Article

Sampson, L. (2011) ‘Non lasciar così facilmente publicar le cose mie’: manuscript secular drama in sixteenth-century Italy. Italian Studies, 66 (2). pp. 161-176. ISSN 1748-6181 doi: https://doi.org/10.1179/174861811X13009843386431

Sampson, L. (2003) The Mantuan performance of Guarini's Pastor fido and representations of courtly identity. Modern Language Review, 98 (1). pp. 65-83. ISSN 0026-7937

Book or Report Section

Everson, J. E. and Sampson, L. (2016) Introduction. In: Everson, J. E., Reidy, D. V. and Sampson, L. (eds.) The Italian Academies 1525-1700: networks of culture, innovation and dissent. Italian Perspectives (31). Legenda, Oxford, pp. 1-20. ISBN 978190966575

Sampson, L. (2016) Reforming theatre in Farnese Parma: the case of the Accademia degli Innominati (1574-1608). In: Everson, J. E., Reidy, D. V. and Sampson, L. (eds.) The Italian academies 1525-1700: networks of culture, innovation and dissent. Italian Perspectives (31). Legenda, Oxford, pp. 62-76. ISBN 978190966575

Sampson, L. (2015) Amateurs meet professionals: theatrical activities in late sixteenth-century Italian Academies. In: Earle, T. F. and Fouto, C. (eds.) The Reinvention of Theatre in Sixteenth-Century Europe: Traditions, Texts and Performance. Legenda, Oxford, pp. 187-218. ISBN 9781907975769

Sampson, L. (2010) The dramatic text/paratext: Barbara Torelli’s 'Partenia, favola boschereccia' (MS, c. 1587). In: Bossier, P. and Scheffer , R. (eds.) Soglie testuali. Funzioni del paratesto nel secondo Cinquecento e oltre. Atti della Giornata di studi (Università di Groningen, 13 Dicembre 2007) [Textual thresholds. Functions of paratexts in the late sixteenth century and beyond]. Cinquecento. Testi e studi di letteratura Italiana. Vecchiarelli, Manziana, Italy, pp. 103-137. ISBN 9788882472887

Sampson, L. (2006) Pastoral drama. In: Farrell, J. and Puppa, P. (eds.) A history of Italian theatre. Cambridge University Press, Cambridge, pp. 91-101. ISBN 9780521802659

Sampson, L. (2004) 'Drammatica secreta': Barbara Torelli's 'Partenia' (c. 1587) and women in late sixteenth century theatre. In: Keen, C., Richardson, B. and Gilson, S. (eds.) Theatre, opera, and performance in Italy from the fifteenth century to the present. Society for Italian Studies Occasional Papers (6). The Society for Italian Studies/Maney, Leeds, pp. 99-115. ISBN 9780952590163

Book

Everson, J. E., Reidy, D. V. and Sampson, L., eds. (2016) The Italian academies 1525-1700: networks of culture, innovation and dissent. Italian Perspectives, 31. Legenda, Oxford. ISBN 978190966575

Sampson, L. and Burgess-Van Aken, B. (2013) Barbara Torelli Benedetti, Partenia, a pastoral play. A bilingual edition edited with notes and translation. The Other Voice in Early Modern Europe, The Toronto Series (22). Centre for Reformation and Renaissance Studies, Toronto, pp359. ISBN 9780772721365

Sampson, L. (2006) Pastoral drama in early modern Italy: the making of a new genre. Italian Perspectives, 15. Legenda, Oxford, pp282. ISBN 9781904713067

Cox, V. and Sampson, L. (2004) Flori, a pastoral drama: Maddalena Campiglia. The Other Voice in Early Modern Europe. University of Chicago Press, Chicago, pp360. ISBN 9780226092232

Web Resource

Everson, J. E., Gianfrancesco, L. M. R., Reidy, D. V., Sampson, L. and Testa, S., (2009) The Italian Academies, 1525-1700: a themed collection database, London, British Library. British Library, http://www.bl.uk/catalogues/ItalianAcademies/Default.aspx.