Number of items: 84.
Article
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2021)
The elusive form of film.
NECSUS.
ISSN 2213-0217
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
The blind spot of history: colonialism in Tabu.
Observatorio (OBS*), 2020.
pp. 27-38.
ISSN 1646-5954
doi: https://doi.org/10.15847/obsOBS0001812
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
Passages to reality: the case of Brazilian cinema.
Translocal, 3.
pp. 47-65.
ISSN 2184-1519
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2019)
Multimedia identities: an analysis of How Tasty Was My Little Frenchman.
Screen, 60 (1).
pp. 160-171.
ISSN 1460-2474
doi: https://doi.org/10.1093/screen/hjy067
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Sousa, R. L. d. and Brandão, A. S.
(2018)
Introduction to the dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal).
Aniki: Portuguese Journal of the Moving Image, 5 (2).
pp. 306-310.
ISSN 2183-1750
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2018)
Passages: travelling in and out of film through Brazilian geography.
Rumores: Revista Online de Comunicação, Linguagem e Mídias, 12 (24).
pp. 19-40.
ISSN 1982-677X
doi: https://doi.org/10.11606/issn.1982-677X.rum.2018.148836
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Antropofagia e intermidialidade: o caso de como era gostoso o meu francês.
Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (1).
ISSN 2316-9230
doi: https://doi.org/10.22475/rebeca.v6n1.479
(REBECA 11)
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Le Parricide, le cinéma d’auteur et le Vigo de Salles Gomes.
Archives, 109 (111).
pp. 48-52.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Tierra, utopía y mito fundador. De Glauber Rocha a Walter Salles.
Enfoco (52).
pp. 22-33.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Yaaba, cinefilia e realismo sem fronteiras.
Revista África(s), 4 (7).
pp. 61-70.
ISSN 2446-7375
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Kuarup, o filme.
La Furia Umana, 30.
ISSN 2037-0431
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Mysteries of Lisbon and intermedial history-telling.
Aniki: Portuguese Journal of the Moving Image, 4 (2).
pp. 375-391.
ISSN 2183-1750
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2016)
Non-cinema: the location of politics in film.
Film-Philosophy, 20 (1).
pp. 131-148.
ISSN 1466-4615
doi: https://doi.org/10.3366/film.2016.0007
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2014)
Tempo, magnitude e o mito do cinema moderno.
Aniki: Portuguese Journal of the Moving Image, 1 (1).
pp. 8-21.
ISSN 2183-1750
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha.
Brazil Cultural (12).
pp. 12-16.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2012)
Além da diferença: a mulher no Cinema da Retomada.
Devires, 9 (1).
pp. 14-29.
ISSN 2179-6483
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2007)
Paraméricas Utópicas: entranced and transient nations in "I Am Cuba" (1964) and "Land in Anguish" (1967).
Hispanic Research Journal, 8 (1).
pp. 79-90.
ISSN 1745-820X
doi: https://doi.org/10.1179/174582007X164357
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
The zero, the centre and the empty utopia: from Rossellini to Walter Salles.
Studies in European Cinema, 3 (3).
pp. 223-233.
ISSN 2040-0594
doi: https://doi.org/10.1386/seci.3.3.223_1
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2004)
Talking bullets: the language of violence in "City of God".
Third Text, 18 (3).
pp. 239-250.
ISSN 1475-5297
doi: https://doi.org/10.1080/0952882042000227946
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2001)
The New Cinema meets Cinema Novo: new trends in Brazilian cinema.
Framework, 42.
ISSN 0306-7661
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2000)
El nuevo cine bajo el espectro del cinema novo.
Cuadernos hispanoamericanos, 601-602.
pp. 39-51.
ISSN 0011-250X
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(1999)
Tendências do cinema brasileiro atual.
Studies in Latin American Popular Culture, 18.
pp. 19-32.
ISSN 0730-9139
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(1998)
Neues Kino besucht das Cinema Novo.
Film Bulletin, 98 (4).
pp. 41-52.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(1996)
L'empire de l'individu: L'empire des sens de Nagisa Oshima.
Cinémathèque, spring.
pp. 62-73.
Book or Report Section
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2023)
Historicising the story through film and music: an intermedial reading of Heimat 2.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.)
The Moving Form of Film: Historicising the Medium Through Other Media.
Oxford University Press, New York, pp. 202-221.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.003.0014
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T.
(2022)
Introduction.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp. 1-14.
ISBN 9781474452984
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
An intermedial reading of Glauber Rocha's Cosmogony.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.)
Towards an Intermedial History of Brazilian Cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, Edinburgh, pp. 323-344.
ISBN 9781474452984
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
The reality of art: an intermedial analysis of Ossessione.
In: Blos-Jáni, M., Király, H., Lakatos, M., Pieldner, J. and Sándor, K. (eds.)
Intermedial Encounters: Studies in Honour of Ágnes Pethő.
Scientia Publishing House, Cluj-Napoca, pp. 359-372.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2022)
Imagens do Mar. Visões do Paraíso no Cinema Brasileiro Atual.
In: Lusvarghi, L., Alvim, L. B. and Lopes, D. C. (eds.)
Estudos de Cinema: Retrospectiva e Perspectivas.
Polytheama, São Paulo, pp. 16-36.
ISBN 9786599619304
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
Preface to the second enlarged edition.
In:
Pethő, Á., Cinema and Intermediality : The Passion for the In-Between.
Cambridge Scholars Publishing, Newcastle upon Tyne, ix-xi.
ISBN 9781527552067
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
El cine como inestética, la vida como no-cine: um estudio sobre la trilogía prohibida de Jafar Panahi.
In: Campo, J., Crowder-Taraborrelli, T., Garavelli, C., Piedras, P. and Wilson, K. (eds.)
El cine documental Una encrucijada estética y política Inquisiciones contemporáneas al sistema audiovisual de Javier Campo, Tomás Crowder-Ta.
Prometeo, Buenos Aires, pp. 155-173.
ISBN 9789878331287
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
Passages to reality: the case of Brazilian cinema.
In:
Realist Cinema as World Cinema: Non-Cinema, Intermedial Passages.
Film Culture in Transition.
Amsterdam University Press, Amsterdam, pp. 173-198.
ISBN 9789048539215
doi: https://doi.org/10.5117/9789462987517_ch07
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Realist cinema as world cinema.
In: Stone, R. and Cooke, P. (eds.)
The Routledge Companion to World Cinema.
Routledge, Abingdon-on-Thames, pp. 310-322.
ISBN 9781138918801
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Bernardet visto de longe.
In: Pinto, I. and Margarido, O. (eds.)
Bernardet 80: impacto e influência no cinema brasileiro.
Paco Editorial/Abraccine, Jundiaí, pp. 21-32.
ISBN 9788546207886
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
The horizontal spread of a vertical malady: cosmopolitanism and history in Pernambuco’s recent cinematic sensation.
In: Delgado, M. M., Hart, S. M. and Johnson, R. (eds.)
A Companion to Latin American Cinema.
Wiley Blackwell Companions to National Cinemas.
Wiley-Blackwell, Hoboken, New Jersey, pp. 343-355.
ISBN 9781118552889
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Beyond difference: female participation in the Brazilian film revival of the 1990s.
In: Shaw, D. and Martin, D. (eds.)
Latin American Women Filmmakers.
I.B. Tauris, London/New York, pp. 31-47.
ISBN 9781784537111
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Colonialism as fantastic realism in 'Tabu'.
In: Liz, M. (ed.)
Portuguese Cinema: Globalizing the Nation.
I.B. Tauris, London/New York.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2016)
Regurgitated bodies: presenting and representing trauma in 'The Act of Killing'.
In: Tzioumakis, Y. and Molloy, C. (eds.)
The Routledge Companion to Film & Politics.
Routledge, Abingdon, pp. 218-230.
ISBN 9780415717397
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2015)
The politics of slowness and the traps of modernity.
In: De Luca, T. and Barradas Jorge, N. (eds.)
Slow Cinema.
Traditions in World Cinema.
Edinburgh University Press, Edinburgh, pp. 25-46.
ISBN 9780748696024
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2015)
Utopia in Brazilian cinema: from Black God, White Devil to Foreign land.
In: Bethencourt, F. (ed.)
Utopia in Portugal, Brazil and Lusophone African Countries.
Reconfiguring Identities in the Portuguese-Speaking World (4).
Peter Lang, Oxford, pp. 121-140.
ISBN 9783034318716
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2014)
Reflexive stasis, scale reversal and the myth of modern cinema.
In: Lindner, C. and Donald, S. H. (eds.)
Inert cities: globalization, mobility and suspension in visual culture.
I.B. Tauris, London, pp. 187-201.
ISBN 9781780769721
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Tempo, magnitude e o mito do cinema moderno.
In: Dennison, S. (ed.)
World Cinema: As novas cartografias do cinema mundial.
Papirus, Campinas, pp. 219-233.
ISBN 9788530810603
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
The politics of impurity.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A. (eds.)
Impure cinema: intermedial and intercultural approaches to film.
Tauris World Cinema Series.
I.B. Tauris, London, pp. 21-40.
ISBN 9781780765105
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Back to the margins in search of the core: foreign land's geography of exclusion.
In: Brandellero, S. (ed.)
The Brazilian road movie: journeys of (self) discovery.
Iberian and Latin American Studies.
University of Wales Press, Cardiff, pp. 162-183.
ISBN 9780708325988
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Film as literature, or the Truffaldian Malaise.
In: Andrew, D. and Gillain, A. (eds.)
A companion to François Truffaut.
Wiley-Blackwell, Oxford, pp. 530-545.
ISBN 9781405198479
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2013)
Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles.
In: Starling, H. and Borges, A. (eds.)
Imaginação da Terra: Memória e utopia no cinema brasileiro.
Editora UFMG, Belo Horizonte, pp. 13-39.
ISBN 9788542300079
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2012)
Oshima, corporeal realism and the eroticized apparatus.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R. (eds.)
Theorizing world cinema.
I.B. Tauris, London, pp. 161-182.
ISBN 9781848854932
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2012)
Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves.
In: Prager, B. (ed.)
A companion to Werner Herzog.
Wiley-Blackwell, Oxford, pp. 58-79.
ISBN 978-1-4051-9440-2
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2011)
Beto Brant: realismo, género y obra de arte en proceso.
In: Vargas Maldonado, J. C. (ed.)
Tendencias del cine iberoamericano en el nuevo milenio: Agentina, Brasil, España y Mexico.
CUCSH: Universidad de Guadalajara, Mexico, pp. 273-302.
ISBN 9786074503753
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2010)
Back to the margins in search of the core: "Foreign Land"'s geography of exclusion.
In: Iordanova, D., Martin-Jones, D. and Vidal, B. (eds.)
Cinema at the periphery.
Wayne State University Press, Detroit, pp. 190-210.
ISBN 9780814333884
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2009)
Filmmaking as the production of reality: a study of Hara and Kobayashi's documentaries.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Mello, C. (eds.)
Realism and the audiovisual media.
Palgrave Macmillan, Basingstoke, pp. 193-209.
ISBN 9780230246973
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2009)
Panaméricas Utópicas: entranced and transient nations in 'I Am Cuba' and 'Land in Trance'.
In: Gladston, P. (ed.)
China and other spaces.
Critical, Cultural and Communications Press, Nottingham, pp. 71-87.
ISBN 9781905510221
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2009)
Rumo a uma definição positiva de world cinema.
In: Santana, G. (ed.)
Cinema, comunicação e audiovisual.
Alameda Editorial, São Paulo.
ISBN 9788598325859
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2007)
Going global: the Brazilian scripted film.
In: Harvey, S. (ed.)
Trading cultures: global traffic and local cultures in film and television.
John Libbey, Eastleigh, pp. 95-103.
ISBN 9780861966691
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
Talking bullets: the language of violence in "City of God".
In: Vieira, E. R. P. (ed.)
"City of God" in several voices: Brazilian social cinema as action.
Critical, Cultural and Communications Press, Nottingham, pp. 32-43.
ISBN 9781905510009
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
Teoria experimental do realismo corpóreo baseada nos filmes de Nagisa Oshima e da nouvelle vague japonesa.
In: Greiner, C. and Amorim, C. (eds.)
Leituras do Sexo.
Annablume, São Paulo, pp. 127-140.
ISBN 857419610X
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
Towards a positive definition of World Cinema.
In: Dennison, S. and Lim, S. H. (eds.)
Remapping world cinema: identity, culture and politics in film.
Wallflower Press, London, pp. 30-37.
ISBN 9781904764632
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2005)
Cinema Novo, Glauber, Herzog.
In: Silva, M. A. (ed.)
Glauber par Glauber.
Magic Cinema, Paris, pp. 88-90.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2005)
The trilogy of John of God.
In: Mira, A. (ed.)
The cinema of Spain and Portugal.
Wallflower, London, pp. 188-197.
ISBN 9781904764441
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2003)
Death on the beach: the recycled utopia of Midnight.
In: Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 (ed.)
The new Brazilian cinema.
I.B. Tauris, London, pp. 157-174.
ISBN 9781860649288
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2001)
Ouédraogo and the aesthetics of silence.
In: Kashula, R. H. (ed.)
African oral literature: functions in contemporary contexts.
New Africa Books, South Africa, pp. 100-111.
ISBN 9781919876073
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(1996)
In the realm of the individual: an analysis of Nagisa Oshima's "In the realm of the senses".
In: Dakovic, N., Derman, D. and Ross, K. (eds.)
Gender & Media.
Med-Campus Project, Turkey, pp. 156-174.
ISBN 9789759612009
Book
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds.
(2023)
The moving form of film: historicising the medium through other media.
Oxford University Press, New York, pp340.
ISBN 9780197621707
doi: https://doi.org/10.1093/oso/9780197621707.001.0001
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T., eds.
(2022)
Towards an intermedial history of Brazilian cinema.
Edinburgh Studies in Film and Intermediality.
Edinburgh University Press, pp304.
ISBN 9781474452984
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
Realist cinema as world cinema: non-cinema, intermedial passages, total cinema.
Film Culture in Transition (670).
Amsterdam University Press, Amsterdam.
ISBN 9789462987517
doi: https://doi.org/10.5117/9789462987517
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds.
(2019)
Intermediality in Brazilian cinema: the case of Tropicália.
Screen, 60 (1).
Oxford Academic.
doi: https://doi.org/10.1093/screen/hjy064
Rocha, G.
(2018)
On cinema.
Bloomsbury, x-xiv.
ISBN 9781780767031
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Souza, R. L. d. and Brandão, A. S., eds.
(2018)
Dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal).
Aniki: Portuguese Journal of the Moving Image, 5 (2).
AIM - AIM - Associação de Investigadores da Imagem em Movimento.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Jerslev, A., eds.
(2013)
Impure cinema: intermedial and intercultural approaches to film.
Tauris World Cinema Series.
I.B. Tauris, London, pp288.
ISBN 9781780765112
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, Perriam, C. and Dudrah, R., eds.
(2012)
Theorizing world cinema.
Tauris World Cinema Series.
I.B. Tauris, London, pp288.
ISBN 9781848854932
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2011)
World cinema and the ethics of realism.
Continuum, London, pp312.
ISBN 9781441165831
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Mello, C., eds.
(2009)
Realism and the audiovisual media.
Palgrave Macmillan, Basingstoke, pp288.
ISBN 9780230246973
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2007)
Brazil on screen: Cinema Novo, new cinema and utopia.
Tauris World Cinema Series.
I.B. Tauris, London, pp200.
ISBN 9781845113285
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
A utopia no Cinema Brasileiro: matrizes, nostalgia, distopias.
Coleção Ensaios.
CosacNaify, São Paulo, pp216.
ISBN 8575035576
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, ed.
(2003)
The new Brazilian cinema.
I.B. Tauris, London, pp320.
ISBN 9781860649288
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2002)
O cinema da retomada: depoimentos de 90 cineastas dos anos 90.
Editora 34, São Paulo, pp528.
ISBN 8573262540
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(1995)
Nascido das cinzas: autor e sujeito nos filmes de Oshima.
Edusp, São Paulo, pp344.
ISBN 8531403138
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(1993)
Em torno da nouvelle vague japonesa.
Editora da Unicamp, Campinas, pp184.
ISBN 8526802828
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(1991)
Werner Herzog: o cinema como realidade.
Estação Liberdade, São Paulo, pp288.
ISBN 8585865733
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, ed.
(1990)
Mestre Mizoguchi: uma lição de cinema.
Navegar, São Paulo, pp289.
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748, ed.
(1990)
Ozu: o extraordinario cineasta do cotidiano.
Marco Zero, São Paulo, pp190.
ISBN 8527981021
Project
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2020)
Passages of Brazilian cinema.
[Project]
(Collection)
Video
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748 and Paiva, S.
(2019)
Passages - travelling in and out of film through Brazilian geography.
[Video]
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2017)
Academy visual history with Carlos Diegues.
[Video]
This list was generated on Sat Aug 31 20:06:18 2024 UTC.