Saunders, G. (2013) Foco Novo: the Icarus of British small scale touring theatre. In: Duggan, P. and Ukaegbu, V. (eds.) Reverberations across Small-Scale British Theatre. Intellect, Bristol. ISBN 9781783202973

Saunders, G. (2012) Prizes for modernity in the provinces: The Arts Council’s 1950-1951 regional playwriting competition. History Research, 2 (6). pp. 391-397. ISSN 2159-550X

Saunders, G. J. (2012) Mark Ravenhill. In: Sierz, A. (ed.) Modern British playwriting: the 1990s: voices, documents, new interpretations. Methuen Drama, London, UK. ISBN 9781408129265

Saunders, G. (2012) The freaks roll call: live art and the Arts Council 1968-1973. Contemporary Theatre Review, 22 (1). pp. 32-45. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.645229

Saunders, G. (2011) David Eldridge. In: Middeke, M., Schnierer, P. P. and Sierz, A. (eds.) Methuen Drama Guide to Contemporary British Playwrights. Methuen, London, pp. 144-163. ISBN 9781408122785

De Vos, L. and Saunders, G., eds. (2011) Sarah Kane in context. Manchester University Press, Manchester, UK, pp240. ISBN 9780719077395

Saunders, G. (2011) Tickets, critics and censorship: the Royal Court, The Spectator and the Arts Council of Great Britain 1969-1970. Theatre Notebook, 64 (3). pp. 160-173. ISSN 0040-5523

Saunders, G. (2010) Sarah Kane: Cool Britannia's reluctant feminist. In: Hadley, L. and Ho, E. (eds.) Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture. Palgrave Macmillan, Basingstoke, UK, pp. 199-220. ISBN 9780230233317 doi: https://doi.org/10.1057/9780230283169_10

Saunders, G. (2010) The Beckettian world of Sarah Kane. In: de Vos, L. and Saunders, G. (eds.) Sarah Kane in context. University of Manchester Press, Manchester, UK, pp. 68-79. ISBN 9780719077395

Saunders, G. (2010) Howard Barker’s ‘monstrous assaults’: eroticism, death and the antique text. In: Gritzner, K. (ed.) Eroticism and death in theatre and performance. University of Hertfordshire Press, UK, pp. 144-159. ISBN 9781902806921

Saunders, G. (2010) ‘The great Chinese takeaway’: the strange case of absent Orientalism in contemporary British playwriting. In: Huber, W., Rubik, M. and Novak, J. (eds.) Staging interculturality: contemporary drama in English. Wissenschaftlicher Verlag Trier, Germany, pp. 65-74. ISBN 9783868212327

Saunders, G. (2009) About Kane: the playwright & the work. Faber, London, pp192. ISBN 9780571229611

Saunders, G. (2008) Patrick Marber’s 'Closer'. Continuum Modern Theatre Guides. Continuum, London, pp118. ISBN 9780826492487

Saunders, G. (2008) From resistance to witness: changing spectatorship in the theatre of Sarah Kane. In: Hunkeler, T., Fournier Kiss, C. and Luthi, A. (eds.) Place au public: les spectateurs du theatre contemporain. MétisPresses, Geneva, pp. 153-165. ISBN 9782940406050

Saunders, G. (2008) Getting closer: Patrick Marber’s excursions into the Pinteresque. Critical Engagements, 2 (2). pp. 150-164. ISSN 1754-0984

Saunders, G. (2008) The persistence of the 'well made play'. In: Redling, E. and Schnierer, P. P. (eds.) Non-standard forms of contemporary drama and theatre. Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 11-21. ISBN 9783868210408

D'Monté, R. and Saunders, G. (2007) Cool Britannia? British political drama in the 1990's. Palgrave Macmillan, London. ISBN 9781403988126

Saunders, G. (2007) Reclaiming Sam for Ireland: the Beckett on film project. In: Cave, R. and Levitas, B. (eds.) Irish Theatre in England. Irish Theatrical Diaspora (2). Carysfort Press, Dublin. ISBN 9781904505266

Saunders, G. (2007) 'Under Redevelopment’: Barrie Keeffe’s and Caryl Churchill’s New City Comedies. In: Henke, C. and Middeke, M. (eds.) Drama and/after postmodernism. Contemporary Drama in English (14). Wissenschaftlicher Verlag Trier, Trier, pp. 19-30. ISBN 9783884769362

Saunders, G. (2005) 'A theatre of ruins'. Edward Bond & Samuel Beckett: theatrical antagonists. Studies in Theatre & Performance, 25 (1). pp. 66-77. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.25.1.67/0

Saunders, G. (2004) Edward Bond & the celebrity of exile. Theatre Research International, 29 (3). pp. 256-266. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883304000665

Saunders, G. (2004) 'Out Vile Jelly': Sarah Kane's 'Blasted' & Shakespeare's 'King Lear'. New Theatre Quarterly, 20 (1). pp. 69-77. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X03000344

Saunders, G. (2003) 'Just a Word on a Page & there is the Drama': Sarah Kane’s theatrical legacy. Contemporary Theatre Review, 13 (1). pp. 97-110. ISSN 1477-2264 doi: https://doi.org/10.1080/1048680031000077816

Saunders, G. (2002) 'Love me or kill me’: Sarah Kane & the theatre of extremes. Theory Practice & Performance . Manchester University Press , Manchester , pp224. ISBN 9780719059568

Saunders, G. (2002) The apocalyptic theatre of Sarah Kane. In: Reitz, B. and Berninger, M. (eds.) British Drama of the 1990s. University of Heidelberg, Heidelberg. ISBN 9783825313753

Saunders, G. (1999) Missing mothers & absent fathers: Howard Barker’s 'Seven Lears' & Elaine Feinstein's 'Lear's Daughters'. Modern Drama, 43 (3). pp. 401-410. ISSN 1712-5286