Number of items: 7.
Article
Brauner, D.
ORCID: https://orcid.org/0000-0003-2817-7847
(2021)
Representations of Shylock in Arnold Wesker’s The Merchant, Howard Jacobson’s Shylock is My Name and Clive Sinclair’s Shylock Must Die.
Humanities, 10 (2).
p. 59.
ISSN 2076-0787
doi: https://doi.org/10.3390/h10020059
Brauner, D.
ORCID: https://orcid.org/0000-0003-2817-7847
(2021)
‘Why is this girl telling us all this stuff?’: authenticity and the confessional impulse in Elizabeth Wurtzel’s Prozac Nation.
Comparative American Studies, 18 (2).
pp. 192-205.
ISSN 1741-2676
doi: https://doi.org/10.1080/14775700.2021.1982327
Brauner, D.
ORCID: https://orcid.org/0000-0003-2817-7847
(2021)
A bit of Jewish-American mischief: fictional metabiography in Alan Lelchuk’s Ziff: A Life? and Philip Roth’s Exit Ghost.
Revue Française d'Etudes Américaines, 166 (1).
pp. 46-61.
ISSN 0397-7870
doi: https://doi.org/10.3917/rfea.166.0046
Cocks, N.
(2021)
The flight of (the) concord: Joan Copjec and Slavoj Žižek read ‘Irma’s Injection’.
International Journal of Zizek Studies, 15 (2).
ISSN 1751-8229
Book or Report Section
Brauner, D.
ORCID: https://orcid.org/0000-0003-2817-7847
(2021)
Roth and Sexuality.
In: McKinley, M. (ed.)
Philip Roth in Context.
Literature in context.
Cambridge University Press, Cambridge, pp. 287-297.
ISBN 9781108489294
Cheyette, B.
(2021)
British-Jewish literature in the twenty-first century.
In: Benmayer, D. and Taylor, R. (eds.)
Age of Confidence: The New Jewish Culture Wave.
The History Press, pp. 11-28.
ISBN 9780750998536
Book
Henry, W. and Worley, M.
ORCID: https://orcid.org/0000-0002-3049-8714, eds.
(2021)
Narratives from Beyond the UK Reggae Bassline:
The System is Sound.
Palgrave Studies in the History of Subcultures and Popular Music.
Palgrave Macmillan, London.
ISBN 9783030551605
doi: https://doi.org/10.1007/978-3-030-55161-2
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