Hutchings, M., ed. (2013) Three Jacobean "Turk" Plays. Revels Plays Companion Library. Manchester University Press, Manchester. (In Press)

Hutchings, M. (2012) The spectre of Gondomar in the wake of A Game at Chess. The Seventeenth Century, 27 (4). pp. 435-453. ISSN 2050-4616 (In Press)

Cano-Echevarria, B. and Hutchings, M. (2012) The Spanish Ambassador and Samuel Daniel's Vision of the Twelve Goddesses: A New Document [with text]. English Literary Renaissance, 42 (2). pp. 223-257. ISSN 1475-6757 doi: 10.1111/j.1475-6757.2012.01105.x

Hutchings, M. and Cano-Echevarría, B. (2012) Between courts: female masquers and Anglo-Spanish diplomacy, 1603-05. Early Theatre, 15 (1 ). pp. 93-110. ISSN 1206-9078 (special Issue: ´Women and Performance´)

Hutchings, M. (2012) The Changeling at court. Cahiers Élisabéthains (81). pp. 15-24.

Hutchings, M. (2011) Thomas Middleton: chronologer of his time. In: Gossett, S. (ed.) Thomas Middleton in Context. Literature in Context. Cambridge University Press, pp. 17-27. ISBN 9780521190541

Hutchings, M. (2011) De Flores between the acts. Studies in Theatre and Peformance, 31 (1). pp. 95-111. ISSN 1468-2761

Hutchings, M. (2010) The OED and The changeling : a correction. Notes and Queries, 57 (3). pp. 414-415. ISSN 1471-6941 doi: 10.1093/notesj/gjq071

Hutchings, M. (2009) A textual crux in 'The Changeling'. Notes and Queries, 56 (4). pp. 625-629. ISSN 1471-6941 doi: 10.1093/notesj/gjp180

Cano-Echevarria, B., Saez-Hidalgo, A., Redworth, G. and Hutchings, M. (2008) "Comfort without offence?" The performance and transmission of exile literature, the English College at Valladolid, 1592-1615. Renaissance and Reformation / Renaissance et Reforme, 31 (1). pp. 31-67.

Hutchings, M. and Bromham, A. A. (2008) Middleton and his collaborators. Northcote House, Plymouth, pp128. ISBN 0746310803

Hutchings, M. (2008) Shakespeare and Islam. Shakespeare, 4 (2). Taylor and Francis, pp. 102-111. doi: 10.1080/17450910802083104

Hutchings, M. (2008) Shakespeare and Islam: introduction. Shakespeare, 4 (2). pp. 102-111. ISSN 1745-0926 doi: 10.1080/17450910802083104

Hutchings, M. (2007) The stage historicizes the Turk: convention and contradiction in the Turkish history play. In: Grant, T. and Ravelhofer, B. (eds.) English historical drama, 1500-1660: forms outside the canon. Early Modern Literature in History. Palgrave, Basingstoke. ISBN 9781403948496

Hutchings, M. (2007) The "Turk Phenomenon" and the repertory of the late Elizabethan playhouse. Early Modern Literary Studies, 13 (2). pp. 1-39. ISSN 1201-2459

Hutchings, M. (2007) Mary Frith at the Fortune. Early Theatre, 10 (1). pp. 89-108. ISSN 1206-9078

Hutchings, M. (2006) Acting pirates: converting a Christian turned Turk. In: Jowitt, C. (ed.) Pirates? The politics of plunder, 1550-1650. Early Modern Literature in History. Palgrave, Basingstoke, pp. 90-104. ISBN 9780230003279

Hutchings, M. (2005) 'And almost to the very walles of Rome': 2 Tamburlaine, II.i.9. Notes and Queries, 52 (2). pp. 190-192. ISSN 1471-6941 doi: 10.1093/notesj/gji217

Hutchings, M. (2005) Anti-theatrical prejudice and 1 Honest Whore, II.i.324–326. Notes and Queries, 52 (2). pp. 220-221. ISSN 1471-6941 doi: 10.1093/notesj/gji233

Hutchings, M. (2005) Golding's Conrad inheritance. English Language Notes, 42 (3). pp. 75-79. ISSN 0557-2738

Hutchings, M. (2005) Richard III and The Changeling. Notes and Queries, 52 (2). pp. 229-230. ISSN 1471-6941 doi: 10.1093/notesj/gji239

Hutchings, M. (2004) Marlowe's 'Scourge of God'. Notes and Queries, 51 (3). pp. 244-247. ISSN 1471-6941

Hutchings, M. (2003) ´Drama since 1956´. In: The Continuum Encyclopedia of British Literature. Continuum, New York, pp. 278-281, Eds Steven Serafin and Valerie G. Meyer.

Hutchings, M. (2003) ´Flann O´Brien´. In: The Continuum Encyclopedia of British Literature. Continuum, New York, p. 723, Eds Steven Serafin and Valerie G. Meyer.

Hutchings, M. (2003) ´Timberlake Wertenbaker´. In: The Continuum Encyclopedia of British Literature. Continuum, New York, pp. 1037-1038, Eds Steven Serafin and Valerie G. Meyer.

Hutchings, M. (2002) Larkin´s toad. Notes and Queries, 49 (1). pp. 94-96. ISSN 1471-6941 doi: 10.1093/nq/49.1.94

Hutchings, M. (2000) 'In Thrace; brought up in Arabia': The Jew of Malta, II.iii.131. Notes and Queries, 47 (4). pp. 428-430. ISSN 1471-6941 doi: 10.1093/nq/47.4.428

Hutchings, M. (2000) ´“´Tis a pageant / To keep us in false gaze”: Othello, Virtual History, and the Jacobean Audience´s Turkish Expectations´. In: Shakespeare and his Contemporaries in Performance. Ashgate, pp. 189-211, editor: Edward J. Esche.

Hutchings, M. (2000) 'Turkish' or 'Arabic' Emir? The Merry Wives of Windsor, II.i.176. Notes and Queries, 47 (4). pp. 449-451. ISSN 1471-6941 doi: 10.1093/nq/47.4.449

Hutchings, M. (2000) The end of 'II Tamburlaine' and the beginning of 'King Lear'. Notes and Queries, 47 (4). pp. 82-86. ISSN 1471-6941 doi: 10.1093/nq/47.1.82

Hutchings, M. (1999) ´A Theatrical Allusion to The Revenger´s Tragedy in 1607´. Notes and Queries, 46 (2). pp. 246-248. ISSN 1471-6941

Hutchings, M. (1998) ´Middleton´s Women Beware Women: Rape, Seduction – Or Power, Simply?´. Notes and Queries, 45 (3). pp. 366-367. ISSN 1471-6941

Hutchings, M. (1997) ´The Semiotics of Committed Drama´. In: Language and the Subject. Rodopi, Amsterdam, pp. 189-196, editor: Karl Simms.