Number of items: 11.
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
“Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas.
In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.)
Influencing Beckett / Beckett Influencing.
Collection Karoli.
L'Harmattan, Budapest & Paris, pp. 61-74.
ISBN 9782343219110
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
Specially for television? Eh Joe, intermediality and Beckett’s drama.
Samuel Beckett Today/Aujourd’hui, 32 (1).
pp. 41-54.
ISSN 1875-7405
doi: https://doi.org/10.1163/18757405-03201004
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601
(2020)
When Beckett on Film migrated to television.
Књижевна историја (Literary History), 51 (169).
pp. 97-108.
ISSN 0350-6428
doi: https://doi.org/10.18485/kis.2019.51.169.5
Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W.
(2020)
Introduction: Harold Pinter’s transmedial histories.
Historical Journal of Film, Radio & Television, 40.
pp. 481-498.
ISSN 1465-3451
doi: https://doi.org/10.1080/01439685.2020.1778314
Davies, W.
(2020)
'Crawling in the Flanders mud': Samuel Beckett, war writing and scatological pacifism.
Journal of War and Culture Studies, 13 (2).
pp. 145-162.
ISSN 1752-6280
doi: https://doi.org/10.1080/17526272.2019.1644273
Davies, W.
(2020)
Samuel Beckett's trilogy and the revolution of the body in Vichy France.
Twentieth-Century Literature, 66 (1).
pp. 11-36.
ISSN 0041-462X
doi: https://doi.org/10.1215/0041462X-8196685
Gosteva, E.
(2020)
Metaphysical Comedy: Samuel
Beckett and Fyodor Dostoevsky.
PhD thesis, University of Reading.
doi: https://doi.org/10.48683/1926.00093437
Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 and Feldman, M., eds.
(2020)
Samuel Beckett's Philosophy Notes.
Oxford University Press, Oxford.
McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465
(2020)
‘The air is full of our cries’: staging Godot during apartheid South Africa.
In:
Beckett and Politics.
Palgrave MacMillan, pp. 195-211.
ISBN 9783030471095
doi: https://doi.org/10.1007/978-3-030-47110-1
McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746
(2020)
Samuel Beckett and intermedial performance: passing between.
Samuel Beckett Today / Aujourd'hui, 32 (1).
pp. 71-85.
ISSN 0927-3131
doi: https://doi.org/10.1163/18757405-03201006
McTighe, T., Morin, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds.
(2020)
Beckett and Intermediality / Beckett, artiste intérmedial.
Samuel Beckett Today / Aujourd'hui, 32 (1).
Brill, Leiden.
This list was generated on Wed Dec 25 07:24:18 2024 UTC.