Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2007) Flesh, Folds and Texturality: Thinking Visual Ellipsis via Merleau-Ponty, Hélène Cixous and Robert Frank. Paragraph, 30 (2). pp. 34-49. ISSN 0264-8334 doi: https://doi.org/10.3366/prg.2007.0018

Chare, N. (2007) Puncture / punctum: representations of women with AIDS. In: Pollock, G. (ed.) Conceptual odysseys: passages to cultural analysis. I.B. Tauris, London, pp. 91-102. ISBN 9781845115227

Chare, N. (2007) Robert Rauschenberg’s undoing: reversibility and irreversibility in erased de Kooning drawing. In: Schreier, B. (ed.) Studies in irreversibility: texts and contexts. Cambridge Scholars Publishing, Newcastle, UK, pp. 118-133. ISBN 9781847182050

Chare, N. (2007) Imaging contingency: an interview with Mary Ann Doane. Parallax, 13 (4). pp. 16-25. ISSN 1460-700X doi: https://doi.org/10.1080/13534640701682743

Chare, N. (2007) Testimony. The year's work in critical and cultural theory, 15 (1). pp. 287-297. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbm016

Chare, N. (2007) The grain of the interview: introducing Diamanda Galás. Parallax, 13 (1). pp. 56-64. ISSN 1460-700X doi: https://doi.org/10.1080/13534640601094874

Chare, N. (2007) The skin of the photograph: representing the murdered women of Juárez. West Coast Line 53, 41 (1). pp. 26-31. ISSN 1182-4271

Chare, N., Ferrett, D. and Galas, D. (2007) Entwined voices: an interview with Diamanda Galás. Parallax, 13 (1). pp. 65-73. ISSN 1460-700X doi: https://doi.org/10.1080/13534640601094890

Davies, P. (2007) Representing Siena: an image of the city as ex-voto model. In: Sivefors, P. (ed.) Urban preoccupations: mental and material landscapes. Early modern and modern studies, 2. Fabrizio Serra Editore, Pisa, pp. 197-203. ISBN 9788862270960

Davies, P. (2007) Review of exhibition 'Spectacular miracles. Images of supernatural power from Northwest Italy'. Renaissance Studies, 21 (1). pp. 110-113. ISSN 1477-4658 doi: https://doi.org/10.1111/j.1477-4658.2007.00374.x

Lee, S. (2007) Napoleon amongst the shopkeepers. David’s 1815 exhibition on London. In: Ledbury, M. (ed.) David after David: essays on the later work. Sterling and Francine Clark Art Institute, Williamstown, USA, pp. 326-341. ISBN 9780931102691

Malvern, S. B. (2007) C.R.W. Nevinson's "bad boy" modernisms and fascism in the 1930s. In: Walsh, M. J. K. (ed.) A dilemma of English modernism: visual and verbal politics in the life and work of C. R. W. Nevinson (1899-1946). University of Delaware Press, Newark, USA, pp. 182-188. ISBN 9780874139426

Malvern, S. B. (2007) The fourth plinth or the vicissitudes of public sculpture. In: Gerstein, A. (ed.) Display and displacement : sculpture and the pedestal from Renaissance to post-Modern. Paul Holberton Publishing, London, pp. 130-150. ISBN 9781903470305

Marchand, E. (2007) Reproducing relief: the use and status of plaster casts in the Italian renaissance. In: Cooper, D. and Leino, M. (eds.) Depth of field: relief sculpture in Renaissance Italy. Peter Lang, Oxford, UK, pp. 191-223. ISBN 9783039111114

Robins, A. G. (2007) A fragile modernism: Whistler and his impressionist followers. Yale University Press, New Haven, USA and London, UK, pp239. ISBN 9780300135459

Robins, A. G. (2007) George Moore’s 'A modern lover': introducing the French Impressionists to London. French Studies, 61 (1). pp. 47-56. ISSN 1468-2931 doi: https://doi.org/10.1093/fs/knl232