Woynarski, L. and Tyler, L. (2025) Settler aesthetics: scenographies of construction capitalism and indigenous erasure in Motel Makeover. In: Mackey, S. and Ong, A. (eds.) Performing Homescapes. Palgrave Macmillan, Cham, pp. 221-245. ISBN 9783031776564 doi: 10.1007/978-3-031-77657-1_10

Tyler, L. (2025) ‘Don’t fucking clap me’: applauding Bryony Kimmings and Deborah Pearson’s maternal dramaturgies in British play development. In: Benzie, R. and Fragkou, M. (eds.) The Methuen Drama Handbook of Women in Contemporary British Theatre. Methuen Drama, pp. 277-290.

Tyler, L. (2025) English play development under neoliberalism, 2000–2022. Elements in Contemporary Performance Texts. Cambridge University Press. doi: 10.1017/9781009411202

Tyler, L. (2024) Commodity trailing contemporary performance: Sh!t Theatre’s DollyWould and Selina Thompson’s salt. Contemporary Theatre Review, 34 (2). pp. 133-151. ISSN 1477-2264 doi: 10.1080/10486801.2024.2334246

Tyler, L. (2020) "Almost, but Not Quite': reading debbie tucker green's dramaturgy inside British playwriting studies. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave Macmillan, pp. 129-150. ISBN 9783030345815

Tyler, L. (2019) “Responding to the thing that it is”: a study of new play development in English theatres. Studies in Theatre and Performance, 39 (1). pp. 38-53. ISSN 1468-2761 doi: 10.1080/14682761.2017.1348682

Saguaro, S. and Tyler, L. (2014) 'Nature Once More Had Taken Her Part': recuperating anon, the common voice and the uncovered theatre. In: Bloomsbury Adaptations Conference, 5 - 6 May 2011, Bath, UK, pp. 205-226.