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Number of items at this level: 174.

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2020) Black British Women's Theatre: Intersectionality, Archives, Aesthetics. Palgrave Macmillan, Basingstoke, UK. ISBN 9783030514587 doi: https://doi.org/10.1007/978-3-030-51459-4

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2014) Looking back: Winsome Pinnock's politics of representation. In: Brewer, M., Goddard, L. and Osborne, D. (eds.) Modern and Contemporary Black British Drama. Palgrave Macmillan, Basingstoke. ISBN 9780230303195

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2017) Sensory signification in Juniper’s Whitening and Victimese. In: Ilott, S. and Buckley, C. (eds.) “Telling it Slant”: Critical Approaches to Helen Oyeyemi. Sussex Academic Press, Eastbourne. ISBN 9781845197902

Abram, N. ORCID: https://orcid.org/0000-0002-9695-0494 (2014) Staging the unsayable: debbie tucker green's political theatre. Journal of Contemporary Drama in English, 2 (12). pp. 113-130. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2014-0009

Abram, N. L. ORCID: https://orcid.org/0000-0002-9695-0494 (2020) Forging connections: anthologies, arts collectives, and the politics of inclusion. In: Nasta, S. and Stein, M. U. (eds.) The Cambridge History of Black and Asian British Writing. Cambridge University Press, Cambridge, pp. 403-416. doi: https://doi.org/10.1017/9781108164146.026

Aslan, E. ORCID: https://orcid.org/0000-0002-4174-5493 (2017) Doing away with the ‘native speaker’: a complex adaptive systems approach to L2 phonological attainment. Language Learning Journal, 45 (4). pp. 447-465. ISSN 1753-2167 doi: https://doi.org/10.1080/09571736.2014.934271

Aslan, E. ORCID: https://orcid.org/0000-0002-4174-5493 (2015) When the native is also a non-native: “retrodicting” the complexity of language teacher cognition. Canadian Modern Language Review, 71 (3). pp. 244-269. ISSN 1710-1131 doi: https://doi.org/10.3138/cmlr.2575

Bell, J. (2012) California crucible: the forging of modern American liberalism. Politics and culture in modern America. University of Pennsylvania Press, Philadelphia, USA, pp352. ISBN 9780812243871

Bell, J. (2012) Building a left coast: the legacy of the California Popular Front and the challenge to Cold War liberalism in the post-world war two era. Journal of American Studies, 46 (1). pp. 51-71. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875811001265

Bending, L. (2022) "Outside / But inside": Eliza Keary, Little Seal-Skin, and the negotiation of space. Women's Writing, 29 (3). pp. 346-362. ISSN 1747-5848 doi: https://doi.org/10.1080/09699082.2021.1948294

Boxall, P., Jonik, M., Coetzee, J. M., Franklin, S., Milne, D., Felski, R., Salisbury, L., Attridge, D., Royle, N., Marcus, L., Stonebridge, L., Cheyette, B., Rabaté, J.-M., Connor, S., Hadfield, A., Boehmer, E., Perloff, M., Belsey, C., Jarvis, S., Josipovici, G., Eaglestone, R., Marriott, D., Duvall, J., Feigel, L., Sheehan, P., Luckhurst, R., Middleton, P., Bowlby, R., Sutherland, K. and Smith, A. (2016) 30@30: the future of literary thinking. Textual Practice, 30 (7). pp. 1149-1185. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2016.1252578 (The subject and object of criticism)

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2016) Absent presences: paradoxes of representation and self-representation in (post)-9/11 comics. In: Morley, C. (ed.) 9/11. Topics in Contemporary North American Literature. Bloomsbury Academic, pp. 61-81. ISBN 9781472569707

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2004) American anti-pastoral: incontinence and impurity in Philip Roth’s 'American Pastoral' and 'The Human Stain'. Studies in American Jewish Literature, 23. pp. 67-76. ISSN 1948-5077

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2017) Bellow's short fiction. In: The Cambridge Companion to Saul Bellow. Cambridge University Press, pp. 159-170. ISBN 9781107108936

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2004) Brilliant Jewish boys and gifted Jewish girls: the child prodigy in Bernice Rubens and Rebecca Goldstein. In: Behlau, U. and Reitz, B. (eds.) Jewish Women's Writing of the 1990s and Beyond in Great Britain and the United States. Mainz University Studies in English (5). Wissenschaftlicher Verlag Trier, pp. 217-226. ISBN 3884766686

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2014) Fetishizing the Holocaust: comedy and transatlantic connections in Howard Jacobson's 'Kalooki Nights'. European Judaism, 47 (2). pp. 21-29. ISSN 1752-2323 doi: https://doi.org/10.3167/ej.2014.47.02.04

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2015) History on a personal note: postwar American Jewish short stories. In: The Edinburgh companion to modern Jewish fiction. Edinburgh University Press, Edinburgh, 105 -118. ISBN 9780748646159

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2020) Howard Jacobson. Manchester University Press, pp248. ISBN 9781526101495 doi: https://doi.org/10.7765/9781526101501

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2015) Intertextuality, authenticity, and gonzo selves in Anya Ulinich’s 'Lena Finkle’s Magic Barrel'. Studies in Comics, 6 (2). pp. 253-269. ISSN 2040-3232 doi: https://doi.org/10.1386/stic.6.2.253_1

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2023) ‘Is this the real me? What is the real me?’ : deconstructing authenticity in Aline Kominsky-Crumb’s Need More Love. Humanities, 12 (3). 43. ISSN 2076-0787 doi: https://doi.org/10.3390/h12030043

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2014) Jewish mothers and Jewish memory in contemporary memoirs. In: Valman, N. (ed.) Jewish Women Writers in Britain. Wayne State University Press, pp. 192-215. ISBN 9780814332382

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2012) Lorrie Moore collection, 'A Little Ethnic Kink Is Always Good to See”: Jewish performance anxiety and anti-passing in the fiction of Lorrie Moore. Journal of American Studies, 46 (3). pp. 581-602. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875811001940

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2010) Masturbation and its discontents; or, serious relief: Freudian comedy in 'Portnoy's Complaint'. In: Siegel, B. and Halio, J. L. (eds.) Playful and Serious: Philip Roth as a Comic Writer. University of Delaware Press, pp. 47-67. ISBN 9781611491470

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2019) My own private Philip Roth. Philip Roth Studies, 15 (1). pp. 39-44. ISSN 1547-3929 doi: https://doi.org/10.5703/philrothstud.15.1.0039

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2012) No Man's Land: the transgendered voice in Jeffrey Eugenides' Middlesex and Rose Tremain's Sacred Country. In: Kim, R. and Westall, C. (eds.) Cross-gendered literary voices: appropriating, resisting, embracing. Palgrave Macmillan, pp. 148-163. ISBN 9780230299870

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2016) Performance anxiety: impotence, queerness, and the 'drama of self-disgust' in Philip Roth's 'The Professor of Desire and The Humbling'. In: Gooblar, D. and Pozorski, A. (eds.) Roth After Eighty: Philip Roth and the American Literary Imagination. Lexington Books, pp. 61-78. ISBN 9781498514651

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2024) Philip Roth and fine art. In: Pozorski, A. and Scheurer, M. (eds.) The Bloomsbury Handbook to Philip Roth. Bloomsbury, New York, pp. 113-124. ISBN 9781501380242 doi: https://doi.org/10.5040/9781501380273.ch-10

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2001) Post-War Jewish fiction: ambivalence, self-explanation and transatlantic connections. Palgrave Macmillan, pp236. ISBN 9780333740354

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2015) Queering Philip Roth: homosocial discourse in 'An actor’s life for me', 'Letting go', 'Sabbath’s theater' and the 'American trilogy'. Studies in the Novel, 48 (1). pp. 86-106. ISSN 1934-1512 doi: https://doi.org/10.1353/sdn.2016.0003

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2019) Reimagining the past, imagining the future: myth, history,and mystery in contemporary Jewish American fiction. In: Aarons, V. (ed.) The New Jewish American Literary Studies. Cambridge University Press, pp. 140-155. ISBN 9781108665322 doi: https://doi.org/10.1017/9781108665322

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) Representations of Shylock in Arnold Wesker’s The Merchant, Howard Jacobson’s Shylock is My Name and Clive Sinclair’s Shylock Must Die. Humanities, 10 (2). p. 59. ISSN 2076-0787 doi: https://doi.org/10.3390/h10020059

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) Roth and Sexuality. In: McKinley, M. (ed.) Philip Roth in Context. Literature in context. Cambridge University Press, Cambridge, pp. 287-297. ISBN 9781108489294

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2017) The Sons of Phil: Rothian self-satire and self-incrimination in Shalom Auslander’s 'Foreskin’s Lament' and Gary Shteyngart’s 'Little Failure'. Open Library of the Humanities, 3 (2). 15. ISSN 2056-6700 doi: https://doi.org/10.16995/olh.143

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2013) 'Stories never told : canonicity, history and herstory in Dan Jacobson's Her story and the godfearer'. In: Andermahr, S. and Pellicer-Ortin, S. (eds.) Trauma narratives and herstory. Palgrave/Macmillan, pp. 129-140. ISBN 9781137268341

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2023) Strategies of self-detachment and ‘The business of daily life’ in the fiction of Benjamin Markovits. In: Kalisch, M. (ed.) Benjamin Markovits: Critical Essays. Routledge. ISBN 9781032614908

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) ‘Why is this girl telling us all this stuff?’: authenticity and the confessional impulse in Elizabeth Wurtzel’s Prozac Nation. Comparative American Studies, 18 (2). pp. 192-205. ISSN 1741-2676 doi: https://doi.org/10.1080/14775700.2021.1982327

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2010) Writing the triple whammy: Canadian-Jewish Québécois identity, the comedy of self-deprecation, and the triumph of Duddy Kravitz. Canadian Literature, 207. pp. 76-88. ISSN 0008-4360

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) A bit of Jewish-American mischief: fictional metabiography in Alan Lelchuk’s Ziff: A Life? and Philip Roth’s Exit Ghost. Revue Française d'Etudes Américaines, 166 (1). pp. 46-61. ISSN 0397-7870 doi: https://doi.org/10.3917/rfea.166.0046

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2019) The politics of identity: cultural appropriation and black-Jewish Relations in Zoe Heller’s 'The Believers'. Jewish Culture and History, 20 (3). pp. 263-276. ISSN 1462-169X doi: https://doi.org/10.1080/1462169X.2019.1639332

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2014) The turd that won't flush: the comedy of Jewish self-hatred in the work of Corinne Pearlman, Aline Kominsky-Crumb, Miss Lasko-Gross and Ariel Schrag. In: Lightman, S. (ed.) Graphic Details: Jewish Women's Confessional Comics. McFarland, pp. 131-148. ISBN 9780786465538

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Abrams, N., eds. (2019) The interface between British contemporary Black and Jewish cultures. Jewish Culture and History, 20 (3). Taylor & Francis, pp. 199-203. doi: https://doi.org/10.1080/1462169X.2019.1639892

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Cheyette, B., eds. (2022) Howard Jacobson at eighty. European Judaism A Journal for the New Europe, 55 (2). Berghahn. (ISSN 1752-2323)

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and MacPherson, H. S. (2012) Lorrie Moore: Mo(o)re than an interim assessment. Journal of American Studies, 46 (3). pp. 541-550. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875811001927

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Shostak, D. (2019) Editors' note for special memorial issue of Philip Roth Studies. Philip Roth Studies, 15 (1). pp. 1-2. ISSN 1547-3929 doi: https://doi.org/10.5703/philrothstud.15.1.0001

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Staehler, A., eds. (2015) The Edinburgh companion to modern Jewish fiction. Edinburgh Companions to Literature. Edinburgh University Press, Edinburgh. ISBN 9780748646159

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 and Staehler, A. (2015) Introduction: modern Jewish fiction. In: The Edinburgh companion to modern Jewish fiction. Edinburgh University Press, Edinburgh, pp. 1-15. ISBN 9780748646159

Carnie, E. (2013) Miss Nobody. The Ethel Carnie Holdsworth Series, 1. Kennedy & Boyd, Kilkerran, pp264. ISBN 9781849211277

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2019) English Martyrs. Two Rivers Press, Reading, UK. ISBN 9781909747531

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2014) Heaney and the neighbour: poetry between politics and ethics. Textual Practice, 28 (4). pp. 571-592. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2013.858069

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2020) 'Room to rhyme': Heaney, arts policy and cultural tradition in Northern Ireland 1968-1971. Review of English Studies, 71 (300). pp. 554-568. ISSN 1471-6968 doi: https://doi.org/10.1093/res/hgz136

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2010) Warding off an epitaph: had I a thousand lives. In: Alcobia-Murphy, S. and Kirkland, R. (eds.) The Poetry of Medbh McGuckian: The Interior of Words. Cork University Press, pp. 117-129. ISBN 9781859184653

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2012) The ends of Ireland: history, criticism, subjectivity. Manchester University Press, Manchester, pp272. ISBN 9780719083839

Cesarani, D., Cheyette, B. and Waterman, D. (2019) Afterword. In: Alwork, L. and Pistol, R. (eds.) The Jews, the Holocaust and the Public: Legacies of David Cesarani. Palgrave, pp. 345-359. ISBN 9783030286750

Cheyette, B. (2019) Afterword: 'little family quarrels'. In: Casteel, S. and Kaufman, C. (eds.) Caribbean Jewish Crossings. The University of Virginia Press. ISBN 9780813943282

Cheyette, B. (2021) British-Jewish literature in the twenty-first century. In: Benmayer, D. and Taylor, R. (eds.) Age of Confidence: The New Jewish Culture Wave. The History Press, pp. 11-28. ISBN 9780750998536

Cheyette, B. (2018) Clive Sinclair (1948-2018): the forgotten revolutionary. Jewish Quarterly, 241. pp. 78-84.

Cheyette, B. (2020) The Ghetto: A Very Short Introduction. Very Short Introductions. Oxford University Press, Oxford, UK, pp160. ISBN 9780198809951

Cheyette, B. (2020) Postcolonialism. In: Goldberg, S., Ury, S. and Weiser, K. (eds.) Key Concepts in the Study of Antisemitism. Critical Studies of Antisemitism and Racism. Palgrave, London, pp. 229-243. ISBN 9783030516581 doi: https://doi.org/10.1007/978-3-030-51658-1_18

Cheyette, B. (2012) A glorious achievement: Edward Said and the Last Jewish Intellectual. In: Doring, T. and Stein, M. (eds.) Edward Said's Translocations: Essays in Secular Criticism. Routledge Research in Postcolonial Literatures. Routledge, pp. 74-94. ISBN 9780415886376

Cheyette, B. (2013) A race to leave alone: Kipling and the Jews. In: Montefiore, J. (ed.) In Time’s eye: essays on Rudyard Kipling. Manchester University Press, Manchester, pp. 250-284. ISBN 9780719090172

Cheyette, B. (2011) English anti-Semitism: a counter-narrative. Textual Practice, 25 (1). pp. 15-32. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2011.546084

Cheyette, B. (2022) English literature. In: Katz, S. (ed.) The Cambridge Companion to Antisemitism. Cambridge Companions to Religion. Cambridge University Press, Cambridge, pp. 377-391. ISBN 9781108714525 doi: https://doi.org/10.1017/9781108637725.026

Cheyette, B. (2009) Jewish/postcolonial diasporas: on being ill-disciplined [editorial]. Wasafiri, 24 (1). pp. 1-2. ISSN 1747-1508 doi: https://doi.org/10.1080/02690050802588950

Cheyette, B. (2018) Postcolonialism and the study of anti-semitism. The American Historical Review, 123 (4). pp. 1234-1245. ISSN 0002-8762 doi: https://doi.org/10.1093/ahr/rhy028

Cheyette, B. (2018) Spark, trauma and the novel. Textual Practice, 32 (9). pp. 1659-1676. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2018.1533172

Cheyette, B. (2020) Zygmunt Bauman's window: from Jews to strangers and back again. Thesis Eleven, 156 (1). pp. 67-85. ISSN 1461-7455 doi: https://doi.org/10.1177/0725513619898287

Clanchy, K. (2018) England: poems from a school. Picador, London, UK, pp80. ISBN 9781509886609

Cocks, N. (2002) Hunting the animal boy. The Yearbook of English Studies, 32. pp. 177-185. doi: https://doi.org/10.2307/3509056

Cocks, N. (2020) Gender, genre and dracula: Joan Copjec and ‘vampire fiction’. Humanities, 9 (2). 33. ISSN 2076-0787 doi: https://doi.org/10.3390/h9020033

Cocks, N. (2017) Higher Education discourse and deconstruction: challenging the case for transparency and objecthood. Palgrave Critical University Studies. Palgrave. ISBN 9783319529820 doi: https://doi.org/10.1007/978-3-319-52983-7

Cocks, N. (2020) Narrated Rand: HUAC, engraved invitations, and the real of sexual difference. In: Cocks, N. (ed.) Questioning Ayn Rand: Subjectjvity, Political Economy, and the Arts. Palgrave Studies in Literature, Culture and Economics. Palgrave. ISBN 9783030530723

Cocks, N. (2020) ‘“Oh, that's Francisco's private joke” […]’: Atlas shrugged, the gold standard, and utopia. In: Cocks, N. (ed.) Questioning Ayn Rand: Subjectjvity, Political Economy, and the Arts. Palgrave Studies in Literature, Culture and Economics. Palgrave, Basingstoke, UK. ISBN 9783030530730

Cocks, N. (2023) On the tolerance of children’s literature criticism: psychoanalysis, neighborliness, and Pooh. Humanities, 12 (3). 45. ISSN 2076-0787 doi: https://doi.org/10.3390/h12030045

Cocks, N. (2023) On ‘Lucy Fairchild’s Journal’: Martha Mary Sherwood, didacticism, and child voice. In: 2023 The World Bang Jung Hwan Conference, 09-11 Nov 2023, The President Hotel/Sookmyung Women's University, Seoul, pp. 29-38.

Cocks, N. (2020) Questioning Ayn Rand: subjectivity, political economy, and the arts. Palgrave Studies in Literature, Culture and Economics. Palgrave, Basingstoke, UK. doi: https://doi.org/10.1007/978-3-030-53073-0

Cocks, N. (2024) Student-centred: education, freedom, and the idea of audience. 2nd edition. Axis Series, 7. Inkermen Press/Axis, pp225. ISBN 9781803527109 (In Press)

Cocks, N. (2016) ‘Uncanny’ repetitions in Lillian Hellman’s 'The Children’s Hour'. Modern Drama, 59 (4). pp. 363-379. ISSN 1712-5286 doi: https://doi.org/10.3138/md.0771R

Cocks, N. (2021) The flight of (the) concord: Joan Copjec and Slavoj Žižek read ‘Irma’s Injection’. International Journal of Zizek Studies, 15 (2). ISSN 1751-8229

Cocks, N. (2015) 'he perceives himself as a caterpillar […]' constructions of the disabled subject in the critical response to Alfred Hitchcock's 'Rear Window'. In: Lesnik-Oberstein, K. ORCID: https://orcid.org/0000-0002-4970-0556 (ed.) Rethinking Disability Theory and Practice: Challenging Essentialism. Palgrave Macmillan, Basingstoke, pp. 165-184. ISBN 9781137456977

Cocks, N. (2023) "…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real. Textual Practice. pp. 1-19. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2023.2214122

Cocks, N. (2020) The school story. In: Cook, D. T. (ed.) The Sage Encyclopedia of Childhood and Childhood Studies. Sage, London. ISBN 9781473942929

Cocks, N. H. (2022) Letting go, coming out, and working through: queer Frozen. Humanities, 11 (6). 146. ISSN 2076-0787 doi: https://doi.org/10.3390/h11060146

Copsey, N. and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, eds. (2018) Tomorrow belongs to us: the British far right since 1967. Routledge, London. ISBN 9781138675162

Donnell, A. (2012) Contesting Thistlewood: slavery, agency and the limits of representation. In: Bleeding & Breeding. Station Gallery, Whitby, Ontario, Canada, pp. 33-36. ISBN 9780986717147

Donnell, A. (2011) Heard but not seen: women’s short stories and the BBC’s Caribbean Voices programme. In: Evans, L., McWatt, M. and Smith, E. (eds.) The Caribbean short story: critical perspectives. Peepal Tree Press, Leeds, UK, pp. 29-43. ISBN 9781845231262

Donnell, A. (2011) Living and loving: emancipating the Caribbean queer citizen in Shani Mootoo’s Cereus Blooms at Night. In: Smith, F. (ed.) Sex and the citizen: interrogating the Caribbean. New World Studies. University of Virginia Press, USA, pp. 168-180. ISBN 9780813931128

Donnell, A., ed. (2011) Una Marson: selected poems. Caribbean Modern Classics. Peepal Tree Press, Leeds, UK. ISBN 9781845231682

Donnell, A. (2012) Caribbean queer: new meetings of place and the possible in Shani Mootoo’s 'Valmiki’s Daughter'. Contemporary Women's Writing, 6 (3). pp. 213-232. ISSN 1754-1476 doi: https://doi.org/10.1093/cww/vps024

Donnell, A. (2008) Prospero's daughter: recovering Caribbean wo/men. MaComère, 10. pp. 36-56. ISSN 1521-9968 (Rethinking Caribbean women)

Donnell, A. (2013) Quarrels with the Quarrels with History. Anthurium: A Caribbean Studies Journal, 10 (2). article 12. ISSN 1547-7150

Donnell, A. (2011) Una Marson and the fractured subjects of modernity: writing across the black Atlantic. Women: a cultural review, 22 (4). pp. 345-369. ISSN 1470-1367 doi: https://doi.org/10.1080/09574042.2011.618658 (special issue 'Disrupting the narrative: gender and fractured form')

Donnell, A. (2013) V.S. Naipaul: a queer Trinidadian. Wasafiri, 28 (2). pp. 58-65. ISSN 1747-1508 doi: https://doi.org/10.1080/02690055.2013.758989

Donnell, A. (2008) Welsh and West Indian, “like nothing … seen before”: unfolding diasporic lives in Charlotte Williams’ Sugar and Slate. Anthurium: A Caribbean Studies Journal, 6 (2). ISSN 1547-7150

Donnell, A. (2012) The island and the world: kinship, friendship and living together in selected writings of Sam Selvon. Journal of West Indian Literature, 20 (2). pp. 38-53. ISSN 0258-8501

Donnell, A. (2011) The lives of others: happenings, histories and literary healing. In: Donnell, A. and Bucknor, M. A. (eds.) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK, pp. 421-430. ISBN 9780415485777

Donnell, A. (2011) The questioning generation: rights, representations and cultural fractions in the 1980s and 90s. In: Donnell, A. and Bucknor, M. A. (eds.) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK, pp. 124-135. ISBN 9780415485777

Donnell, A. and Bucknor, M. A., eds. (2011) The Routledge Companion to Anglophone Caribbean literature. Routledge, London, UK. ISBN 9780415485777

Evangelista, S. and Harloe, K. ORCID: https://orcid.org/0000-0002-0207-5212 (2017) Pater’s ‘Winckelmann’: aesthetic criticism and classical reception. In: Martindale, C., Prettejohn, E. and Evangelista, S. (eds.) Pater the Classicist. Oxford University Press, Oxford, pp. 63-80. ISBN 9780198723417

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2009) La comunicazione interculturale. In: Conoscere l'immigrazione. Una cassetta degli attrezzi. Carocci, Rome, pp. 151-175. ISBN 9788843049431

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2009) Le calunnie etniche nella lingua italiana. In: La Cultura Italiana - vol. 2 "Lingue e linguaggi". UTET, Turin, pp. 512-587. ISBN 9788802081250

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2015) Media and migration: some linguistic reflections. In: Bond, E., Bonsaver, G. and Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (eds.) Destination Italy: representing migration in contemporary media and narrative. Peter Lang, Oxford, pp. 105-124. ISBN 9783034309615

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2011) Razzisti a parole (per tacer dei fatti). Il nocciolo, 64. Laterza, Rome, pp144. ISBN 9788842096214

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 (2013) Sbiancare un etiope. La pelle cangiante di un topos antico. Aracne editrice S.r.l., pp304. ISBN 9788854867321

Faloppa, F. ORCID: https://orcid.org/0000-0002-1058-6768 and Zagrebelsky, I. (2010) Dare voce agli invisibili: Il teatro di Beppe Rosso. The Italianist, 30 (3). pp. 415-435. ISSN 1748-619X doi: https://doi.org/10.1179/026143410X12851630950658

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: https://doi.org/10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain")

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2022) Decolonizing Classics in Africa: the work of Alexander Kwapong. Bulletin of the Institute of Classical Studies, 65 (1). pp. 32-41. ISSN 2041-5370 doi: https://doi.org/10.1093/bics/qbac006

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2022) Do we have a new song yet? The new wave of women’s novels and the Homeric tradition. Humanities, 11 (2). 49. ISSN 2076-0787 doi: https://doi.org/10.3390/h11020049

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2014) Postcolonial translation: theory and practice. In: Encyclopedia of Ancient Greek Language and Linguistics. Brill, Leiden, pp. 122-125. ISBN 9789004225978

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2024) Where next? 3. In: Blouin, K. and Akrigg, B. (eds.) The Routledge Handbook of Classics, Colonialism, and Postcolonial Theory. Routledge, Abingdon and New York, pp. 664-668. ISBN 9780367555481 doi: https://doi.org/10.4324/9781003096016-39

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 (2013) 'Your secret language': classics in the British colonies of West Africa. Classical Diaspora. Bloomsbury Academic, London, pp248. ISBN 9781780932057

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 and Petsalis-Diomidis, A. (2023) Inclusive classics and pedagogy: teachers, academics and students in conversation. In: Libatique, D. and McHardy, F. (eds.) Diversity and the Study of Antiquity in Higher Education: Perspectives from North America and Europe. Classics in and out of the Academy. Routledge, London, pp. 121-130. ISBN 9781032235127 doi: https://doi.org/10.4324/9781003278016-11

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 and Simpson, M. (2020) Introduction. In: Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 and Simpson, M. (eds.) Classicising crisis: the modern age of revolutions and the Greco-Roman repertoire. Routledge Monographs in Classical Studies. Routledge, London, pp. 1-18. ISBN 9780815361770 doi: https://doi.org/10.4324/9781351115506

Goff, B. ORCID: https://orcid.org/0000-0003-0598-2843 and Simpson, M. (2011) Voice from the Black Box: Sylvain Bemba's 'Black Wedding Candles for Blessed Antigone'. In: Mee, E. B. and Foley, H. P. (eds.) Antigone on the Contemporary World Stage. Classical Presences. Oxford University Press, Oxford , pp. 324-343. ISBN 9780199586196

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2018) Theatre, performance and politics in Chile: the citizens’ turn. PhD thesis, King's College London. doi: https://doi.org/10.48683/1926.00095596

Harloe, K. ORCID: https://orcid.org/0000-0002-0207-5212 (2018) Hannah Arendt and the quarrel of ancient and modern: 'On humanity in dark times: thoughts on Lessing' and the politics of historiography. Classical Philology, 113 (1). pp. 20-38. ISSN 0009-837X doi: https://doi.org/10.1086/695441

Harloe, K. ORCID: https://orcid.org/0000-0002-0207-5212 (2018) Life in (love) letters: reading Winckelmann's correspondence across the long nineteenth century. Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft, 63 (2). (In Press)

Henry, W. and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, eds. (2021) Narratives from Beyond the UK Reggae Bassline: The System is Sound. Palgrave Studies in the History of Subcultures and Popular Music. Palgrave Macmillan, London. ISBN 9783030551605 doi: https://doi.org/10.1007/978-3-030-55161-2

Jaworska, S. ORCID: https://orcid.org/0000-0001-7465-2245 (2011) Anti-Slavic imagery in German radical nationalist discourse at the turn of the twentieth century: a prelude to Nazi ideology? Patterns of Prejudice, 45 (5). pp. 435-452. ISSN 1461-7331 doi: https://doi.org/10.1080/0031322X.2011.624762

Jaworska, S. ORCID: https://orcid.org/0000-0001-7465-2245 (2009) The German language in Poland: the eternal foe and the wars on words. In: Carl, J. and Stevenson, P. (eds.) Language, discourse and identity in Central Europe: the German language in a multilingual space. Language and globalization. Palgrave Macmillan, Basingstoke. ISBN 9780230224353

Jaworska, S. ORCID: https://orcid.org/0000-0001-7465-2245 (2014) Playful language alternation in an online discussion forum: the example of digital code plays. Journal of Pragmatics, 71. pp. 56-68. ISSN 0378-2166 doi: https://doi.org/10.1016/j.pragma.2014.07.009

King, N. (2001) C. L. R. James and creolization: circles of influence. University of Mississippi Press, pp168. ISBN 9781578063642

King, N. (2016) Teaching crime fiction and the African American literary canon. In: Shaw, K. (ed.) Teaching 21st Century Genres. Teaching the New English. Palgrave Macmillan, London, pp. 47-65. ISBN 9781137553898 doi: https://doi.org/10.1057/978-1-137-55391-1

King, N. (2017) Response to Deborah Willis's "The Black Civil War Soldier: Conflict and Citizenship". Journal of American Studies, 51 (2). pp. 331-338. ISSN 1469-5154 doi: https://doi.org/10.1017/S0021875817000482

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) Representations of British Chinese identities and British television drama: mapping the field. Journal of British Cinema and Television, 16 (2). pp. 125-145. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0465

Kumaraswami, P. (2016) The social life of literature in Revolutionary Cuba: narrative, identity, and well-being. Palgrave Macmillan, New York. ISBN 9781137569639

Leavitt, C. L. (2013) Impegno nero: Italian intellectuals and the African-American struggle. California Italian Studies, 4 (2). ISSN 2155-7926

Leglu, C. (2016) Toulouse. In: Wallace, D. (ed.) Europe: A Literary History, 1348-1415. Oxford University Press, Oxford. ISBN 9780198735359

Leglu, C. (2013) Vernacular poetry and the spiritual Franciscans of the Languedoc: the poems of Raimon de Cornet. In: Roach, A. P. and Simpson, J. R. (eds.) Heresy and the Making of European Culture: Medieval and Modern Perspectives, edited by Andrew P. Roach andJ ames R. Simpson. Ashgate, Farnham, pp. 165-184. ISBN 9781472411815

Leglu, C. (2015) The Devil’s Daughters and a question of translation between Occitan and Anglo-Norman French: ‘De las .vii. filhas del diable’ (British Library Add. MS 17920). Revue d'Etudes d'Oc: La France Latine, 160. pp. 93-123. ISSN 0222-0326

Leglu, C. (2014) "Just as fragments are part of a vessel": a translation into medieval Occitan of the life of Alexander the Great. Florilegium: Journal of the Canadian Society of Medievalists/Société canadienne des médiévistes, 31. pp. 55-76. ISSN 2369-7180 doi: https://doi.org/10.3138/flor.31.03

Leglu, C. (2017) The 'Vida' of Queen Fredegund in 'Tote Listoire de France': vernacular translation and genre in thirteenth-century French and Occitan literature. Nottingham French Studies, 56 (1). pp. 98-112. ISSN 0029-4586 doi: https://doi.org/10.3366/nfs.2017.0170

Lesnik-Oberstein, K. ORCID: https://orcid.org/0000-0002-4970-0556 (2018) Revisiting "The 'Philosophical Investigations’ children". Wittgenstein Studien, 9 (1). pp. 227-247. ISSN 1868-7458 doi: https://doi.org/10.1515/witt-2018-0011

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2014) T.S. Eliot on the radio: 'The drama is all in the word'. In: Feldman, M., Tonning, E. and Mead, H. (eds.) Broadcasting in the Modernist Era. Historicizing Modernism. Bloomsbury, London, pp. 97-112. ISBN 9781472512482

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Ashanti. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2014) The First World War in biscuits. [Show/Exhibition]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2006) 'Four of Them' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2011) ‘I suggest a night at the theatre, Mr.Cameron’: memory, history and responsibility in our class (Nasza Klasa, 2009). Contemporary Theatre Review, 21 (4). pp. 487-510. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.610307 (special issue 'Forum: Tim Crouch, the author, and the audience')

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, ed. (2013) Invisible country: four Polish plays. Intellect, Bristol, pp200. ISBN 9781841504148

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2008) 'The Mistress'(or 'Miss Maliczewska') by Gabriela Zapolska. Translated, designed and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2003) 'The Morality of Mrs Dulska' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2012) Surviving Objects. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2010) Translating Zapolska: research through practice. In: Baines, R., Marinetti, C. and Perteghella, M. (eds.) Staging and performing translation: text and theatre practice. Palgrave Macmillan, pp. 249-266. ISBN 9780230228191

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, ed. (2007) The morality of Mrs Dulska: a play by Gabriela Zapolska. Intellect Books, Bristol, pp192. ISBN 9781841501666

Purse, L. (2011) Contemporary action cinema. Edinburgh University Press, Edinburgh, pp232. ISBN 9780748638178

Purse, L. (2011) Return of the 'Angry Woman': authenticating female physical action in contemporary cinema. In: Waters, M. (ed.) Women on Screen: Feminism and Femininity in Visual Culture. Palgrave Macmillan, pp. 185-198. ISBN 9780230229655

Purse, L. (2010) Working through the body: textual-corporeal strategies in United 93 (2006). In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 157-161. ISBN 9781844573363

Robinson, O. (2014) The witch house of Canewdon and other poems. Lethmachen Press, Bristol, UK, pp64. ISBN 9780992829100

Smith, E. and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, eds. (2017) Waiting for the revolution: the British far left from 1956. Manchester University Press, Manchester, pp279. ISBN 9781526113658

Stoneley, P. (2011) ‘The fellows from the Fogg’: modernism, homosexuality, and art-world authority. New England Quarterly, 84 (3). pp. 473-495. ISSN 0028-4866

Street, J., Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 and Wilkinson, D. (2018) "Does it threaten the status quo?" Elite responses to british punk, 1976–78. Popular Music, 37 (2). pp. 271-289. ISSN 0261-1430 doi: https://doi.org/10.1017/S026114301800003X

The Subcultures Network, and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2015) Fight Back: Punk, Politics and Resistance. Manchester University Press, Manchester, pp. 1-336. ISBN 9780719090295

Thomson, S. ORCID: https://orcid.org/0000-0003-2698-3458 (2015) Ancillary narratives: maids, sleepwalking, and agency in nineteenth-century literature and culture. Textual Practice, 29 (1). pp. 91-110. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2014.955820

Thorpe, A. (2011) Lady Precious Stream. [Performance]

Thorpe, A. (2011) "Modern theatre for the twenty-first century"? Shanghai Conservatory of Music's staging of 'The White Goddess' (2009). Asian Theatre Journal, 28 (2). pp. 483-504. ISSN 1527-2109

Thorpe, A. (2010) Postmodern Chinese opera: re-citing China in 'Monkey, journey to the West'. Contemporary Theatre Review, 20 (1). pp. 68-86. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800903453046

Thorpe, A. (2011) Style, experimentation and Jingju (Beijing Opera) as a decentered multiplicity. Studies in Theatre & Performance, 31 (3). pp. 275-291. ISSN 2040-0616

Thorpe, A. (2011) Transforming tradition: performances of Jingju ('Beijing Opera') in the UK. Theatre Research International, 36 (01). pp. 33-46. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883310000702

Thorpe, A. (2009) The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum. Studies in Theatre & Performance, 29 (2). pp. 133-147. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.29.2.133_1

Vickers, E. L. (2010) Queer sex in the metropolis? Place, subjectivity and the Second World War. Feminist Review, 96. pp. 58-73. ISSN 1466-4380 doi: https://doi.org/10.1057/fr.2010.20

Walsh, S. ORCID: https://orcid.org/0000-0001-5574-1074 (2016) Gender and irony: children's literature and its criticism. Asian Women, 32 (2). pp. 91-110. ISSN 1225-925X doi: https://doi.org/10.14431/aw.2016.06.32.2.91

Walsh, S. ORCID: https://orcid.org/0000-0001-5574-1074 (2015) The recuperated materiality of disability and animal studies. In: Lesnik-Oberstein, K. ORCID: https://orcid.org/0000-0002-4970-0556 (ed.) Rethinking disability theory and practice: challenging essentialism. Palgrave Macmillan, Houndmills, Basingstoke and New York, pp. 20-36. ISBN 9781137456960

Weesjes, E. and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, eds. (2024) Music, subcultures and migration: routes and root. Routledge, Abingdon, pp226. ISBN 9781032565460

West, E. ORCID: https://orcid.org/0000-0003-3444-3814 (2013) 'Between slavery and freedom': the expulsion and enslavement of free women of colour in the US South before the Civil War. Women's History Review, 22 (3). pp. 460-477. ISSN 1747-583X doi: https://doi.org/10.1080/09612025.2012.726126

West, E. ORCID: https://orcid.org/0000-0003-3444-3814 (2014) Enslaved women in America: from colonial times to emancipation. African American History Series. Rowman and Littlefield, Lanham, Maryland, USA, pp160. ISBN 9781442208711

West, E. ORCID: https://orcid.org/0000-0003-3444-3814 (2012) Family or freedom: free people of color in the antebellum South. New Directions in Southern History. University of Kentucky Press, Lexington, Kentucky, USA, pp256. ISBN 9780813136929

West, E. ORCID: https://orcid.org/0000-0003-3444-3814 (2013) Free People of Color: expulsion and enslavement in the Antebellum South. In: Link, W. A., Brown, D., Ward, B. and Bone, M. (eds.) Creating citizenship in the nineteenth-century South. University Press of Florida, Gainesville, FL, pp. 64-83. ISBN 9780813044132

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2010) Ethel Carnie Holdsworth (1886-1962), ex-mill girl novelist. Women's History Magazine, 63. pp. 27-31. ISSN 1476-6760

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X (2015) Home in British working-class fiction. Ashgate, Farnham, pp240. ISBN 9781409432418

Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, ed. (2011) 'This slavery' by Ethel Carnie Holdsworth. Radical Fictions. Trent Editions, Nottingham, pp260. ISBN 9781842331415

Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2018) No doves fly here: British punk and Cold War dystopia. Journal for the Studies of British Cultures, 24 (1/2017). pp. 59-71. (ISBN: 9783826065379)

Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2017) No future: punk, politics and British youth culture, 1976–1984. Cambridge University Press, Cambridge, pp404. ISBN 9781316625606

Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 (2018) Whose culture? Fanzines, politics and agency. In: Ripped, Torn and Cut: Pop, Politics and Punk Fanzines from 1976. Manchester University Press, Manchester, pp. 55-71. ISBN 9781526120595

Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714 and Lohman, K. (2018) Bloody revolutions, fascist dreams, anarchy and peace: Crass, Rondos and the politics of punk, 1977–84. Britain and the World: Historical Journal of the British Scholar Society, 11 (1). pp. 51-74. ISSN 2043-8567 doi: https://doi.org/10.3366/brw.2018.0287

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