Number of items: 64.
A
Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N.
(2017)
‘From the Outside In’ art award box, log and workshop plans.
[Project]
Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N.
(2017)
Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition.
[Show/Exhibition]
Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A.
(2017)
Sensory Objects Enterprise - Co-Development and Start Up project
AHRC Follow on Fund Project pupleSTARS.
[Project]
B
Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381
(2017)
Dissonance.
[Show/Exhibition]
C
Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Decorative dormitories for sleep workers.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International.
[Project]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International 5: the critic as artist.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International: CRASH! ‘Xerox Interview Book’.
Reading International.
ISBN 9781912115716
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’.
Reading International.
ISBN 9781912115006
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236
(2017)
Rehearsing Szuper Gallery.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
Bonobo.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
I will survive, video, 8:05mins.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
Soviart.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
Work, Arbeit, Rabota.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P.
(2017)
Work, Arbeit, Rabota.
[Show/Exhibition]
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Hunt, A. and Marshall, B.
(2017)
Reading International: Bertie Marshall ‘Wilde Re-Write’.
Reading International.
ISBN 9781912115709
Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, King, S. and Hunt, A.
(2017)
Reading International: CRASH! ‘A Better Britain II: Britlins’.
Reading International.
ISBN 9781912115723
E
Ellison, C.
(2017)
Let's interface the music and dance.
[Project]
(Collection)
Ellison, C.
(2017)
Workshop: making beyond the post-medium condition.
Visual Culture in Britain, 18 (2).
pp. 133-162.
ISSN 1941-8361
doi: https://doi.org/10.1080/14714787.2017.1353438
F
Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Affectation Correspondence.
Tombstone Press, London, UK, pp312.
ISBN 9780957675612
Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Sic.
Y Press, London, UK, pp345.
ISBN 9781389201875
Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Wollstonochlincraft.
[Project]
(Collection)
Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972
(2017)
Wollstonochlincraft 1791-1971.
The Good Reader.
MA BIBLIOTHÈQUE, London, UK, pp16.
ISBN 9781910055328
G
Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150
(2017)
Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress.
In: Clayton, S. and Mulvey, L. (eds.)
Other Cinemas: Politics, Culture and British Experimental Film in the 1970s.
IB Taurus, London.
ISBN 9781784537180
Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150
(2017)
Deflationary tactics with the archive of life: contemporary Jewish art and popular culture.
Journal of Modern Jewish Studies, 16 (1).
pp. 38-56.
ISSN 1472-5886
doi: https://doi.org/10.1080/14725886.2016.1242313
Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150
(2017)
This way out of England: Gallery House in retrospect.
Raven Row.
Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150
(2017)
Valences of subjectivity: the politics of personal narrative in video art.
In: Feldman, Z. (ed.)
Art and the Politics of Visibility: Contesting the Global, Local and the In-Between.
I.B.Tauris & Co. Ltd., London, UK, pp. 137-166.
ISBN 9781780769066
Garnett, R.
(2017)
Address: Critical irony, neo-authenticity and humour in the art we call public.
Art and the Public Sphere, 1 (6).
pp. 69-79.
ISSN 2042-793X
doi: https://doi.org/10.1386/aps.6.1-2.69_1
K
Kim, C. J. H.
(2017)
Painting in the expanded field from the perspective of
Merleau-Ponty’s phenomenology: a practice-based investigation on Western and Eastern approaches.
PhD thesis, University of Reading.
Kolb, R., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M.
(2017)
Decolonizing Art Institutions.
On-Curating, 35 (35).
On-Curating, Zurich, pp142.
ISBN 9781981991747
Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318
(2017)
Playing like a girl.
In:
Cesura // Accesso.
Cesura // Accesso, London, pp. 236-256.
ISBN 9780993024610
Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G.
(2017)
The Immigrants.
[Show/Exhibition]
Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G.
(2017)
Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires.
In: Sampanikou, E. D. (ed.)
Audiovisual Posthumanism.
Cambridge Scholars Publishing, Cambridge, pp. 343-354.
ISBN 9781443881777
Kontopoulou, A.
(2017)
Democracy.
[Project]
(Collection)
Kontopoulou, A.
(2017)
Democracy and community.
In: Bicknell, A. (ed.)
BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community.
Tate Publishing, London, pp. 88-98.
L
Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526
(2017)
Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly.
In: Boyle, J. and Kao, W.-C. (eds.)
The Retro-Futurism of Cuteness.
Punctum Press, Santa Barbara, pp. 243-260.
ISBN 9781947447288
O
O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224
(2017)
All that is data that melts into air.
[Show/Exhibition]
O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224
(2017)
Study for a pavilion: Askeaton.
[Show/Exhibition]
O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224
(2017)
Temporal Data Study.
[Project]
(Collection)
R
Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533
(2017)
Notebook architecture at Kunstgriff.
[Show/Exhibition]
Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533
(2017)
Plan Unplan.
[Show/Exhibition]
Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764
(2017)
Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13).
In: Buurman, N. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (eds.)
documenta. Curating the History of the Present.
On-Curating, 33 (33).
On-Curating, Zurich, pp. 76-88.
ISBN 9781546946120
Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764
(2017)
Invisible philosophers, my fellow travelers.
In: Baltensperger + Siepert, , Baltensperger, S. and Siepert, D. (eds.)
Invisible philosophy.
Amsel Verlag, Zurich.
ISBN 9783906325170
Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764
(2017)
Learning from Dhaka.
OnCurating (35).
pp. 61-71.
ISSN 2673-2904
(Decolonizing Art Institutions)
Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764
(2017)
Propositions on curating, or how much curating is involved in social change.
In: Krämer, N. and Müller, P. (eds.)
With: A Bookazine on Collaboration between Cultures, Art Forms, and Disciplines.
Connecting Spaces, Zurich University of the Arts, Zürich.
Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Clausen / Szuper Gallery, S. ORCID: https://orcid.org/0000-0002-6536-6236, Alves, M. T., Durham, J., Keller, S., Ponger, L., Rosen, R. and Zhao, Z.
(2017)
De-Colonizing Art Institutions: Artists’ Book.
On-Curating, 34 (34).
On-Curating, Zurich, pp108.
ISBN 9781982088897
Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
Chelsea Embankment - London.
[Project]
Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
Home is not a Place.
[Show/Exhibition]
Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
Ir re par sur.
[Show/Exhibition]
Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
They call us screamers.
[Show/Exhibition]
Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358
(2017)
With, and, or, without.
[Project]
(Collection)
Rowlands, A. and Williams, M.
(2017)
On Reading.
[Project]
Rowlands, A.
(2017)
Our words return in patterns.
[Project]
(Collection)
Rowlands, A. and Williams, M.
(2017)
Our words return in patterns.
[Show/Exhibition]
Russell, J.
(2017)
Against interpretation.
[Show/Exhibition]
Russell, J.
(2017)
As above, so below: portals, visions, spirits & mystics.
[Show/Exhibition]
Russell, J.
(2017)
Encore!
[Show/Exhibition]
Russell, J.
(2017)
DOGGO.
[Show/Exhibition]
Russell, J.
(2017)
DOGGO.
Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich.
ISBN 9780997494020
S
Stupart, L.
(2017)
Becoming object: positioning a feminist art practice.
PhD thesis, Goldsmiths, University of London.
doi: https://doi.org/10.25602/GOLD.00020117
This list was generated on Sat Nov 2 08:19:07 2024 UTC.