McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and McTighe, T. (2014) Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history. Breac: A Digital Journal of Irish Studies, July. ISSN 2372-2231

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, McTighe, T., Pattie, D. and Tucker, D. (2014) Staging Beckett: constructing histories of performance. Journal of Beckett Studies, 23 (1). pp. 11-33. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0084

McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355

McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988

McTighe, T. (2013) Acts of estrangement: reading the psoriatic-skin. Nyx, A Noctournal, 8. pp. 6-15.

McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131