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Vicky Ball and Melanie Bell, Working Women, Women’s Work: Production, History, Gender – Introduction, Journal of British Cinema and Television, 10, no. 3 (2013). Sally Bedell, Up the Tube: Prime-Time TV and the Silverman Years (New York, The Viking Press, 1981). Jonathan Bignell, And the rest is history: Lew Grade, creation narratives and television historiography, in ITV Cultures: Independent Television Over Fifty Years, ed. Catherine Johnson and Rob Turnock (Maidenhead, Open University Press, 2005). Jonathan Bignell and Andrew O’Day, Terry Nation (Manchester, Manchester University Press, 2004). William Boddy, Building the World’s Largest Advertising Medium: CBS and Television, 1940-60, in Hollywood in the Age of Television, ed. Tino Balio (Boston, Unwin Hyman, 1990). Les Brown, Briton Arrives to Help CBS With Ailing ‘Beacon Hill’, The New York Times, October 20, 1975. Les Brown, Why CBS Killed New ‘Beacon Hill’, The New York Times, October 28, 1975. Les Brown, Two British TV Directors Set Up Shop in U.S., The New York Times, January 19, 1978. Leonardo Buonomo, The Americanization of a Bigot: From Till Death Us Do Part To All In The Family, Revista de Estudios Norteamericanos, 16 (2012). Jean K. Chalaby, At the origin of a global industry: The TV format trade as an Anglo-American invention, Media, Culture & Society, 34, no. 1 (2012). Jean K. Chalaby, Drama without Drama: The Late Rise of Scripted TV Formats, Television & New Media, 17, no. 1 (2016). Stephen Clarke, A Week in the Arts, The Daily Telegraph, May 27, 1995. Amandine Ducray, Sharing the Joke? ‘Britcom’ Remakes in the United States: A Historical and Socio-Cultural Perspective, InMedia 1 (2012), http://inmedia.revues.org/132. Gary R. Edgerton, A Great Awakening: Prime Time for Network Television – 1964-1975, in The Columbia History of American Television, ed. Gary R. Edgerton (New York, Columbia University Press, 2007. Gary R. Edgerton, ‘The Sky’s the Limit: Satellites, Cable, and the Reinvention of Television – 1976-1991’ in The Columbia History of American Television, ed. Gary R. Edgerton (New York, Columbia University Press, 2007. Todd Gitlin, Inside Prime Time (New York, Pantheon Books, 1985). Michael Grade, What TV in US Taught Me, The Observer, August 26, 1984. David Gunzerath, All in the Family, in Museum of Broadcast Communications Encyclopedia of Television Volume 1 A-C, second edition, ed. Horace Newcomb (New York, Fitzroy Dearborn, 2004). Michele Hilmes, Radio Voices: American Broadcasting, 1922–1952 (Minneapolis, MN, University of Minnesota Press, 1997). Michele Hilmes, The ‘North Atlantic Triangle’: Britain, the USA and Canada in 1950s television, Media History, 16, no. 1 (2010). John Kifner, An Irish Family on Beacon Hill? CBS Terms It ‘Poetic License’, The New York Times, September 3, 1975. Stephen Lacey, Tony Garnett (Manchester, Manchester University Press, 2007). Verity Lambert, The James MacTaggart Lecture 1990: Deregulation and Quality Television, in Television Policy: The MacTaggart Lectures, ed. Bob Franklin (Edinburgh, Edinburgh University Press, 2005). Norman Lear, Even This I Get to Experience (New York, The Penguin Press, 2014). Kirsten Marthe Lentz, Quality versus Relevance: Feminism, Race, and the Politics of the Sign in 1970s Television, Camera Obscura, 43, 15, no. 1 (2000). Denise Mann, It’s Not TV, It’s Brand Management TV: The Collective Author(s) of the Lost Franchise, in Production Studies: Cultural Studies of Media Industries, ed. Vicki Mayer, Miranda J. Banks and John T. Caldwell (New York; London, Routledge, 2009). David Marc, Comic Visions: Television Comedy and American Culture (Winchester, MA, Unwin Hyman, 1989). David Marc and Robert J. Thompson, Prime Time, Prime Movers: From I Love Lucy to L.A. Law – America’s Greatest TV Shows and the People Who Created Them (Syracuse, N. Y., Syracuse University Press, 1995), Richard Marson, Inside Updown: The Story of Upstairs, Downstairs (Dudley, Kaleidoscope Publishing, 2011 [2001]). James W. Martens, Come On Over! The African Americanization of Steptoe and Son, in American Remakes of British Television: Transformations and Mistranslations, ed. Carlen Lavigne and Heather Marcovitch (Plymouth, Lexington Books, 2011). Matthew P. McAllister, Financial Interest and Syndication Rules, in Museum of Broadcast Communications Encyclopedia of Television Volume 1 A-C, second edition, ed. Horace Newcomb (New York, Fitzroy Dearborn, 2004). Donna McCrohan, Prime Time, Our Time: America’s Life and Times Through the Prism of Television (Rocklin, CA, Prime Publishing & Communications, 1990). Jeffrey S. Miller, Something Completely Different: British Television and American Culture (Minneapolis, MN, University of Minnesota Press, 2000). Brett Mills, The Sitcom (Edinburgh, Edinburgh University Press, 2009). Brett Mills, After the Interview, Cinema Journal, 47, no. 2 (2008). Jason Mittell, Television and American Culture (Oxford, Oxford University Press, 2010). Megan Mullen, The pre-history of pay cable television: An overview and analysis, Historical Journal of Film, Radio and Television, 19, no. 1 (1999). Vinicius Navarro, More than Copycat Television: Format Adaptation as Performance, in Global Television Formats: Understanding Television Across Borders, ed. Tasha Oren and Sharon Shahaf (London; New York, Routledge, 2012). Steve Neale, Pseudonyms, Sapphire and Salt: ‘Un-American’ contributions to television costume adventure series in the 1950s, Historical Journal of Film, Radio and Television, 23, no. 3 (2003). Michael Newberry, How a super secretary struck it rich, Sunday Express, April 23, 1972. Michael Z. Newman and Elana Levine, Legitimating Television: Media Convergence and Cultural Status (New York; London: Routledge, 2012). Richard Pfefferman, Strategic Reinvention in Popular Culture: The Encore Impulse (New York, Palgrave Macmillan, 2013). Ian Potter, The Rise and Rise of The Independents: A Television History (Isleworth, Guerilla Books, 2008). Jimmie L. Reeves, Rewriting Culture: A Dialogic View of Television Authorship, in Making Television: Authorship and the Production Process, ed. Robert J. Thompson and Gary Burns (New York, Prager Publishers, 1990). Donald A. Ritchie, Doing Oral History: A Practical Guide, second edition (Oxford, Oxford University Press, 2003). Roland Robertson, Glocalization: Time-Space and Homogeneity-Heterogeneity, in Global Modernities, ed. Mike Featherstone, Scott Lash and Roland Robertson (London, Sage, 1995). Edgar H. Schein, Organizational Culture and Leadership, third edition (San Francisco, Joseey-Bass, 2004). Tony Schwartz, Silverman: Caught between High and Low Roads, The New York Times, July 2, 1981. K. J. Shepherdson, Pragmatic Radicalism: Trans-Atlantic Experiences and Influences in the Work of Tony Garnett, Critical Studies in Television, 2, no. 2 (2007). Irene Shubik, Play for Today: The evolution of television drama, second edition (Manchester, Manchester University Press, 2000). Joseph Straubhaar, Beyond Media Imperialism: Assymetrical Interdependence and Cultural Proximity, Critical Studies in Mass Communication, 8, no. 1 (1991). Paul Thompson, The Voice of the Past: Oral History, third edition (Oxford, Oxford University Press, 2000). Elke Weissmann, Transnational Television Drama: Special Relations and Mutual Influence between the US and UK (Houndmills: Palgrave Macmillan, 2012). Linda Ruth Williams, Speaking of Soft Core, Cinema Journal, 47, no. 2 (2008).