Gruetzner Robins, A. (2013) Whistler's Paris studio: place and meaning. In: Glazer, L. and Merrill, L. (eds.) Palaces of Art: Whistler and the Art Worlds of Aestheticism. Proceedings and other publications. Smithsonian Institution Scholarly Press, Washington, pp. 91-101. ISBN 9781935623311

Gruetzner Robins, A. (2011) Toulouse-Lautrec in Catford: new information about 'La Chaine Simpson'. The Burlington Magazine, 1302 (153). pp. 572-573. ISSN 0007-6287

Gruetzner Robins, A. (2011) 'J'arrive de London': Jane Avril and Britain. In: Ireson, N. (ed.) Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge. The Courtauld Gallery in Association with Paul Holberton Publishing, London, pp. 11-26. ISBN 978907372247

Gruetzner Robins, A. (2011) Gwen John: two albums of watercolours. Princeton University Library Chronicle, LXXII (3). pp. 641-682. ISSN 0032 -8456

Gruetzner Robins, A. (2011) Marketing Post-Impressionism: Roger Fry's commercial exhibitions. In: Fletcher, P. and Helmreich, A. (eds.) The rise of the modern art market in London, 1850-1939. Manchester University Press, Manchester and New York, pp. 85-97. ISBN 9780719084607

Gruetzner Robins, A. (2011) 'Performing with a pick-axe': the first Vorticist exhibition at the Dore Galleries. In: Antliff , M., Greene, V. and Upstone, R. (eds.) The Vorticists, rebel artists in London and New York, 1914-1918. Tate Publishing, London, UK, pp. 59-68. ISBN 978185439788

Gruetzner Robins, A. (2010) Manet and the Post-Impressionists: a checklist of exhibits. The Burlington Magazine, 152 (1293). pp. 782-793. ISSN 0007-6287

Gruetzner Robins, A. (2010) Reflections in a mirror: Bonnard's Aphrodite. In: Smith, A. C. ORCID: https://orcid.org/0000-0003-0224-428X and Pickup, S. (eds.) Brill's companion to Aphrodite. Brill's companions in classical studies. Brill, pp. 375-386. ISBN 9789004180031

Robins, A. G. (2009) Walter Sickert and the language of art. In: Brockington, G. (ed.) Internationalism and the arts in Britain and Europe at the fin de siècle. Cultural interactions: studies in the relationship between the arts (4). Peter Lang, Oxford, UK, pp. 27-48. ISBN 9783039111282

Robins, A. G. (2007) George Moore’s 'A modern lover': introducing the French Impressionists to London. French Studies, 61 (1). pp. 47-56. ISSN 1468-2931 doi: https://doi.org/10.1093/fs/knl232

Robins, A. G. (2007) A fragile modernism: Whistler and his impressionist followers. Yale University Press, New Haven, USA and London, UK, pp239. ISBN 9780300135459

Robins, A. G. (2006) Some newly discovered sketches by Walter Sickert of Gatti's Hungerford palace of varieties. The Burlington Magazine, 148 (1237). pp. 269-272. ISSN 0007-6287

Robins, A. G. (2006) 'Slabs of pink and lumps of brown': the critical reaction to the exhibition of a Monet Grainstack painting in Britain in 1893. In: Fowle, F. (ed.) Monet and French landscape, Vétheuil and Normandy. National Galleries of Scotland, Scotland, pp. 159-171. ISBN 9781903278918

Robins, A. G. and Thomson, R. (2005) Degas, Sickert and Toulouse Lautrec: London and Paris 1870-1910. Tate Publishing, London. ISBN 9781854376343

Robins, A. G. (2005) Suddenly last summer: Walter Sickert and Degas’s six friends at Dieppe. In: O'Brien, M., Roberts, J., Gruetzner Robins, A. E. and Catano, L. (eds.) Edgar Degas: six friends at Dieppe. Museum of Art, Rhode Island School of Design, Providence, USA, pp. 49-64. ISBN 9780911517804

Robins, A. G. (2004) Line 'pregnant with meaning'. In: Smith, A. (ed.) Walter Sickert: 'drawing is the thing'. The Whitworth Art Gallery, Manchester, UK, pp. 6-10. ISBN 9780903261548