Article

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Mutated bodies: stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, 12 (1). pp. 57-65. ISSN 1469-9990 doi: https://doi.org/10.1080/1352816070138081

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Samuel Beckett’s theatre: liminal subjects and the politics of perception. The Princeton University Library Chronicle, 68 (1/2). pp. 450-464.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Ewangelia i zakaz: Beckett i nazistowskie Niemcy. Kwartalnik Artystyczny, 53 (1). pp. 69-78. ISSN 1232–2105

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Samuel Beckett and Romanticism in the 1930s. Samuel Beckett Today / Aujourd'hui, 18. pp. 61-76. ISSN 0927-3131 (special issue 'All sturm and no drang')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Solitude(s) and creative fidgets: Beckett reading Rainer Maria Rilke. Litteraria Pragensia, 17 (33). pp. 6-18. ISSN 0862-8424 (special issue 'Samuel Beckett: textual genesis and reception')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) The remains of trace: intra- and intertextual transferences in Beckett’s 'Mirlitonnades' manuscripts. Journal of Beckett Studies, 16 (1 & 2). pp. 121-134. ISSN 1759-7811

van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) “Holo and unholo”: the Beckett Digital Manuscript Project. Samuel Beckett Today / Aujourd'hui, 18. pp. 313-322. ISSN 0927-3131 (special issue 'All sturm and no drang')

Book or Report Section

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre. In: Sihra, M. (ed.) Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. Palgrave Macmillan, Basingstoke, pp. 97-108. ISBN 9780230006478

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Gospel und Verbot: Beckett und Nazi Germany. In: Giesing, M., Hartel, G. and Veit, C. (eds.) Das Raubage in der Stadt: Beckett liest Hamburg. Wallstein Verlag, Göttingen, pp. 69-78. ISBN 9783835301931

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) 'Text-void': silent words in Paul Celan and Samuel Beckett. In: Feldman, M. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Beckett’s literary legacies. Cambridge Scholars Publishing, Newcastle, pp. 152-168. ISBN 9781847182814

Saunders, G. (2007) Reclaiming Sam for Ireland: the Beckett on film project. In: Cave, R. and Levitas, B. (eds.) Irish Theatre in England. Irish Theatrical Diaspora (2). Carysfort Press, Dublin. ISBN 9781904505266