B

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) Representations of Shylock in Arnold Wesker’s The Merchant, Howard Jacobson’s Shylock is My Name and Clive Sinclair’s Shylock Must Die. Humanities, 10 (2). p. 59. ISSN 2076-0787 doi: https://doi.org/10.3390/h10020059

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) Roth and Sexuality. In: McKinley, M. (ed.) Philip Roth in Context. Literature in context. Cambridge University Press, Cambridge, pp. 287-297. ISBN 9781108489294

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) ‘Why is this girl telling us all this stuff?’: authenticity and the confessional impulse in Elizabeth Wurtzel’s Prozac Nation. Comparative American Studies, 18 (2). pp. 192-205. ISSN 1741-2676 doi: https://doi.org/10.1080/14775700.2021.1982327

Brauner, D. ORCID: https://orcid.org/0000-0003-2817-7847 (2021) A bit of Jewish-American mischief: fictional metabiography in Alan Lelchuk’s Ziff: A Life? and Philip Roth’s Exit Ghost. Revue Française d'Etudes Américaines, 166 (1). pp. 46-61. ISSN 0397-7870 doi: https://doi.org/10.3917/rfea.166.0046

C

Cheyette, B. (2021) British-Jewish literature in the twenty-first century. In: Benmayer, D. and Taylor, R. (eds.) Age of Confidence: The New Jewish Culture Wave. The History Press, pp. 11-28. ISBN 9780750998536

Cocks, N. (2021) The flight of (the) concord: Joan Copjec and Slavoj Žižek read ‘Irma’s Injection’. International Journal of Zizek Studies, 15 (2). ISSN 1751-8229

H

Henry, W. and Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, eds. (2021) Narratives from Beyond the UK Reggae Bassline: The System is Sound. Palgrave Studies in the History of Subcultures and Popular Music. Palgrave Macmillan, London. ISBN 9783030551605 doi: https://doi.org/10.1007/978-3-030-55161-2