Elston, C. ORCID: https://orcid.org/0000-0002-0623-0187 (2022) Beyond the liberal-institutional paradigm: grassroots human rights and transitional justice narratives in Antígonas, tribunal de mujeres. In: Gardeazábal Bravo, C. and Guerrieri, K. G. (eds.) Human Rights in Colombian Literature and Cultural Production: Embodied Enactments. Routledge, New York, USA, pp. 203-220. ISBN 9780367722807 doi: https://doi.org/10.4324/9781003154167-16

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2022) "Los dueños de Chile somos nosotros": retrato de la élite en Los Millonarios, de Teatro La María. Literatura y linguistica (44). pp. 141-167. ISSN 0716-5811 doi: https://doi.org/10.29344/0717621X.44.3052

McAllister, C. ORCID: https://orcid.org/0000-0002-7669-3283 (2022) Literary Reimaginings of Argentina's Independence: History, Fiction, Politics. Liverpool Latin American Studies (23). Liverpool University Press, pp160. ISBN 9781800348455

Simo-Comas, M. ORCID: https://orcid.org/0000-0002-0608-2532 (2022) From puberty and democracy to menopause and recession: love and female identity in the works of Marta Sanz. In: Feminine Plural: Women in Transition in the Luso-Hispanic World. Studies in Contemporary Women’s Writing series. Peter Lang. (In Press)

Simo-Comas, M. ORCID: https://orcid.org/0000-0002-0608-2532 (2022) Interacción creadora entre texto e imagen en el microrrelato fantástico peninsular en las primeras dos décadas del siglo XXI. Brumal. Revista de investigación sobre lo fantástico/Brumal. Research Journal on the Fantastic, 9 (2). pp. 31-56. ISSN 2014-7910 doi: https://doi.org/10.5565/rev/brumal.825