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Number of items: 27.

Article

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2022) The suburban trilogy: Abigail Child's cake and stake. Found Footage Magazine (8). pp. 35-37. ISSN 2462-2885

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2020) Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown. MIRAJ: Moving Image Review & Art Journal, 9 (2). pp. 270-275. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00052_1

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: https://doi.org/10.1080/14725886.2016.1242313

Garfield, R. S. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) Maximalism as a Cosmopolitan strategy in the art of Ruth Novaczek and Doug Fishbone. European Review of History, 23 (5-6). pp. 961-977. ISSN 1350-7486 doi: https://doi.org/10.1080/13507486.2016.1203880

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) The Stephen Dwoskin dossier: introduction. Screen, 57 (1). pp. 71-73. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw006

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: https://doi.org/10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain")

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: https://doi.org/10.5456/issn.5050-3679/2013s06rg

Book or Report Section

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Contexts and Practices. Bloomsbury, London, pp. 99-112. ISBN 9781784537005

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137-156. ISBN 9780810132825

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) Negotiating the British landscape. In: Dadi, I. (ed.) Anwar Jalal Shemza. Ridinghouse, London, pp. 19-26. ISBN 9781909932135

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2014) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2009) A particular incoherence: some films of Vivienne Dick. In: O'Brian, T. (ed.) Between Truth and Fiction: The Films of Vivienne Dick. LUX and The Crawford Gallery, London, pp. 36-53. ISBN 9780954856984

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2008) Questioning perceptions of Jewish identity in the work of Ary Stillman. In: Wechsler, J. (ed.) Ary Stillman: From Impressionism to Abstract Expressionism. Merrell, New York, pp. 149-163. ISBN 9781858944333

Book

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) Experimental filmmaking and punk: feminist audio visual culture in the 1970s and 80s. Bloomsbury, London, pp288. ISBN 9781350293083

Show/Exhibition

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2022) Do they owe us a living? [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) The Struggle a trilogy. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) “Out of Chaos”; Ben Uri: 100 years in London, Somerset House, East Wing, 2 July-13th December 2015. [Show/Exhibition]

Project

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2015) The struggle. [Project] (Collection)

Image

Aigner, U., Allen, F., Ashton, E., Berthon-Moine, I., Biagioli, M., Biswas, S., Bodman, S., Bolland, E., Borra, C. E., Brinkmann, S., Carr, A. J., Cattle, R., Chan, S., Chevska, M., Coleman, K., Collins, S., Cooke, K., Cottell, F., Cowan, J., Creamer, A.-M., Cuddihy, M., Davies, E., Farhid, N., Finlay, S., Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Gertler, A., Godfrey-Isaacs, L., Greenan, A., Hällsten, J., O’Neill, M. R., Haukka, M., Hodge, S., Johanknecht, S., Kivland, S., Lloyd, L., Ludwig, K., Maclennan, R., Malacart, L., Manchot, M., Mariscal, C., Meynell, K., Mitchell, J., Mitrentse, C., Mooney, S., Mullaney, M., Novaczek, R., Oechsler, M., Olsen, R., Parker, J., Parris, J., Paz, A., Peppé, H., Robertson, H., Ruggaber, K., Schwartz, L., Scott, R., Sear, H., Séraphin, L., Sherbany, A., Siderfin, N., Skelton, P., Smith, R., Spindler, S., Steed, C., Stockham, J., Taylor, D., Thompson, M., Throp, M., Thyes, M., Sutherland, R. V., Von Heyl, M., Voorsanger, J., Westerman, J., Wood, S. and Wright, E. (2020) Salon for a speculative future. [Image]