. Study Higher.

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Colclough, S. (2002) Reading and the circulating library: evidence from the diaries of Charlotte Francis (1798-1870). Quadrat, 15. pp. 11-16. ISSN 1357-6666

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Crainer, S. (2024) Contradictory forces: Ezra Pound’s Italian correspondence 1925-45. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00115581

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Das, S. (2024) Reading time and the time of reading. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116952

Davies, D. (2024) ‘We had always been partly one’: Locating the Ecopoetics of Wallace Stevens. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117437

Davies, M. (2006) Margaret Atwood's female bodies. In: Howells, C. A. (ed.) The Cambridge companion to Margaret Atwood. Cambridge University Press, Cambridge, pp. 58-72. ISBN 9780521839662

Davies, M. (2012) Rebecca's womb: irony and gynaecology in 'Rebecca'. In: Mangham, A. and Depledge, G. (eds.) The Female Body in Medicine and Literature. Liverpool University Press, Liverpool. ISBN 9781846318528

Davies, M. (2019) Engagement parties: staff-student partnerships in the department of English Literature at the University of Reading. The Journal of Educational Innovation, Partnership and Change, 5 (1). ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v5i1.984

Davies, M. (2018) The SLL Resilience Programme: fostering wellbeing skills at the University of Reading. Student Engagement in Higher Education Journal, 2 (1). ISSN 2399-1836

Davies, W. (2018) ‘A new occasion, a new term of relation’: Samuel Beckett and T. S. Eliot. In: Beckett and Modernism. Springer, pp. 111-127. doi: https://doi.org/10.1007/978-3-319-70374-9_8

Davies, W. (2020) 'Crawling in the Flanders mud': Samuel Beckett, war writing and scatological pacifism. Journal of War and Culture Studies, 13 (2). pp. 145-162. ISSN 1752-6280 doi: https://doi.org/10.1080/17526272.2019.1644273

Davies, W. (2019) Donald Davie and Englishness. The Review of English Studies, 70 (294). pp. 332-353. ISSN 0034-6551 doi: https://doi.org/10.1093/res/hgy106

Davies, W. (2022) Harold Pinter’s early BBC roles: between tradition and innovation. Historical Journal of Film, Radio and Television, 42 (3). pp. 555-573. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2021.1991078

Davies, W. (2017) “Home and visiting temperaments”: Beckett’s diasporic encounters. In: Bariselli, M. ORCID: https://orcid.org/0000-0002-6901-8298, Bowe, N. M. and Davies, W. (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 55-76. ISBN 9781443896306

Davies, W. (2017) Introduction: Samuel Beckett and the question of Europe. In: Bariselli, M. ORCID: https://orcid.org/0000-0002-6901-8298, Bowe, N. M. and Davies, W. (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 1-14. ISBN 9781443896306

Davies, W. (2019) “Occasional extinction or more likely occultation”: form and source in “Long Observation of the Ray”. Samuel Beckett Today/Aujourd'hui, 31 (1). pp. 82-97. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03101007

Davies, W. (2018) Samuel Beckett and the Second World War: historicising Beckett’s post-humanism. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00080000

Davies, W. (2020) Samuel Beckett's trilogy and the revolution of the body in Vichy France. Twentieth-Century Literature, 66 (1). pp. 11-36. ISSN 0041-462X doi: https://doi.org/10.1215/0041462X-8196685

Davies, W. (2017) A text become provisional: revisiting the capital of the ruins. Journal of Beckett Studies, 26 (2). pp. 169-187. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2017.0201

Davies, W., Bariselli, M. ORCID: https://orcid.org/0000-0002-6901-8298 and Bowe, N. M., eds. (2017) Samuel Beckett and Europe: history, culture, tradition. Cambridge Scholars. ISBN 9781443896306

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Dentith, S. (2007) Harnessing plurality: Andrew Greig and Modernism. In: Schoene, B. (ed.) The Edinburgh companion to contemporary Scottish literature. Edinburgh University Press, Edinburgh, pp. 184-193. ISBN 9780748623952

Dentith, S. (2010) 'I would have her whipped': David Copperfield in its historical moment. In: Barker , S. and Gill , J. (eds.) Literature as history: essays in honour of Peter Widdowson. Continuum literary studies. Continuum, pp. 28-38. ISBN 9780826433855

Dentith, S., ed. (2011) 'Phineas Finn' by Anthony Trollope. Oxford World's Classics. Oxford University Press, Oxford, pp640. ISBN 9780199581436

Dentith, S. (2007) Realist synthesis in the nineteenth-century novel: “That unity which lies in the selection of our keenest consciousness”. In: Beaumont, M. (ed.) Adventures in Realism. Blackwell, Oxford, pp. 33-49. ISBN 9781405135771

Dentith, S. (2011) Border Country then and now. Key Words: A Journal of Cultural Materialism, 9. pp. 58-74. ISSN 1369-9725

Dentith, S. (2012) ‘The Claims of Epic: Overcoming historical distance in the Homeric versions of Derek Walcott and Michael Longley’. In: Elle s’étend, l’épopée: Relecture et ouverture du corpus épique; The Epic expands;Rereading and widening the epic corpus. Peter Lang, Brussels, pp. 437-448. ISBN 9789052018812

Dentith, S. (2009) Morris, ‘The Great Story of the North’, and the barbaric past. Journal of Victorian Culture, 14 (2). pp. 238-254. ISSN 1750-0133 doi: https://doi.org/10.3366/E1355550209000812

Dentith, S. (2009) “The shadow of the workhouse”: the afterlife of a Victorian institution. Lit: Literature Interpretation Theory, 20 (1-2). pp. 79-91. ISSN 1545-5866 doi: https://doi.org/10.1080/10436920802690448

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Donnell, A. (2011) Anna In-Between: Caribbean and not Caribbean: attachment, loss and strange Longing: a conversation with Elizabeth Nunez. Caribbean Writer, 25. pp. 262-276.

Donnell, A., ed. (2002) Companion to contemporary black British culture. Routledge.

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Donnell, A. (2011) Heard but not seen: women’s short stories and the BBC’s Caribbean Voices programme. In: Evans, L., McWatt, M. and Smith, E. (eds.) The Caribbean short story: critical perspectives. Peepal Tree Press, Leeds, UK, pp. 29-43. ISBN 9781845231262

Donnell, A. (2002) Here and there in the work of Olive Senior: relocating diaspora discourses in relation to Caribbean women's writing. In: Amin-Addo, J. (ed.) Centre of Remembrance: Memory and Caribbean Women's Literature. Mango Publishing, pp. 66-80. ISBN 9781902294025

Donnell, A. (2011) Living and loving: emancipating the Caribbean queer citizen in Shani Mootoo’s Cereus Blooms at Night. In: Smith, F. (ed.) Sex and the citizen: interrogating the Caribbean. New World Studies. University of Virginia Press, USA, pp. 168-180. ISBN 9780813931128

Donnell, A. (1999) Olive Senior. In: Conde, M. and Lonsdale, T. (eds.) Caribbean Women Writers Fiction in English. Palgrave Macmillan, pp. 117-143. ISBN 9780333637685

Donnell, A. (2015) Rescripting Anglophone Caribbean women's literary history: gender, genre and lost Caribbean voices. In: Beyond windrush: rethinking postwar Anglophone Caribbean literature. University Press of Mississippi, Mississippi, pp. 79-96. ISBN 9781628464757

Donnell, A. (1997) Sentimental subversions: the poetics and politics of devotion in the poetry of Una Marson. In: Bertram, V. (ed.) Kicking Daffodils Twentieth-Century Women Poets. Edinburgh University Press, pp. 113-124. ISBN 9780748607822

Donnell, A. (1996) Signifying the subaltern: Europe's others in selected texts of Willa Cather. In: Willa Cather and European Cultural Influence. The Edwin Mellen Press, pp. 53-65. ISBN 9780773488588

Donnell, A. (2005) Trans/national dis/connections: silenced networks and strained belongings with reference to Albinia Catherine MacKay and Una Marson. In: Modernist Women Race Nation: Networking Women 1890-1950 Circum-Atalantic Connections. Mango Publishing, pp. 84-96. ISBN 9781902294292

Donnell, A. (2006) Twentieth century Caribbean literature: critical moments in Anglophone literary history. Routledge, pp278. ISBN 9780415262002

Donnell, A. (2003) Una Marson: anti-colonalism, feminism and a forgotten struggle. In: West Indian intellectuals in Britain. Manchester University Press, pp. 114-131. ISBN 9780719064753

Donnell, A., ed. (2011) Una Marson: selected poems. Caribbean Modern Classics. Peepal Tree Press, Leeds, UK. ISBN 9781845231682

Donnell, A. (2003) Visibility, violence and voice? Attitudes to veiling post 11 September 2003. Veil: Veiling, Representation and Contemporary Art. pp. 122-135.

Donnell, A. (2009) Visibility, violence and voice? Attitudes to veiling post-11 September. In: The feminism and visual culture reader. Routledge. ISBN 9780415543699

Donnell, A. (1999) When writing the other is being true to the self: Jamaica Kincaid's 'The Autobiography of My Mother'. In: Women's Lives Into Print The Theory, Practice and Writing of Feminist Auto/Biography. Macmillan Palgrave, pp. 123-136. ISBN 9780333684108

Donnell, A. (1996) Writing for resistance: nationalism and narratives of liberation. In: Framing the Word: Gender and genre in Caribbean women's writing. Whiting and Birch, pp. 28-36. ISBN 9781871177916

Donnell, A. and Lawson Welsh, S., eds. (1996) The Routledge reader in Caribbean literature. Routledge, pp540. ISBN 9780415120487

Donnell, A. and Polkey, P., eds. (2000) Representing lives: women and auto/biography. Macmillan Press Ltd, Basingstoke. ISBN 9780333750766

Donnell, A., deCaires Narain, D. and O'Callaghan, E., eds. (2011) Shani Mootoo: writing, difference and the Caribbean. Journal of West Indian Literature.

Donnell, A. (2012) All friends now? Critical conversations, West Indian literature and 'The Quarrel with History'. Small Axe: A Caribbean Journal of Criticism, 16 (2). pp. 75-85. ISSN 0799-0537 doi: https://doi.org/10.1215/07990537-1665686

Donnell, A. (2012) Caribbean queer: new meetings of place and the possible in Shani Mootoo’s 'Valmiki’s Daughter'. Contemporary Women's Writing, 6 (3). pp. 213-232. ISSN 1754-1476 doi: https://doi.org/10.1093/cww/vps024

Donnell, A. (2015) Entanglements of root and branch: the queer relations of the Caribbean Irish. In: Donnell, A., McGarrity, M. and O'Callaghan, E. (eds.) Caribbean Irish connections: interdisciplinary perspectives. University of the West Indies Press, Kingston, Jamaica, pp. 103-118. ISBN 9789766405045

Donnell, A. (2007) Feeling good? Look again!: Feel good movies and the vanishing points of liberation in Deepa Mehta's Fire and Gurinder Chadha's Bend it like Beckham. Journal of Creative Communications, 2 (1-2). pp. 43-55. ISSN 0973-2594 doi: https://doi.org/10.1177/097325860700200203

Donnell, A. (2002) Nation and contestation: Black British writing. Wasafiri, 17 (36). pp. 11-17. ISSN 1747-1508 doi: https://doi.org/10.1080/02690050208589781

Donnell, A. (2008) Prospero's daughter: recovering Caribbean wo/men. MaComère, 10. pp. 36-56. ISSN 1521-9968 (Rethinking Caribbean women)

Donnell, A. (2013) Quarrels with the Quarrels with History. Anthurium: A Caribbean Studies Journal, 10 (2). article 12. ISSN 1547-7150

Donnell, A. (2005) Reading for reconciliation in Lawrence Scott’s 'Aelred’s Sin'. In: Masquerade: Caribbean Issue. Moving Worlds: a Journal of Transcultural Writings. ISBN 0954075145

Donnell, A. (2004) Reading for reconciliation in Lawrence Scott’s 'Aelred’s Sin'. Moving Worlds: A Journal of Transcultural Writings, 3 (2). pp. 98-109.

Donnell, A. (1995) She ties her tongue: the problems of cultural paralysis in Postcolonial criticism. Ariel: A Review of International English Literature, 46. pp. 101-116. ISSN 0004-1327

Donnell, A. (2011) Una Marson and the fractured subjects of modernity: writing across the black Atlantic. Women: a cultural review, 22 (4). pp. 345-369. ISSN 1470-1367 doi: https://doi.org/10.1080/09574042.2011.618658 (special issue 'Disrupting the narrative: gender and fractured form')

Donnell, A. (2013) V.S. Naipaul: a queer Trinidadian. Wasafiri, 28 (2). pp. 58-65. ISSN 1747-1508 doi: https://doi.org/10.1080/02690055.2013.758989

Donnell, A. (2008) Welsh and West Indian, “like nothing … seen before”: unfolding diasporic lives in Charlotte Williams’ Sugar and Slate. Anthurium: A Caribbean Studies Journal, 6 (2). ISSN 1547-7150

Donnell, A. (2005) What it means to stay: reterritorialising the Black Atlantic in Erna Brodber's writing of the local. Third World Quarterly, 26 (3). pp. 479-486. ISSN 1360-2241 doi: https://doi.org/10.1080/01436590500033818

Donnell, A. (1993) When daughters defy: Jamaica Kincaid's fiction. Women: A Cultural Review, 4 (1). pp. 18-26. ISSN 1470-1367 doi: https://doi.org/10.1080/09574049308578142

Donnell, A. (2012) The island and the world: kinship, friendship and living together in selected writings of Sam Selvon. Journal of West Indian Literature, 20 (2). pp. 38-53. ISSN 0258-8501

Donnell, A. (2011) The lives of others: happenings, histories and literary healing. In: Donnell, A. and Bucknor, M. A. (eds.) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK, pp. 421-430. ISBN 9780415485777

Donnell, A. (2011) The questioning generation: rights, representations and cultural fractions in the 1980s and 90s. In: Donnell, A. and Bucknor, M. A. (eds.) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK, pp. 124-135. ISBN 9780415485777

Donnell, A. and Bucknor, M. A., eds. (2011) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK. ISBN 9780415485777

Donnell, A. and Cooper, C. (2004) Introduction. Interventions: international journal of postcolonial studies, 6 (1). Routledge. (Special Issue: Jamaican popular culture)

Donnell, A., McGarrity, M. and O'Callaghan, E., eds. (2015) Caribbean Irish connections. The University of the West Indies Press, Kingston, Jamaica, pp341. ISBN 9789766405045

Draycott, J., Leder, C. and Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, eds. (2017) Stanley Spencer poems: an anthology. Two Rivers Press, Reading, pp107. ISBN 978190974272

D’Antonio, C. S. (2021) The Handmaid’s Tale: an intertextual transformation through storytelling. American Review of Canadian Studies, 51 (4). pp. 592-610. ISSN 1943-9954 doi: https://doi.org/10.1080/02722011.2021.1997484

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Eliot, S. J. (2003) Continuity and change in British publishing, 1770-2000. Publishing Research Quarterly, 19 (2). pp. 37-50. ISSN 1936-4792 doi: https://doi.org/10.1007/s12109-003-0005-7

Eliot, S., Nash, A. and Willison, I., eds. (2007) Literary cultures and the material book. British Library studies in the history of the book. British Library Publishing, London, pp440. ISBN 9780712306843

Ellis, J. (2003) "A curious cat": Elizabeth Bishop and the Spanish Civil War. Journal of Modern Literature, 27 (1-2). pp. 137-148. ISSN 1529-1464

Ellis, J. P. (2003) Digging for poetry. Metre: a magazine of international poetry, 13. pp. 89-99. ISSN 1393-4414

Ellis, J. P. (2003) From maps to monuments: Elizabeth Bishop's shoreline poems. Mosaic, 36 (4). pp. 103-119. ISSN 1925-5683 (special issue 'Pilgrimage')

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Fisher, R. (2022) The Citizen and the Making of city. Bloodaxe Books, Hexham, pp288. ISBN 9781780375960

Fisher, R. (2016) Slakki: new and neglected poems. Bloodaxe Book, Hexham, pp79. ISBN 9781780373225

Fisher, R. (2014) An easily bewildered child: occasional prose 1963-2013. Shearsman Books, Bristol, pp198. ISBN 9781848613003

Flanery, P. (2016) I am no one: a novel. Atlantic Books, London, pp336. ISBN 9781782397953

Flanery, P. (2016) Interior: Monkeyboy. Granta, London. (Legacies of Love)

Fletcher, L. (2003) Introduction. In: Fletcher, L. (ed.) Celestina by Charlotte Smith. Broadview Press, Peterborough, Ontario, Canada. ISBN 9781551114583

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Gambacorta, A. (2022) ‘Cities bereft of light’: metropolis, self, and form in Samuel Beckett’s prose. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00118482

Genoveffa, G. (2021) Postcolonial theory and literary practice in Ireland, 1980-2015: Roddy Doyle and Anne Enright. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00109299

Gurr, A. (2012) Shakespeare's opposites: The Admiral's Company, 1594-2625. Cambridge University Press, Cambridge, pp328. ISBN 9781107669437

Gurr, A. (2011) Another Jonson critic. Ben Jonson Journal, 18 (1). pp. 27-44. ISSN 1079-3453 doi: https://doi.org/10.3366/bjj.2011.0005

Gurr, A. (2009) Did Shakespeare own his own playbooks? Review of English Studies, 60 (244). pp. 206-229. ISSN 1471-6968 doi: https://doi.org/10.1093/res/hgn098

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Hardman, C. (2005) 'Our drooping country now erects her head'. Tate's History of King Lear. In: Pavlovski, L. (ed.) Literature Criticism 1400-1800. Gale, Michigan, pp. 347-354. ISBN 9780787687267

Hardman, P. (2006) Lydgate's 'uneasy' syntax. In: Scanlon, L. and Simpson, J. (eds.) John Lydgate: poetry, culture, and Lancastrian England. University of Notre Dame Press, Notre Dame, USA, pp. 12-35. ISBN 9780268041168

Hardman, P. (2009) Popular romances and young readers. In: Radulescu, R. L. and Rushton, C. J. (eds.) A Companion to Medieval Popular Romance. Studies in Medieval Romance. D S Brewer, Cambridge, pp. 150-164. ISBN 9781843841920

Hardman, P. (2003) Presenting the text: pictorial tradition in fifteenth century manuscripts of 'The Canterbury tales'. In: Finley, W. and Rosenblum, J. (eds.) Chaucer illustrated: 500 Years of the Canterbury Tales in pictures. Oak Knoll Press; British Library Publishing, New Castle, Del.; London, pp. 37-72. ISBN 9780712348164

Hardman, P. (2011) Roland in England: contextualising the Middle English Song of Roland. In: Purdie , R. and Cichon, M. (eds.) Medieval Romance, Medieval Contexts. Studies in Medieval Romance. D S Brewer, Cambridge, pp. 91-104. ISBN 9781843842606

Hardman, P. (2009) Sign language: seeing things in Middle English poems. Harlaxton Medieval Studies (18 (new se). pp. 85-99.

Hardman, P. (2009) The mobile page: special effects. In: Hennessy, M. V. (ed.) Tributes to Kathleen L Scott: English Medieval Manuscripts: Readers, Makers and Illuminators. Brepols, Turnhout, pp. 101-113. ISBN 9781872501086

Hardman, P. (2008) A note on the collation of BL MS Add. 37492 (The Fillingham Manuscript). Journal of the Early Book Society, 11. pp. 217-221. ISSN 1525-6790

Hardman, P. (2005) The true romance of Tristrem and Ysoude. In: Saunders, C. (ed.) Cultural encounters in the romance of medieval England. Studies in Medieval Romance. D. S. Brewer, Cambridge, pp. 85-99. ISBN 9781843840329

Hardman, P. and Ailes, M. (2008) How English are the English Charlemagne romances? In: Cartlidge, N. (ed.) Boundaries in Medieval Romance. Studies in Medieval Romance. D S Brewer, Cambridge, pp. 43-55. ISBN 9781843841555

Hardman, P., Le Saux, F., Noble, P. and Thomas, N. (2003) The growth of the Tristan and Iseut legend in Wales, England, France and Germany. Studies in medieval literature (24). Edwin Mellen Press, Lampeter, pp214. ISBN 9780773468351

Hardman, P. (2010) Domestic learning and teaching: investigating evidence for the role of 'household miscellanies' in late-medieval England. In: Lawrence-Mathers, A. ORCID: https://orcid.org/0000-0001-6216-624X and Hardman, P. (eds.) Women and writing c.1340-c.1650: the domestication of print culture. Manuscript culture in the British Isles. York Medieval Press, UK, pp. 15-33. ISBN 9781903153321

Hardman, P. (2003) Evidence of readership in fifteenth century household miscellanies. Poetica, 60. pp. 15-30. ISSN 0287-1629 (special issue 'The history of the book in fifteenth century Britain')

Hardman, P. (2011) Learning lessons in Middle English romance. Reading Medieval Studies, XXXVII. pp. 1-13. ISSN 0950-3129

Hardman, P. (2004) Malory and middle English verse romance: the case of 'Sir Tristrem'. In: Wheeler, B. (ed.) Arthurian studies in honour of P.J.C. Field. Arthurian studies (57). D.S. Brewer, Cambridge, pp. 217-222. ISBN 9781843840138

Hardman, P., ed. (2003) Medieval and early modern miscellanies and anthologies. Yearbook of English studies, 33. Maney Publishing, Leeds, pp340. ISBN 1902653939

Hardman, P. (2008) Speaking of Roland: the Middle English Roland fragment in BL MS Lansdowne 388. Reading Medieval Studies, XXXIV. pp. 99-121. ISSN 0950-3129

Hardman, P. (2004) 'This litel child, his litel book': narratives for children in late fifteenth century England. Journal of the Early Book Society, 7. pp. 51-66. ISSN 1525-6790

Hardman, P. and Ailes, M. (2010) Crusading, chivalry and the Saracen world in insular romance. In: Field, R., Hardman, P. and Sweeney, M. (eds.) Christianity and romance in medieval England. Boydell & Brewer, Cambridge, pp. 45-65. ISBN 9781843842194

Hardman, P. and Morris, B. (2006) Introduction. In: Sumer is icumen in. Two Rivers Press, Reading. ISBN 9781901677492

Hardman, P. M. (2007) Gawain's practice of piety in Sir Gawain and the green knight. In: Lee, M. (ed.) Poetry criticism. Vol. 76. Gale, Detroit, pp. 256-269. ISBN 9780787687106

Harris, S. ORCID: https://orcid.org/0009-0006-8576-2216 (2023) Ready to Fly. Cat. As told to Shelley Harris. In: Cannon, J. (ed.) Will You Read This, Please? The Borough Press (Harper Collins), London, pp. 155-170. ISBN 9780008519971

Harris, S. ORCID: https://orcid.org/0009-0006-8576-2216 (2015) Vigilante. Weidenfeld & Nicolson, London, UK, pp355. ISBN 9780297864615

Harvey, G., ed. (2004) The wondrous tale of Alroy. The early novels of Benjamin Disraeli, v. 6. Pickering & Chatto, London, pp269. ISBN 1851967362

Harvey, G. (2006) (Other) world and book: metafiction and the supernatural in 'The turn of the screw'. Dalhousie Review, 86 (2). pp. 195-206. ISSN 0011-5827

Harvey, G. M. (2003) The complete critical guide to Thomas Hardy. Routledge, London, pp200. ISBN 9780415234924

Harvey, G. M. (2007) Narrowing the abyss: Arnold Bennett’s Anna of the five towns. Études anglaises: revue du monde anglophone, 60 (1). pp. 29-41. ISSN 1965-0159 doi: 35400014675657.0030

Hawkshaw, A. (2014) The collected works of Ann Hawkshaw. Anthem Nineteenth-Century Series. Anthem Press, London, pp508. ISBN 9781783080212

Hayles Gledhill, E. (2019) Deviant subjectivities: monstrosity and kinship in the Gothic imagination. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085486

Heale, E. (2002) Autobiography and authorship in Renaissance verse: chronicles of the self. Palgrave Macmillan, Basingstoke, pp216. ISBN 9780333773970

Heale, E. (2003) BL Additional 17492 (the 'Devonshire manuscript') folio 9r. In: Ostovich, H. and Sauer, E. (eds.) Reading early modern women: an anthology of texts in manuscript and print, 1550-1700. Routledge, London. ISBN 9780415966450

Heale, E. (2007) Contesting terms: loyal Catholicism and Lord Montague's entertainment at Cowdray, 1591. In: Archer, J. E., Goldring, E. and Knight, S. (eds.) The progresses, pageants, and entertainments of Queen Elizabeth I. Oxford University Press, Oxford, pp. 109-206. ISBN 9780199291571

Heale, E. (2004) 'Desiring women writing': female voices and courtly 'balets' in some early Tudor manuscripts. In: Burke, V. E. and Gibson, J. (eds.) Early modern women's manuscript writing: selected papers from the Trinty/Trent Colloquium. Ashgate, Aldershot, pp. 9-31. ISBN 9780754604693

Heale, E. (2004) Travailing abroad: the poet as adventurer. In: Pincombe, M. (ed.) Travels and translations in the sixteenth century: selected papes from the second international conference of the Tudor Symposium. Ashgate Publishing, Aldershot, pp. 3-18. ISBN 9780754608325

Heale, E. (2003) Misogyny and the complete gentleman in early Elizabethan printed miscellanies. Yearbook of English Studies, 33. pp. 233-247. ISSN 2222-4289

Hellens, A. L. (2024) No man is an island: dethinking island methodologies. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00118800

Heywood, S. ORCID: https://orcid.org/0000-0001-6641-2065 (2018) Francophone literary archives at risk. In: Sutton, D. C. ORCID: https://orcid.org/0000-0002-7556-3292 and Livingstone, A. (eds.) The Future of Literary Archives: Diasporic and Dispersed Collections at Risk. Arc, pp. 75-88. ISBN 9781942401575

Hodgson, R. (2019) G. W. M. Reynolds and Charles Dickens, 1837-1870: the construction of a rivalry. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088577

Holmberg, E. J. and Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2013) Introduction: shaping strangers in Early Modern English travel writing. Journeys: The International Journal of Travel and Travel Writing, 14 (2). pp. 1-9. ISSN 1807-9326 doi: https://doi.org/10.3167/jys.2013.140201

Holmes, J. (2005) Dante Gabriel Rossetti and the late Victorian sonnet sequence: sexuality, belief and the self. The Nineteenth Century Series. Ashgate, pp200. ISBN 9780754651086

Holmes, J. (2009) Darwin's bards: British and American poetry in the age of evolution. Edinburgh University Press, Edinburgh, pp304. ISBN 9780748639403

Holmes, J. (2008) Prometheus rebound: the romantic Titan in a Post-Romantic age. In: Radford, A. and Sandy, M. (eds.) Romantic Echoes in the Victorian Era. The Nineteenth Century Series . Ashgate, Aldershot, pp. 209-224. ISBN 9780754657880

Holmes, J. (2004) Pursuing the well-beloved: Thomas Hardy, Jocelyn Pearston and the school of Rossetti. In: Clifford, D. and Roussillon, L. (eds.) Outsiders looking in: the Rossettis then and now. Anthem Press, London, pp. 237-251. ISBN 9781843311065

Holmes, J. (2006) Robert Bridges. In: Kastan, D. S. (ed.) The Oxford encyclopedia of British literature. Oxford University Press, Oxford, pp. 267-270. ISBN 9780195169218

Holmes, J., ed. (2012) Science in modern poetry: new directions. Poetry & .... Liverpool University Press, Liverpool, pp256. ISBN 9781846318092

Holmes, J. (2011) Victorian evolutionary criticism and the pitfalls of consilience. In: Saul, N. and James, S. J. (eds.) The Evolution of Literature: Legacies of Darwin in European Culture. Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft (152). Rodopi, Amsterdam, pp. 101-112. ISBN 9789042033979

Holmes, J. and Distiller, N., eds. (2010) Horae amoris: the collected poems of Rosa Newmarch. Rivendale Press, High Wycombe, UK, pp293. ISBN 9781904201199

Holmes, J. (2010) Darwinism, feminism and the sonnet sequence: Meredith's 'Modern love'. Victorian Poetry, 48 (4). pp. 523-538. ISSN 1530-7190

Holmes, J. (2003) Fletcher, Giles. In: Speake, J. (ed.) Literature of travel and exploration: an encyclopedia. Routledge, London. ISBN 9781579582470

Holmes, J. (2005) The Guiana projects: imperial and colonial ideologies in Ralegh and Purchas. Literature & History, 14 (2). pp. 1-13. ISSN 0306-1973

Holmes, J. (2003) Harriot, Thomas. In: Speake, J. (ed.) Literature of travel and exploration: an encyclopedia. Routledge, London. ISBN 9781579582470

Holmes, J. (2010) The Ionian father: Tennyson and Homer. Tennyson Research Bulletin, 9. pp. 330-347. ISSN 0082-2841

Holmes, J. (2008) Lucretius at the 'Fin de Siecle': science, religion and poetry. English Literature in Transition 1880-1920, 51 (3). pp. 266-280. ISSN 1559-2715 doi: https://doi.org/10.2487/elt.51.3(2008)0024

Holmes, J. (2012) Pagan epic in contemporary British poetry: Hughes and Logue, Ovid and Homer. In: The Epic Expands: Rereading & widening the epic corpus. P.I.E. Peter Lang, Brussels, pp. 343-358. ISBN 9789052018812

Holmes, J. (2012) "The Poet of Science": how scientists read their Tennyson. Victorian Studies, 54 (4). pp. 655-678. ISSN 1527-2052

Holmes, J. (2015) Poetry on Pre-Raphaelite principles: science, nature and knowledge in William Michael Rossetti’s 'Fancies at Leisure' and 'Mrs. Holmes Grey'. Victorian Poetry, 53 (1). pp. 15-39. ISSN 1530-7190

Holmes, J. (2015) Pre-Raphaelitism, science and the arts in 'The Germ'. Victorian Literature and Culture, 43 (4). pp. 689-703. ISSN 1470-1553 doi: https://doi.org/10.1017/S1060150315000212

Holmes, J. (2003) Raleigh, Walter. In: Speake, J. (ed.) Literature of travel and exploration: an encyclopedia. Routledge, London. ISBN 9781579582470

Holmes, J. (2006) Thomas Lodge's 'Amours': the copy-text for imitations of Ronsard in 'Phillis'. Notes & Queries, 53 (1). pp. 55-57. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjj126

Holmes, J. (2007) The X Club: Romanticism and Victorian science. In: Caleb, A. M. (ed.) (Re)creating science in nineteenth-century Britain. Cambridge Scholars Publishing, Newcastle, pp. 12-31. ISBN 9781847182203

Holmes, J. (2004) The growth of 'The Growth of Love' texts and poems in Robert Bridges's sonnet sequence. Review of English Studies, 55 (221). pp. 583-597. ISSN 1471-6968 doi: https://doi.org/10.1093/res/55.221.583

Holmes, J. (2010) The lay of the trilobite: rereading May Kendall. 19: Interdisciplinary Studies in the Long Nineteenth Century, 11. ISSN 1755-1560

Holmes, J. (2004) The new day: Dr Hake and the poetry of science. Journal of Victorian Culture, 9 (1). pp. 68-89. ISSN 1750-0133 doi: https://doi.org/10.3366/jvc.2004.9.1.68

Holton, A. (2013) Chaucer's presence in songes and sonettes. In: Hamrick, S. (ed.) Tottel's Songes and Sonettes in Context. Material Readings in Early Modern Literature. Ashgate, Aldershot, pp. 87-110. ISBN 9781409464655

Holton, A. (2008) The sources of Chaucer's poetics. Ashgate, Aldershot, pp178. ISBN 9780754663942

Holton, A. and MacFaul, T., eds. (2011) Tottel's Miscellany: songs and sonnets of Henry Howard, Earl of Surrey, Sir Thomas Wyatt and others. Penguin, London, pp549. ISBN 9780141192048

Holton, A. (2007) Chaucer and Pronominatio. Reading Medieval Studies, XXXIII. pp. 69-86. ISSN 0950-3129

Holton, A. (2008) Resistance, regard and rewriting: Virginia Woolf and Anne Thackeray Ritchie. English, 57 (217). pp. 42-64. ISSN 1756-1124 doi: https://doi.org/10.1093/english/efn009

Holton, A. (2008) Which Bible did Chaucer use? The biblical tragedies in the Monk’s Tale. Notes and Queries, 55 (1). pp. 13-17. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjm262

Holton, A. (2011) An obscured tradition: the sonnet and its fourteen-line predecessors. Review of English Studies, 62 (255). pp. 373-392. ISSN 1471-6968 doi: https://doi.org/10.1093/res/hgq109

Holton, A. and MacFaul, T. (2009) Ruth in Surrey’s 'Windsor Elegy'. Notes and Queries, 56 (1). pp. 29-33. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjn233

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2007) Could “Eutopian politics […] never be drawn into use”? Utopianism and radicalism in the 1640s. In: Caricchio, M. and Tarantino, G. (eds.) Recent historiographical trends of the British studies (17th-18th centuries). Cromohs Virtual Seminars. CROMOHS, pp. 1-4.

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2023) Early modern utopian fiction: Utopia and The Isle of Pines. In: Shrank, C. and Withington, P. (eds.) The Oxford Handbook of Thomas More’s Utopia. Oxford University Press, Oxford, pp. 509-521. ISBN 9780198881018 doi: https://doi.org/10.1093/oxfordhb/9780198881018.013.29

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2017) ‘I wish to be no other but as he’: Persia, masculinity and conversion in early seventeenth-century travel writing and drama. In: Ditchfield, S. and Smith, H. (eds.) Conversions: Gender and Religious Change in Early Modern Europe. Manchester University Press.

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2007) 'Knowledge shall be increased': natural philosophy and religion in the Early Modern utopia. Literature Compass, 4 (5). pp. 1397-1411. ISSN 1741-4113 doi: https://doi.org/10.1111/j.1741-4113.2007.00486.x

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839, ed. (2010) New worlds reflected: travel and utopia in the Early Modern Period. Ashgate Publishing. ISBN 9780754666479

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2014) Persia and kingship in William Cartwright's The Royall Slave (1636). SEL Studies in English Literature 1500-1900, 54 (2). pp. 455-473. ISSN 0039-3657 doi: https://doi.org/10.1353/sel.2014.0022

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2023) Persia in early modern English drama, 1530–1699: the imagined empire. New Transculturalisms, 1400-1800. Palgrave Macmillan. ISBN 9783031226175

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2009) 'Thou glorious kingdome, thou chiefe of empires': Persia in seventeenth-century travel literature. Studies in Travel Writing, 13 (2). pp. 141-152. ISSN 1755-7550 doi: https://doi.org/10.1080/13645140902857240

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2009) Travelling nowhere: global utopias in the Early Modern period. In: Singh, J. G. (ed.) A companion to the Global Renaissance 1550-1660: English Culture and Literature in the Era of Expansion. Wiley, Oxford, pp. 82-92. ISBN 9781405154765

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2012) Turning Persia: the prospect of conversion in Safavid Iran. In: Stelling, L., Hendrix, H. and Richardson, T. (eds.) The Turn of the Soul. Intersections (23). Brill, Leiden. ISBN 9789004218567

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2010) Utopia and education in the seventeenth century: Bacon’s 'Salomon’s House' and its influence. In: Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (ed.) New Worlds Reflected: Travel and Utopia in the Early Modern Period. Ashgate Publishing, pp. 161-178. ISBN 9780754666479

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2007) Utopia, dystopia, or anti-utopia? Gulliver's Travels and the utopian mode of discourse. Utopian Studies, 18 (3). pp. 425-442. ISSN 1045-991X

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2019) Visiting Tamburlaine’s tomb: drama and performance in early seventeenth-century travel writing. Renaissance Studies, 33 (4). pp. 568-589. ISSN 1477-4658 doi: https://doi.org/10.1111/rest.12568

Houston, C. ORCID: https://orcid.org/0000-0003-3062-1839 (2014) The renaissance Utopia: dialogue, travel and the ideal society. Ashgate, Farnham, pp198. ISBN 9781472425041

Howells, C. A. (2002) Alice Munro. In: New, W. H. (ed.) Encyclopedia of literature in Canada. University of Toronto Press, Toronto, pp. 769-772. ISBN 9780802007612

Howells, C. A. (2003) Contemporary Canadian women's fiction: refiguring identities. Palgrave Macmillan, Basingstoke, pp240. ISBN 9780312239008

Howells, C. A. (2003) 'The Robber Bride'; or, who is a true Canadian? In: Wilson, S. R. (ed.) Margaret Atwood’s textual assasinations: recent poetry and fiction. Ohio State University Press, Columbus, OH, USA, pp. 88-101. ISBN 0814209297

Howells, C. A. (2003) Sites of desolation. In: Turcotte, G. (ed.) Entering the labyrinth: 'The blind assasin'. University of Wollongong Press, Wollongong, pp. 31-46.

Howells, C. A. (2004) Writing by women. In: Kröller, E.-M. (ed.) The Cambridge companion to Canadian literature. Cambridge University Press, Cambridge. ISBN 9780521891318

Howells, C. A. (2004) The telling of secrets. Open Letter, 11 (9) - 1. pp. 39-54. (special issue 'Alice Munro')

Howells, C. A., ed. (2004) Where are the voices coming from? Canadian culture and the legacies of history. Rodopi, Amsterdam, pp266. ISBN 9789042016231

Hulle, D. V. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2015) My Texts are in a Terrible Mess. Journal of Beckett Studies, 24 (1). Edinburgh University Press, Edinburgh, pp161.

Hulle, D. V., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Neyt, V., eds. (2016) Samuel Beckett's digital library. Beckett Digital Manuscript Project

Hunt, K. (2024) Reading bodies and the fairy tale gaze. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117854

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2024) Act division and The Spanish Tragedy. Notes and Queries. ISSN 1471-6941 (In Press)

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2006) Acting pirates: converting a Christian turned Turk. In: Jowitt, C. (ed.) Pirates? The politics of plunder, 1550-1650. Early Modern Literature in History. Palgrave, Basingstoke, pp. 90-104. ISBN 9780230003279

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2005) 'And almost to the very walles of Rome': 2 Tamburlaine, II.i.9. Notes and Queries, 52 (2). pp. 190-192. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gji217

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2005) Anti-theatrical prejudice and 1 Honest Whore, II.i.324–326. Notes and Queries, 52 (2). pp. 220-221. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gji233

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2024) Approaching the interval in the Early Modern theatre: the significance of the 'Act-Time'. Cambridge Elements in Shakespeare Performance. Cambridge University Press, Cambridge. (In Press)

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2015) Barabas's Fall. Theatre Notebook, 69 (1). pp. 2-16. ISSN 0040-5523

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2012) The Changeling at court. Cahiers Élisabéthains, 81. pp. 15-24.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876, ed. (2019) 'The Changeling': a critical reader. Bloomsbury, London. ISBN 9781350011403

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2015) Christopher Marlowe, Marlo, Marley, Marlin, Merling, Morley. In: Chesworth, J. and Thomas, D. (eds.) Christian-Muslim Relations. A Bibliographical History. Volume 6 Western Europe (1500-1600). Christian-Muslim Relations: A Biographical History. E.J. Brill, Leiden. ISBN 9789004250734 doi: https://doi.org/10.1163/9789004281110

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2011) De Flores between the acts. Studies in Theatre and Peformance, 31 (1). pp. 95-111. ISSN 1468-2761 doi: https://doi.org/10.1386/stap.31.1.95_1

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2021) Diplomacy narratives as documents of performance. In: Sáez-Hidalgo, A. and Cano Echevarría, B. (eds.) Exile, Diplomacy and Texts: Exchanges between Iberia and the British Isles, 1500-1767. Intersections (74). Brill, Leiden, Holland, pp. 208-227. ISBN 9789004273658 doi: https://doi.org/10.1163/9789004438040_011

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2003) ´Drama since 1956´. In: The Continuum Encyclopedia of British Literature. Continuum, New York, pp. 278-281, Eds Steven Serafin and Valerie G. Meyer.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2019) Enter Ralph Trapdore. Shakespeare Bulletin, 37 (2). pp. 187-204. ISSN 1931-1427 doi: https://doi.org/10.1353/shb.2019.0030

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2003) ´Flann O´Brien´. In: The Continuum Encyclopedia of British Literature. Continuum, New York, p. 723, Eds Steven Serafin and Valerie G. Meyer.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2024) The Franklin's Tale and The Tempest again. Notes and Queries. ISSN 1471-6941 (In Press)

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2005) Golding's Conrad inheritance. English Language Notes, 42 (3). pp. 75-79. ISSN 0557-2738

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2000) 'In Thrace; brought up in Arabia': The Jew of Malta, II.iii.131. Notes and Queries, 47 (4). pp. 428-430. ISSN 1471-6941 doi: https://doi.org/10.1093/nq/47.4.428

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2019) Introduction. In: Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (ed.) "The Changeling": A Critical Reader. Arden Early Modern Drama Guides. Bloomsbury, London. ISBN 9781350011403

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2002) Larkin´s toad. Notes and Queries, 49 (1). pp. 94-96. ISSN 1471-6941 doi: https://doi.org/10.1093/nq/49.1.94

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2015) Marlowe's "Greekish Strumpet". Notes and Queries, 62 (1). pp. 66-69. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gju248

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2004) Marlowe's 'Scourge of God'. Notes and Queries, 51 (3). pp. 244-247. ISSN 1471-6941

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876, (2016) Martin Swarte, his life and death. University of Melbourne, Melbourne.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2007) Mary Frith at the Fortune. Early Theatre, 10 (1). pp. 89-108. ISSN 1206-9078

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (1998) ´Middleton´s Women Beware Women: Rape, Seduction – Or Power, Simply?´. Notes and Queries, 45 (3). pp. 366-367. ISSN 1471-6941

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2017) 'News from Plymouth' and 'The Changeling'. Notes and Queries, 64 (3). pp. 410-411. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjx081

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2010) The OED and The changeling : a correction. Notes and Queries, 57 (3). pp. 414-415. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjq071

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876, (2015) Osmond the Great Turk. University of Melbourne, Melbourne.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2005) Richard III and The Changeling. Notes and Queries, 52 (2). pp. 229-230. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gji239

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2013) Scene division in Titus Andronicus. Notes and Queries, 60 (3). pp. 402-404. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjt128

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (1997) ´The Semiotics of Committed Drama´. In: Language and the Subject. Rodopi, Amsterdam, pp. 189-196, editor: Karl Simms.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876, ed. (2008) Shakespeare and Islam. Shakespeare, 4 (2). Taylor and Francis. (special issue: Shakespeare and Islam)

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2008) Shakespeare and Islam: introduction. Shakespeare, 4 (2). pp. 102-111. ISSN 1745-0926 doi: https://doi.org/10.1080/17450910802083104

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876, (2014) The Spanish Viceroy. University of Melbourne, Melbourne.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876, (2017) The Spanish contract. University of Melbourne, Melbourne.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2015) Staging the Sherleys' Travails. Cahiers Élisabéthains, 87 (1). pp. 43-62. ISSN 0184-7678 doi: https://doi.org/10.7227/CE.87.1.3

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (1999) ´A Theatrical Allusion to The Revenger´s Tragedy in 1607´. Notes and Queries, 46 (2). pp. 246-248. ISSN 1471-6941

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2011) Thomas Middleton: chronologer of his time. In: Gossett, S. (ed.) Thomas Middleton in Context. Literature in Context. Cambridge University Press, pp. 17-27. ISBN 9780521190541

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2014) 'Those rebellious Hollanders': The Changeling's Double Dutch. Sederi, 24. pp. 143-156. ISSN 1135-7789

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2003) ´Timberlake Wertenbaker´. In: The Continuum Encyclopedia of British Literature. Continuum, New York, pp. 1037-1038, Eds Steven Serafin and Valerie G. Meyer.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2000) ´“´Tis a pageant / To keep us in false gaze”: Othello, Virtual History, and the Jacobean Audience´s Turkish Expectations´. In: Shakespeare and his Contemporaries in Performance. Ashgate, pp. 189-211, editor: Edward J. Esche.

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2018) 'Titus Andronicus' and trapdoors at the Rose and Newington Butts. In: Holland, P. (ed.) Shakespeare Survey 71: Recreating Shakespeare. Cambridge University Press, pp. 221-231. doi: https://doi.org/10.1017/9781108557177.023

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2007) The "Turk Phenomenon" and the repertory of the late Elizabethan playhouse. Early Modern Literary Studies, 13 (2). pp. 1-39. ISSN 1201-2459

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2000) 'Turkish' or 'Arabic' Emir? The Merry Wives of Windsor, II.i.176. Notes and Queries, 47 (4). pp. 449-451. ISSN 1471-6941 doi: https://doi.org/10.1093/nq/47.4.449

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2017) Turks, repertories, and the Early Modern English stage. Palgrave Macmillan, Basingstoke. ISBN 9781137462626

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2023) The changeling by design. In: Sanderson, J. (ed.) 400 Años de The Changeling. University of Alicante Press, Alicante. ISBN 9788413022277

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2000) The end of 'II Tamburlaine' and the beginning of 'King Lear'. Notes and Queries, 47 (4). pp. 82-86. ISSN 1471-6941 doi: https://doi.org/10.1093/nq/47.1.82

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2013) The interval and indoor playmaking. Studies in Theatre and Performance, 33 (3). pp. 263-279. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.33.3.263_1

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2012) The spectre of Gondomar in the wake of A Game at Chess. The Seventeenth Century, 27 (4). pp. 435-453. ISSN 2050-4616 doi: https://doi.org/10.7227/TSC.27.4.3

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2007) The stage historicizes the Turk: convention and contradiction in the Turkish history play. In: Grant, T. and Ravelhofer, B. (eds.) English historical drama, 1500-1660: forms outside the canon. Early Modern Literature in History. Palgrave, Basingstoke, pp. 158-178. ISBN 9781403948496

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 (2009) A textual crux in 'The Changeling'. Notes and Queries, 56 (4). pp. 625-629. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjp180

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 and Bromham, A. A. (2008) Middleton and his collaborators. Northcote House, Plymouth, pp128. ISBN 0746310803

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 and Cano-Echevarria, B. (2018) The Spanish Ambassador’s account of James I’s entry into London, 1604 [with text]. The Seventeenth Century, 33 (3). pp. 255-277. ISSN 0268-117X doi: https://doi.org/10.1080/0268117X.2017.1335611

Hutchings, M. ORCID: https://orcid.org/0000-0003-4931-2876 and Cano-Echevarría, B. (2012) Between courts: female masquers and Anglo-Spanish diplomacy, 1603-05. Early Theatre, 15 (1). pp. 93-110. ISSN 1206-9078 doi: https://doi.org/10.12745/et.15.1.899 (special Issue: 'Women and Performance')

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Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2014) The Clitherow manuscript of 'The Destruction of Hierusalem’. In: Beal, P. (ed.) Discovering, Identifying and Editing Early Modern Manuscripts. English Manuscript Studies 1100-1700, 18. The British Library, pp. 55-67. ISBN 9780712358934

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2012) Creating the first Early Modern English theatre history archive: Edward Alleyn, William Cartwright and British Library Egerton manuscript 1994. In: Cerasano , S. P. and May, S. W. (eds.) In the Prayse of Writing: Early Modern Manuscript Studies. British Library, London, pp. 145-168. ISBN 9780712358576

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2019) The Diary of Edward Alleyn, 1617-1622. Henslowe-Alleyn Digitisation Project, pp124.

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2008) Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood: authorship, authority and the playhouse. Routledge, London, pp256. ISBN 9780415470315

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2007) The Earl of Essex constructs himself and his queen in the Hulton letters. In: Beal, P. and Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (eds.) Elizabeth I and the culture of writing. British Library Publishing, London, pp. 43-69. ISBN 9780712306782

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2010) Early modern handwriting. In: Hattaway, M. (ed.) A new companion to English renaissance literature and culture. Wiley-Blackwell, pp. 177-189. ISBN 9781405187626

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2016) “Extraordinary and rare”: Ben Jonson’s manuscripts. In: Giddens, E. (ed.) The Oxford Handbook of Ben Jonson. Oxford University Press, Oxford. ISBN 9780199544561 doi: https://doi.org/10.1093/oxfordhb/9780199544561.013.26

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727, ed. (2004) Hengist, King of Kent, or the Mayor of Queenborough by Thomas Middleton. Malone Society Reprints. Oxford University Press, Oxford, pp112. ISBN 9780197290439

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2010) Henslowe-Alleyn Digitisation Project. King's College London, UK.

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727, (2009) The Henslowe-Allyen Digitisation Project. King's College London Department of Digital Humanities, King's College London.

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2006) "I desire to be helde in your memory": reading Penelope Rich through her letters. In: Callaghan, D. (ed.) The impact of feminism in the Renaissance. Palgrave Macmillan, Basingstoke. ISBN 9781403992123

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2006) 'I desire to be helde in your memory': reading Penelope Rich through her letters. In: Callaghan, D. (ed.) The impact of feminism in English renaissance studies. Palgrave, Basinstoke, pp. 299-325. ISBN 9781403992123

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2011) "If I could not liu by it & be honest": putting the Henslowe-Alleyn Manuscript Archive online. Medieval and Renaissance Drama in England (24). pp. 38-45.

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2014) Introduction: entire hands and main fingers. Early Theatre, 7 (2). pp. 119-121. ISSN 1206-9078 doi: https://doi.org/10.12745/et.17.2.1204

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2015) 'King Lear' (folio with additions from the quarto) by William Shakespeare. In: The Norton Shakespeare: third edition. W. W. Norton & Co Ltd, New York City, pp. 2494-2570. ISBN 9780393263121

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2015) 'King Lear' (folio) by William Shakespeare. In: Greenblatt, S. (ed.) The Norton Shakespeare: third edition. W. W. Norton & Co., New York City, pp. 2331-2493. ISBN 9780393263121

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2015) 'King Lear' (quarto) by William Shakespeare. In: Greenblatt, S. (ed.) The Norton Shakespeare: third edition. W. W. Norton & Co., New York City, pp. 2317-2330. ISBN 9780393263121

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727, ed. (2008) 'King Lear' by William Shakespeare. Norton Criitical Editions. W W Norton & Co, New York, City, NY, pp272. ISBN 9780393926644

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2016) Manuscripts containing texts by Shakespeare. In: Smith, B. (ed.) The Cambridge Guide to the Worlds of Shakespeare. Cambridge University Press, Cambridge, pp. 131-132. ISBN 9781107057258

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727, ed. (2009) 'Measure for Measure' by William Shakespeare. Norton Critical Editions. Norton, pp272. ISBN 9780393931716

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2018) A Midsummer Night's Dream by William Shakespeare. Norton Critical Editions. W. W. Norton, New York City, New Yor, USA. ISBN 9780393925159

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2009) The Monckton-Milnes Manuscript and the "Truest" Version of Ben Jonson’s "A Satyricall Shrubb". Ben Jonson Journal, 16 (1-2). pp. 117-131. ISSN 1755-165X doi: https://doi.org/10.3366/E1079345309000522

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2003) 'Much they ought not to have attempted': editors of collected editions of Shakespeare from the eighteenth to the twentieth centuries. In: Nash, A. (ed.) The culture of collected editions. Palgrave Macmillan, Basingstoke, pp. 157-171. ISBN 9781403902665

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2013) Robert Devereux, 2nd Earl of Essex, and the practice of theatre. In: Connolly, A. and Hopkins, L. (eds.) Essex: The Life and Times of an Elizabethan Courtier. Manchester University Press, Manchester, pp. 63-80. ISBN 9780719084942

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727, ed. (2003) A Routledge literary sourcebook on William Shakespeare's 'King Lear'. Routledge, London, pp200. ISBN 9780415234726

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2017) Shakespeare and digital and social media. In: Courtney, K. K. and Zinkewic, G. (eds.) Shakespeare: His Infinite Variety. University of Lodz, Lodz, Poland, pp. 171-182. ISBN 9788380887978

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2014) Shakespeare: from author to audience to print, 1608-1616. In: Late Shakespeare, 1608-1613. Cambridge University Press, Cambridge, UK, pp. 139-157. ISBN 9781107463196

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2012) Shakespeare: from author to audience to print, 1608–13. In: Power , A. J. and Loughnane, R. (eds.) Late Shakespeare, 1608-1613. Cambridge University Press, pp. 139-157. ISBN 97810107016194

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Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2015) Those Essex girls: the lives and letters of Lettice Knollys, Penelope Rich, Dorothy Perrott Percy, and Frances Walsingham. In: The Ashgate Research Companion to the Sidneys, 1500-1700. Ashgate, London, pp. 77-92. ISBN 9781409450382

Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2004) The future of early modern dramatic manuscripts in a 'switched-on' world. In: Zimmerman, S. (ed.) Shakespeare studies: volume XXXII. Fairleigh Dickinson University Press, Madison, NJ, USA, pp. 66-74. ISBN 0848640338

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Ioppolo, G. ORCID: https://orcid.org/0000-0002-9951-4727 (2005) 'A jointure/more or less': re-measuring the true chronicle history of King Leir. In: Pitcher, J. and Cerasano, S. P. (eds.) Medieval and renaissance drama in England, Vol. 17. FDU Press, New Jersey, pp. 165-179. ISBN 083864032X

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Macdonald, K. (2016) Comic short fiction and its variety. In: Einhaus, A.-M. (ed.) The Cambridge Companion to the English Short Story. Cambridge Companions to Literature. Cambridge University Press, Cambridge, UK, pp. 145-158. ISBN 9781107084179

Macdonald, K. (2017) Constructing a public persona: Rose Macaulay’s non-fiction. In: Macdonald, K. (ed.) Rose Macaulay, Gender and Modernity. Routledge, London and New York, pp. 187-216.

Macdonald, K. (2017) Popular periodicals: wartime newspapers, magazines and journals. In: Einhaus, A.-M. and Baxter, K. I. (eds.) The Edinburgh Companion to the First World War and the Arts. Edinburgh Companions to Literature. Edinburgh University Press, Edinburgh, UK. ISBN 9781474401630

Macdonald, K. (2016) Virginia Woolf’s shadow: sex bias in academic publication. In: Rayner, S. and Lyons, R. (eds.) The Academic Book of the Future. University College London Press, London, UK. (Unpublished)

Macdonald, K. (2017) Introduction. In: Macdonald, K. (ed.) Rose Macaulay, Gender, and Modernity. Routledge, London and New York, pp. 1-34. ISBN 9781138206175

Macdonald, K. (2017) John Buchan’s short stories of empire: the Indian protagonist in ‘A Lucid Interval’ (1910). Nordic Journal of English Studies, 16 (2). pp. 33-53. ISSN 1654-6970

Macdonald, K. (2016) The first cyborg and First World War bodies as anti-war propaganda. Journal of War and Culture Studies, 9 (4). pp. 348-366. ISSN 1752-6272 doi: https://doi.org/10.1080/17526272.2016.1185276

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2011) Anatomical sketches by Boz. The Dickensian, 107 (483). pp. 43-57. ISSN 0012-2440

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2009) Armadale and the criminal abortionists. In: Costantini, M. (ed.) Armadale: Wilkie Collins and the dark threads of life. Aracne, Rome, pp. 177-195. ISBN 9788854826137

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2010) Buried alive: the gothic awakening of taphephobia. Journal of Literature and Science, 3 (1). pp. 10-22. ISSN 1754-646X

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2013) The Cambridge companion to sensation fiction. Cambridge University Press, Cambridge, pp253. ISBN 9780521157094

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2012) Charles Dickens and the anatomy of murder. Transactions of the Leicester Literary & Philosophical Society, 106. pp. 12-14. ISSN 0141-3511

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2017) Dickens, Hogarth and artistic perception: the case of Nicholas Nickleby. Dickens Studies Annual, 48. pp. 59-78. ISSN 0084-9812

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2017) Dickens’s Forensic Realism: Truth, Bodies, Evidence. Ohio State University Press, pp300. ISBN 9780814213247

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2013) "Drink it up dear, it will do you good": crime, toxicology and the trail of the serpent. In: New perspectives on Mary Elizabeth Braddon. DQR Studies in Literature (50). Rodopi, Amsterdam, pp. 95-112. ISBN 9789042035799

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2011) Ellen (Mrs Henry) Wood. In: Gilbert, P. K. (ed.) A Companion to Sensation Fiction. Blackwell, pp. 408-421. ISBN 9781405195584

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2012) ‘God’s Truth’: Kant, Mill and moral epistemology in Oliver Twist. Literature Compass, 9 (11). pp. 733-742. ISSN 1741-4113 doi: https://doi.org/10.1111/lic3.12024

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2015) Grave sensitivities: medicine and feeling in the early journalism of Dickens. In: Christensen, A. C., Marroni, F. and Paroissien, D. (eds.) Dialogic Dickens: Invention and Transformation. Solfanelli, Chieti, pp. 63-83. ISBN 9788874979349

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2007) How do I look? Dysmorphophobia and obsession at the fin de siècle. In: Stiles, A. (ed.) Neurology and literature, 1860-1920. Palgrave Studies in Nineteenth-Century Writing and Culture. Palgrave, Basingstoke. ISBN 9780230520943

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2010) Life after death: apoplexy, medical ethics and the female undead. In: Kontou, T. (ed.) Women and the Victorian Occult. Taylor & Francis, London, pp. 15-31. ISBN 9780415613262

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2008) Life after death: apoplexy, medical ethics and the female undead. Women's Writing, 15 (3). pp. 282-299. ISSN 1747-5848 doi: https://doi.org/10.1080/09699080802444751

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2017) Medical research. In: Rushton, S. and Holmes, J. (eds.) The Routledge Research Companion to Nineteenth-Century British Literature and Science. Routledge, London, UK. ISBN 9781315613338 doi: https://doi.org/10.4324/9781315613338

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2024) Out of the blue? Epilepsy, sensation and Wilkie Collins's poor Miss Finch. Cankaya University Journal of Humanities and Social Sciences, 18. pp. 1-20. ISSN 1309-6761 doi: https://doi.org/10.47777/cankujhss.1413123

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2010) Pickwick's interpolated tales and the examination of suicide: the science of an ending. 19: Interdisciplinary Studies in the Long Nineteenth Century, 10. ISSN 1755-1560

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2012) Science and medicine. Year's Work in Critical and Cultural Theory, 20 (1). pp. 320-333. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbs015

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2020) The Science of Starving in Victorian Literature, Medicine and Political Economy. Oxford University Press, Oxford, UK. ISBN 9780198850038

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2015) Starving by numbers: William Farr, medical statistics and the social aesthetics of hunger. English Literature, 2 (2). pp. 203-217. ISSN 2420-823X doi: https://doi.org/10.14277/2420-823X/EL-2-2-15-2

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2007) Violent women and sensation fiction: crime, medicine and Victorian popular culture. Palgrave, Basingstoke, pp264. ISBN 9780230545212

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2023) We are all monsters: how deviant organisms came to define us. MIT Press, Cambridge, Massachusetts, pp344. ISBN 9780262047524

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2006) “What could I do?”: nineteenth-century psychology and the horrors of masculinity in 'The woman in white'. In: Harrison, K. and Fantina, R. (eds.) Victorian sensations: essays on a scandalous genre. Ohio State University Press, Columbus, USA, pp. 115-125. ISBN 9780814210314

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2010) Wilkie Collins (1824–1889). In: Rzepka, C. J. and Horsley, L. (eds.) A companion to crime fiction. Wiley-Blackwell, Oxford, UK, pp. 381-389. ISBN 9781405167659

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162, ed. (2007) Wilkie Collins: Interdisciplinary Essays. Cambridge Scholars Publishing, Newcastle, pp284.

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162, ed. (2009) Wilkie Collins: interdisciplinary essays. 2nd edition. Cambridge Scholars Publishing, Newcastle, pp284. ISBN 9781443805100

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2015) Wood, Ellen. In: The Encyclopedia of Victorian Literature. Wiley. doi: https://doi.org/10.1002/9781118405376.wbevl338

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2006) The detective fiction of female adolescent violence. Clues: a journal of detection, 25 (1). pp. 70-80. ISSN 1940-3046 doi: https://doi.org/10.3200/CLUS.25.1.70-80

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 (2021) 'The ghosts of individual peculiarities': murder and interpretation in Dickens. In: Ferguson, R., Littlefield, M. M. and Purdon, J. (eds.) The Art of Identification: Forensics, Surveillance, Identity. Penn State University Press, University Park, Pennsylvania. ISBN 9780271090573

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162, ed. (2011) The poetry of Menotti Lerro. Cambridge Scholars Publishing. ISBN 9781443828444

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 and Depledge, G. (2007) Gynecological controversy and Victorian fiction. In: Caleb, A. M. (ed.) (Re)creating science in nineteenth-century Britain. Cambridge Scholars Publishing, Newcastle, pp. 146-167. ISBN 9781847182203

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 and Depledge, G., eds. (2011) The female body in medicine and literature. Liverpool University Press, pp231. ISBN 9781846314728

Mangham, A. ORCID: https://orcid.org/0000-0003-3585-7162 and Lea, D., eds. (2018) The Male Body in Medicine and Literature. Liverpool University Press, pp264. ISBN 9781786940520

Mangham, A. S. ORCID: https://orcid.org/0000-0003-3585-7162 (2011) Ellen Wood (Mrs Henry Wood). Oxford Bibliographies Online. doi: https://doi.org/10.1093/OBO/9780199799558-0081

Mangham, A. S. ORCID: https://orcid.org/0000-0003-3585-7162 (2011) Medicine. Oxford Bibliographies Online. doi: https://doi.org/10.1093/OBO/9780199799558-0080

Mangham, A. S. ORCID: https://orcid.org/0000-0003-3585-7162 (2011) Wilkie Collins. Oxford Bibliographies Online. doi: https://doi.org/10.1093/OBO/9780199799558-0017

Marks, C. (2014) ‘Let poor volk pass’: dialect and writing the south-west poor out of metropolitan political life in Hannah More’s Village Politics (1792). Romanticism, 20 (1). pp. 43-59. ISSN 1750-0192 doi: https://doi.org/10.3366/rom.2014.0156

Marks, C. (2011) Writings of the left hand: William Blake forges a new political aesthetic. Huntington Library Quarterly, 74 (1). pp. 43-70. ISSN 1544-399X

Marks, C. (2024) "The white man is still there. The white duppy”: Gothic haunting and colourism in Marlon James’s A brief history of seven killings. Journal of West Indian Literature, 32 (2). pp. 39-62. ISSN 0258-8501

Marshall, G. ORCID: https://orcid.org/0000-0001-7731-2385 (2018) Adam Bede and 'the green trash of the railway stall': George Eliot and the lady novelists of 1859. In: Gavin, A. E. and de la L. Oulton, C. W. (eds.) British Women's Writing from Brontë to Bloomsbury. Springer, pp. 245-260. ISBN 9783319782256 doi: https://doi.org/10.1007/978-3-319-78226-3

Marshall, G. ORCID: https://orcid.org/0000-0001-7731-2385 (2020) Adam Bede, realism, the past, and readers in 1859. English Literature, 6 (1). ISSN 2420-823X doi: https://doi.org/10.30687/el/2420-823x/2019/01/002

Marshall, G. ORCID: https://orcid.org/0000-0001-7731-2385 (2024) George Eliot, Henry James, realism, and Europe. In: Marshall, G. ORCID: https://orcid.org/0000-0001-7731-2385 (ed.) Nineteenth-century literature in transition: the 1850s. Cambridge University Press, Cambridge, pp. 338-358. ISBN 9781009100427

Marshall, G. ORCID: https://orcid.org/0000-0001-7731-2385 (2016) Henry James's houses: domesticity and performativity. In: John, J. (ed.) The Oxford Handbook of Victorian Literary Culture. Oxford University Press, Oxford, pp. 702-716. ISBN 9780199593736

Marshall, G. ORCID: https://orcid.org/0000-0001-7731-2385 (2024) Introduction to nineteenth-century literature in transition: the 1850s. In: Marshall, G. ORCID: https://orcid.org/0000-0001-7731-2385 (ed.) Nineteenth-century literature in transition: the 1850s. Cambridge University Press, Cambridge, pp. 1-17. ISBN 9781009100427

Marshall, G. ORCID: https://orcid.org/0000-0001-7731-2385 (2025) Shakespeare. In: The Oxford Handbook to George Eliot. OUP, Oxford. (In Press)

Marshall, G. ORCID: https://orcid.org/0000-0001-7731-2385 (2020) Temporality and statuesque women in George Eliot. 19: Interdisciplinary Studies in the Long Nineteenth Century (29). ISSN 1755-1560 doi: https://doi.org/10.16995/ntn.1937

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2018) "Felt unities": Geoffrey Hill, T.S. Eliot, and David Jones. Literary Imagination, 20 (2). pp. 140-156. ISSN 1752-6566 doi: https://doi.org/10.1093/litimag/imy031

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2016) Finding consonance in the disparities: Geoffrey Hill, John Milton, and modernist poetics. Modern Language Review, 111 (3). pp. 665-683. ISSN 0026-7937 doi: https://doi.org/10.5699/modelangrevi.111.3.0665

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2015) Geoffrey Hill’s complex affinities with American agrarian poetry. The Cambridge Quarterly, 44 (4). pp. 321-340. ISSN 1471-6836 doi: https://doi.org/10.1093/camqtly/bfv026

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2019) Marvell in the twentieth- and twenty-first centuries. In: Dzelzainis, M. and Holberton, E. (eds.) The Oxford Handbook of Andrew Marvell. Oxford University Press, Oxford. ISBN 9780198736400

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2017) On magnetism. Two Rivers Press, Reading, UK, pp96. ISBN 9781909747326

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2023) Some other where (poems). Two Rivers Press.

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2024) Thom Gunn's variants. The Cambridge Quarterly. ISSN 1471-6836 (In Press)

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298, ed. (2022) The Waste Land After One Hundred Years. Essays and Studies, 75. Boydell and Brewer, pp224. ISBN 9781843846369

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 and Feldman, M., eds. (2020) Samuel Beckett's Philosophy Notes. Oxford University Press, Oxford.

Maude, U. (2009) Beckett, technology and the body. Cambridge University Press, Cambridge, pp222. ISBN 9780521515375

Maude, U. (2011) Beckett and the laws of habit. Modernism/Modernity , 18 (4). pp. 1-9. ISSN 1080-6601

Maude, U. (2009) 'Material of a Strictly Peculiar Order': Beckett, Merleau-Ponty and perception. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, pp. 77-96. ISBN 9780826497147

Maude, U. (2009) 'A Stirring Beyond Coming and Going’: Beckett and Tourette's. Journal of Beckett Studies, 17 (1-2). pp. 153-168. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000119

Maude, U. and Feldman, M., eds. (2009) Beckett and phenomenology. Continuum Literary Studies . Continuum, pp226. ISBN 9780826497147

Maude, U. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2018) The Bloomsbury companion to modernist literature. Bloomsbury, pp560. ISBN 9781780936413

McDonald, R. (2007) The Cambridge introduction to Samuel Beckett. Cambridge introductions to Literature. Cambridge University Press, Cambridge, pp150. ISBN 9780521838566

McDonald, R., ed. (2005) Irish writing since 1950. The Yearbook of English Studies, 35. MHRA, Leeds.

McDonald, R. (2007) The death of the critic. Continuum, London, pp224. ISBN 9780826492791

McDonald, R. (2005) Irish literature: tradition and modernity. In: Marcus, L. and Nicholls, P. (eds.) The Cambridge history of twentieth-century English literature. The New Cambridge History of English Literature. Cambridge University Press, Cambridge, pp. 653-667. ISBN 9780521820776

McDonald, R. (2005) Strategies of silence: colonial strains in short stories of the troubles. Yearbook of English Studies, 35. pp. 249-263. ISSN 2222-4289

McDonald, R. (2007) 'What a male!': triangularity, desire and precedence in 'Before Play' and Play. Samuel Beckett Today/Aujourd'hui, 18. pp. 213-225. ISSN 0927-3131

McGill, B. E. (2019) Reading a formula(ting) of space(,)time and quantum mechanics. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085119

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, Pattie, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden.

McTighe, T., Morin, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2020) Beckett and Intermediality / Beckett, artiste intérmedial. Samuel Beckett Today / Aujourd'hui, 32 (1). Brill, Leiden.

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2015) Confessionalism and conversion in the Reformation. In: Simpson, J. (ed.) Oxford Handbooks Online. Oxford University Press. doi: https://doi.org/10.1093/oxfordhb/9780199935338.013.73

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2000) ‘Elect nations and prophetic preaching: types and examples in the Paul's Cross Jeremiad'. In: Ferrell, L. A. and McCullough, P. (eds.) The English Sermon Revised. Manchester University Press, Manchester, pp. 43-58. ISBN 07190 54494

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2013) Episcopal chaplains and control of the media, 1586-1642. In: Adlington, H., Lockwood, T. and Wright, G. (eds.) Chaplains in early modern England: patronage, literature and religion. Manchester University Press. ISBN 9780719088346

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2017) Exhortation and sympathy in the Paul's Cross Jeremiads. English Studies, 98 (7). pp. 661-674. ISSN 1744-4217 doi: https://doi.org/10.1080/0013838X.2017.1339994

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (1999) Interdisciplinarity and the study of Early Modern sermons. The Historical Journal, 42 (4). pp. 1111-1123. ISSN 1469-5103

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2003) John Donne as a conventional Paul's Cross preacher. In: Colclough, D. (ed.) John Donne's Professional Lives. Studies in Renaissance Literature. D. S. Brewer, Cambridge, pp. 159-178. ISBN 9780859917759

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2021) London’s long reformation, the Corporation, and St Paul’s. In: Altman, S. and Buckner, J. (eds.) Old St Paul’s and Culture. Early Modern Literature in History. Palgrave Macmillan, London. ISBN 9783030772666 doi: https://doi.org/10.1007/978-3-030-77267-3

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2000) Narrative authority in spiritual life-writing: the example of Dionys Fitzherbert (fl. 1608-1641). The Seventeenth Century, XV. pp. 1-17. ISSN 0268-117X

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2018) Nuts, kernels, wading lambs and swimming elephants: preachers and their handling of biblical texts. In: Armstrong, R. and O Hannrachain, T. (eds.) The English Bible in the Early Modern World. St Andrews Studies in Reformation History. Brill. ISBN 9781472418203

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2015) Ornament and repetition: biblical interpretation in Early Modern English preaching. In: Smith, H., Killeen, K. and Willie, R. J. (eds.) The Oxford Handbook of the Bible in Early Modern England, c. 1530-1700. Oxford University Press, Oxford, pp. 303-316. ISBN 9780199686971

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2014) The Paul’s Cross Jeremiad and other sermons of exhortation. In: Kirby, T. and Stanwood, P.G. (eds.) Paul's Cross and the Culture of Persuasion in England, 1520-1640. Studies in the History of Christian Traditions. Brill, Leiden, The Netherlands, pp. 421-438. ISBN 9789004242272

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2012) Paul’s Cross: context, occasion, significance. In: Viereck, W. (ed.) English Past and Present: Selected papers from the IAUPE Malta Conference in 2010. Peter Lang, Frankfurt-am-Main, pp. 49-56. ISBN 9783631638958

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2011) Politics and the Paul's Cross sermons, 1558-1642. Oxford University Press, Oxford, pp272. ISBN 9780199571765

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2006) Presenting James VI and I to the public: preaching on political anniversaries at Paul's Cross. In: Houlbrooke, R. (ed.) James VI and I: ideas, authority, and government. Ashgate Publishing, Aldershot, pp. 107-122. ISBN 9780754654100

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2002) Scripture, style and persuasion in seventeenth-century English theories of preaching. Journal of Ecclesiastical History, 53 (4). pp. 686-706. ISSN 1469-7637 doi: https://doi.org/10.1017/S002204690100149X

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2017) Sermon-notes and seventeenth-century manuscript communities. Huntington Library Quarterly, 80 (2). pp. 293-307. ISSN 1544-399X doi: https://doi.org/10.1353/hlq.2017.0017

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2011) Sermons, primers, and prayer books. In: Joad, R. (ed.) Cheap Print in Britain and Ireland to 1660. The Oxford History of Popular Print Culture (1). Oxford University Press, Oxford. ISBN 9780199287048

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2000) Trinity College, Dublin manuscript 333: William Chappell's method of preaching. Long Room, 44-45. pp. 22-29. ISSN 0024-631X

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2023) Was John Donne a catholic?:conversion, conformity, and early modern English confessional identities. Review of English Studies, 74 (313). pp. 64-77. ISSN 1471-6968 doi: https://doi.org/10.1093/res/hgac039

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2012) What An Collins was reading. Women's Writing, 19 (4). pp. 467-486. ISSN 1747-5848 doi: https://doi.org/10.1080/09699082.2012.712307

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2001) ‘William Chappell’. In: Malone, E. A., (ed.) Dictionary of Literary Biography. British Rhetoricians and Logicians, 1500-1660, 236. Bruccoli Clark Layman, pp. 91-8. ISBN 0787646539

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 (2014) The "challenge controversy" and the search for authority in the Elizabethan church. In: Fulton, E., Parish, H. and Webster, P. (eds.) The Search for Authority in Reformation Europe. St Andrews Studies in Reformation History . Ashgate, Farnham UK, pp. 147-170. ISBN 9781409408543

Morrissey, M. ORCID: https://orcid.org/0000-0002-9287-3460 and Wright, G. (2006) Piety and sociability in early modern women's devotional writing. Women's Writing, 13 (1). pp. 44-59. ISSN 1747-5848 doi: https://doi.org/10.1080/09699080500436075

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Nash, A., ed. (2000) Farewell Miss Julie Logan: a J.M. Barrie omnibus. Canongate, Edinburgh. ISBN 9781841950037

Nash, A. (2003) Frank Swinnerton and John Cowper Powys. Powys Journal, 13. pp. 166-178.

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Nash, A. (2010) A Kailyard curiosity. The Book Collector, 59 (3). pp. 392-398. ISSN 0006-7237

Nash, A. (2006) The Kailyard: problem or illusion? In: Brown, I., Clancy, T., Manning, S. and Pittock, M. (eds.) The Edinburgh history of Scottish literature. Edinburgh University Press, Edinburgh, pp. 325-332. ISBN 9780748624812

Nash, A. (2011) Sifting out 'rubbish' in the literature of the 1920s: Chatto and Windus and the Phoenix library. In: Spiers, J. (ed.) The culture of the publisher's series, volume 1: authors, publishers and the shaping of taste. Palgrave Macmillan, Basingstoke and New York, pp. 188-201. ISBN 9780230284029

Nash, A. (2000) Understanding the land in Scot(t)land. In: Hagemann, S. (ed.) Terranglian territories: proceedings of the seventh international conference on the literature of region and nation. Peter Lang, Frankfurt am Main, pp. 631-640. ISBN 9783631346402

Nash, A. (2012) Victorian Scottish literature. In: Carruthers, G. and McIlvanney, L. (eds.) Cambridge companion to Scottish literature. Cambridge companions to literature. Cambridge University Press, Cambridge. ISBN 9780521189361

Nash, A. (2014) William Clark Russell and the Victorian nautical novel. Literary texts and the popular marketplace, 6. Pickering & Chatto, London, pp256. ISBN 9781848933767

Nash, A. (1999) 'A phenomenally slow producer': J.M. Barrie, Scribner's and the publication of Sentimental Tommy. Yale University Library Gazette, 74 (1-2). pp. 41-53. ISSN 0044-0175

Nash, A. (2006) 'The return of the native' and Belgravia. In: Mallett, P. (ed.) The return of the native. Norton critical editions. Norton, London, pp. 363-370. ISBN 9780393927870

Nash, A. (2009) A.P. Watt and the marketing of 'Ian Maclaren'. Journal of the Edinburgh Bibliographical Society, 4. pp. 49-59. ISSN 1752-0320

Nash, A. (2005) 'At the gates': new commentaries on a lost text by D. H. Lawrence. Review of English Studies, 56 (227). pp. 767-776. ISSN 1471-6968 doi: https://doi.org/10.1093/res/hgi108

Nash, A. (2014) Barrie, sentimentality, and modernity. In: Bold, V. and Nash, A. (eds.) Gateway to the Modern: Resituating J.M. Barrie. Association for Scottish Literary Studies Occasional Papers: Number 18. Scottish Literature International, Glasgow, pp. 103-120. ISBN 9781908980021

Nash, A. (2015) Better dead: J. M. Barrie’s first book and the shilling fiction market. Scottish Literary Review, 7 (1). pp. 19-41. ISSN 1756-5634

Nash, A. (2011) D. H. Lawrence and the publication of Look! We Have Come Through! The Library: The Transactions of the Bibliographical Society, 12 (2). pp. 142-163. ISSN 1744-8581 doi: https://doi.org/10.1093/library/12.2.142

Nash, A. (2010) Freedom and power? Women, class and inheritance in Mrs Alexander’s 'Her Dearest Foe' (1876). Victorians Institute Journal, 38. pp. 127-147. ISSN 0886-3865

Nash, A. (1999) From realism to romance: gender and narrative technique in J.M. Barrie's The Little Minister. Scottish Literary Journal, 26 (1). pp. 77-92. ISSN 1756-5634

Nash, A. (2004) Ghostly endings: the evolution of J.M. Barrie’s 'Farewell Miss Julie Logan'. Studies in Scottish Literature, XXXIII/XXX. pp. 124-137. ISSN 0039-3770

Nash, A. (2008) Hogg's Confessions, S.R. Crockett and the House of Macmillan. Studies in Hogg and his World, 19. pp. 117-121. ISSN 0960-6025

Nash, A. (2010) Introduction. In: Maclaren, I. (ed.) St Jude’s. Kennedy and Boyd, Glasgow, UK. ISBN 9781904999263

Nash, A. (2007) Introduction. In: Beside the bonnie brier bush by Ian Maclaren. The Kailyard Authors. Kennedy & Boyd, Glasgow, ix-xvii. ISBN 1904999573

Nash, A. (2007) Introduction. In: The Stickit Minister and some common men by S.R. Crockett. The Kailyard Authors. Kennedy & Boyd, Glasgow, ix-xviii. ISBN 1904999565

Nash, A. (2015) Introduction. In: 'Auld Licht Idylls and A Window in Thrums' by J. M. Barrie. The Kailyard authors. Kennedy and Boyd, Glasgow, vii-xx. ISBN 9781849211376

Nash, A. (2002) Life in Gissing’s New Grub Street: David Christie Murray and the practice of authorship. Publishing History, 51. pp. 21-60. ISSN 0309-2445

Nash, A. (2007) Literary culture and literary publishing in inter-war Britain: a view from Chatto and Windus. In: Eliot, S., Nash, A. and Willison, I. (eds.) Literary cultures and the material book. British Library studies in the history of the book. British Library Publishing, London, pp. 323-342. ISBN 9780712306843

Nash, A. (2007) Literary publishing, 1880-1914. In: Finkelstein, D. and McCleery, A. (eds.) The Edinburgh history of the book in Scotland, Volume 4: professionalism and diversity 1880–2000. Edinburgh University Press, Edinburgh, pp. 203-222. ISBN 9780748618293

Nash, A. (1996) Re-reading the 'Lad o' Pairts': the myth of the Kailyard Myth. Scotlands, 3 (2). pp. 86-102. ISSN 1350-7508

Nash, A. (2010) Reading the nation: the history of the book in America, 1880-1940. The Papers of the Bibliographical Society of America, 104 (3). 365-375 . ISSN 0006-128X

Nash, A. (1999) Robert Buchanan and Chatto & Windus: reputation, authorship, and fiction as capital in the late nineteenth century. Publishing History, XLVI. pp. 5-33. ISSN 0309-2445

Nash, A. (2013) Serial into volume. In: Mallett, P. (ed.) Thomas Hardy in context. Cambridge University Press, Cambridge, pp. 42-53. ISBN 9780521196482

Nash, A. (2014) Textual instability and the contemporary novel: reading Janice Galloway's The trick is to keep breathing on and off the page. In: Parrinder, P., Nash, A. and Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (eds.) New Directions in the History of the Novel. Palgrave Macmillan, Basingstoke, pp. 50-62. ISBN 9781137026972

Nash, A. (1999) ‘Trying to be a Man': J. M. Barrie and sentimental masculinity. Forum for Modern Language Studies, 35 (2). pp. 113-125. ISSN 1471-6860 doi: https://doi.org/10.1093/fmls/XXXV.2.113

Nash, A. (2000) Two unpublished letters of Robert Louis Stevenson. Notes & Queries, 47 (3). pp. 334-336. ISSN 1471-6941 doi: https://doi.org/10.1093/nq/47.3.334

Nash, A. (2005) Walter Besant's 'All sorts and conditions of men' and Robert Louis Stevenson's 'The strange case of Dr Jekyll and Mr Hyde'. Notes and Queries, 52 (4). pp. 494-497. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gji432

Nash, A. (2004) William Robertson Nicoll, the Kailyard novel and the question of popular culture. Scottish Studies Review, 5 (1). pp. 57-73. ISSN 1745-3186

Nash, A. (2007) The changing face of the publishing house, 1880-1980. In: Finkelstein, D. and McCleery, A. (eds.) The Edinburgh history of the book in Scotland, Volume 4: professionalism and diversity 1880–2000. Edinburgh University Press, Edinburgh, pp. 185-202. ISBN 9780748618293

Nash, A. (1998) The compilation of J.M. Barrie's Auld Licht Idylls. The Bibliotheck: a journal of Scottish bibliography and book history, 23. pp. 85-96. ISSN 0006-193X

Nash, A., ed. (2003) The culture of collected editions. Palgrave Macmillan, Basingstoke, pp288. ISBN 9781403902665

Nash, A. (2003) The culture of collected editions: authorship, reputation, and the canon. In: Nash, A. (ed.) The culture of collected editions. Palgrave Macmillan, Basingstoke, pp. 1-15. ISBN 9781403902665

Nash, A. (2003) "The dead should be protected from their own carelessness": the collected editions of Robert louis Stevenson. In: Nash, A. (ed.) The culture of collected editions. Palgrave Macmillan, Basingstoke, pp. 111-127. ISBN 9781403902665

Nash, A. (2016) The material history of the novel I: 1940-1973. In: Boxall, P. and Cheyette, B. (eds.) The Oxford History of the Novel in English, Volume 7: British and Irish Fiction since 1940. Oxford History of the Novel in English. Oxford University Press, Oxford, pp. 21-36. ISBN 9780198749394

Nash, A. (2016) The material history of the novel II: 1973-present. In: Boxall, P. and Cheyette, B. (eds.) The Oxford History of the Novel in English, Volume 7: British and Irish Fiction since 1940. Oxford History of the Novel in English. Oxford University Press, Oxford, pp. 401-416. ISBN 9780198749394

Nash, A. (2011) The production of the novel, 1880-1940. In: Parrinder, P. and Gasiorek , A. (eds.) The reinvention of the British and Irish novel 1880-1940. The Oxford history of the novel in English, 4. Oxford University Press, UK, pp. 3-19. ISBN 9780199559336

Nash, A. (2004) The publication of Catherine Carswell's novels. The Bibliotheck: a journal of Scottish bibliography and book history, 1 (1). pp. 7-26. ISSN 0006-193X

Nash, A. (2003) A publisher's reader on the verge of modernity: the case of Frank Swinnerton. Book History, 6. pp. 175-195. ISSN 1529-1499 doi: https://doi.org/10.1353/bh.2004.0011

Nash, A. (2011) The sense of an ending?: The history of the book in postwar America. The Papers of the Bibliographical Society of America, 105 (2). pp. 231-241. ISSN 0006-128X

Nash, A. (2001) The serialization and publication of 'The return of the native': a new Thomas Hardy letter. The Library: The Transactions of the Bibliographical Society, 2 (1). pp. 53-59. ISSN 1744-8581 doi: https://doi.org/10.1093/library/2.1.53

Nash, A. and Knowlson, J. (2002) Charles Prentice and T.F. Powys: a publisher’s influence. Powys Journal, 12. pp. 35-66. ISSN 0962-7057

Nash, A. P. (1997) The cotter's kailyard. In: Crawford, R. (ed.) Robert Burns and cultural authority. University of Iowa Press, pp. 180-197. ISBN 9780877455783

Nash, A. P. (2007) Authors in the Scottish literary marketplace. In: Finkelstein, D. and McCleery, A. (eds.) The Edinburgh history of the book in Scotland, Volume 4: professionalism and diversity 1880–2000. Edinburgh University Press, Edinburgh, pp. 388-408. ISBN 9780748618293

Nash, A. P. (2010) William Clark Russell and Chambers's Journal: elopement and the Victorian nautical novel. Victorian Periodicals Review, 43 (1). pp. 42-56. ISSN 1712-526X doi: https://doi.org/10.1353/vpr.0.0106

Nash, A. P. (2009) William Clark Russell: an unattributed early work by the Victorian novelist of the sea. Notes and Queries, 56 (3). pp. 396-398. ISSN 1471-6941 doi: https://doi.org/10.1093/notesj/gjp122

Nash, A. P. and Eliot, S. J. (2009) Mass markets: literature. In: Mckitterick, D. (ed.) 1830-1914. The Cambridge History of the Book in Britain (6). Cambridge University Press, Cambridge, pp. 416-442. ISBN 9780521866248

Nash, A. P. and Leary, P. (2009) Authorship. In: Mckitterick, D. (ed.) The Cambridge History of the Book in Britain, Volume 6: 1830-1914. Cambridge University Press, Cambridge, pp. 172-213. ISBN 9780521866248

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2019) "All the variants". In: Rabaté, J.-M. (ed.) The New Samuel Beckett Studies. Cambridge University Press, Cambridge, pp. 36-47. ISBN 9781108559331 doi: https://doi.org/10.1017/9781108559331.003

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Beckett and Germany in the 1930s: the development of a poetics. In: Gontarski , S.E. (ed.) A companion to Samuel Beckett. Wiley-Blackwell, Oxford, UK, pp. 130-142. ISBN 9781405158695

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Beckett back with the Irish. Times Literary Supplement, 23 July 20. ISSN 0307-661X

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Beckett liest deutsche Literatur 1945-1989: Eine Übersicht. In: Wilm, J. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett und die deutsche Literatur. transcript verlag, pp. 19-31. ISBN 9783837620672

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Beckett publishing/publishing Beckett in the 1930s. Variants, 6. pp. 209-219. ISSN 1573-3084

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Beckett – Frisch – Dürrenmatt. Samuel Beckett Today / Aujourd'hui, 22. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Beckett's 'Film Vidéo-Cassette projet'. In: Hartel, G. and Glasmeier, G. (eds.) The Eye of Prey: Becketts Film-, Fernseh- und Videoarbeiten: Becketts Fernseh-, Film- und Videoarbeiten. Suhrkamp, Frankfurt am Main, pp. 401-414. ISBN 9783518124604

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2014) Beckett's unpublished canon. In: Gontarski, S.E. (ed.) The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh University Press, Edinburgh, pp. 282-305. ISBN 9780748675685

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Beckett’s manuscripts in the marketplace. Modernism/Modernity, 18 (4). 823 -831. ISSN 1080-6601 doi: https://doi.org/10.1353/mod.2011.0105

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Belacqua revididus: Beckett’s short story 'Echo’s Bones’. Limit(e) Beckett , 1. pp. 92-101. ISSN 2105-1119

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Between art-world and life-world: Beckett's 'Dream of Fair to Middling Women'. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, London, pp. 97-108. ISBN 9780826497147

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Between gospel and prohibition: Beckett in Nazi Germany 1936-1937. In: Kennedy, S. and Weiss, K. (eds.) Samuel Beckett: History, Memory, Archive. Palgrave MacMillan, pp. 31-46. ISBN 9780230619449

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Chronology of Beckett's journey to Germany 1936-1937 (based on the German diaries). Journal of Beckett Studies, 19 (2). pp. 245-272. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2010.0007

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2014) 'Echo's Bones' by Samuel Beckett. Faber & Faber, London, pp128. ISBN 9780571246380

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Ewangelia i zakaz: Beckett i nazistowskie Niemcy. Kwartalnik Artystyczny, 53 (1). pp. 69-78. ISSN 1232–2105

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Germany: circa 1936-1937. In: Uhlmann, A. (ed.) Beckett in Context. Literature in context. Cambridge University Press, Cambridge / New York, pp. 99-108. ISBN 9781107017030

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Gospel und Verbot: Beckett und Nazi Germany. In: Giesing, M., Hartel, G. and Veit, C. (eds.) Das Raubage in der Stadt: Beckett liest Hamburg. Wallstein Verlag, Göttingen, pp. 69-78. ISBN 9783835301931

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) 'Guess where': from reading to writing in Beckett. Genetic Joyce Studies, 16. ISSN 2031-9002

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2012) 'Happily melancholy’: pleasure and pain in Early Beckett. In: Tanaka, M. H., Tsushima, M. and Tajiri, Y. (eds.) Samuel Beckett and Pain. Rodopi, Amsterdam, pp. 27-42. ISBN 978904203523

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) "Infernal streams": Beckett's rivers. Samuel Beckett Today / Aujourd'hui, 20. pp. 33-47. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Postman and scholar: James Knowlson's friendship with Samuel Beckett. In: On in their company - Essays on Beckett, with Tributes and Sketches; Presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp. 17-23. ISBN 9780704915343

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2011) Publishing Samuel Beckett. British Library , pp304. ISBN 9780712358262

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Ruptures of the visual: Beckett as critic and poet. In: Van Hulle, D. (ed.) The New Cambridge Companion to Samuel Beckett. 2nd edition. Cambridge Companions to Literature. Cambridge University Press, pp. 73-88. ISBN 9781107075191

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett Németországban, 1936-37 – felvilágosítók és hályogkovácsok – Bevezetés Beckett Német naplóihoz’ [translation by Török Gabor]. Nagyvilág, 58 (5). pp. 522-531.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Samuel Beckett and Romanticism in the 1930s. Samuel Beckett Today / Aujourd'hui, 18. pp. 61-76. ISSN 0927-3131 (special issue 'All sturm and no drang')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Samuel Beckett's ‘Film Vidéo-Cassette projet’. Journal of Beckett Studies, 18 (1-2). pp. 32-43. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000259

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2014) Samuel Beckett: Echo's Bones. Grove Press, New York, pp128. ISBN 9780802120458

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2019) Samuel Beckett: la traduction en anglais de 'Textes pour rien'. In: Brown, L. (ed.) Textes pour rien / Texts for Nothing de Samuel Beckett: Le corps de la voix impossible. Lettres Modernes Minard, Paris, pp. 55-66. ISBN 9782406081425 doi: https://doi.org/10.15122/isbn.978-2-406-08143-2.p.0055

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2010) Samuel Beckett: texts for nothing and other shorter prose, 1950-1976. Faber, London. ISBN 9780571244621

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett: video artist. In: Fifield, P. and Addyman, D. (eds.) Samuel Beckett: Debts and legacies: New critical essays. Bloomsbury Methuen, London, pp. 177-190. ISBN 9781408184523

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Samuel Beckett’s German diaries 1936-37. Historicizing Modernism . Continuum, pp272. ISBN 9781441152589

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2005) Samuel Beckett’s presence in modern Irish poetry. Yearbook of English Studies, 35. pp. 43-57. ISSN 2222-4289

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) “Scraps of German”: Samuel Beckett reading German literature. Samuel Beckett Today / Aujourd'hui, 16. pp. 259-282. ISSN 0927-3131 (special issue 'Notes diverse holo[graph]')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Solitude(s) and creative fidgets: Beckett reading Rainer Maria Rilke. Litteraria Pragensia, 17 (33). pp. 6-18. ISSN 0862-8424 (special issue 'Samuel Beckett: textual genesis and reception')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) 'Text-void': silent words in Paul Celan and Samuel Beckett. In: Feldman, M. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Beckett’s literary legacies. Cambridge Scholars Publishing, Newcastle, pp. 152-168. ISBN 9781847182814

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2008) "Unutterably Faint": Beckett’s late English poetry. Fulcrum: an annual of poetry and aesthetics, 6. pp. 507-521. ISSN 1534-7877

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Writing myself into the ground. In: Barfield, S., Feldman, M. and Tew, P. (eds.) Beckett and Death. Continuum Literary Studies (2). Continuum, London, pp. 22-30. ISBN 9780826498359

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) 'Writing': die Bedeutung der Deutschlandreise 1936/37 für Becketts schriftstellerische Entwicklung. In: Dittrich, L., Veit, C. and Wichner, E. (eds.) "Obergeschoss still closed": Samuel Beckett in Berlin 1936/37. Matthes & Seitz, Berlin, pp. 103-122. ISBN 9783882219203

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2022) 'The missing poème: Beckett's fêtes galantes'. In: Brophy, J. and Davies, W. (eds.) Samuel Beckett's Poetry. Cambridge University Press, pp. 115-125. ISBN 9781009222563 doi: https://doi.org/10.1017/9781009222563.009

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) The remains of trace: intra- and intertextual transferences in Beckett’s 'Mirlitonnades' manuscripts. Journal of Beckett Studies, 16 (1 & 2). pp. 121-134. ISSN 1759-7811

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) “a space to note”: Raumästhetik in Becketts Manuskripten. In: Sick , F. (ed.) Raum und Objekt im Werk von Samuel Beckett. transcript verlag, pp. 1-11. ISBN 9783837615159

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Hulle, D. V. (2009) Beckett's library: from marginalia to notebooks. In: Guardamagna, D. and Sebellin, R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Rome, pp. 57-74. ISBN 9788842090700

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Pilling, J., eds. (2015) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp254. ISBN 9780704915343

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Séguier (transl.), J. (2017) Chronologie du voyage de Samuel Beckett en Allegmagne (28 Septembre 1936 - 2 Avril 1937). In: Brown, L. (ed.) La Violence dans l'oeuvre de Samuel Beckett. Série Samuel Beckett (4). Lettres Modernes Minard, Paris, pp. 313-345. ISBN 9782812450228

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2010) Beckett and Germany. Journal of Beckett Studies, 19 (2). Edinburgh University Press, UK, pp128. ISBN 9780748641390

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (2017) German fever: Beckett in Deutschland. Marbacher Magazine, 158/159. Deutsche Schillergesellschaft, Marbach am Neckar, pp247. ISBN 9783944469300

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2019) 'never neglect the little things in life': Beckett and the Everyday. Journal of Beckett Studies, 28 (1). Edinburgh University Press.

Nixon, M. F. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2009) The international reception of Samuel Beckett. Continuum Reception Studies. Continuum Publishing Group, London, pp336. ISBN 9780826495815

Noakes, K. (2023) Sublime lungs and poets on breath. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119535

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O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2017) Collecting verse: “significant shape” and the paper-book in the early seventeenth century. Huntington Library Quarterly, 80 (2). pp. 309-324. ISSN 1544-399X doi: https://doi.org/10.1353/hlq.2017.0018

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2023) Contexts for circulation: universities, Inns of Court, households and professional circles. In: Smyth, A. (ed.) The Oxford Handbook of the History of the Book in Early Modern England. Oxford University Press, 474-C25P44. ISBN 9780198846239 doi: https://doi.org/10.1093/oxfordhb/9780198846239.013.25

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2020) Crafting poetry anthologies and cultures of recreation in Renaissance England. Cambridge University Press, Cambridge. ISBN 9781108867412 doi: https://doi.org/10.1017/9781108867412

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2007) Dreaming the dead: ghosts and history in the early seventeenth century. In: Wiseman, S., Hodgkin, K. and O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (eds.) Reading the early modern dream: the terrors of the night. Routledge, London, pp. 81-95. ISBN 9780415386012

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2006) The English wits: literature and sociability in early modern England. Cambridge University Press, Cambridge, pp242. ISBN 9780521860840

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2010) Friends, collaborators, and rivals. In: Sanders, J. (ed.) Ben Jonson in context. Cambridge University Press, UK, pp. 48-56. ISBN 9780521895712

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2019) ‘Good ladies be working’: singing at work in Tudor woman’s song. Huntington Library Quarterly, 82 (1). pp. 107-126. ISSN 1544-399X doi: https://doi.org/10.1353/hlq.2019.0005

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2014) The “Great Queen of Lightninge Flashes”: the transmission of female-voiced burlesque poetry in the early seventeenth century. In: Pender, P. and Smith, R. (eds.) Material Cultures of Early Modern Women’s Writing. Early Modern Literature in History. Palgrave Macmillan UK, Basingstoke and New York, pp. 99-117. ISBN 9781137342430 doi: https://doi.org/10.1057/9781137342430

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O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2015) “Jests, stolne from the Temples Revels”: the Inns of Court revels and early modern drama. SPELL: Swiss Papers in English Language and Literature, 31. pp. 227-252. ISSN 0940-0478

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2022) London and the book trade: Isabella Whitney, Jane Anger, and the 'Maydens of London'. In: Scott-Baumann, E., Clarke, D. and Ross, S. C. E. (eds.) The Oxford handbook of early modern women's writing in English, 1540-1700. Oxford University Press, Oxford, pp. 291-303. ISBN 9780198860631

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2019) ‘My printer must, haue somwhat to his share’: Isabella Whitney, Richard Jones, and crafting books. Women's Writing, 26. pp. 15-34. ISSN 1747-5848 doi: https://doi.org/10.1080/09699082.2019.1534571

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2010) Pastoral. In: Hattaway, M. (ed.) A new companion to English renaissance literature and culture. Wiley-Blackwell, pp. 225-237. ISBN 9781405187626

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2006) Performing politics: the circulation of the “Parliament Fart”. Huntington Library Quarterly, 69 (1). pp. 121-138. ISSN 1544-399X doi: https://doi.org/10.1525/hlq.2006.69.1.121

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2010) Publication: print and manuscript. In: Hattaway, M. (ed.) A new companion to English renaissance literature and culture. Wiley-Blackwell, pp. 160-176. ISBN 9781405187626

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2022) Satire. In: Bates, C. and Cheney, P. (eds.) Sixteenth-Century British Poetry. The Oxford History of Poetry in English, 4. Oxford University Press, Oxford, pp. 229-243. ISBN 9780198830696 doi: https://doi.org/10.1093/oso/9780198830696.003.0013

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2010) Spenser’s literary influence. In: McCabe, R. A. (ed.) The Oxford handbook of Edmund Spenser. Oxford handbooks of literature. Oxford University Press, UK, pp. 664-683. ISBN 9780199227365

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2009) Tavern and library: working with Ben Jonson. In: Sullivan, C. and Harper, G. (eds.) Authors at Work: the Creative Environment. Essays and Studies. Boydell & Brewer. ISBN 9781843841951

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2010) Textual gatherings: print, community and verse miscellanies in early modern England. Early Modern Culture, 8. ISSN 1939-0246

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2009) Thomas Middleton, Renaissance dramatist. Edinburgh University Press, Edinburgh, pp209. ISBN 9780748627806

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2009) 'Thomas the Scholer' versus 'John the Sculler': defining popular culture in the early Seventeenth Century. In: Dimmock, M. and Hadfield, A. (eds.) Literature and Popular Culture in Early Modern England. Ashgate, Aldershot, pp. 45-56. ISBN 9780754665809

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2011) 'Those Lyrick Feasts, made at the Sun, the Dog, the triple Tunne': going clubbing with Ben Jonson. In: Cain , T. and Connolly, R. (eds.) 'Lords of Wine and Oile': Community and Conviviality in Robert Herrick. Oxford University Press, pp. 83-105. ISBN 9780199604777

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2018) Verse satire. In: Bates, C. (ed.) A Companion to Renaissance Poetry. Wiley Blackwell, Oxford, pp. 389-400. ISBN 9781118585191

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2009) The duties of societies: literature, friendship and community. In: Healy, M. and Healy, T. (eds.) Renaissance Transformations: The Making of English Writing 1500-1650. Edinburgh University Press, Edinburgh, pp. 97-111. ISBN 9780748638734

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2016) A mirror for magistrates: Richard Niccols' 'Sir Thomas Overburies Vision (1616)'. In: A Mirror for Magistrates in Context: Literature, History, and Politics in Early Modern England. Cambridge University Press, Cambridge, pp. 181-196. ISBN 9781107104358

O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122 (2016) "An uncivill scurrilous letter": 'womanish brabb[l]es' and the letter of affront. In: Daybell, J. and Gordon, A. (eds.) Cultures of Correspondence in Early Modern Britain. Material Texts. University of Pennsylvania Press, Philadelphia, Pennsylvania, pp. 169-185. ISBN 9780812248258

O'Shea-Meddour, W. (2016) Brave little beasts. Pearson, UK. ISBN 0435166794

O'Shea-Meddour, W. (2014) Dottie Blanket and the hilltop. Firefly Press Ltd, Cardiff, UK, pp152. ISBN 9781910080122

O'Shea-Meddour, W. (2003) Gaston Bachelard's L'Eau et les Rêves: conquering the feminine element. French Cultural Studies. pp. 81-99.

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O'Shea-Meddour, W. (2004) Gothic horror and Muslim madness: orientalist excursions in Beyong V. S. Naipaul's Beyond Belief. American Journal of Islamic Social Sciences, Winter.

O'Shea-Meddour, W. (2008) Hanif Kureishi and The Buddha of Suburbia. In: Sim, W. C. and Murphy, N. (eds.) British Asian Fiction: Framing the Contemporary. Cambria Press. ISBN 1604975415

O'Shea-Meddour, W. (2014) How the library (not the prince) saved Rapunzel. Frances Lincoln Children's Books, London, UK, pp32. ISBN 9781847804327

O'Shea-Meddour, W. (2008) Naipaul, 'Muslims' and the Living Dead. In: Asian Gothic: Essays on Literature, Film and Anime. McFarland.

O'Shea-Meddour, W. (2013) Wendy Quill is a crocodile's bottom. Oxford University Press, Oxford, UK, pp176. ISBN 9780192794635

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O'Shea-Meddour, W. (2014) Wendy Quill tries to grow a pet. Oxford University Press, Oxford, UK, pp192. ISBN 9780192794659

O'Shea-Meddour, W. (2012) The black cat detectives. Frances Lincoln. ISBN 1847802265

O'Shea-Meddour, W. (2016) The glump and the peeble. Frances Lincoln Children's Books, London, pp28. ISBN 9781847807090

O'Shea-Meddour, W. (2012) A hen in the wardrobe. Frances Lincoln. ISBN 1847802257

O'Shea-Meddour, W. (2016) The secret railway and the crystal caves. Oxford University Press, Oxford, UK, pp160. ISBN 9780192745569

O'Shea-Meddour, W. (2016) The secret railway. Oxford University Press, Oxford, UK, pp160. ISBN 9780192745545

O'Shea-Meddour, W. (2007) Deconstructing fundamentalisms in Kureishi's The Black Album. In: Fundamentalism and Literature. Palgrave Macmillan, London, pp. 81-101. ISBN 1403974918

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O’Callaghan, M. (2008) 'Coryats Crudities' (1611) and travel writing as the eyes of the Prince. In: Prince Henry Revived: Image and Exemplarity in Early Modern England. Old Masters. Paul Holberton Publishing, London, pp. 83-103. ISBN 9781903470572

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Parrinder, P. (2007) Building and rebuilding the city of the novel. In: Bottalico, M., Chialant, M. T. and Rao, E. (eds.) Literary landscapes, landscape in literature. Carocci, Rome, pp. 54-58. ISBN 9788843043170

Parrinder, P. (2006) Character, identity and nationality in the English novel. In: Burden, R. and Kohl, S. (eds.) Landscape and Englishness. Rodopi, Amsterdam, pp. 89-101. ISBN 9789042021020

Parrinder, P. (2005) From Catalonia to England: Orwell's crisis-moments. In: Gomis, A. and Onega, S. (eds.) George Orwell: a centenary celebration. Universitätsverlag Winter, Heidelberg, pp. 143-161. ISBN 9783825350864

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Parrinder, P., (2007) From Midhurst Grammar School to Cosmopolis. Occasional Papers (new series). H.G. Wells Society, London. pp14.

Parrinder, P. (2007) H. G. Wells and Penguin Books. Wellsian, 30. pp. 12-19.

Parrinder, P. (2006) Nation and novel: the English novel from its origins to the present day. Oxford University Press, Oxford, pp512. ISBN 9780199264841

Parrinder, P. (2003) "You must have seen a lot of changes": fiction beyond the twenty-first century. In: Barr, M. S. (ed.) Envisioning the future: science fiction and the next millennium. Wesleyan University Press, Middletown, CT, USA, pp. 173-190. ISBN 9780819566522

Parrinder, P., ed. (2007) The country of the blind and other selected stories by H.G. Wells. Penguin, Harmondsworth, pp464. ISBN 9780141441986

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Parrinder, P. (2007) A guest at the Arthurian Table: dance and chivalric romance. In: Anthony Powell centenary conference, 2-3 Dec 2005, London.

Parrinder, P. (2005) The old man and his ghost: Grant Allen, H. G. Wells and popular anthropology. In: Greenslade, W. and Rodgers, T. (eds.) Grant Allen: literature and cultural politics at the fin de siècle. Ashgate, Aldershot, pp. 171-183. ISBN 9780754608653

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Parrinder, P. and Partington, J. S., eds. (2005) The reception of H. G. Wells in Europe. The Reception of British and Irish Authors in Europe. Continuum, London, pp464. ISBN 9780826462534

Parrinder, P. (2006) Canonization and obliteration: the dialectic of cultural memory in Utopia. Dedalus, 10. pp. 75-81. ISSN 0871-9519 (special issue 'Utopia & Utopianism')

Parrinder, P. (2005) Entering dystopia, entering Erewhon. Critical Survey, 17 (1). pp. 6-21. ISSN 0011-1570 doi: https://doi.org/10.3167/001115705781002039

Parrinder, P. (2005) Introduction. In: Parrinder, P. (ed.) The sleeper awakes by H. G. Wells. Penguin, London, xiii-xxvi. ISBN 9780141441061

Parrinder, P. (2003) Palaces for the people: a kind of utopia? Cahiers victoriens et édouardiens, 57. pp. 197-209. ISSN 0220-5610 (special issue 'Miscellany: the Great Exhibition conference)

Parrinder, P. (2005) Science and knowledge at the beginning of the twentieth century: versions of the modern Enlightenment. In: Marcus, L. and Nicholls, P. (eds.) The Cambridge history of twentieth-century English literature. The New Cambridge History of English Literature. Cambridge University Press, Cambridge, pp. 11-29. ISBN 9780521820776

Parrinder, P. (2004) Turn again, Dick Whittington!": Dickens, Wordsworth, and the boundaries of the city. Victorian Literature and Culture, 32 (2). pp. 407-419. ISSN 1470-1553 doi: 10.1017.S1060150304000567

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Partington, J. S. (2003) Building cosmopolis: the political thought of H.G. Wells. Ashgate Publishing, Aldershot, pp208. ISBN 9780754633839

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Pennington, P. and Sperling, M., eds. (2011) Geoffrey Hill and his contexts. Modern poetry, 6. Peter Lang, Oxford, pp258. ISBN 9783034301855

Perry, K. (2003) "I do it onely for the Printers sake": commercial imperatives and epigrams in the early seventeenth century. EnterText, 3 (1). ISSN 1472-3085

Pilling, J. (2005) From the pointed ones to the bones: Beckett's early poems. In: Hutton, C. (ed.) The Irish book in the twentieth century. Irish Academic Press, Dublin, pp. 68-83. ISBN 9780716533351

Pilling, J. (2003) Meditations on the Exote: Victor Segalen. PN Review, 30 (2). pp. 54-56. ISSN 0144-7076

Pilling, J. (2004) A companion to 'Dream of fair to middling women'. Journal of Beckett Studies Books, Tallahassee, FL. ISBN 9781892770028

Pilling, J. (2011) Samuel Beckett’s ‘More Pricks Than Kicks’: in a strait of two wills. Historicizing Modernism. Continuum, London, pp288. ISBN 9781441159472

Pilling, J. and Lawlor, S. P., eds. (2012) Collected poems of Samuel Beckett. Faber and Faber, London, pp499. ISBN 9780571249848

Pilling, J. (2009) Beckett and Italian literature (after Dante). In: Guardamagna , D. and Sebellin , R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Bardi, Italy, pp. 178-191. ISBN 9788842090700

Pilling, J. (2009) Beckett's Letters. Journal of Beckett Studies, 18 (1-2). pp. 178-191. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000351

Pilling, J. (2010) On not being there: going on without in Beckett. In: Caselli, D. (ed.) Beckett and Nothing. Manchester University Press, Manchester, pp. 20-27. ISBN 9780719080197

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Pilling, J. (2009) The uses of enchantment: Beckett and the fairy tale. Samuel Beckett Today / Aujourd'hui, 21. pp. 75-85. ISSN 0927-3131

Pilling, J. and Lawlor, S. P. (2010) Beckett in transition. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (ed.) Publishing Samuel Beckett. British Library, London, pp. 83-96. ISBN 9780712358262

Pilling, J. and Nash, A. (2011) The 'Shatton and Windup' Affair: Beckett's dealings with the firm of Chatto & Windus, 'Wholesale, Retail and for Exportation'. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (ed.) Publishing Samuel Beckett. The British Library, London, pp. 11-22. ISBN 9780712358262

Pilling, J. and Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, eds. (2015) The Rilke of Ruth Speirs: new poems, Duino Elegies, Sonnets to Orpheus & others. Two Rivers Press, Reading, pp187. ISBN 9781909747128

Pollard, N. (2008) Civil voices: on reading Geoffrey Hill reading. Peer English, 3.

Pollard, N. (2012) Speaking to you: contemporary poetry and public address. Oxford University Press, pp280. ISBN 9780199657001

Pollard, N. (2010) 'The Tongue’s Atrocities': civil violence, lyricism and Geoffrey Hill. In: Macdonald, E. and Simpson, J. (eds.) Mangling Cultures: Conflict, Dissonance and Interpretation in Modern Language Studies. Tous Azimuts (4). University of Glasgow, French and German Publications. ISBN 9780852619179

Pollard, N. (2010) ‘The Pages are Bugged': the politics of listening in the poetry of W.S. Graham. The Cambridge Quarterly, 39 (1). pp. 1-22. ISSN 1471-6836 doi: https://doi.org/10.1093/camqtly/bfq001

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Ravasi, M. (2020) ‘Getting constructively lost:’ narratives of escapism in contemporary American fiction. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00094861

Renshaw, D. and Cocks, N., eds. (2025) Literature, the Gothic and the reconstruction of history: the past as nightmare. Routledge, London. ISBN 9781032736464 doi: https://doi.org/10.4324/9781003465270 (In Press)

Righelato, P. (2006) Understanding Rita Dove. University of South Carolina Press, Columbia, USA, pp264. ISBN 9781570036378

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Righelato, P. (2006) Introduction. In: Righelato, P. (ed.) Daisy Miller & other stories. Wordsworth classics. Wordsworth Editions, Ware, vii-xxiv. ISBN 9781853262135

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Righelato, P. (2005) Raymond Carver. In: Mackean, I. (ed.) The essentials of literature in English, post-1914. Hodder Arnold, pp. 30-33. ISBN 9780340882689

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Righelato, P. (2008) Rita Dove and the art of history. Callaloo, 31 (3). pp. 760-775. ISSN 1080-6512 doi: https://doi.org/10.1353/cal.0.0176

Righelato, P. (2005) Wallace Stevens. In: Mackean, I. (ed.) The essentials of literature in English, post-1914. Hodder Arnold, pp. 144-146. ISBN 9780340882689

Righelato, P. (2006) What Maisie knew. The Literary Encyclopedia. ISSN 1747-678X

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) ‘Anything but gentle': Henry Moore revisited. The London Magazine, 2010 (June/July). ISSN 0024-6085

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2019) Aphoristic gaps and theories of the image. In: Boyiopoulos, K. and Shallcross, M. (eds.) Aphoristic Modernity: 1880 to the Present. Literary Modernism (6). Brill, Leiden, Holland, pp. 21-36. ISBN 9789004400047

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2017) Approaches to distance: selected poems from Japan. Isobar Press, Tokyo and London, pp115. ISBN 9784907359188 (Translations by Miki Iwata)

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2016) Balkan diary. In: Barlow, A. (ed.) English After Brexit. English Association issues in English (11). The English Association, Leicester, pp. 36-46. ISBN 9780900232329

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2015) "Battles long ago": J.H. Prynne and "The Solitary Reaper". Literary Imagination. ISSN 1752-6566 doi: https://doi.org/10.1093/litimag/imv039

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) Bernard Spencer (1909-1962): a centenary supplement. Agenda, 44 No 4 / . pp. 234-262. ISSN 0002-0796

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) Bernard Spencer at Reading. In: Hunt, V. (ed.) Catalogue of the Bernard Spencer Collection at the University of Reading. University of Reading, Reading, pp. 11-19.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) Bernard Spencer in 'The London Magazine'. The London Magazine. pp. 66-72. ISSN 0024-6085

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) Bernard Spencer's 'Boat Poem'. English, 58 (223). pp. 318-339. ISSN 1756-1124 doi: https://doi.org/10.1093/english/efp030

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) Bernard Spencer: 'The wind-blown island of Mykonos' and 'Questions asked of a poet'. The Bow-Wow Shop, 6. p. 14.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, ed. (2012) Bernard Spencer: essays on his poetry & life. Shearsman Books, Bristol, pp223. ISBN 9781848612549

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) Borrowed armour [poetry]. Poetry Ireland Review, 97. pp. 95-101. ISSN 0332-2998

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2015) Buried music. Shearsman Books, Bristol, pp96. ISBN 9781848613898

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2007) C. Hatakeyama and W.E. In: Bevis, M. (ed.) Some versions of Empson. Oxford University Press, Oxford, pp. 60-83. ISBN 9780199286362

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2007) Captain Benwick's reading. Essays in Criticism, 57 (2). pp. 147-170. ISSN 1471-6852 doi: https://doi.org/10.1093/escrit/cgm004

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) Christina Rossetti’s promises. Essays in Criticism, 60 (2). pp. 148-167. ISSN 1471-6852 doi: https://doi.org/10.1093/escrit/cgq001

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Clear as daylight [poetry] & Like a foreign country [poetry] & Peripheral visions [poetry]. Agenda, 43/44. pp. 221-223.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2017) Collected poems 1976-2016. Shearsman Books, Bristol, pp517. ISBN 9781848615243

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, ed. (2011) Complete poetry, translations & selected prose of Bernard Spencer. Bloodaxe Books, pp352. ISBN 1852248912

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2022) Compositional process and critical product. In: Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (ed.) The Waste Land after one hundred years. Essays and Studies (75). Boydell and Brewer, Woodbridge, pp. 157-178. ISBN 9781843846369

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2013) Conflicts in form: The politics of Roy Fisher's 'City'. In: Klawitter, U. and Viol, C.-U. (eds.) Contemporary Political Poetry in Britain and Ireland. Anglistik & englischunterricht Series. Universitatsverlag Winter, Heidelberg, pp. 95-116. ISBN 9783825361457

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) Costume drama. [Artefact] (ed. Fern Downham-Whittle and Kirsty Gurney ISBN 9780704915312)

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) Credit flow [poetry]. Alhambra Publishing.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) Doctrines of unripe times. [Artefact] (ed. Fern Downham-Whittle and Kirsty Gurney ISBN 9780704915312)

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2007) 'Down in the terraces between the targets': civilians. In: Kendall, T. (ed.) The Oxford handbook of British and Irish war poetry. Oxford University Press, Oxford, pp. 504-523. ISBN 9780199282661

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2018) Dylan Thomas: 'on out of sound'. In: Allen, E. (ed.) Reading Dylan Thomas. Edinburgh University Press, Edinburgh, pp. 71-88. ISBN 9781474411554

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2016) Edward Lear: celebrity chef. In: Williams, J. and Bevis, M. (eds.) Edward Lear and the play of poetry. Oxford University Press, Oxford, pp. 115-133. ISBN 9780198708568

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) An English belli. The Dark Horse . pp. 81-88.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) English nettles and other poems. Two Rivers Press, Reading, UK, pp56. ISBN 9781901677652

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2022) English nettles and other poems, 2nd edition. Two Rivers Press Illustrated Classics. Two Rivers Press, Reading, pp56. ISBN 9781915048028

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2007) Exact as horror. Notre Dame Review, 24 (Summer/Fal). pp. 219-227. ISSN 1082-1864

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2017) F. T. Prince: truth in style. In: May, W. (ed.) Reading F. T. Prince. Liverpool English Texts and Studies (67). Liverpool University Press, Liverpool, pp. 51-76. ISBN 9781781383339

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2013) Foreigners, drunks and babies: eleven stories. Two Rivers Press, Reading, pp176. ISBN 9781901677935

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Grace and authenticity. Poetry London, 60. pp. 36-39. ISSN 1479-2591

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2013) Hardy's poets as his critics. In: Mallett, P. (ed.) Thomas Hardy in Context. Cambridge University Press, Cambridge, pp. 99-109. ISBN 9780521196482

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, ed. (2016) Henry James poems: a keepsake of samples. The British Library, London, pp39. ISBN 9780712344764

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2019) 'I like the Spanish title': William Carlos Williams's Al Que Quiere! In: Harding, J. and Nash, J. (eds.) Modernism & Non-Translation. Oxford University Press, Oxford, pp. 86-103. ISBN 9780198821441

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) In the Lombard line. Times Literary Supplement (5605). ISSN 0307-661X

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) 'John James' and 'The White Stones' p. 71: Music, rhyme, and home. Poetry Wales, 47 (2). pp. 37-44. ISSN 0332-2202

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) John Matthias: speaking personally. In: Doerr, J. F. (ed.) The Salt Companion to John Matthias. Salt Publishing, pp. 64-85. ISBN 9781844718979

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) John Tranter and tradition. In: Mengham, R. (ed.) The Salt companion to John Tranter. Salt companions to poetry. Salt Publishing, UK. ISBN 9781876857769

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Leichenpass [poetry]. Neue Rundschau, 119. pp. 28-29.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) Like the living end. In: Bowen, P., Furniss, D. and Woolley, D. (eds.) The captain's tower: seventy poets celebrate Bob Dylan at seventy. Seren, Bridgend. ISBN 9781854115607

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2013) Like the living end. The Worple Press, Tonbridge, Kent, pp36. ISBN 9781905208197

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) Love translated. Poetry London, 62. pp. 32-34. ISSN 1479-2591

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Naked for the Master [poetry]. Times Literary Supplement. pp. 26-27. ISSN 0307-661X

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) Next to nothing. News International, London. (The Times Literary Supplement no.5626)

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2007) No apologies and no prizes. Jacket2, 34. ISSN 1440-4737

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Ode to debt [poetry]. The Warwick Review, 2 (2). pp. 20-21.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) Old incurables. Poetry London, 64. pp. 25-27. ISSN 1479-2591

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2020) 'On the power of sound': the 'moral music' of William Wordsworth at work in later life. In: Tyler, D. (ed.) Poetry in the making: creativity and composition in Victorian poetic drafts. Oxford University Press, Oxford, pp. 33-52, 256. ISBN 9780198784562

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Otterspool Prom [poetry]. Times Literary Supplement. pp. 11-12. ISSN 0307-661X

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) ‘Otterspool Prom’, ‘Fence Palings’ and ‘World Enough’ [poetry]. Paper Planes: University of Reading Creative Arts Anthology.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, ed. (2013) The Oxford handbook of contemporary British and Irish poetry. Oxford University Press, Oxford. ISBN 9780199596805

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Pension scheme [poetry]. Poetry Ireland Review. pp. 58-59. ISSN 0332-2998

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2007) Peter Robinson: a bibliography, 1976-2006. In: Piette, A. and Price, K. (eds.) The Salt Companion to Peter Robinson. Salt Companions to poetry. Salt Publishing, Cambridge, pp. 253-263. ISBN 9781844712441

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, ed. (2011) Poems by Antonia Pozzi [translated by Peter Robinson]. OneWorld Classics, pp191. ISBN 9781847491855

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) Poet on his work: behind 'Otterspool Prom'. The Reader, 36. pp. 49-53.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2020) Poetry & Money: A Speculation. Liverpool University Press, Liverpool. ISBN 9781789622539

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) Poetry and translation: the art of the impossible. Liverpool University Press, UK, pp196. ISBN 9781846312182

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) Practical Utopianism [poetry]. Notre Dame Review, Winter/Spr (29). p. 4. ISSN 1082-1864

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2014) Punching yourself in the face: Don Paterson and his readers. In: Pollard, N. (ed.) Don Paterson: contemporary critical essays. Edinburgh University Press, Edinburgh, pp. 131-144. ISBN 9780748669417

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) Quiet regrets. The London Magazine (Aug-Sept). ISSN 0024-6085

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2019) Ravishing Europa. Worple Press, Tonbridge, pp95. ISBN 9701905208432

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) ‘Reading Gaol’; ‘Eastern Avenue’ [poetry]. The Use of English, 61 (2). pp. 135-136. ISSN 0042-1243

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, ed. (2011) Reading poetry: an anthology. Two Rivers Press, Reading, pp160. ISBN 9781901677720

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) 'Readings will grow erratic' in Philip Larkin's 'Deceptions'. The Cambridge Quarterly, 38 (3). pp. 277-305. ISSN 1471-6836 doi: https://doi.org/10.1093/camqtly/bfp010

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2017) Respecting a decision: the experts, the people, and the politicians. In: Brexit and the democratic intellect, 13-14 Jan 2017, Durham University.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2023) Retrieved attachments. Two Rivers Press, Reading, pp140. ISBN 9781915048059

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) ‘The Returning Sky’ and ‘Wood Notes’ [poetry]. The London Magazine, Oct-Nov 20. pp. 92-93. ISSN 0024-6085

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2007) Rilke, thou art translated. Agenda, 42 (3-4). pp. 153-163. ISSN 0002-0796 (special issue 'A reconsideration of Rainer Maria Rilke')

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2018) Roy Fisher's musicians. In: Monson, J. (ed.) British Prose Poetry: The Poems without Lines. Palgrave Macmillan, Cham, Switzerland, pp. 299-315. ISBN 9783319778624

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2013) Roy Fisher's spatial prepositions and other little words. In: Alexander, N. and Cooper, D. (eds.) Poetry & Geography: Space and Place in Post-War Poetry. Liverpool University Press, Liverpool, pp. 204-216. ISBN 9781846318641

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2016) September in the rain: a novel. Holland House Books, Newbury, pp270. ISBN 9781910688106

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2015) Sex, lies and poetry: the ballad of Reading Gaol. The Cambridge Quarterly, 44 (4). pp. 299-320. ISSN 1471-6836 doi: https://doi.org/10.1093/camqtly/bfv024

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) Shadowy Nobodies [poetry]. The Warwick Review, 4 (1). pp. 124-125.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2013) Shakespeare's loose ends and the contemporary poet. In: Post, J. (ed.) The Oxford Handbook of Shakespeare's Poetry. Oxford handbooks of literature. Oxford University Press, Oxford, pp. 599-617. ISBN 9780199607747

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Show and tell [poetry]. Poetry Ireland Review. pp. 103-107. ISSN 0332-2998

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) Six translated Italian poems: The many voices of Italian literature. World Literature Today, 85 (4). ISSN 0196-3570

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) Spirits of the stair: selected aphorisms. Shearsman Books, Exeter, pp149. ISBN 9781848600620

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2012) 'That fighting was a long way off': desert and jungle war poems. In: Piette, A. and Rawlinson, M. (eds.) The Edinburgh companion to twentieth-century British and American war literature. Edinburgh University Press, Edinburgh, pp. 448-455. ISBN 9780748638741

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) Thomas Hardy. In: Rawson, C. (ed.) The Cambridge Companion to English Poets. Cambridge Companions to Literature . Cambridge University Press, pp. 439-456. ISBN 9780521874342

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) Translating Luciano Erba: a conversation with Peter Robinson. Annals of the University of Craiova, 32 (1-2). pp. 195-204. ISSN 1224-5720

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Travellers [poetry] & The apple [poetry]. Poetry Ireland Review. pp. 46-47. ISSN 0332-2998

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) Twists in the plotting: Bernard Spencer’s second book of poems. Publishing History, 62. pp. 81-102.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2009) "What sorts of poetry were you reading?" A conversation with Peter Robinson. The Use of English, 60. pp. 215-223. ISSN 0042-1243

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2007) Wittgenstein's aesthetics and revision. In: Roe, J. and Stanco, M. (eds.) Inspirations and technique: ancient to modern views on beauty and art. Peter Lang, Oxford, pp. 261-276. ISBN 9783039103140

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) World enough [poetry] & Huntley & Palmers [poetry]. Poems in English, 57. pp. 82-83.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) 'Written at least as well as prose': Ford, Pound, and poetry. In: Harding , J. (ed.) Ford Madox Ford, modernist magazines and editing. Rodopi, Amsterdam and New York, pp. 99-114. ISBN 9789042030558

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2019) The constitutionals: a fiction. Two Rivers Press, Reading, pp295. ISBN 9781909747487

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2015) The draft will. Isobar Press, Tokyo, pp101. ISBN 9784907359119

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2019) The edge of satire: post-mortem and other effects. In: Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (ed.) The Oxford Handbook of Eighteenth-Century Satire. Oxford University Press, Oxford, pp. 628-644. ISBN 9780198727835

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2022) An equivocal echo: Eugenio Montale. In: Speri, S. and Dedes, Y. (eds.) Faces of the Infinite: Neo-Platonism and Poetry at the Confluence of Africa, Asia, and Europe. Proceedings of the British Academy, 240. The British Academy, London, pp. 355-372. ISBN 9780197267257

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, ed. (2006) The greener meadow: selected poems of Luciano Erba. Princeton University Press, Princeton, pp288. ISBN 9780691127644

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) A little exercise [poetry] & In the playground [poetry] & Cemetery junction [poetry]. The Reader. pp. 17-19.

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2008) The look of goodbye: poems 2001-2006. Shearsman Books, Exeter, pp140. ISBN 9781905700455

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, ed. (2012) A mutual friend: poems for Charles Dickens. Two Rivers Press, Reading, pp120. ISBN 9781901677782

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2011) A mystery murder. London Magazine, London. (London Magazine)

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2021) The personal art: essays, reviews and memoirs. Shearsman Books, Swindon, pp439. ISBN 9781848617438

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2013) The poetry of modern life: on the pavement. In: Bevis, M. (ed.) The Oxford Handbook of Victorian Poetry. Oxford University Press, Oxford, pp. 254-272. ISBN 9780199576463

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2012) The returning sky. Shearsman Books, Bristol, pp108. ISBN 9781848611863

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2018) The sound sense of poetry. Cambridge University Press, Cambridge, pp230. ISBN 9781108422963

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2017) The subject of 'Shake-speares Sonnets' and afterlife in lyric poetry. In: Levenson, J. L. and Ormsby, R. (eds.) The Shakespearean World. Routledge, London, pp. 263-280. ISBN 9780415732529

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 (2010) An uncollected poem and the 'Madrid Journal' by Bernard Spencer. The London Magazine, 2010-2011 (Dec-Jan). ISSN 0024-6085

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438, ed. (2010) An unofficial Roy Fisher. Shearsman Books, pp221. ISBN 9781848611207

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 and Blamires, A., eds. (2014) The arts of peace: an anthology of poetry. Two Rivers Press and the English Association, Reading, pp116. ISBN 9781909747043

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 and Inshaw, D. (2020) Bonjour Mr Inshaw: Poems by Peter Robinson / Paintings by David Inshaw. Two Rivers Press, Reading, UK, pp58. ISBN 9781909747562

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 and Perryman, M., eds. (2006) The selected poetry and pose of Vittorio Sereni: a bilingual edition. University of Chicago Press, Chicago, pp368. ISBN 9780226748788

Robinson, P. ORCID: https://orcid.org/0000-0002-7903-5438 and Perrymann, M., eds. (2013) The selected poetry and prose of Vittorio Sereni. University of Chicago Press, pp441. ISBN 9780226055541

Robson, N. (2024) ‘A liberal education’ Stanley Unwin’s publishing values and a cognitive approach to critical thinking. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119734

Roebuck, T. and Sperling, M. (2010) The glacial question, unsolved: a specimen commentary on lines 1-31. Glossator: Practice and Theory of the Commentary, 2. pp. 39-78. ISSN 1942-3381

Roy, A. (2018) Reading child[ren] of words and pictures in picture books for children: three essays on picture book research. PhD thesis, University of Reading.

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SHannon, M. and Marshall, G. (2024) The 1850s sustainability novel: manufacturers, serials, and (eco)systems in Dickens and Gaskell. In: Marshall, G. (ed.) Nineteenth-century literature in transition: the 1850s. Cambridge University Press, Cambridge, pp. 90-112. ISBN 9781009100427

Scarano D'Antonio, C. (2021) An intertextual reading of female characters in Margaret Atwood’s work. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100236

Scholar, J. ORCID: https://orcid.org/0000-0003-1885-0903 (2020) Henry James and the art of impressions. Oxford University Press, Oxford.

Scholar, J. ORCID: https://orcid.org/0000-0003-1885-0903 (2017) Joyce, Heidegger, and the material world of Ulysses: “Ithaca” as inventory. James Joyce Quarterly, 54 (1-2). pp. 119-147. ISSN 1938-6036 doi: https://doi.org/10.1353/jjq.2016.0033

Scholar, J. ORCID: https://orcid.org/0000-0003-1885-0903 (2023) The impressionism of The portrait of a lady: knowledge and freedom. CUSP: Late 19th-/Early20th-Century Cultures, 1 (2). pp. 192-212. ISSN 2768-6361 doi: https://doi.org/10.1353/cusp.2023.a902867

Scott, M. (1996) The Circulation of Romantic Creativity: Coleridge, Drama and the Question of Translation. Romanticism and Victorianism on the Net, 2.

Scott, M. (2012) Edmund Burke. In: Burwick, F. (ed.) The encyclopedia of romantic literature. Blackwell Publishing.

Scott, M. (2005) An Ethics of Wonder and the Cure of Poetry: Wordsworth, William James and the American Reader. In: Wordsworth in American Literary Culture. Palgrave, Houndsmills, pp. 212-238.

Scott, M. (2017) Keats criticism, 1900-1963. In: O'Neill, M. (ed.) John Keats in Context. Cambridge University Press, Cambridge, pp. 331-339. ISBN 9781107707474 doi: https://doi.org/10.1017/9781107707474.034

Scott, M. (1998) The Return to Poetics. Romanticism and Victorianism on the Net.

Scott, M. (1999) Romantic Identities, or What do we really have in common? Romanticism and Victorianism on the Net.

Scott, M. (2012) Romanticism, British and American. In: Greene, R., Cushman, S., Ramanzani, J. and Cavanagh, C. (eds.) The Princeton encyclopedia of poetry and poetics. Princeton University Press, pp. 2022-2025. ISBN 9780691133348

Scott, M. (2015) Wordsworth among the romantics. In: Gravil, R. and Robinson, D. (eds.) The Oxford Handbook of William Wordsworth. Oxford University Press, Oxford, pp. 749-766. ISBN 9780199662128 doi: https://doi.org/10.1093/oxfordhb/9780199662128.001.0001

Scott, M., ed. (2005) Wordsworth in American Literary Culture. Palgrave, Houndsmills.

Scott, M. (2009) 1759. London Magazine, 5. pp. 56-59. ISSN 0024-6085

Scott, M. (2009) 1809: prose is verse. London Magazine (4). pp. 86-89. ISSN 0024-6085

Scott, M. (2009) 1859: the tyranny of the majority. London Magazine, 6. pp. 53-55. ISSN 0024-6085

Scott, M. (2019) Augustan romantics. In: Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 (ed.) Oxford Handbook of Eighteenth-Century Satire. Oxford University Press, Oxford. ISBN 9780198727835

Scott, M. (2012) Benjamin Robert Haydon. In: Burwick, F. (ed.) The encyclopedia of romantic literature. Blackwell Publishing. doi: https://doi.org/10.1111/b.9781405188104.2012.x

Scott, M. (2019) Byron's transatlantic sinking. Symbiosis: Transatlantic Literary and Cultural Relations, 23 (1). ISSN 1362-7902

Scott, M. (2009) Coleridge and European literature. In: Burwick, F. (ed.) The Oxford Handbook of Samuel Taylor Coleridge. Oxford Handbooks of Literature . Oxford University Press, Oxford, pp. 534-554. ISBN 9780199229536

Scott, M. (2009) Coleridge’s 'Lectures 1808-1819: On Literature'. In: Burwick, F. (ed.) The Oxford Handbook of Samuel Taylor Coleridge. Oxford Handbooks of Literature. Oxford University Press, Oxford, pp. 185-203. ISBN 9780199229536

Scott, M. (2012) Disraeli and Scott: oriental aristocracy and the Tory novel. Wordsworth Circle, 43 (2). pp. 98-103. ISSN 0043-8006

Scott, M. (2008) Edward Said's 'Orientalism'. Essays in Criticism, 58 (1). pp. 64-81. ISSN 1471-6852 doi: https://doi.org/10.1093/escrit/cgm025

Scott, M. (2008) Hazlitt's Burke and the idea of grace. The Hazlitt Review, 1. pp. 27-40. ISSN 1757-8299

Scott, M. (2005) Introduction. In: Wordsworth in American Literary Culture. Palgrave, Houndsmills, pp. 1-18.

Scott, M. (2012) Isaac D'Israeli's curious Conservatism. London Magazine (Oct-Nov). pp. 12-17. ISSN 0024-6085

Scott, M. (2006) John Keats and the aesthetics of topsy-turvy. European Romantic Review, 17 (2). pp. 245-254. ISSN 1740-4657 doi: https://doi.org/10.1080/10509580600688374

Scott, M. (2009) John Scott’s 'The London Magazine'. The London Magazine. pp. 34-40. ISSN 0024-6085

Scott, M. (2012) 'A Manner Beyond Courtesy': two concepts of wonder in Coleridge and Shelley. Romanticism, 18 (3). pp. 227-238. ISSN 1750-0192 doi: https://doi.org/10.3366/rom.2012.0094

Scott, M. (2004) Romantic Poetry. In: The Year's Work in English Studies. Oxford University Press, pp. 591-609.

Scott, M. (2005) Romantic Poetry. In: The Year's Work in English Studies. Oxford University Press, pp. 613-628.

Scott, M. (2006) Romantic Poetry. In: The Year's Work in English Studies. Oxford University Press, pp. 635-651.

Scott, M. (2012) Samuel Taylor Coleridge, Prose. In: Burwick, F. (ed.) The encyclopedia of romantic literature. Blackwell Publishing. doi: https://doi.org/10.1111/b.9781405188104.2012.x

Scott, M. (2010) Serious Anthony Powell I. The London Magazine, 2010 (Feb-Mar). pp. 54-56. ISSN 0024-6085

Scott, M. (2010) Serious Anthony Powell II. The London Magazine, 2010 (Apr-May). pp. 68-71. ISSN 0024-6085

Scott, M. (2012) William Hazlitt. In: Burwick, F. (ed.) The encyclopedia of romantic literature. Blackwell Publishing. ISBN 9781405188104 doi: https://doi.org/10.1111/b.9781405188104.2012.x

Scott, M. (2010) William Hazlitt and Ralph Waldo Emerson: unitarianism, the museum, and the aesthetics of power. The Wordsworth Circle, 41 (2). pp. 99-103. ISSN 0043-8006

Scott, M. (2010) The beauty of conservatism. The London Magazine, 2010 (June-July). pp. 103-106. ISSN 0024-6085

Scott, M. (2011) The fate of beauty. Essays in Criticism, 61 (1). pp. 1-19. ISSN 1471-6852 doi: https://doi.org/10.1093/escrit/cgq030

Shakespeare, W. (2007) King Lear. Norton Critical Editions. W. W. Norton & Co, New York City, pp480. ISBN 9780393926644

Shamma, Y., ed. (2015) Joe Brainard's Art. Edinburgh University Press, pp. 1-280.

Shamma, Y. (2018) Spatial poetics: second generation New York School poetry. Oxford English Monographs. Oxford University Press, pp224. ISBN 9780198808725

Shamma, Y. (2020) “Heaven is Green”: the ecoglobalism of refugee desert gardens. Journal of Narrative Theory, 50 (3). pp. 321-338. ISSN 1548-9248 doi: https://doi.org/10.1353/jnt.2020.0013

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Wilson, F. (2004) The courtesan's revenge. Faber & Faber, London, pp384. ISBN 9780571205240

Wilson, N. (2017) Bloomsbury, the Hogarth Press, and the Book Society Limited. In: "Democratic Highbrow" Bloomsbury Between Elite and Mass Culture. Arte e Critica. Mimesis, Milan, pp. 153-169. ISBN 978-88-5754-477-9

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2014) Archive fever: the publishers' archive and the history of the novel. In: Parrinder, P., Nash, A. and Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (eds.) New Directions in the History of the Novel. Palgrave Macmillan, Houndmills, pp. 76-87. ISBN 9781137026972

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2014) Boots Book-lovers' Library and the novel: The impact of a circulating library market on twentieth-century fiction. Information and Culture: A Journal of History, 49 (4). pp. 427-449. ISSN 2164-8034 doi: https://doi.org/10.7560/ic49402

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2024) The British Book Society and the American Book-of-the-Month Club, 1929-49: joint choices and transatlantic connections. Book History, 27 (1). pp. 144-170. ISSN 1529-1499 doi: https://doi.org/10.1353/bh.2024.a929576

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2016) British publishers and colonial editions. In: Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (ed.) The Book World: Selling and Distributing British Literature. Library of the Written Word. Brill, The Hague. ISBN 9789004315860

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2013) Circulating morals, 1900-15. In: Bradshaw, D. and Potter, R. (eds.) Prudes on the Prowl: Literature, Obscenity and Censorship in England, 1850-The Present Day. Oxford University Press, Oxford, pp. 52-70. ISBN 9780199697564

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2010) Ethel Carnie Holdsworth (1886-1962), ex-mill girl novelist. Women's History Magazine, 63. pp. 27-31. ISSN 1476-6760

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2020) Ethel Carnie Holdsworth: General Belinda, co-operation and the servant problem. Women: a cultural review, 31 (4). pp. 433-451. ISSN 1470-1367 doi: https://doi.org/10.1080/09574042.2020.1843238

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2017) Ethel Carnie Holdsworth: genre, serial fiction, and popular reading patterns. In: Goodridge, J. and Keegan, B. (eds.) A History of British Working Class Literature. Cambridge University Press, Cambridge. ISBN 9781107190405 doi: https://doi.org/10.1017/9781108105392.021

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2023) Feminist Citation in Buchi Emecheta’s early fiction and autobiography: publishing race, class, and gender. In: Carroll, R. and Tolan, F. (eds.) Routledge Companion to Literature and Feminism. Routledge literature companions. Routledge. ISBN 9780367410261

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2024) Feminist bibliography: Aki Hayashi, literary assistant. In: Hogg, E. J. and Fabricius, C. J. (eds.) Feminized Work and the Labour of Literature: New Literary Perspectives on the Times, Spaces and Forms of Women’s Work. Edinburgh University Press, Edinburgh. (In Press)

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2015) Home in British working-class fiction. Ashgate, Farnham, pp240. ISBN 9781409432418

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2010) Libraries, censorship and reading patterns. In: Parrinder, P. and Gasiorek, A. (eds.) The Reinvention of the British and Irish Novel 1880-1940. The Oxford History of the Novel (Vol 4). Oxford University Press, Oxford, pp. 36-54. ISBN 9780199559336

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2018) Middlemen, middlebrow, broadbrow. In: Ferrall, C. and McNeill, D. (eds.) British Literature in Transition, 1920-1940: Futility and Anarchy. Cambridge University Press, Cambridge, pp. 315-330. ISBN 9781316535929

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2007) Politicising the home in Ethel Carnie Holdsworth's 'This Slavery' (1925) and Ellen Wilkinson's 'Clash' (1929). Key Words: A Journal of Cultural Materialism, 5. pp. 26-42. ISSN 1369-9725

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2024) Publishing and capitalism at the Hogarth Press. In: Jones, C. (ed.) Virginia Woolf and Capitalism. Virginia Woolf - Variations. Edinburgh University Press, Edinburgh. ISBN 9781399514088 (In Press)

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2024) Recommended! The influencers who changed how we read. Holland House Books, Newbury, pp300. ISBN 9781739104757 (In Press)

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2019) ‘So now tell me what you think!’: Sylvia Lynd's collaborative reading and reviewing - the collaborative work of an interwar middlewoman. Literature & History, 28 (1). pp. 49-65. ISSN 0306-1973 doi: https://doi.org/10.1177/0306197319829362

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, ed. (2011) 'This slavery' by Ethel Carnie Holdsworth. Radical Fictions. Trent Editions, Nottingham, pp260. ISBN 9781842331415

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2016) Virginia Woolf and the Book Society Limited. In: Vandivere, J. and Hicks, M. (eds.) Virginia Woolf and her female contemporaries. Clemson University Press: Woolf Selected Papers. Liverpool University Press, Liverpool. ISBN 9781942954088

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2012) Virginia Woolf, Hugh Walpole, the Hogarth Press, and the Book Society. English Literary History, 79 (1). pp. 237-6547. ISSN 1080-6547 doi: https://doi.org/10.1353/elh.2012.0008

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2016) Working class fictions, 1940-73. In: Boxall, P. and Cheyette, B. (eds.) Volume 7: British and Irish Fiction since 1940. The Oxford History of the Novel in English. Oxford University Press, Oxford. ISBN 9780198749394

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2016) The book world: selling and distributing British literature, 1900-40. Library of the Written Word. Brill, The Hague, pp221. ISBN 9789004315860

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X and Battershill, C., eds. (2018) Virginia Woolf and 'The World of Books'. Woolf Selected Papers. Clemson University Press, Clemson, pp312. ISBN 9781942954569

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X and O'Brien, P. (2020) Introduction: Raymond Williams and Working-Class Writing. Key Words: A Journal of Cultural Materialism, 18. pp. 5-21. ISSN 1369-9725

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X and Southworth, H. (2022) Early women workers at the Hogarth Press (c.1917–25). In: Archer-Parré, C., Moog, C. and Hinks, J. (eds.) Women in Print 2: production, distribution and consumption. Printing History and Culture, 2. Peter Lang, Oxford, UK. ISBN 9781789979770

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, Battershill, C., Clarkson, H., Hannah, M. N., Nokhrin, I. and Willson Gordon, E. (2022) Digital critical archives, copyright, and feminist praxis. Archival Sciences, 22. pp. 295-317. ISSN 1573-7500 doi: https://doi.org/10.1007/s10502-021-09384-x

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, Staveley, A., Battershill, C., Southworth, H., Hannah, M. and Willson Gordon, E. (2020) New hands on old papers: modernist publishing and the archival gaze. Modernism/Modernity Print Plus, 5 (3).

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, Willson Gordon, E., Staveley, A., Southworth, H. and Battershill, C. (2014) The Hogarth Press, Digital Humanities, and Collaboration: Introducing the Modernist Archives Publishing Project (MAPP). In: Wussow, H. and Gillies, M. A. (eds.) Virginia Woolf and the Common(wealth) Reader. Clemson University Digital Press, Clemson, pp. 223-231. ISBN 9780989082679

Wiseman, S., Hodgkin, K. and O'Callaghan, M. ORCID: https://orcid.org/0000-0001-6084-0122, eds. (2007) Reading the early modern dream: the terrors of the night. Routledge, London, pp182. ISBN 9780415386012

Withers, D.-M. (2021) Honno: the Welsh women’s press and the cultural ecology of the Welsh publishing industry, c. 1950s to the present. Women: a cultural review, 32 (3-4). pp. 354-371. ISSN 1470-1367 doi: https://doi.org/10.1080/09574042.2021.1973726

Womersley, D., Bullard, P. ORCID: https://orcid.org/0000-0001-7193-0844 and Williams, A., eds. (2005) Cultures of Whiggism: New Essays on English Literature and Culture in the Long Eighteenth Century. University of Delaware Press, Newark, NJ, USA, pp370. ISBN 9781611492682

Woodman, T. (2006) Augustanism and pre-Romanticism. In: Gerrard, C. (ed.) A companion to eighteenth-century poetry. Blackwell, Oxford, pp. 473-485. ISBN 9781405113168 doi: https://doi.org/10.1002/9780470996638.ch35

Woodman, T. (2005) Pope at the centre and at the margins. Studies in the Literary Imagination, 38 (1). ISSN 0039-3819

Y

Yeh, T. F. (2024) Art history and textual return: reading self-portrait, geometry and paint. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119677

Z

Ziarab, H. (2023) Shakespeare and narration: feminism, structure, history. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00111872

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