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Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2020) Black British Women's Theatre: Intersectionality, Archives, Aesthetics. Palgrave Macmillan, Basingstoke, UK. ISBN 9783030514587 doi: https://doi.org/10.1007/978-3-030-51459-4

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2014) Looking back: Winsome Pinnock's politics of representation. In: Brewer, M., Goddard, L. and Osborne, D. (eds.) Modern and Contemporary Black British Drama. Palgrave Macmillan, Basingstoke. ISBN 9780230303195

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2017) Sensory signification in Juniper’s Whitening and Victimese. In: Ilott, S. and Buckley, C. (eds.) “Telling it Slant”: Critical Approaches to Helen Oyeyemi. Sussex Academic Press, Eastbourne. ISBN 9781845197902

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2014) Staging the unsayable: debbie tucker green's political theatre. Journal of Contemporary Drama in English, 2 (12). pp. 113-130. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2014-0009

Abram, N. L. ORCID: https://orcid.org/0000-0002-9695-0494 (2020) Forging connections: anthologies, arts collectives, and the politics of inclusion. In: Nasta, S. and Stein, M. U. (eds.) The Cambridge History of Black and Asian British Writing. Cambridge University Press, Cambridge, pp. 403-416. doi: https://doi.org/10.1017/9781108164146.026

Aslan, E. ORCID: https://orcid.org/0000-0002-4174-5493 (2017) Doing away with the ‘native speaker’: a complex adaptive systems approach to L2 phonological attainment. Language Learning Journal, 45 (4). pp. 447-465. ISSN 1753-2167 doi: https://doi.org/10.1080/09571736.2014.934271

Aslan, E. ORCID: https://orcid.org/0000-0002-4174-5493 (2015) When the native is also a non-native: “retrodicting” the complexity of language teacher cognition. Canadian Modern Language Review, 71 (3). pp. 244-269. ISSN 1710-1131 doi: https://doi.org/10.3138/cmlr.2575

B

Bell, J. (2012) California crucible: the forging of modern American liberalism. Politics and culture in modern America. University of Pennsylvania Press, Philadelphia, USA, pp352. ISBN 9780812243871

Bell, J. (2012) Building a left coast: the legacy of the California Popular Front and the challenge to Cold War liberalism in the post-world war two era. Journal of American Studies, 46 (1). pp. 51-71. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875811001265

Bending, L. (2022) "Outside / But inside": Eliza Keary, Little Seal-Skin, and the negotiation of space. Women's Writing, 29 (3). pp. 346-362. ISSN 1747-5848 doi: https://doi.org/10.1080/09699082.2021.1948294

Boxall, P., Jonik, M., Coetzee, J. M., Franklin, S., Milne, D., Felski, R., Salisbury, L., Attridge, D., Royle, N., Marcus, L., Stonebridge, L., Cheyette, B., Rabaté, J.-M., Connor, S., Hadfield, A., Boehmer, E., Perloff, M., Belsey, C., Jarvis, S., Josipovici, G., Eaglestone, R., Marriott, D., Duvall, J., Feigel, L., Sheehan, P., Luckhurst, R., Middleton, P., Bowlby, R., Sutherland, K. and Smith, A. (2016) 30@30: the future of literary thinking. Textual Practice, 30 (7). pp. 1149-1185. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2016.1252578 (The subject and object of criticism)

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2016) Absent presences: paradoxes of representation and self-representation in (post)-9/11 comics. In: Morley, C. (ed.) 9/11. Topics in Contemporary North American Literature. Bloomsbury Academic, pp. 61-81. ISBN 9781472569707

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2004) American anti-pastoral: incontinence and impurity in Philip Roth’s 'American Pastoral' and 'The Human Stain'. Studies in American Jewish Literature, 23. pp. 67-76. ISSN 1948-5077

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2017) Bellow's short fiction. In: The Cambridge Companion to Saul Bellow. Cambridge University Press, pp. 159-170. ISBN 9781107108936

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2004) Brilliant Jewish boys and gifted Jewish girls: the child prodigy in Bernice Rubens and Rebecca Goldstein. In: Behlau, U. and Reitz, B. (eds.) Jewish Women's Writing of the 1990s and Beyond in Great Britain and the United States. Mainz University Studies in English (5). Wissenschaftlicher Verlag Trier, pp. 217-226. ISBN 3884766686

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2014) Fetishizing the Holocaust: comedy and transatlantic connections in Howard Jacobson's 'Kalooki Nights'. European Judaism, 47 (2). pp. 21-29. ISSN 1752-2323 doi: https://doi.org/10.3167/ej.2014.47.02.04

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2015) History on a personal note: postwar American Jewish short stories. In: The Edinburgh companion to modern Jewish fiction. Edinburgh University Press, Edinburgh, 105 -118. ISBN 9780748646159

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2020) Howard Jacobson. Manchester University Press, pp248. ISBN 9781526101495 doi: https://doi.org/10.7765/9781526101501

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2015) Intertextuality, authenticity, and gonzo selves in Anya Ulinich’s 'Lena Finkle’s Magic Barrel'. Studies in Comics, 6 (2). pp. 253-269. ISSN 2040-3232 doi: https://doi.org/10.1386/stic.6.2.253_1

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2023) ‘Is this the real me? What is the real me?’ : deconstructing authenticity in Aline Kominsky-Crumb’s Need More Love. Humanities, 12 (3). 43. ISSN 2076-0787 doi: https://doi.org/10.3390/h12030043

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2014) Jewish mothers and Jewish memory in contemporary memoirs. In: Valman, N. (ed.) Jewish Women Writers in Britain. Wayne State University Press, pp. 192-215. ISBN 9780814332382

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2012) Lorrie Moore collection, 'A Little Ethnic Kink Is Always Good to See”: Jewish performance anxiety and anti-passing in the fiction of Lorrie Moore. Journal of American Studies, 46 (3). pp. 581-602. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875811001940

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2010) Masturbation and its discontents; or, serious relief: Freudian comedy in 'Portnoy's Complaint'. In: Siegel, B. and Halio, J. L. (eds.) Playful and Serious: Philip Roth as a Comic Writer. University of Delaware Press, pp. 47-67. ISBN 9781611491470

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2019) My own private Philip Roth. Philip Roth Studies, 15 (1). pp. 39-44. ISSN 1547-3929 doi: https://doi.org/10.5703/philrothstud.15.1.0039

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2012) No Man's Land: the transgendered voice in Jeffrey Eugenides' Middlesex and Rose Tremain's Sacred Country. In: Kim, R. and Westall, C. (eds.) Cross-gendered literary voices: appropriating, resisting, embracing. Palgrave Macmillan, pp. 148-163. ISBN 9780230299870

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2016) Performance anxiety: impotence, queerness, and the 'drama of self-disgust' in Philip Roth's 'The Professor of Desire and The Humbling'. In: Gooblar, D. and Pozorski, A. (eds.) Roth After Eighty: Philip Roth and the American Literary Imagination. Lexington Books, pp. 61-78. ISBN 9781498514651

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2024) Philip Roth and fine art. In: Pozorski, A. and Scheurer, M. (eds.) The Bloomsbury Handbook to Philip Roth. Bloomsbury, New York, pp. 113-124. ISBN 9781501380242 doi: https://doi.org/10.5040/9781501380273.ch-10

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2001) Post-War Jewish fiction: ambivalence, self-explanation and transatlantic connections. Palgrave Macmillan, pp236. ISBN 9780333740354

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2015) Queering Philip Roth: homosocial discourse in 'An actor’s life for me', 'Letting go', 'Sabbath’s theater' and the 'American trilogy'. Studies in the Novel, 48 (1). pp. 86-106. ISSN 1934-1512 doi: https://doi.org/10.1353/sdn.2016.0003

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2019) Reimagining the past, imagining the future: myth, history,and mystery in contemporary Jewish American fiction. In: Aarons, V. (ed.) The New Jewish American Literary Studies. Cambridge University Press, pp. 140-155. ISBN 9781108665322 doi: https://doi.org/10.1017/9781108665322

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) Representations of Shylock in Arnold Wesker’s The Merchant, Howard Jacobson’s Shylock is My Name and Clive Sinclair’s Shylock Must Die. Humanities, 10 (2). p. 59. ISSN 2076-0787 doi: https://doi.org/10.3390/h10020059

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) Roth and Sexuality. In: McKinley, M. (ed.) Philip Roth in Context. Literature in context. Cambridge University Press, Cambridge, pp. 287-297. ISBN 9781108489294

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2017) The Sons of Phil: Rothian self-satire and self-incrimination in Shalom Auslander’s 'Foreskin’s Lament' and Gary Shteyngart’s 'Little Failure'. Open Library of the Humanities, 3 (2). 15. ISSN 2056-6700 doi: https://doi.org/10.16995/olh.143

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2013) 'Stories never told : canonicity, history and herstory in Dan Jacobson's Her story and the godfearer'. In: Andermahr, S. and Pellicer-Ortin, S. (eds.) Trauma narratives and herstory. Palgrave/Macmillan, pp. 129-140. ISBN 9781137268341

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2023) Strategies of self-detachment and ‘The business of daily life’ in the fiction of Benjamin Markovits. In: Kalisch, M. (ed.) Benjamin Markovits: Critical Essays. Routledge. ISBN 9781032614908

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) ‘Why is this girl telling us all this stuff?’: authenticity and the confessional impulse in Elizabeth Wurtzel’s Prozac Nation. Comparative American Studies, 18 (2). pp. 192-205. ISSN 1741-2676 doi: https://doi.org/10.1080/14775700.2021.1982327

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2010) Writing the triple whammy: Canadian-Jewish Québécois identity, the comedy of self-deprecation, and the triumph of Duddy Kravitz. Canadian Literature, 207. pp. 76-88. ISSN 0008-4360

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) A bit of Jewish-American mischief: fictional metabiography in Alan Lelchuk’s Ziff: A Life? and Philip Roth’s Exit Ghost. Revue Française d'Etudes Américaines, 166 (1). pp. 46-61. ISSN 0397-7870 doi: https://doi.org/10.3917/rfea.166.0046

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2019) The politics of identity: cultural appropriation and black-Jewish Relations in Zoe Heller’s 'The Believers'. Jewish Culture and History, 20 (3). pp. 263-276. ISSN 1462-169X doi: https://doi.org/10.1080/1462169X.2019.1639332

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2014) The turd that won't flush: the comedy of Jewish self-hatred in the work of Corinne Pearlman, Aline Kominsky-Crumb, Miss Lasko-Gross and Ariel Schrag. In: Lightman, S. (ed.) Graphic Details: Jewish Women's Confessional Comics. McFarland, pp. 131-148. ISBN 9780786465538

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Abrams, N., eds. (2019) The interface between British contemporary Black and Jewish cultures. Jewish Culture and History, 20 (3). Taylor & Francis, pp. 199-203. doi: https://doi.org/10.1080/1462169X.2019.1639892

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Cheyette, B., eds. (2022) Howard Jacobson at eighty. European Judaism A Journal for the New Europe, 55 (2). Berghahn. (ISSN 1752-2323)

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and MacPherson, H. S. (2012) Lorrie Moore: Mo(o)re than an interim assessment. Journal of American Studies, 46 (3). pp. 541-550. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875811001927

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Shostak, D. (2019) Editors' note for special memorial issue of Philip Roth Studies. Philip Roth Studies, 15 (1). pp. 1-2. ISSN 1547-3929 doi: https://doi.org/10.5703/philrothstud.15.1.0001

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Staehler, A., eds. (2015) The Edinburgh companion to modern Jewish fiction. Edinburgh Companions to Literature. Edinburgh University Press, Edinburgh. ISBN 9780748646159

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Staehler, A. (2015) Introduction: modern Jewish fiction. In: The Edinburgh companion to modern Jewish fiction. Edinburgh University Press, Edinburgh, pp. 1-15. ISBN 9780748646159

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Carnie, E. (2013) Miss Nobody. The Ethel Carnie Holdsworth Series, 1. Kennedy & Boyd, Kilkerran, pp264. ISBN 9781849211277

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2019) English Martyrs. Two Rivers Press, Reading, UK. ISBN 9781909747531

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2014) Heaney and the neighbour: poetry between politics and ethics. Textual Practice, 28 (4). pp. 571-592. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2013.858069

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2020) 'Room to rhyme': Heaney, arts policy and cultural tradition in Northern Ireland 1968-1971. Review of English Studies, 71 (300). pp. 554-568. ISSN 1471-6968 doi: https://doi.org/10.1093/res/hgz136

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2010) Warding off an epitaph: had I a thousand lives. In: Alcobia-Murphy, S. and Kirkland, R. (eds.) The Poetry of Medbh McGuckian: The Interior of Words. Cork University Press, pp. 117-129. ISBN 9781859184653

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2012) The ends of Ireland: history, criticism, subjectivity. Manchester University Press, Manchester, pp272. ISBN 9780719083839

Cesarani, D., Cheyette, B. and Waterman, D. (2019) Afterword. In: Alwork, L. and Pistol, R. (eds.) The Jews, the Holocaust and the Public: Legacies of David Cesarani. Palgrave, pp. 345-359. ISBN 9783030286750

Cheyette, B. (2019) Afterword: 'little family quarrels'. In: Casteel, S. and Kaufman, C. (eds.) Caribbean Jewish Crossings. The University of Virginia Press. ISBN 9780813943282

Cheyette, B. (2021) British-Jewish literature in the twenty-first century. In: Benmayer, D. and Taylor, R. (eds.) Age of Confidence: The New Jewish Culture Wave. The History Press, pp. 11-28. ISBN 9780750998536

Cheyette, B. (2018) Clive Sinclair (1948-2018): the forgotten revolutionary. Jewish Quarterly, 241. pp. 78-84.

Cheyette, B. (2020) The Ghetto: A Very Short Introduction. Very Short Introductions. Oxford University Press, Oxford, UK, pp160. ISBN 9780198809951

Cheyette, B. (2020) Postcolonialism. In: Goldberg, S., Ury, S. and Weiser, K. (eds.) Key Concepts in the Study of Antisemitism. Critical Studies of Antisemitism and Racism. Palgrave, London, pp. 229-243. ISBN 9783030516581 doi: https://doi.org/10.1007/978-3-030-51658-1_18

Cheyette, B. (2012) A glorious achievement: Edward Said and the Last Jewish Intellectual. In: Doring, T. and Stein, M. (eds.) Edward Said's Translocations: Essays in Secular Criticism. Routledge Research in Postcolonial Literatures. Routledge, pp. 74-94. ISBN 9780415886376

Cheyette, B. (2013) A race to leave alone: Kipling and the Jews. In: Montefiore, J. (ed.) In Time’s eye: essays on Rudyard Kipling. Manchester University Press, Manchester, pp. 250-284. ISBN 9780719090172

Cheyette, B. (2011) English anti-Semitism: a counter-narrative. Textual Practice, 25 (1). pp. 15-32. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2011.546084

Cheyette, B. (2022) English literature. In: Katz, S. (ed.) The Cambridge Companion to Antisemitism. Cambridge Companions to Religion. Cambridge University Press, Cambridge, pp. 377-391. ISBN 9781108714525 doi: https://doi.org/10.1017/9781108637725.026

Cheyette, B. (2009) Jewish/postcolonial diasporas: on being ill-disciplined [editorial]. Wasafiri, 24 (1). pp. 1-2. ISSN 1747-1508 doi: https://doi.org/10.1080/02690050802588950

Cheyette, B. (2018) Postcolonialism and the study of anti-semitism. The American Historical Review, 123 (4). pp. 1234-1245. ISSN 0002-8762 doi: https://doi.org/10.1093/ahr/rhy028

Cheyette, B. (2018) Spark, trauma and the novel. Textual Practice, 32 (9). pp. 1659-1676. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2018.1533172

Cheyette, B. (2020) Zygmunt Bauman's window: from Jews to strangers and back again. Thesis Eleven, 156 (1). pp. 67-85. ISSN 1461-7455 doi: https://doi.org/10.1177/0725513619898287

Clanchy, K. (2018) England: poems from a school. Picador, London, UK, pp80. ISBN 9781509886609

Cocks, N. (2002) Hunting the animal boy. The Yearbook of English Studies, 32. pp. 177-185. doi: https://doi.org/10.2307/3509056

Cocks, N. (2020) Gender, genre and dracula: Joan Copjec and ‘vampire fiction’. Humanities, 9 (2). 33. ISSN 2076-0787 doi: https://doi.org/10.3390/h9020033

Cocks, N. (2017) Higher Education discourse and deconstruction: challenging the case for transparency and objecthood. Palgrave Critical University Studies. Palgrave. ISBN 9783319529820 doi: https://doi.org/10.1007/978-3-319-52983-7

Cocks, N. (2020) Narrated Rand: HUAC, engraved invitations, and the real of sexual difference. In: Cocks, N. (ed.) Questioning Ayn Rand: Subjectjvity, Political Economy, and the Arts. Palgrave Studies in Literature, Culture and Economics. Palgrave. ISBN 9783030530723

Cocks, N. (2020) ‘“Oh, that's Francisco's private joke” […]’: Atlas shrugged, the gold standard, and utopia. In: Cocks, N. (ed.) Questioning Ayn Rand: Subjectjvity, Political Economy, and the Arts. Palgrave Studies in Literature, Culture and Economics. Palgrave, Basingstoke, UK. ISBN 9783030530730

Cocks, N. (2023) On the tolerance of children’s literature criticism: psychoanalysis, neighborliness, and Pooh. Humanities, 12 (3). 45. ISSN 2076-0787 doi: https://doi.org/10.3390/h12030045

Cocks, N. (2023) On ‘Lucy Fairchild’s Journal’: Martha Mary Sherwood, didacticism, and child voice. In: 2023 The World Bang Jung Hwan Conference, 09-11 Nov 2023, The President Hotel/Sookmyung Women's University, Seoul, pp. 29-38.

Cocks, N. (2020) Questioning Ayn Rand: subjectivity, political economy, and the arts. Palgrave Studies in Literature, Culture and Economics. Palgrave, Basingstoke, UK. doi: https://doi.org/10.1007/978-3-030-53073-0

Cocks, N. (2024) Student-centred: education, freedom, and the idea of audience. 2nd edition. Axis Series, 7. Inkermen Press/Axis, pp225. ISBN 9781803527109 (In Press)

Cocks, N. (2016) ‘Uncanny’ repetitions in Lillian Hellman’s 'The Children’s Hour'. Modern Drama, 59 (4). pp. 363-379. ISSN 1712-5286 doi: https://doi.org/10.3138/md.0771R

Cocks, N. (2021) The flight of (the) concord: Joan Copjec and Slavoj Žižek read ‘Irma’s Injection’. International Journal of Zizek Studies, 15 (2). ISSN 1751-8229

Cocks, N. (2015) 'he perceives himself as a caterpillar […]' constructions of the disabled subject in the critical response to Alfred Hitchcock's 'Rear Window'. In: Lesnik-Oberstein, K. ORCID: https://orcid.org/0000-0002-4970-0556 (ed.) Rethinking Disability Theory and Practice: Challenging Essentialism. Palgrave Macmillan, Basingstoke, pp. 165-184. ISBN 9781137456977

Cocks, N. (2023) "…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real. Textual Practice. pp. 1-19. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2023.2214122

Cocks, N. (2020) The school story. In: Cook, D. T. (ed.) The Sage Encyclopedia of Childhood and Childhood Studies. Sage, London. ISBN 9781473942929

Cocks, N. H. (2022) Letting go, coming out, and working through: queer Frozen. Humanities, 11 (6). 146. ISSN 2076-0787 doi: https://doi.org/10.3390/h11060146

Copsey, N. and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, eds. (2018) Tomorrow belongs to us: the British far right since 1967. Routledge, London. ISBN 9781138675162

D

Donnell, A. (2012) Contesting Thistlewood: slavery, agency and the limits of representation. In: Bleeding & Breeding. Station Gallery, Whitby, Ontario, Canada, pp. 33-36. ISBN 9780986717147

Donnell, A. (2011) Heard but not seen: women’s short stories and the BBC’s Caribbean Voices programme. In: Evans, L., McWatt, M. and Smith, E. (eds.) The Caribbean short story: critical perspectives. Peepal Tree Press, Leeds, UK, pp. 29-43. ISBN 9781845231262

Donnell, A. (2011) Living and loving: emancipating the Caribbean queer citizen in Shani Mootoo’s Cereus Blooms at Night. In: Smith, F. (ed.) Sex and the citizen: interrogating the Caribbean. New World Studies. University of Virginia Press, USA, pp. 168-180. ISBN 9780813931128

Donnell, A., ed. (2011) Una Marson: selected poems. Caribbean Modern Classics. Peepal Tree Press, Leeds, UK. ISBN 9781845231682

Donnell, A. (2012) Caribbean queer: new meetings of place and the possible in Shani Mootoo’s 'Valmiki’s Daughter'. Contemporary Women's Writing, 6 (3). pp. 213-232. ISSN 1754-1476 doi: https://doi.org/10.1093/cww/vps024

Donnell, A. (2008) Prospero's daughter: recovering Caribbean wo/men. MaComère, 10. pp. 36-56. ISSN 1521-9968 (Rethinking Caribbean women)

Donnell, A. (2013) Quarrels with the Quarrels with History. Anthurium: A Caribbean Studies Journal, 10 (2). article 12. ISSN 1547-7150

Donnell, A. (2011) Una Marson and the fractured subjects of modernity: writing across the black Atlantic. Women: a cultural review, 22 (4). pp. 345-369. ISSN 1470-1367 doi: https://doi.org/10.1080/09574042.2011.618658 (special issue 'Disrupting the narrative: gender and fractured form')

Donnell, A. (2013) V.S. Naipaul: a queer Trinidadian. Wasafiri, 28 (2). pp. 58-65. ISSN 1747-1508 doi: https://doi.org/10.1080/02690055.2013.758989

Donnell, A. (2008) Welsh and West Indian, “like nothing … seen before”: unfolding diasporic lives in Charlotte Williams’ Sugar and Slate. Anthurium: A Caribbean Studies Journal, 6 (2). ISSN 1547-7150

Donnell, A. (2012) The island and the world: kinship, friendship and living together in selected writings of Sam Selvon. Journal of West Indian Literature, 20 (2). pp. 38-53. ISSN 0258-8501

Donnell, A. (2011) The lives of others: happenings, histories and literary healing. In: Donnell, A. and Bucknor, M. A. (eds.) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK, pp. 421-430. ISBN 9780415485777

Donnell, A. (2011) The questioning generation: rights, representations and cultural fractions in the 1980s and 90s. In: Donnell, A. and Bucknor, M. A. (eds.) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK, pp. 124-135. ISBN 9780415485777

Donnell, A. and Bucknor, M. A., eds. (2011) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK. ISBN 9780415485777

E

Evangelista, S. and Harloe, K. ORCID: https://orcid.org/0000-0002-0207-5212 (2017) Pater’s ‘Winckelmann’: aesthetic criticism and classical reception. In: Martindale, C., Prettejohn, E. and Evangelista, S. (eds.) Pater the Classicist. Oxford University Press, Oxford, pp. 63-80. ISBN 9780198723417

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Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2009) La comunicazione interculturale. In: Conoscere l'immigrazione. Una cassetta degli attrezzi. Carocci, Rome, pp. 151-175. ISBN 9788843049431

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2009) Le calunnie etniche nella lingua italiana. In: La Cultura Italiana - vol. 2 "Lingue e linguaggi". UTET, Turin, pp. 512-587. ISBN 9788802081250

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2015) Media and migration: some linguistic reflections. In: Bond, E., Bonsaver, G. and Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (eds.) Destination Italy: representing migration in contemporary media and narrative. Peter Lang, Oxford, pp. 105-124. ISBN 9783034309615

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2011) Razzisti a parole (per tacer dei fatti). Il nocciolo, 64. Laterza, Rome, pp144. ISBN 9788842096214

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2013) Sbiancare un etiope. La pelle cangiante di un topos antico. Aracne editrice S.r.l., pp304. ISBN 9788854867321

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 and Zagrebelsky, I. (2010) Dare voce agli invisibili: Il teatro di Beppe Rosso. The Italianist, 30 (3). pp. 415-435. ISSN 1748-619X doi: https://doi.org/10.1179/026143410X12851630950658

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Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: https://doi.org/10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain")

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2022) Decolonizing Classics in Africa: the work of Alexander Kwapong. Bulletin of the Institute of Classical Studies, 65 (1). pp. 32-41. ISSN 2041-5370 doi: https://doi.org/10.1093/bics/qbac006

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2022) Do we have a new song yet? The new wave of women’s novels and the Homeric tradition. Humanities, 11 (2). 49. ISSN 2076-0787 doi: https://doi.org/10.3390/h11020049

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2014) Postcolonial translation: theory and practice. In: Encyclopedia of Ancient Greek Language and Linguistics. Brill, Leiden, pp. 122-125. ISBN 9789004225978

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2024) Where next? 3. In: Blouin, K. and Akrigg, B. (eds.) The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory. Routledge, Abingdon and New York, pp. 664-668. ISBN 9780367555481

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2013) 'Your secret language': classics in the British colonies of West Africa. Classical Diaspora. Bloomsbury Academic, London, pp248. ISBN 9781780932057

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 and Petsalis-Diomidis, A. (2023) Inclusive classics and pedagogy: teachers, academics and students in conversation. In: Libatique, D. and McHardy, F. (eds.) Diversity and the Study of Antiquity in Higher Education: Perspectives from North America and Europe. Classics in and out of the Academy. Routledge, London, pp. 121-130. ISBN 9781032235127 doi: https://doi.org/10.4324/9781003278016-11

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 and Simpson, M. (2020) Introduction. In: Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 and Simpson, M. (eds.) Classicising crisis: the modern age of revolutions and the Greco-Roman repertoire. Routledge Monographs in Classical Studies. Routledge, London, pp. 1-18. ISBN 9780815361770 doi: https://doi.org/10.4324/9781351115506

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 and Simpson, M. (2011) Voice from the Black Box: Sylvain Bemba's 'Black Wedding Candles for Blessed Antigone'. In: Mee, E. B. and Foley, H. P. (eds.) Antigone on the Contemporary World Stage. Classical Presences. Oxford University Press, Oxford , pp. 324-343. ISBN 9780199586196

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2018) Theatre, performance and politics in Chile: the citizens’ turn. PhD thesis, King's College London. doi: https://doi.org/10.48683/1926.00095596

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Harloe, K. ORCID: https://orcid.org/0000-0002-0207-5212 (2018) Hannah Arendt and the quarrel of ancient and modern: 'On humanity in dark times: thoughts on Lessing' and the politics of historiography. Classical Philology, 113 (1). pp. 20-38. ISSN 0009-837X doi: https://doi.org/10.1086/695441

Harloe, K. ORCID: https://orcid.org/0000-0002-0207-5212 (2018) Life in (love) letters: reading Winckelmann's correspondence across the long nineteenth century. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, 63 (2). (In Press)

Henry, W. and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, eds. (2021) Narratives from Beyond the UK Reggae Bassline: The System is Sound. Palgrave Studies in the History of Subcultures and Popular Music. Palgrave Macmillan, London. ISBN 9783030551605 doi: https://doi.org/10.1007/978-3-030-55161-2

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Jaworska, S. ORCID: https://orcid.org/0000-0001-7465-2245 (2011) Anti-Slavic imagery in German radical nationalist discourse at the turn of the twentieth century: a prelude to Nazi ideology? Patterns of Prejudice, 45 (5). pp. 435-452. ISSN 1461-7331 doi: https://doi.org/10.1080/0031322X.2011.624762

Jaworska, S. ORCID: https://orcid.org/0000-0001-7465-2245 (2009) The German language in Poland: the eternal foe and the wars on words. In: Carl, J. and Stevenson, P. (eds.) Language, discourse and identity in Central Europe: the German language in a multilingual space. Language and globalization. Palgrave Macmillan, Basingstoke. ISBN 9780230224353

Jaworska, S. ORCID: https://orcid.org/0000-0001-7465-2245 (2014) Playful language alternation in an online discussion forum: the example of digital code plays. Journal of Pragmatics, 71. pp. 56-68. ISSN 0378-2166 doi: https://doi.org/10.1016/j.pragma.2014.07.009

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King, N. (2001) C. L. R. James and creolization: circles of influence. University of Mississippi Press, pp168. ISBN 9781578063642

King, N. (2016) Teaching crime fiction and the African American literary canon. In: Shaw, K. (ed.) Teaching 21st Century Genres. Teaching the New English. Palgrave Macmillan, London, pp. 47-65. ISBN 9781137553898 doi: https://doi.org/10.1057/978-1-137-55391-1

King, N. (2017) Response to Deborah Willis's "The Black Civil War Soldier: Conflict and Citizenship". Journal of American Studies, 51 (2). pp. 331-338. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875817000482

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) Representations of British Chinese identities and British television drama: mapping the field. Journal of British Cinema and Television, 16 (2). pp. 125-145. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0465

Kumaraswami, P. (2016) The social life of literature in Revolutionary Cuba: narrative, identity, and well-being. Palgrave Macmillan, New York. ISBN 9781137569639

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Leavitt, C. L. (2013) Impegno nero: Italian intellectuals and the African-American struggle. California Italian Studies, 4 (2). ISSN 2155-7926

Leglu, C. (2016) Toulouse. In: Wallace, D. (ed.) Europe: A Literary History, 1348-1415. Oxford University Press, Oxford. ISBN 9780198735359

Leglu, C. (2013) Vernacular poetry and the spiritual Franciscans of the Languedoc: the poems of Raimon de Cornet. In: Roach, A. P. and Simpson, J. R. (eds.) Heresy and the Making of European Culture: Medieval and Modern Perspectives, edited by Andrew P. Roach andJ ames R. Simpson. Ashgate, Farnham, pp. 165-184. ISBN 9781472411815

Leglu, C. (2015) The Devil’s Daughters and a question of translation between Occitan and Anglo-Norman French: ‘De las .vii. filhas del diable’ (British Library Add. MS 17920). Revue d'Etudes d'Oc: La France Latine, 160. pp. 93-123. ISSN 0222-0326

Leglu, C. (2014) "Just as fragments are part of a vessel": a translation into medieval Occitan of the life of Alexander the Great. Florilegium: Journal of the Canadian Society of Medievalists/Société canadienne des médiévistes, 31. pp. 55-76. ISSN 2369-7180 doi: https://doi.org/10.3138/flor.31.03

Leglu, C. (2017) The 'Vida' of Queen Fredegund in 'Tote Listoire de France': vernacular translation and genre in thirteenth-century French and Occitan literature. Nottingham French Studies, 56 (1). pp. 98-112. ISSN 0029-4586 doi: https://doi.org/10.3366/nfs.2017.0170

Lesnik-Oberstein, K. ORCID: https://orcid.org/0000-0002-4970-0556 (2018) Revisiting "The 'Philosophical Investigations’ children". Wittgenstein Studien, 9 (1). pp. 227-247. ISSN 1868-7458 doi: https://doi.org/10.1515/witt-2018-0011

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Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2014) T.S. Eliot on the radio: 'The drama is all in the word'. In: Feldman, M., Tonning, E. and Mead, H. (eds.) Broadcasting in the Modernist Era. Historicizing Modernism. Bloomsbury, London, pp. 97-112. ISBN 9781472512482

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Ashanti. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2014) The First World War in biscuits. [Show/Exhibition]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2006) 'Four of Them' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2011) ‘I suggest a night at the theatre, Mr.Cameron’: memory, history and responsibility in our class (Nasza Klasa, 2009). Contemporary Theatre Review, 21 (4). pp. 487-510. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.610307 (special issue 'Forum: Tim Crouch, the author, and the audience')

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, ed. (2013) Invisible country: four Polish plays. Intellect, Bristol, pp200. ISBN 9781841504148

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2008) 'The Mistress'(or 'Miss Maliczewska') by Gabriela Zapolska. Translated, designed and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2003) 'The Morality of Mrs Dulska' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2012) Surviving Objects. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Translating Zapolska: research through practice. In: Baines, R., Marinetti, C. and Perteghella, M. (eds.) Staging and performing translation: text and theatre practice. Palgrave Macmillan, pp. 249-266. ISBN 9780230228191

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, ed. (2007) The morality of Mrs Dulska: a play by Gabriela Zapolska. Intellect Books, Bristol, pp192. ISBN 9781841501666

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Purse, L. (2011) Contemporary action cinema. Edinburgh University Press, Edinburgh, pp232. ISBN 9780748638178

Purse, L. (2011) Return of the 'Angry Woman': authenticating female physical action in contemporary cinema. In: Waters, M. (ed.) Women on Screen: Feminism and Femininity in Visual Culture. Palgrave Macmillan, pp. 185-198. ISBN 9780230229655

Purse, L. (2010) Working through the body: textual-corporeal strategies in United 93 (2006). In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 157-161. ISBN 9781844573363

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Robinson, O. (2014) The witch house of Canewdon and other poems. Lethmachen Press, Bristol, UK, pp64. ISBN 9780992829100

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Smith, E. and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, eds. (2017) Waiting for the revolution: the British far left from 1956. Manchester University Press, Manchester, pp279. ISBN 9781526113658

Stoneley, P. (2011) ‘The fellows from the Fogg’: modernism, homosexuality, and art-world authority. New England Quarterly, 84 (3). pp. 473-495. ISSN 0028-4866

Street, J., Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 and Wilkinson, D. (2018) "Does it threaten the status quo?" Elite responses to british punk, 1976–78. Popular Music, 37 (2). pp. 271-289. ISSN 0261-1430 doi: https://doi.org/10.1017/S026114301800003X

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The Subcultures Network, and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2015) Fight Back: Punk, Politics and Resistance. Manchester University Press, Manchester, pp. 1-336. ISBN 9780719090295

Thomson, S. (2015) Ancillary narratives: maids, sleepwalking, and agency in nineteenth-century literature and culture. Textual Practice, 29 (1). pp. 91-110. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2014.955820

Thorpe, A. (2011) Lady Precious Stream. [Performance]

Thorpe, A. (2011) "Modern theatre for the twenty-first century"? Shanghai Conservatory of Music's staging of 'The White Goddess' (2009). Asian Theatre Journal, 28 (2). pp. 483-504. ISSN 1527-2109

Thorpe, A. (2010) Postmodern Chinese opera: re-citing China in 'Monkey, journey to the West'. Contemporary Theatre Review, 20 (1). pp. 68-86. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800903453046

Thorpe, A. (2011) Style, experimentation and Jingju (Beijing Opera) as a decentered multiplicity. Studies in Theatre & Performance, 31 (3). pp. 275-291. ISSN 2040-0616

Thorpe, A. (2011) Transforming tradition: performances of Jingju ('Beijing Opera') in the UK. Theatre Research International, 36 (01). pp. 33-46. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883310000702

Thorpe, A. (2009) The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum. Studies in Theatre & Performance, 29 (2). pp. 133-147. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.29.2.133_1

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Vickers, E. L. (2010) Queer sex in the metropolis? Place, subjectivity and the Second World War. Feminist Review, 96. pp. 58-73. ISSN 1466-4380 doi: https://doi.org/10.1057/fr.2010.20

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Walsh, S. ORCID: https://orcid.org/0000-0001-5574-1074 (2016) Gender and irony: children's literature and its criticism. Asian Women, 32 (2). pp. 91-110. ISSN 1225-925X doi: https://doi.org/10.14431/aw.2016.06.32.2.91

Walsh, S. ORCID: https://orcid.org/0000-0001-5574-1074 (2015) The recuperated materiality of disability and animal studies. In: Lesnik-Oberstein, K. ORCID: https://orcid.org/0000-0002-4970-0556 (ed.) Rethinking disability theory and practice: challenging essentialism. Palgrave Macmillan, Houndmills, Basingstoke and New York, pp. 20-36. ISBN 9781137456960

Weesjes, E. and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, eds. (2024) Music, subcultures and migration: routes and root. Routledge, Abingdon, pp226. ISBN 9781032565460

West, E. ORCID: https://orcid.org/0000-0003-3444-3814 (2013) 'Between slavery and freedom': the expulsion and enslavement of free women of colour in the US South before the Civil War. Women's History Review, 22 (3). pp. 460-477. ISSN 1747-583X doi: https://doi.org/10.1080/09612025.2012.726126

West, E. ORCID: https://orcid.org/0000-0003-3444-3814 (2014) Enslaved women in America: from colonial times to emancipation. African American History Series. Rowman and Littlefield, Lanham, Maryland, USA, pp160. ISBN 9781442208711

West, E. ORCID: https://orcid.org/0000-0003-3444-3814 (2012) Family or freedom: free people of color in the antebellum South. New Directions in Southern History. University of Kentucky Press, Lexington, Kentucky, USA, pp256. ISBN 9780813136929

West, E. ORCID: https://orcid.org/0000-0003-3444-3814 (2013) Free People of Color: expulsion and enslavement in the Antebellum South. In: Link, W. A., Brown, D., Ward, B. and Bone, M. (eds.) Creating citizenship in the nineteenth-century South. University Press of Florida, Gainesville, FL, pp. 64-83. ISBN 9780813044132

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2010) Ethel Carnie Holdsworth (1886-1962), ex-mill girl novelist. Women's History Magazine, 63. pp. 27-31. ISSN 1476-6760

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2015) Home in British working-class fiction. Ashgate, Farnham, pp240. ISBN 9781409432418

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, ed. (2011) 'This slavery' by Ethel Carnie Holdsworth. Radical Fictions. Trent Editions, Nottingham, pp260. ISBN 9781842331415

Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2018) No doves fly here: British punk and Cold War dystopia. Journal for the Studies of British Cultures, 24 (1/2017). pp. 59-71. (ISBN: 9783826065379)

Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2017) No future: punk, politics and British youth culture, 1976–1984. Cambridge University Press, Cambridge, pp404. ISBN 9781316625606

Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2018) Whose culture? Fanzines, politics and agency. In: Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. Manchester University Press, Manchester, pp. 55-71. ISBN 9781526120595

Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 and Lohman, K. (2018) Bloody revolutions, fascist dreams, anarchy and peace: Crass, Rondos and the politics of punk, 1977–84. Britain and the World: Historical Journal of the British Scholar Society, 11 (1). pp. 51-74. ISSN 2043-8567 doi: https://doi.org/10.3366/brw.2018.0287