Angelaki, V. (2019) Theatre & environment. Theatre &. Palgrave Macmillan/Red Globe Press, pp90. ISBN 9781137609830

Angelaki, V. (2019) Performing migration in Vienna: the Volkstheater Trilogy. Performing Ethos, 9 (1). pp. 9-22. ISSN 1757-1987 doi: https://doi.org/10.1386/peet_00002_1

Angelaki, V. (2017) Social and political theatre in 21st-century Britain: staging crisis. Methuen Drama Engage. Bloomsbury, London, pp288. ISBN 9781474213172

Angelaki, V. (2016) The space and culture of translation: Ferdinand Bruckner’s 'Pains of Youth' by Martin Crimp and Katie Mitchell. Journal of Adaptation in Film & Performance, 9 (1). pp. 67-82. ISSN 1753-6421 doi: https://doi.org/10.1386/jafp.9.1.67_1

Angelaki, V. (2015) (Up)setting the scene: 'Open Court' as staging and spectating intervention. Contemporary Theatre Review, 25 (4). pp. 472-487. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2015.1078321

Angelaki, V. (2015) From history to “Ourstories” in Martin Crimp’s metanarratives. Journal of Contemporary Drama in English, 3 (1). pp. 142-155. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2015-0010

Angelaki, V. (2014) "Alles Weitere kennen Sie aus dem Kino": Martin Crimp at the cutting edge of representation. Contemporary Theatre Review, 24 (3). pp. 315-330. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2014.921050

Angelaki, V. (2014) Witness or accomplice? Unsafe spectatorship in the work of Anthony Neilson and Simon Stephens. In: Aragay, M. and Monforte, E. (eds.) Ethical Speculations in Contemporary British Theatre. Palgrave Macmillan, Basingstoke, pp. 135-151. ISBN 9781137297563

Angelaki, V. and Rebellato, D., eds. (2014) Dealing with Martin Crimp. Contemporary Theatre Review (special issue), 24 (3). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2014.921031

Angelaki, V. (2014) Introduction: dealing with Martin Crimp. Contemporary Theatre Review, 24 (3). pp. 309-314. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2014.921031

Angelaki, V., ed. (2013) Contemporary British theatre: breaking new ground. Palgrave Macmillan. ISBN 9781137010124

Angelaki, V. (2013) Introduction. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 1-8. ISBN 9781137010124

Angelaki, V. (2013) Politics for the middle classes: contemporary audiences and the violence of now. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 57-78. ISBN 9781137010124

Angelaki, V. (2013) Whose voice? Tim Crouch’s 'The Author' and active listening on the contemporary stage. Sillages Critiques, 16. ISSN 1969-6302

Angelaki, V. (2012) The plays of Martin Crimp: making theatre strange. Palgrave Macmillan, Basingstoke, pp238. ISBN 9780230293717

Angelaki, V. (2011) ‘Martin Crimp and border crossing: The Australian turn’. Contemporary Theatre Review, 21 (4). pp. 544-546. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.617521

Angelaki, V. (2010) ‘Lessons from Harold Pinter’. Studies in Theatre and Performance, 30 (3). pp. 267-273. ISSN 2040-0616

Angelaki, V. (2010) ‘Ethics take centre stage: Issues and representation for today's political theatre’. In: Meyer-Dinkgräfe , D. and Watt, D. (eds.) Ethical Encounters: Boundaries of Theatre, Performance and Philosophy. Cambridge Scholars Publishing, Cambridge, pp. 199-207. ISBN 9781443816953

Angelaki, V. (2010) Grenzen hinausschieben, Zuschauer herausfordern: zur rezeption Howard Barkers. In: Mengel, E. and Weiss, R. (eds.) Weltbühne Wien/World Stage Vienna: Die Rezeption Anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts. Wissenschaftlicher Verlag Trier, pp. 297-311.

Angelaki, V. (2009) Breaking down barriers high and low: the case of the United Kingdom’s National Theatre. In: Coelsch-Foisner, S. and Flothow, D. (eds.) High Culture and/versus Popular Culture. Winter, pp. 85-93.

Angelaki, V. (2008) Subtractive forms and composite contents: Martin Crimp’s Fewer Emergencies. In: Schnierer, P. P. and Redling, E. (eds.) Contemporary Drama in English. Wissenschaftlicher Verlag Trier, pp. 31-46.

Angelaki, V. (2008) Taking a bite of the Big Apple: Martin Crimp’s The Treatment. In: Angel-Perez, E. and Poulain, A. (eds.) Hunger on the Stage. Cambridge Scholars Publishing, pp. 257-267.

Angelaki, V. (2007) Performing Phenomenology: the theatre of Martin Crimp. In: Meyer-Dinkgräfe, D. and Watt, D. (eds.) Theatres of Thought. Cambridge Scholars Publishing, pp. 6-12.

Angelaki, V. (2007) Structuring consciousness through objects: fluctuating roles and selves in Crimp, Pinter and Ionesco. In: Meyer-Dinkgräfe, D. (ed.) Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Publishing, pp. 126-133.

Angelaki, V. (2006) ‘The Private and the Public Wars: A play by Martin Crimp’. Platform, 1 (1). pp. 32-41.