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Items where Author is "McMullan, Professor Anna"

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Number of items: 18.

McMullan, A. and McTighe, T. (2014) Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history. Breac: A Digital Journal of Irish Studies, July. ISSN 2372-2231

McMullan, A. (2014) Designing Beckett: Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics. In: Gontarski, S. E. (ed.) The Edinburgh companion to Samuel Beckett and the arts. Edinburgh University Press, Edinburgh, pp. 409-422. ISBN 9780748675685

McMullan, A. (2013) Dancing in translation: Irina Brook’s mise en scène of Danser à Lughnasa, Jean-Marie Besset’s translation of Brian Friel’s Dancing at Lughnasa. Studies in Theatre & Performance, 33 (2). pp. 211-223. ISSN 2040-0616 doi: 10.1386/stap.33.2.211_1

McMullan, A. (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378

McMullan, A. (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985

McMullan, A. (2009) 'The Home Place': unhomely inheritances. Irish Theatre International, 2 (1). pp. 62-68. ISSN 2009-0870

McMullan, A. and Wilmer, S. E., eds. (2009) Reflections on Beckett: a centenary celebration. Theater: theory/text/performance. University of Michigan Press, Ann Arbor, pp256. ISBN 9780472116645

McMullan, A. (2008) History in tatters: bodies and things in Samuel Beckett’s theatre. Etudes Britanniques Contemporaines, 35. pp. 27-37. ISSN 1168-4917

McMullan, A. (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

McMullan, A. (2007) From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre. In: Sihra, M. (ed.) Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. Palgrave Macmillan, Basingstoke, pp. 97-108. ISBN 9780230006478

McMullan, A. (2007) Mutated bodies: stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, 12 (1). pp. 57-65. ISSN 1469-9990 doi: 10.1080/1352816070138081

McMullan, A. (2007) Samuel Beckett’s theatre: liminal subjects and the politics of perception. The Princeton University Library Chronicle, 68 (1/2). pp. 450-464.

McMullan, A. (2006) Performativity, unruly bodies and gender in Brian Friel’s drama. In: Roche, A. (ed.) Cambridge Companion to Brian Friel. Cambridge Companions to Literature. Cambridge University Press, Cambridge, pp. 142-153. ISBN 9780521853996

McMullan, A. (2004) Irish/postcolonial Beckett. In: Oppenheim, L. (ed.) Palgrave Advances in Samuel Beckett Studies. Palgrave Advances. Palgrave Macmillan, pp. 89-109. ISBN 9781403903525

Frost, E. and McMullan, A. (2003) The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon. In: Ben-Zvi, L. (ed.) Drawing on Beckett : portraits, performances, and cultural contexts. Assaph Books. Tel Aviv University, Tel Aviv, pp. 215-238. ISBN 9789659062508

McMullan, A. and Singleton, B., eds. (2003) Special issue of Australasian Drama Studies on Performing Ireland. Australasian Drama Studies.

McMullan, A. and Leeney, C., eds. (2003) The Theatre of Marina Carr: “before rules was made”. Carysfort Press, Dublin. ISBN 9780953425778

McMullan, A. (1993) Theatre on trial: the later drama of Samuel Beckett. Routledge, London, pp168. ISBN 9780415052023

This list was generated on Fri Dec 19 13:23:31 2014 GMT.

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