Cocks, N. (2013) The child and the letter: Anne Brontë’s The Tenant of Wildfell Hall. Textual Practice. ISSN 1470-1308 doi: 10.1080/0950236X.2013.767854

Cocks, N. (2012) The child and imperial return: the mystery of Edwin Drood. Parallax, 18 (4). pp. 54-66. ISSN 1460-700X doi: 10.1080/13534645.2012.714554 (Special issue: Imperial affect)

Cocks, N. (2011) ‘Scripture its own interpreter’: Mary Martha Sherwood, the Bible and female autobiography. Nineteenth Century Gender Studies , 7 (3). ISSN 1556-7524

Cocks, N. (2011) Fort/ da: a reading of Picturing innocence by Anne Higonnet. In: Lesnik-Oberstein, K. (ed.) Children in culture, revisited: further approaches to childhood. Palgrave, Basingstoke, pp. 147-166. ISBN 9780230275546

Cocks, N. (2009) Student-centred: education, freedom and the idea of audience. Axis Series, 7. InkerMen Press, Ashby-de-la-Zouch, pp246.

Cocks, N. (2007) On Frida Kahlo’s moustache: a reading of Self-portrait with cropped hair and its criticism. In: Lesnik-Oberstein, K. (ed.) The last taboo: women and body hair. Manchester University Press, Manchester, pp. 191-208. ISBN 9780719075001

Cocks, N. (2004) 'Response and Responsibility: Theories of the Implied Reader in Children's Literature Criticism'. In: Children's Literature: New Approaches. Palgrave, London, pp. 93-118.

Cocks, N. (2004) Writing, death and absence in 'Tim' by H.O. Sturgis. Nineteenth Century Contexts, 26 (1). pp. 47-60. ISSN 1477-2663 doi: 10.1080/08905490410001683291