Number of items: 25.
Article
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Curating the Godardian institution: agency and critique in film and contemporary art.
Screen, 62 (4).
pp. 484-511.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjab051
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
Dwoskin: disability, diaspora, dysphoria.
Jewish Film and New Media, 10 (2).
ISSN 2169-0332
doi: https://doi.org/10.1353/jfn.2022.a914337
Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514
(2022)
‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works.
MIRAJ: Moving Image Review & Art Journal, 11 (1).
pp. 10-33.
ISSN 2045-6298
doi: https://doi.org/10.1386/miraj_00081_1
Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150
(2022)
The suburban trilogy: Abigail Child's
cake and stake.
Found Footage Magazine (8).
pp. 35-37.
ISSN 2462-2885
Lloyd, K.
(2022)
You.
Art Review Oxford, 4.
pp. 5-7.
Book or Report Section
Lloyd, K.
(2022)
This is the end of high entertainment: tiny furniture and this is the end.
In: Trifonova, T. (ed.)
Screening the Art World.
Film Culture in Transition.
Amsterdam University Press, Amsterdam.
ISBN 9789463724852
Sandhu, K.
(2022)
Shifting perspectives: the space, the work and the body.
In:
Untitled (1956) - Red, Green and Yellow - Gone Fishing.
Flat Time House and Roberts Institute of Art.
Book
Roithmayr, F.
(2022)
waves.
Daedalus Street Athens, Athens, Greece, pp128.
ISBN 9781527270799
Sandhu, K.
(2022)
Poetic fragments from the irritating archive.
Guillemot Press.
ISBN 9781913749255
Thesis
O'Donoghue, D.
(2022)
The noble art of selfpretence: auto/biography and intertextuality in the work of Stephen Dwoskin.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00116385
Artefact
Sandhu, K.
(2022)
Elmer's One-Day Project.
[Artefact]
Show/Exhibition
Bennett, B.
(2022)
Nation's Finest, Putting Down Roots and Birthing.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2022)
Artists for Ukraine, 571 Oxford Gallery, Reading.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2022)
Artists for Ukraine, exhibition, St. Andrews Church, Farnham, UK.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2022)
Ukraine relief.
[Show/Exhibition]
Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972
(2022)
Cubitt30.
[Show/Exhibition]
Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972
(2022)
Frankenstein economy.
[Show/Exhibition]
Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Kollectiv, P. and Kollectiv, G.
(2022)
Do they owe us a living?
[Show/Exhibition]
Russell, J.
(2022)
CAVAPOOL.
[Show/Exhibition]
Russell, J.
(2022)
Catechism.
[Show/Exhibition]
Russell, J., Bedwell, S. and Thomson, M.
(2022)
Status Quo.
[Show/Exhibition]
Russell, J., Mitchell, D. and Audeoud, F.
(2022)
Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell.
[Show/Exhibition]
Sandhu, K.
(2022)
From 'Gestalt!'.
[Show/Exhibition]
Sandhu, K.
(2022)
From 'Poetic fragments from the irritating archive'.
[Show/Exhibition]
Performance
Sandhu, K.
(2022)
From 'Poetic fragments from the irritating archive'.
[Performance]
This list was generated on Sun May 19 12:05:59 2024 UTC.