Aigner, U., Allen, F., Ashton, E., Berthon-Moine, I., Biagioli, M., Biswas, S., Bodman, S., Bolland, E., Borra, C. E., Brinkmann, S., Carr, A. J., Cattle, R., Chan, S., Chevska, M., Coleman, K., Collins, S., Cooke, K., Cottell, F., Cowan, J., Creamer, A.-M., Cuddihy, M., Davies, E., Farhid, N., Finlay, S., Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Gertler, A., Godfrey-Isaacs, L., Greenan, A., Hällsten, J., O’Neill, M. R., Haukka, M., Hodge, S., Johanknecht, S., Kivland, S., Lloyd, L., Ludwig, K., Maclennan, R., Malacart, L., Manchot, M., Mariscal, C., Meynell, K., Mitchell, J., Mitrentse, C., Mooney, S., Mullaney, M., Novaczek, R., Oechsler, M., Olsen, R., Parker, J., Parris, J., Paz, A., Peppé, H., Robertson, H., Ruggaber, K., Schwartz, L., Scott, R., Sear, H., Séraphin, L., Sherbany, A., Siderfin, N., Skelton, P., Smith, R., Spindler, S., Steed, C., Stockham, J., Taylor, D., Thompson, M., Throp, M., Thyes, M., Sutherland, R. V., Von Heyl, M., Voorsanger, J., Westerman, J., Wood, S. and Wright, E. (2020) Salon for a speculative future. [Image]

Aishman, H. (2020) Diffractive curatorial practice: ripples, gaps and the space in-between. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089322

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2020) Tate lates power of bubble. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Judith, A. (2020) purpleSTARS – inclusive curation and production creates inclusive museums. In: Inclusive Digital Interactives: Best Practices, Innovative Experiments, and Questions for Research. Smithsonian. ISBN 9780970835888

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2020) South London Gallery and Hauser and Wirth. [Project]

Brixey-Williams, J. (2020) Traces of the invisible: how an alternative reading of The Sleeping Beauty fashioned a bookwork heightening awareness of the role of the anesthetist. Journal of Medical Humanities, 41 (1). pp. 41-51. ISSN 1573-3645 doi: https://doi.org/10.1007/s10912-019-09597-3

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Curating the art school – propositions for developing a collaborative art space in the intersection between art school and community. ResearchCatalogue.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International. [Project] (Collection)

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International #20, I CARE – Workshop and event with Ultra-red. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Rowlands, A., Sheleff, M. and Spiess, S. (2020) Reading International - the book. Reading International / OnCurating.org, Reading, pp211. ISBN 9781912115686

Crabtree, J., Evans, W., Chodzko, A., Bhriain, A. N., Marshall, A., Shah, A., Akingbade, A., Drew, B., Wright, C., Land, I., Shearing, J., Packer, J., Baldock, J., Brennan, M., Fahmy, M., Sami, M., Ho, M.-T. T., Macotela, O. V., Becker, P., Evans, R., Orme, R., Wolbers, S. O., Abbas, S. and Middleton, S. (2020) Towner International. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2020) Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown. MIRAJ: Moving Image Review & Art Journal, 9 (2). pp. 270-275. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00052_1

Kolb, R. (2020) Zurich issue: dark matter, grey zones, red light and bling bling. OnCurating Issues, 48 (48). OnCurating, Zurich, pp248. ISBN 9798682580316 (Contemporary Art, Funding, Financing, Art History, Switzerland,)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2020) Phase IV intersections - art/architecture. [Show/Exhibition]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Stewart, P., eds. (2020) Curating the digital. OnCurating Issues, 45 (45). OnCurating, Zurich, pp96. ISBN 9798639231421 (Curating, Digital Media, Contemporary Art, Art history)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 5 Jun 2019, London, UK, pp. 65-116. (Bricks from the kiln 4)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Altamiraltamiraltamira. In: Ferris, N., Quinn, B., Stuart, M. and Wlash-Lister, A. (eds.) On Translation, Transmission & Transposition. Bricks From The Kiln, London, pp. 65-116. ISBN 9780995683525

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Waves - research residency. [Project] (Unpublished)

Spies, S. (2020) Choreographies of the Curatorial: Performative trajectories for choreography and dance in the museum. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104246

Stupart, L. (2020) After the Ice, the Deluge. [Video]

Stupart, L. (2020) Watershed. [Video]

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 and Warren, S. (2020) Presenting whilst retreating in the age of the corporate lanyard. Journal of Organizational Aesthetics, 9 (1). pp. 1-17. ISSN 2168-8575