Abstract/Summary

This article examines the confluence of fears of demographic change occasioned by Jewish migration to Britain between 1881 and 1905 with two key gothic texts of the period – Arthur Machen’s Great God Pan and Bram Stoker’s Dracula. The descriptions of the activities of the demonic protagonists Mrs Beaumont and Count Dracula in London will be compared with contemporary depictions of Jewish settlement by leading anti-migrant polemicists. Firstly, it will consider the trope of settlement as a preconceived plan being put into effect directed against ‘Anglo-Saxon’ English society. Secondly it will look at ideas of the contested racial inferiority or superiority of the ‘other’. Thirdly the article will examine the imputed chameleonic natures of both gothic monsters and Jews rising up the metropolitan social scale. The article will conclude by comparing the way Machen and Stoker’s ‘heroes’ deal with their opponents with posited ‘solutions’ for the Eastern European immigration ‘problem’.