Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2024) An authentic confrontation or a picturesque scene? Theodor W. Adorno and Alexander Kluge on film, the cinema, and television. In: Langston, R. and Simova, I. (eds.) Crisis and Astonishment: Alexander Kluge - Jahrbuch. Vandenhoeck & Ruprecht Verlagge (Brill / V&R unipress), Göttingen, pp. 221-238. ISBN 9783847116646

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) One-dimensional man? A reply to Alain Badiou. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, New York, pp. 21-28. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0003

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) Alexander Kluge’s ‘Film in the mind of the spectator,’ or after-(dialectical)-images in News from Ideological Antiquity: Marx – Eisenstein – Capital. In: Graça, A. R., Baggio, E. and Penafria, M. (eds.) Filmmakers on Film: Global Perspectives. Bloomsbury / BFI, London, pp. 139-148. ISBN 9781839024870 doi: https://doi.org/10.5040/9781839024900.ch-13

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2018) Faire (de la magie): rendre l'invisible visible. In: Où en Sommes-Nous avec la Théorie Esthétique d'Adorno? Pontcerq, Rennes. ISBN 9782919648245

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Adorno and art: aesthetic theory contra critical theory. Palgrave Macmillan, UK, pp199. ISBN 9780230347885

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Amor intellectualis diaboli. In: Kivland, S. (ed.) Folles De Leur Corps / Crazy About Their Bodies. Cafe Gallery Projects in association with Ma Bibliotheque, London, UK, pp. 32-35.

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2014) Making: the invisible visible. In: Klimpel, O. (ed.) The Visual Event: An Education in Appearances. Spector Books, Leipzig, Germany, pp. 30-39. ISBN 9783944669625

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2013) Precautions against fan(atic)s: a re-evaluation of Adorno’s uncompromising philosophy of popular culture. New German Critique, 40 (1). pp. 149-174. ISSN 1558-1462 doi: https://doi.org/10.1215/0094033X-1812604

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Messages in a bottle and other things lost to the sea: the other side of critical theory or a reevaluation of Adorno's aesthetic theory. Telos, 2012 (160). pp. 77-97. ISSN 1940-459X doi: https://doi.org/10.3817/0912160077

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Shocking (Rancière’s) spectators. In: Corris, M., Joseph-Lester, J. and Kivland, S. (eds.) Transmission Annual: Provocation. Transmission Annual (2). Artwords Press, London. ISBN 9781906441272

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2012) Social practice: fo(u)r shades of grey. In: The Magic City (Presented as part of Liverpool Biennial). Liverpool Biennal 2012 / Birmingham City University, pp. 26-27. ISBN 9781906753313

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2011) Eros and knowledge: wishful thinking? In: Quinn, M. and Gomersall, C. (eds.) Rigorous Holes: Perspectives in Psychoanalytic Theory in Art and Performance Research. CCW Graduate School, London. ISBN 9780955862878