Items where Division is "School of Arts and Communication Design"
Number of items at this level: 1948. 2023
Bignell, J.
Bignell, J.
Bignell, J.
Bignell, J.
Cardwell, S., Bignell, J.
Chamarette, J.
Clausen, S. Cocks, N. (2023) "…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real. Textual Practice. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2023.2214122
Izadpanah, B.
Nagib, L.
Nagib, L. Reid, T. (2023) Regions and nations: the myth of levelling up. In: Harvie, J. and Rebellato, D. (eds.) The Cambridge Companion to British Theatre Since 1945. Cambridge Companions. Cambridge University Press, Cambridge, pp. 246-263. ISBN 9781108377850 doi: https://doi.org/10.1017/9781108377850 (In Press) Renshaw, T. (2023) The larger in/and the smaller. [Show/Exhibition]
Ross, F.
Walker, S. 2022
Allbon, E. and Warner, R. Bartley, S. (2022) 'How we open the doors to a community’: creative collaborations and aesthetic strategies in social isolation. In: Bissell, L. and Weir, L. (eds.) Performance in a Pandemic. Routledge, London, pp. 79-86. ISBN 9780367761349 doi: https://doi.org/10.4324/9781003165644-12 Bartley, S. (2022) Peopling the theatre in a time of crisis. In: Wallace, C., Escoda, C., Monforte, E. and Ramón Prado-Pérez, J. (eds.) Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre. Methuen Drama Engage. Bloomsbury, London, 256. ISBN 9781350180857
Bignell, J.
Bignell, J.
Bignell, J.
Bignell, J.
Bignell, J. Bignell, J. and Woods, F. (2022) An introduction to television studies. 4th edition. Routledge, London, pp336. ISBN 9781138665811 doi: https://doi.org/10.4324/9781315619675
Bravo, J. Brixey-Williams, J. (2022) A labour of attentiveness: the emergent place-responsive praxis of matter and context in R.D Laing’s Archway community. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00110019 Burke, C. and Jansen, W. (2022) Soft propaganda, special relationships, and a new democracy: Adprint and Isotype, 1942–1948. De Buitenkant, Amsterdam, pp208. ISBN 9789076452005 Burke, C. and Sandner, G. (2022) Marie Reidemeister and Otto Neurath: interwoven lives and work. The European Journal of Life Writing, 11. pp. 103-129. ISSN 2211-243X doi: https://doi.org/10.21827/ejlw.11.38787
Cardwell, S., Bignell, J.
Cardwell, S., Bignell, J.
Cardwell, S., Bignell, J.
Chamarette, J.
Chamarette, J.
Chamarette, J.
Clausen, S.
Clausen, S.
Clausen, S. Dakak, M. (2022) Towards understanding diversity in Arabic type styles: its origins, its current use and its effect on Arab readership. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00111569
Donaldson, L. F., Gibbs, J. Fife Donaldson, L. and Purse, L., eds. (2022) Issue 10. Movie: A Journal of Film Criticism, 10. University of Warwick. (ISSN 2047-1661)
Frearson, A. Frearson, A. (2022) Frankenstein economy. [Show/Exhibition]
Garfield, R.
Garfield, R.
Gibbs, J.
Greene, A.‐m.
Izadpanah, B. Kindel, E. (2022) Stencil-making in Paris in the eighteenth century. In: Berton-Blivet, N., Davy-Rigaux, C. and Guilloux, F. (eds.) Le livre de musique au pochoir à la fin de l’époque moderne. Institut de Recherche en Musicologie. (In Press)
Kindel, E.
Kshetrimayum, N., Ross, F. Lees, D. (2022) The Burning. [Video] (Sightlines: Filmmaking in the Academy Issue 4 2022) Lees, D., (2022) Evidence to the inquiry of the Communications and Digital Committee of the House of Lords, ‘A Creative Future’. A Creative Future. CRF0008. Report. UK Parliament, London.
Leonidas, G.
Leonidas, G.
Leonidas, G.
McMullan, A.
Nagib, L.
Nagib, L.
Nagib, L.
Nagib, L.
Nagib, L.
Nagib, L. Nemeth, T. (2022) Overlooked: the role of craft in the adoption of typography in the Muslim Middle East. In: Reese, S. (ed.) Manuscript and Print in the Islamic Tradition. Studies in Manuscript Cultures, 26 (26). De Gruyter, Berlin, pp. 21-60. ISBN 9783110776034 doi: https://doi.org/10.1515/9783110776485-002
Nemeth, T. O'Brien, A. (2022) Pinning down Hou Hsiao-Hsien’s red balloon. Movie: a journal of film criticism. ISSN 2047-1661 (In Press) Reid, T. (2022) Dystopian dramaturgies: living in the ruins. In: Tönnies, M. and Voights, E. (eds.) Twenty-First Century Anxieties. Contemporary Drama in English Studies (32). De Gruyter, Berlin, Boston, pp. 87-102. ISBN 9783110758252 doi: https://doi.org/10.1515/9783110758252-007 Roithmayr, F. (2022) waves. Daedalus Street Athens, Athens, Greece, pp128. ISBN 9781527270799
Ross, F.
Ross, F.
Ross, F. Russell, J. (2022) CAVAPOOL. [Show/Exhibition] Russell, J. (2022) Catechism. [Show/Exhibition] Russell, J., Bedwell, S. and Thomson, M. (2022) Status Quo. [Show/Exhibition] Russell, J., Mitchell, D. and Audeoud, F. (2022) Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell. [Show/Exhibition]
Walker, S.
Walker, S.
Walker, S. Woods, F. (2022) Period drama. Edinburgh University Press, Edinburgh, pp187. ISBN 9781474462815 2021Atherton, M., Balsom, E., Bolland, E., Cheesman, M., Clarkson, J., Etchells, T., Gluzberg, M., Griffin, J., Hopkins, J., Leslie, E., McCarthy, P., Roithmayr, F., Steeds, L. and Taylor, D. (2021) Writing Tests. In: Griffin, J. (ed.) Writing Tests. Site Gallery, Sheffield. ISBN 9781899926114 Bartley, S. (2021) UK people’s theatres: performing civic functions in a time of austerity. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 171-186. ISSN 1470-112X doi: https://doi.org/10.1080/13569783.2020.1853516
Bignell, J.
Bignell, J. Bignell, J. (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287
Bignell, J.
Bignell, J. Bode, L., Lees, D. and Golding, D., eds. (2021) The digital face and deepfakes on screen. Convergence: The International Journal of Research into New Media Technologies, 27 (4). Sage Publications, pp. 849-854. (Special Issue)
Bravo, J. Burke, C. (2021) Gerard Unger: life in letters. De Buitenkant, Amsterdam, pp336. ISBN 9789083052106 Burke, C. (2021) Caractères hybrides allemands 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: caractères du XVe siècle entre gothique et romain. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy, France, pp. 166-179. ISBN 9782378962265 Burke, C. (2021) German hybrid typefaces 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: 15th-century types between gothic and roman. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy / Frankfurt am Main, pp. 161-174. ISBN 9782378962265 Burke, C. (2021) Von der Wiener methode der bildstatistik zu isotype. In: Waldner, G. (ed.) Die Konturen der Welt: Geschichte und Gegenwart visueller Bildung nach Otto Neurath. Mandelbaum Verlag, Vienna, pp. 35-49. ISBN 9783854769668
Chamarette, J.
Chamarette, J.
Chamarette, J. Clausen, S. (2021) Reading International – propositions for developing a collaborative art space in the intersection between art school and community. In: Sheleff, M. and Spies, S. (eds.) (Un)commoning voices and (non)communal bodies. OnCurating.org, Zurich, Switzerland, pp. 98-107. ISBN 9798744646660
Clausen, S.
Clausen, S.
Cox-Stanton, T. and Gibbs, J. Frearson, A. (2021) being eaten by a lion. [Show/Exhibition]
Garfield, R.
Garfield, R. Gaultney, J. V. (2021) Designing italics: Approaches to the design of contemporary secondary text typefaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099060 Ghosh, S. (2021) We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00105309 Ghosh, S. (2021) The disability and film-making community in film practice-as-research: the case of we make film. In: Ullah, F., Monteiro, A. and Jayasankar, K. P. (eds.) Many Voices, Many Worlds : Critical Perspectives on Community Media in India. SAGE Publications India Pvt. Ltd., pp. 143-156. ISBN 9789391138479 Hegarty Lovett, J. (2021) Staging Beckett’s Prose: A Practice As Research Analysis of Staging How It Is. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100315
Izadpanah, B.
Izadpanah, B.
Kenward, J. Leahy, M. (2021) Reading with early-stage Alzheimer's disease. Modifications to book design as a way of supporting preserved literacy skills. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100747 Lees, D., Bashford-Rogers, T. and Keppel-Palmer, M. (2021) The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama. Convergence: The International Journal of Research into New Media Technologies, 27 (4). pp. 954-973. ISSN 1354-8565 doi: https://doi.org/10.1177/13548565211030452 (Special Issue: 'The Digital Face and Deepfakes on Screen')
Leonidas, G. Lim, W. J. D. (2021) Networks, artefacts, and technology : nineteenth-century Muslim lithographers, missionaries, and colonialism in the Malay archipelago. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00103819 McMullan, A. (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990 McMullan, A. (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013
Murjas, T.
Nagib, L. O'Brien, A. (2021) Central Park and its provision. Open Screens, 41 (1). ISSN 2516-2888 doi: https://doi.org/10.16995/os.47
Patrick, M. and Richter, D. Pellapaisiotis, H. (2021) Walking Narratives and Affective Mapping. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104550
Player, M.
Player, M. Radinger Field, L. (2021) Women and home in cinema: film practice and gendered spaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101682
Richter, D.
Richter, D. Richter, D. and Patrick, M., eds. (2021) Fluxus perspectives. OnCurating Issues, 51 (51). OnCurating, Zurich, pp310. ISBN 9798478092658 (Fluxus, Contemporary Art, worldwide research) Richter, D. and Reckitt, H., eds. (2021) Instituting feminism. OnCurating, 52 (52). OnCurating, Zurich, pp226. ISBN 979-8774294657 (Instituting Feminism, Curating, Contemporary Art)
Richter, D. Richter, D., Kolb, R. and Patel, S., eds. (2021) Contemporary Art Biennials–Our Hegemonic Machines in Times of Emergency. OnCurating Issues, 46 (46). OnCurating, Zurich, pp554. ISBN 979-8667975540 (Contemporary Art, Bienale, Hegemony)
Richter, D. Roithmayr, F. (2021) waves. [Performance]
Ross, F.
Ross, F.
Rowlands, A., Clausen, S.
Rowlands, A., Clausen, S. Russell, J. (2021) CONCEPTUAL ART IN THE UK 1998-99. [Show/Exhibition] Russell, J. (2021) Core. [Show/Exhibition] Russell, J. (2021) EARLEY. [Show/Exhibition] Russell, J. (2021) Party de Campagne. [Show/Exhibition] Russell, J. (2021) Well. [Show/Exhibition]
Savoie, A. and Ross, F. Sexton, M. and Lees, D. (2021) Seeing it on television: televisuality in the contemporary U.S. 'High-End' series. Bloomsbury Academic, London, pp192. ISBN 9781501359422 Varadi, A. J. (2021) Reconstructing the 1980s on contemporary American television. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101660
Walker, S.
Wallers, C. Warner, R. (2021) Design for decision making: the design of information for later life housing options. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104544 Young, M. (2021) Beholding Beauty: Aesthetics, Style and Sensation in US Quality Television Political Thrillers. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00106867 2020
Aigner, U., Allen, F., Ashton, E., Berthon-Moine, I., Biagioli, M., Biswas, S., Bodman, S., Bolland, E., Borra, C. E., Brinkmann, S., Carr, A. J., Cattle, R., Chan, S., Chevska, M., Coleman, K., Collins, S., Cooke, K., Cottell, F., Cowan, J., Creamer, A.-M., Cuddihy, M., Davies, E., Farhid, N., Finlay, S., Garfield, R. Aishman, H. (2020) Diffractive curatorial practice: ripples, gaps and the space in-between. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089322 Allen, K. (2020) Tate lates power of bubble. [Show/Exhibition] Allen, K., Minnion, A. and Judith, A. (2020) purpleSTARS – inclusive curation and production creates inclusive museums. In: Inclusive Digital Interactives: Best Practices, Innovative Experiments, and Questions for Research. Smithsonian. ISBN 9780970835888 Banham, R. (2020) Colour for commerce: letterpress-printed ephemera in Britain, 1740–1830. In: Savage, E. and Grasselli, M. (eds.) Colour Printing 1700-1830. Proceedings of the British Academy. British Academy/Oxford University Press, London. (In Press) Bartley, S. (2020) Performing Welfare Applied Theatre, Unemployment, and Economies of Participation. Contemporary Performance InterActions. Palgrave Macmillan. ISBN 9783030448530 doi: https://doi.org/10.1007/978-3-030-44854-7
Bignell, J.
Bignell, J. Bignell, J. (2020) Television biopics: Questions of genre, nation, and medium. In: Cartmell, D. and Polasek, A. D. (eds.) A Companion to the Biopic. Wiley Blackwell, Hoboken, New Jersey, USA, pp. 45-60. ISBN 9781119554813 doi: https://doi.org/10.1002/9781119554783.ch4 Bignell, J. (2020) Pinter, authorship and entrepreneurship in 1960s British cinema: the economics of "The Quiller Memorandum". Historical Journal of Film, Radio & Television, 40 (3). pp. 533-550. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778316 Bignell, J. (2020) Specially for television? Eh Joe, intermediality and Beckett’s drama. Samuel Beckett Today/Aujourd’hui, 32 (1). pp. 41-54. ISSN 1875-7405 doi: https://doi.org/10.1163/18757405-03201004 Bignell, J. and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314 Brixey-Williams, J. (2020) Traces of the invisible: how an alternative reading of The Sleeping Beauty fashioned a bookwork heightening awareness of the role of the anesthetist. Journal of Medical Humanities, 41 (1). pp. 41-51. ISSN 1573-3645 doi: https://doi.org/10.1007/s10912-019-09597-3 Butler, A. (2020) Objects in time: artefacts in artists’ moving image. In: Murphy, J. and Rascaroli, L. (eds.) Theorizing Film Through Contemporary Art: Expanding Cinema. Film Culture in Transition. Amsterdam University Press. ISBN 9789462989467 Camillini, G. (2020) Fortunato Depero and Depero futurista 1913–1927. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00096457 Clausen, S. (2020) Reading International #20, I CARE – Workshop and event with Ultra-red. [Performance] Clausen, S. (2020) Curating the art school – propositions for developing a collaborative art space in the intersection between art school and community. ResearchCatalogue. Clausen, S. (2020) Reading International. [Project] (Collection)
Clausen, S. Costa, F. C. and Gibbs, J. (2020) Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950). Alphaville: Journal of Film and Screen Media, 19. pp. 28-30. ISSN 2009-4078 doi: https://doi.org/10.33178/alpha.19.03
Garfield, R.
Gonzalez Ortiz, C. Guan, C. and O'Brien, A. (2020) Natural aesthetics: environments and perspectives in contemporary film theory. Screen, 61 (2). pp. 331-333. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjaa020
Izadpanah, B.
Izadpanah, B. Knox, S. (2020) Bringing the battle to Britain: Band of Brothers and television runaway production in the UK. Journal of British Cinema and Television, 17 (3). pp. 313-333. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2020.0531 Kolb, R. (2020) Zurich issue: dark matter, grey zones, red light and bling bling. OnCurating Issues, 48 (48). OnCurating, Zurich, pp248. ISBN 9798682580316 (Contemporary Art, Funding, Financing, Art History, Switzerland,)
Kshetrimayum, N. and Ross, F. Larcombe, G. (2020) Learning through an autonomous experience of art as a social practice. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00096395
Leonidas, G.
Leonidas, G. Marshall, L. and Moys, J.-L. (2020) Readers’ experiences of Braille in an evolving technological world. Visible Language, 52 (1/2). ISSN 0022-2224
McFrederick, M. McMullan, A. (2020) Samuel Beckett and intermedial performance: passing between. Samuel Beckett Today / Aujourd'hui, 32 (1). pp. 71-85. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03201006 McMullan, A. and Nixon, M. (2020) Pedagogies of place: Reading. Journal of Beckett Studies, 29 (1). pp. 74-82. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2020.0285
Miller, H. K. Mulder, K. J., Lickiss, M., Black, A., Charlton-Perez, A. J., McCloy, R. and Young, J. S. (2020) Designing environmental uncertainty information for experts and non‐experts: does data presentation affect users' decisions and interpretations? Meteorological Applications, 27 (1). e1821. ISSN 1350-4827 doi: https://doi.org/10.1002/met.1821
Murjas, T. Murjas, T. (2020) 'The Biscuit Town': digital practice, spatiality and discoverability in Reading's heritage sector. Body, Space & Technology, 19 (1). pp. 153-173. ISSN 1470-9120 doi: https://doi.org/10.16995/bst.337 Nagib, L. (2020) El cine como inestética, la vida como no-cine: um estudio sobre la trilogía prohibida de Jafar Panahi. In: Campo, J., Crowder-Taraborrelli, T., Garavelli, C., Piedras, P. and Wilson, K. (eds.) El cine documental Una encrucijada estética y política Inquisiciones contemporáneas al sistema audiovisual de Javier Campo, Tomás Crowder-Ta. Prometeo, Buenos Aires, pp. 155-173. ISBN 9789878331287 Nagib, L. (2020) Passages of Brazilian cinema. [Project] (Collection) Nagib, L. (2020) Preface to the second enlarged edition. In: Pethő, Á., Cinema and Intermediality : The Passion for the In-Between. Cambridge Scholars Publishing, Newcastle upon Tyne, ix-xi. ISBN 9781527552067 Nagib, L. (2020) Realist cinema as world cinema: non-cinema, intermedial passages, total cinema. Film Culture in Transition (670). Amsterdam University Press, Amsterdam. ISBN 9789462987517 doi: https://doi.org/10.5117/9789462987517 Nagib, L. (2020) Passages to reality: the case of Brazilian cinema. In: Realist Cinema as World Cinema: Non-Cinema, Intermedial Passages. Film Culture in Transition. Amsterdam University Press, Amsterdam, pp. 173-198. ISBN 9789048539215 doi: https://doi.org/10.5117/9789462987517_ch07 Nagib, L. (2020) The blind spot of history: colonialism in Tabu. Observatorio (OBS*), 2020. pp. 27-38. ISSN 1646-5954 doi: https://doi.org/10.15847/obsOBS0001812 Nemeth, T. (2020) On Arabic justification. Journal of Electronic Publishing, 23 (1). ISSN 1080-2711 doi: https://doi.org/10.3998/3336451.0023.104 Papassissa, E. (2020) Conventions, traditionalism, Latinisation, and modernity in Armenian typefaces across type-making technologies from 1512 to 1977. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099061 Pope, L. (2020) Suiting the action to the word: examining genre film remediations of Shakespeare’s plays. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088955 Poynor, R. (2020) David King: Designer, Activist, Visual Historian. Yale University Press, pp240. ISBN 9780300250107 Purse, L. and Wölfel, U., eds. (2020) Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation. Edinburgh University Press, Edinburgh, pp. 1-13. ISBN 9781474446266 Pye, D., ed. (2020) V.F. Perkins on Movies. Wayne State University Press, pp484. ISBN 9780814346426 Ravichandran, S. P. (2020) The development of typographic forms for the Kannada and Telugu scripts (1801–1900). PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099826 Reid, T. (2020) General introduction. In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.) World Political Theatre and Performance: Theories, Histories, Practices. Themes in Theatre (11). Brill Rodopi, Amsterdam, pp. 1-10. ISBN 9789004425804 Reid, T. (2020) ‘What About the Burn Their Bra Bitches?’: debbie tucker green as the Willfully Emotional Subject. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave MacMillan, Cham, Switzerland, pp. 45-66. ISBN 9783030345808 doi: https://doi.org/10.1007/978-3-030-34581-5_3 Renshaw, T. (2020) Phase IV intersections - art/architecture. [Show/Exhibition] Richter, D. and Stewart, P., eds. (2020) Curating the digital. OnCurating Issues, 45 (45). OnCurating, Zurich, pp96. ISBN 9798639231421 (Curating, Digital Media, Contemporary Art, Art history) Rodriguez, V. (2020) The open constructed public sphere: Aeschylus’ The Suppliant Women in a version by David Greig. Humanities, 9 (1). 21. ISSN 2076-0787 doi: https://doi.org/10.3390/h9010021 Roithmayr, F. (2020) Waves - research residency. [Project] (Unpublished) Roithmayr, F. (2020) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 5 Jun 2019, London, UK, pp. 65-116. (Bricks from the kiln 4) Roithmayr, F. (2020) Altamiraltamiraltamira. In: Ferris, N., Quinn, B., Stuart, M. and Wlash-Lister, A. (eds.) On Translation, Transmission & Transposition. Bricks From The Kiln, London, pp. 65-116. ISBN 9780995683525
Ross, F.
Ross, F. Schilhab, T. and Walker, S., eds. (2020) The materiality of reading. Aarhus University Press, pp154. ISBN 9788771849585 Spies, S. (2020) Choreographies of the Curatorial: Performative trajectories for choreography and dance in the museum. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104246 Tyler, L. (2020) "Almost, but Not Quite': reading debbie tucker green's dramaturgy inside British playwriting studies. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave Macmillan, pp. 129-150. ISBN 9783030345815 Waldeck Villas Boas, M. (2020) Typography and nationalism: the past and modernism under Nazi rule. Journal of Visual Political Communication, 6 (1). pp. 37-80. ISSN 2633-3740 doi: https://doi.org/10.1386/jvpc_00003_1 Walker, S., Hignett, S., Lim, R., Parkhurst, C. and Samuel, F. (2020) Explaining drug-resistant infection in community pharmacies through effective information design. Design for Health, 4 (1). pp. 82-104. ISSN 2473-5132 doi: https://doi.org/10.1080/24735132.2020.1731201
Wallers, C. Woynarski, L. (2020) Ecodramaturgies: theatre, performance and climate change. New Dramaturgies. Palgrave. ISBN 9783030558529 doi: https://doi.org/10.1007/978-3-030-55853-6 Woynarski, L. (2020) Performing the bio-urban in Bonnie Ora Sherk’s The Farm and Mierle Laderman Ukeles’s Flow City. Performance Research, 25 (2). pp. 124-131. ISSN 1469-9990 doi: https://doi.org/10.1080/13528165.2020.1752585 Woynarski, L., Ong, A., Beer, T., Beaupark, S., Winn-Lenetsky, J., Tangen, R. and Nicholson-Sanz, M. (2020) Dossier: climate change and the decolonized future of theatre. Theatre Research International, 45 (2). pp. 179-208. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883320000085 2019Al-Taee, N. (2019) Live canvas: digital interface as creative medium. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084824 Allen, K. (2019) PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival. [Show/Exhibition] Allen, K. (2019) PurpleSTARS presentation at creative bridges SEN conference. [Show/Exhibition] Allen, K. (2019) Sensory Objects. [Project] (Collection) Allen, K. and Headon, K. (2019) Suitcase stories movement Tate Exchange. [Project] Allen, K. and Minnion, A. (2019) Pride of place. [Show/Exhibition] Allen, K., Headon, K. and Minnion, A. (2019) purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019. [Artefact] Allen, K., Minnion, A. and Headon, K. (2019) The MERL's making SENse. [Show/Exhibition] Angelaki, V. (2019) Theatre & environment. Theatre &. Palgrave Macmillan/Red Globe Press, pp90. ISBN 9781137609830 Angelaki, V. (2019) Performing migration in Vienna: the Volkstheater Trilogy. Performing Ethos, 9 (1). pp. 9-22. ISSN 1757-1987 doi: https://doi.org/10.1386/peet_00002_1 Banham, R. (2019) Printing to 1970. In: Eliot, S. and Rose, J. (eds.) A Companion to the History of the Book. Blackwell Companions to Literature and Culture. Wiley-Blackwell. ISBN 9781119018179 Banham, R. (2019) The industrialization of the book 1800–1970. In: Eliot, S. and Rose, J. (eds.) The New Blackwell Companion to the History of the Book. Wiley-Blackwell, New York. ISBN 9781119018179 Barker, A. (2019) A comparison of seeking-finding behaviours across the contexts of environmental space, paper documents, and on-screen. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085342 Bartley, S. (2019) Gendering welfare: acts of reproductive labour in applied performance practice. Contemporary Theatre Review, 29 (3). pp. 305-319. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2019.1615901 Bignell, J. (2019) “Do you really enjoy the modern play?”: Beckett on commercial television. In: Stewart, P. and Pattie, D. (eds.) Pop Beckett: Intersections with Popular Culture. Samuel Beckett in Company, 7. Ibidem, Stuttgart, pp. 63-84. ISBN 9783838211930 Bignell, J. (2019) Meta-commentary and mythology: "Episodes" as a performance of transatlantic TV. In: Hills, M., Hilmes, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, Oxford, pp. 163-180. ISBN 9780190663124 Bignell, J. (2019) Performing the identity of the medium: adaptation and television historiography. Adaptation, 12 (2). pp. 149-164. ISSN 1755-0645 doi: https://doi.org/10.1093/adaptation/apz017 Bignell, J. (2019) The performing lives of things: animals, puppets, models and effects. In: Walters, J. and Donaldson, L. F. (eds.) Television Performance. Red Globe Press, London, pp. 43-60. ISBN 9781137608192 Black, A. (2019) Information design to make an impact on health care quality – is a user-centred approach enough? In: Mastoridis, K., Sioki, N. and Dyson, M. C. (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars, Newcastle, UK, pp. 53-68. ISBN 9781527529540 Black, A., Carey, C., Matthews, V. and Solomons, L. (2019) Designing information for families caring for people with dementia. Design for Health, 3 (2). pp. 199-219. ISSN 2473-5132 doi: https://doi.org/10.1080/24735132.2019.1629766 Brezina, D. (2019) Coherence in typeface design: visual similarity of characters in Cyrillic, Devanagari, and Latin. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085141 Burke, C. (2019) Vorwort. In: Jacobs, S. and Rössler, P. (eds.) Jan Tschichold - ein Jahrhunderttypograf?: Blicke in den Nachlass. Wallstein Verlag, Göttingen, pp. 23-25. ISBN 9783835334700 Burke, C. (2019) The mysterious case of the curtailed g: Danish style in type. Perpensa Press, Devizes, pp40. ISBN 9781916053908 Butler, A. (2019) Displacements: reading space and time in moving image installations. Close Readings. Palgrave Macmillan, London, pp178. ISBN 9783030304607 Butler, A. (2019) Devouring images: Hélio Oiticica’s anthropophagic quasi-cinema. Screen, 60 (1). pp. 128-136. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy060 Cassidy, G. and Knox, S. (2019) An actor diversifies: a diachronic examination of the work and career of Tony Curran. In: Fife Donaldson, L. and Walters, J. (eds.) Television Performance. Red Globe Press, London, pp. 168-187. ISBN 9781137608192
Chamarette, J. Chau, H. Y. (2019) The contemporary relevance of split portraiture: rereading Marlene Dumas and Francis Bacon. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088721 Clausen, S. (2019) Reading International # 17: Choir workshop with artist Marco Godoy. [Performance] Clausen, S. (2019) Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine. [Performance] Clausen, S. (2019) Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel. [Show/Exhibition] Clausen, S. (2019) Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel. [Performance] Clausen, S. (2019) Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance]. [Show/Exhibition] Clausen, S. (2019) Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock. [Show/Exhibition] Clausen, S. (2019) Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim. [Performance] Clausen, S. (2019) Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford. [Performance] Clausen, S. (2019) Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies. [Show/Exhibition] Clausen, S. (2019) Throw away your books, go into the streets video: experimental video/animation/curation. [Project] (Collection) Clausen, S. (2019) Szuper Gallery Slide Show Player #1. [Show/Exhibition] Connor, V. and O'Connell, T. (2019) 'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication). [Show/Exhibition] Copetti Klohn, S. (2019) The use of informative and decorative pictures in health and safety posters for children. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084830 Cumiskey, L., Lickiss, M., Šakić Trogrlić, R. and Ali, J. (2019) Interdisciplinary pressure cooker: environmental risk communication skills for the next generation. Geoscience Communications, 2 (2). pp. 173-186. ISSN 2569-7110 doi: https://doi.org/10.5194/gc-2-173-2019 Elduque Busquets, A. (2019) Between film and photography: the bubble of blood in 'The Family of Disorder'. Screen, 60 (1). pp. 148-159. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy069 Frearson, A. (2019) Sic. [Show/Exhibition]
Garfield, R. Garfield, R. (2019) Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Contexts and Practices. Bloomsbury, London, pp. 99-112. ISBN 9781784537005
Gibbs, J. Gibbs, J. (2019) Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell. Movie: A Journal of Film Criticism (8). pp. 38-71. ISSN 2047-1661 Gibbs, J. (2019) ‘Say, have you seen the Carioca?’: an experiment in non-linear, non-hierarchical approaches to film history. Movie: A Journal of Film Criticism, 8. ISSN 2047-1661
Izadpanah, B. Kindel, E. (2019) Stencil: a descriptive bibliography. Éditions à jour, Reading, pp24. Kindel, E., Minns, E., Nairne, K., Odling-Smee, A. and Walker, S. (2019) Marie Neurath: Picturing Science. [Show/Exhibition] Knox, S. (2019) Representations of British Chinese identities and British television drama: mapping the field. Journal of British Cinema and Television, 16 (2). pp. 125-145. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0465 Knox, S. (2019) The unwitting pioneer of transatlantic format adaptation: Beryl Vertue. Historical Journal of Film, Radio and Television, 39 (2). pp. 341-365. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2018.1522790 Knox, S. and Cassidy, G. (2019) Game of Thrones: investigating British acting. In: Hills, M., Hilmes, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, Oxford, pp. 181-202. ISBN 9780190663124 Knox, S. and Schwind, K. H. (2019) Friends: a reading of the sitcom. Palgrave Macmillan. ISBN 9783030254285 doi: https://doi.org/10.1007/978-3-030-25429-2 Kolb, R. (2019) Revisiting Black Mountain Cross-Disciplinary Experiments and Their Potential for Democratization. OnCurating Issues, 43 (43). OnCurating, Zurich, pp122. ISBN 9781672015431 (Black Mountain College, Contemporary Art, Curating, Experimental Education)
Kolb, R., Krivanek, E., Regli, C. and Richter, D. Kollectiv, G. and Kollectiv, P. (2019) EuroNoize. [Show/Exhibition] Kollectiv, P. and Kollectiv, G. (2019) Pil and Galia Kollectiv: (in)visible propaganda. [Show/Exhibition] Lees, D. (2019) Improvisation as a research methodology: Exploring links between filmmakers’ practice and traditions of enquiry across the academy. Media Practice and Education, 20 (2). pp. 134-146. ISSN 2574-1136 doi: https://doi.org/10.1080/25741136.2019.1605675 Lees, D. (2019) Many ways of directing a film: teaching the ‘modes of creative practice’. In: Mourao, M. D., Semerdjiev, S., Mello, C. and Taylor, A. (eds.) The 21st Century Film, TV and Media School Book – Volume 2: Directing the future. CILECT - the International Association of Film and Television Schools, Sofia, pp. 28-39. ISBN 9786197358087 Lees, D. (2019) Modes of Creative Practice in the directing of independent fiction films. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104350
Leonidas, G. Lickiss, M. (2019) Design perspectives on multimodal documents: system, medium, and genre relations. Routledge Studies in Multimodality. Routledge. ISBN 9781138096844 Lickiss, M. D. and Cumiskey, L. (2019) Design skills for environmental risk communication: design in and design of an interdisciplinary workshop. The Design Journal, 22 (1). pp. 1373-1385. ISSN 1460-6925 doi: https://doi.org/10.1080/14606925.2019.1594963 Luna, P. (2019) Book design. In: Oxford Handbook of Publishing. Oxford University Press, Oxford, pp. 311-325. ISBN 9780198794202 doi: https://doi.org/10.1093/oxfordhb/9780198794202.013.21 McIlwraith, A. (2019) Better museum maps: an empirical study comparing the appeal and effectiveness of graphic design approaches. PhD thesis, University of Reading. Moys, J.-L. (2019) Repositioning aesthetics to improve synergies between research and practice – a typographic perspective. In: Mastoridis, K., Sioki, N. and Dyson, M. C. (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars Publishing, Newcastle, pp. 36-52. ISBN 9781527529540 Murjas, T. (2019) Between. [Performance] Murjas, T. (2019) I, Sheep. [Show/Exhibition] Murjas, T. (2019) Peeling onions with Granny: on being moved to collaborate. Performing Ethos, 9 (1). pp. 37-53. ISSN 1757-1987 doi: https://doi.org/10.1386/peet_00004_1 Nagib, L. and Solomon, S., eds. (2019) Intermediality in Brazilian cinema: the case of Tropicália. Screen, 60 (1). Oxford Academic. doi: https://doi.org/10.1093/screen/hjy064 Nagib, L. (2019) Multimedia identities: an analysis of How Tasty Was My Little Frenchman. Screen, 60 (1). pp. 160-171. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy067 Nagib, L. and Paiva, S. (2019) Passages - travelling in and out of film through Brazilian geography. [Video] O'Brien, A. (2019) Energy and eventhood: the infrastructural set piece. Journal of Aesthetics & Culture, 11 (1). 1697551. ISSN 2000-4214 doi: https://doi.org/10.1080/20004214.2019.1697551 Olocco, R. (2019) A new method of analyzing printed type: the case of 15th-century Venetian romans. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088833 Petruska, K. and Woods, F. (2019) Traveling without a passport: ‘Original’ streaming content in the transatlantic distribution ecosystem. In: Hilmes, M., Hills, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, pp. 49-68. ISBN 9780190663124 doi: https://doi.org/10.1093/oso/9780190663124.003.0004 Purse, L. (2019) Square-jawed strength: gender and resilience in the female astronaut film. Science Fiction Film and Television, 12 (1). pp. 53-72. ISSN 1754-3770 Purse, L. (2019) The new dominance: action-fantasy hybrids and the new superhero in 2000s action cinema. In: Kendrick, J. (ed.) A Companion to the Action Film. Wiley Blackwell, Chichester, West Sussex, pp. 55-73. ISBN 9781119100492 doi: https://doi.org/10.1002/9781119100744.ch3 Purse, L. and Palmer, L., eds. (2019) When the astronaut is a woman. Science Fiction Film and Television (Special Issue), 12 (1). Liverpool University Press. Reid, T. (2019) The dystopian near-future in contemporary British drama. Journal of Contemporary Drama in English, 7 (1). pp. 72-88. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2019-0006 Renshaw, T. (2019) Come and go. Halt extreme left. [Show/Exhibition] Renshaw, T. (2019) Drift. [Show/Exhibition] Renshaw, T. (2019) Phase III - Le Modulor. [Show/Exhibition] Richter, D. (2019) Propositons on Curating. Darmstädter Beitrag zur Neuen Musik. pp. 10-14. Richter, D. (2019) Feministiche perspektiven des Kuratoischen / auf das Kuratorieren. In: Adorf, S. and Heinz, K. (eds.) Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse. Transcript Verlag, Bielefeld, pp. 183-202. ISBN 9783837642049 doi: https://doi.org/10.14361/9783839442043-010 Roberto, R. (2019) Democratising knowledge and visualising progress: illustrations from Chambers's Encyclopaedia, 1859-1892. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085483 Roithmayr, F. (2019) International El Kurru project. [Project] (In Press) Roithmayr, F. (2019) Simply untitled. [Show/Exhibition] Roithmayr, F. (2019) A Strange Weave of Time and Space. [Show/Exhibition] Roithmayr, F., Collar, B. and Cole, D. (2019) Dimensions tomorrow. [Show/Exhibition] Roithmayr, F., Emberling, G. and Davis, S. (2019) Graffiti as Devotion. [Show/Exhibition] Roithmayr, F. (2019) The humility of Plaster. [Show/Exhibition] Roithmayr, F. (2019) The humility of plaster. [Project] (Collection)
Ross, F. Rowlands, A. and Williams, M. (2019) Exercises in Style. [Show/Exhibition] Russell, J. (2019) Bergen Assembly. [Show/Exhibition] Russell, J. (2019) SUMMA. [Show/Exhibition] Russell, J. (2019) Sick Monday. [Show/Exhibition] Russell, J. (2019) Tainted Love. [Show/Exhibition] Russell, J. (2019) Screens. [Show/Exhibition] Sexton, M. and Lees, D. (2019) Fargo: seeing the significance of style in television poetics? Critical Studies in Television: The International Journal of Television Studies, 14 (3). pp. 343-361. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602019853792 Trayner, J. (2019) The monstrous subject in the sixteenth century: the importance of The Twelve Articles of the Upper Swabian Peasants for reconciling the contemporary image in politics. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085600 Twyman, M. (2019) Les étiquettes de prix dans le contexte de la cérémonie de distribution solennelle des prix. In: Les éphémères et l’événement (XVIe-XXIe siècles), 12 Feb 2016, pp. 29-48. Tyler, L. (2019) “Responding to the thing that it is”: a study of new play development in English theatres. Studies in Theatre and Performance, 39 (1). pp. 38-53. ISSN 1468-2761 doi: https://doi.org/10.1080/14682761.2017.1348682 Walker, S. (2019) Effective antimicrobial resistance communication: the role of information design. Palgrave Communcations, 5. 24. ISSN 2055-1045 doi: https://doi.org/10.1057/s41599-019-0231-z Willems, S. (2019) How not to disappear completely: characterising the role of anonymity in contemporary figurative painting. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088070 Woods, F. (2019) Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag. Communication, Culture and Critique, 12 (2). pp. 194-212. ISSN 1753-9129 doi: https://doi.org/10.1093/ccc/tcz014 Woods, F. (2019) Wainwright’s West Yorkshire: affect and landscape in the television drama of Sally Wainwright. Journal of British Cinema and Television, 16 (3). pp. 346-366. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0481 2018Allen, K. (2018) Edinburgh Napier University, Public Engagement Seminars, Sensory Objects developed for and by People with Learning Disabilities become purpleSTARS. Edinburgh Napier University, Edinburgh. Allen, K. and Andy, M. (2018) PurpleSTARS present to the Disability History Conference London Metropolitan Archive. [Show/Exhibition] Allen, K. and Minnion, A. (2018) PurpleSTARS present at Preparing for Adulthood. [Show/Exhibition] Allen, K. and Minnion, A. (2018) #Purplelightup international persons with a disability day British Museum. [Show/Exhibition] Allen, K., Andy, M. and Headon, K. (2018) Sensory expedition and wiki training with the purpleSTARS at Glenside Hospital Museum. [Show/Exhibition] (Unpublished) Balló, J. and Elduque, A. (2018) Imperio y Estrellita, el ascenso por amor. In: Bou, N. and Pérez, X. (eds.) El cuerpo erótico de la actriz bajo los fascismos. Cátedra, Madrid, pp. 97-108. ISBN 9788437638416 Bignell, J. (2018) James Bond’s forgotten beginnings: television adaptations. In: Strong, J. (ed.) James Bond Uncovered. Palgrave Studies in Adaptation and Visual Culture. Palgrave Macmillan, Basingstoke, pp. 41-60. ISBN 9783319761220 doi: https://doi.org/10.1007/978-3-319-76123-7_3 Bignell, J. (2018) Children of the world on British television: national and transnational representations. Strenae, 13. ISSN 2109-9081 doi: https://doi.org/10.4000/strenae.1966 (Special issue: Le '68 des enfants / The Children's 68) Bignell, J. (2018) Performing television history. Critical Studies in Television: The International Journal of Television Studies, 13 (3). pp. 262-279. ISSN 1749-6039 doi: https://doi.org/10.1177/1749602018782860 Cassany, R., Cortiñas, S. and Elduque, A. (2018) Communicating science: the profile of science journalists in Spain. Comunicar, 26 (55). pp. 9-18. ISSN 1134-3478 doi: https://doi.org/10.3916/C55-2018-01 Cassidy, G. (2018) The rehearsal process of playwright/director Anthony Neilson. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00079996 Cassidy, G. and Knox, S. (2018) Phil Davis: the process of acting. Critical Studies in Television: The International Journal of Television Studies, 13 (3). pp. 315-332. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018785833
Chamarette, J. Clausen, S. (2018) Reading Internationa #10: The Outside In - Steve Claydon at MERL. [Show/Exhibition] Clausen, S. (2018) Reading International #11: Studio for Propositional Cinema- ‘Redundant as eyelids in absence of light’ organised by Novel. [Show/Exhibition] Clausen, S. (2018) Reading International 6: 'reading in Reading' - David Raymond Conroy, Ghislaine Leung, Cally Spooner and Jesper List Thomsen. [Show/Exhibition] Clausen, S. (2018) Reading International 8: Creating Ruin - Lada Nakonechna at the Abbey Ruins. [Show/Exhibition] Clausen, S. (2018) Reading International 9: creating ruin - online video screening. [Show/Exhibition] Clausen, S. (2018) Reading International #9: 'Nightwalks with Teenagers’, by Mammalian Diving Reflex. [Performance] Clausen, S. and Fance, T. (2018) Reading International 10: Nightwalks with Teenagers’ by Mammalian Diving Reflex. [Performance] Clausen, S. and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Artefact] Clausen, S. and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Show/Exhibition] Conidi, E. (2018) Arabic types in Europe and the Middle East, 1514-1924: challenges in the adaptation of the Arabic script from written to printed form. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00080437 Elduque, A. (2018) Flesh and costumes: the watermelon in 'Vereda Tropical'. In: Baltar, M. (ed.) E pornô, tem pornô? A Panorama of Brazilian Porn. Mimesis International, Milan, pp. 115-137. ISBN 9788869770234 Elduque, A. (2018) Géneros fluidos: familias, amores, sueños. In: Montero, J. F. (ed.) John Cassavetes. Interior noche. Shangrila Textos Aparte, Santander, pp. 310-332. ISBN 9788494761690 Elduque, A. and Araújo, M. (2018) Ecos de revueltas lejanas: Fassbinder, Glauber Rocha y 'El viaje a Niklashausen' (1970). In: Rodrigo García, J. (ed.) Rainer Werner Fassbinder. Solo quiero que me amen. Shangrila Textos Aparte, Santander, pp. 174-195. ISBN 9788494875052 Elduque, A. (2018) Suspiros de España: la censura del sexo en el primer franquismo. In: Bou, N. and Pérez, X. (eds.) El cuerpo erótico de la actriz bajo los fascismos. Cátedra, Madrid, pp. 13-23. ISBN 9788437638416 Ellison, C. (2018) Micro soft words (for dummies and enlightened beings). [Performance] Feldman, A. (2018) After the law: towards judicial-visual activism. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089068 Frearson, A. (2018) Sic. [Project] (Collection) Garin, M. and Elduque, A. (2018) Playing the holes. Notes on the Ozuesque gag. In: Choi, J. (ed.) Reorienting Ozu: A Master and His Influence. Oxford University Press, Oxford, pp. 197-214. ISBN 9780190254988 Gibbs, J. (2018) Reevaluating The Phantom Carriage. [Project] (Collection)
Gibbs, J. Gibbs, J. and Reck Miranda, S. (2018) Playing at the margins. [in]Transition, 5 (2). ISSN 2469-4312 Gonzalez Ortiz, C. (2018) Theatre, performance and politics in Chile: the citizens’ turn. PhD thesis, King's College London. doi: https://doi.org/10.48683/1926.00095596 Hellings, J. (2018) Faire (de la magie): rendre l'invisible visible. In: Où en Sommes-Nous avec la Théorie Esthétique d'Adorno? Pontcerq, Rennes. ISBN 9782919648245 Hobden, F. and Wrigley, A., eds. (2018) Ancient Greece on British television. Screening Antiquity. Edinburgh University Press, Edinburgh, pp272. ISBN 9781474412599 Hobden, F. and Wrigley, A. (2018) Broadcasting Greece: an introduction to Greek Antiquity on the small screen. In: Hobden, F. and Wrigley, A. (eds.) Ancient Greece on British Television. Screening Antiquity. Edinburgh University Press, Edinburgh, pp. 1-23. ISBN 9781474412599
Izadpanah, B.
Izadpanah, B.
Izadpanah, B. Jeffery, L. (2018) Beckett: art, music and the creative process. PhD thesis, University of Reading. Kidner, D. (2018) The exhibition of political film and video. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084078 Kindel, E. (2018) Eminents observed: a century of writing, lettering, type and typography at the Central School, London. In: Kindel, E. (ed.) Typeform Dialogues (2nd edition). Hyphen Press, London, pp. 50-87. ISBN 9780907259527 Kindel, E., ed. (2018) Typeform Dialogues (2nd edition). Hyphen Press, London. Klohn, S. C. and Black, A. (2018) Informative and decorative pictures in health and safety posters for children. Visible Language, 52 (3). pp. 30-51. ISSN 0022-2224 Knox, S. (2018) Exploring the casting of British and Irish actors in contemporary US film and television. In: Cantrell, T. and Hogg, C. (eds.) Exploring television acting. Bloomsbury, London, pp. 154-170. ISBN 9781474248594 Knox, S. (2018) Crossing broadcasters: the transatlantic exchange between Sylvester ‘Pat’ Weaver and Sir Ian Jacob, 1955-1956. Historical Journal of Film, Radio and Television, 38 (4). pp. 843-862. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2017.1412920 Knox, S. (2018) Shameless, the push-pull of transatlantic fiction format adaptation, and star casting. New Review of Film and Television Studies, 16 (3). pp. 295-323. ISSN 1740-7923 doi: https://doi.org/10.1080/17400309.2018.1487130 Knox, S. and Lacey, S., eds. (2018) Acting on television: analytical methods and approaches. Critical Studies in Television, 13 (3). SAGE. Knox, S. and Weissmann, E., eds. (2018) European cultures of production. Critical Studies in Television, 13 (2). SAGE. Knox, S. and Weissmann, E. (2018) European cultures of production. Critical Studies in Television, 13 (2). pp. 133-136. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018763202 Kollectiv, G. and Kollectiv, P. (2018) Second annual report from the strategic sanctuary for the destruction of free will. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2018) The missing body of J. T. Leroy. In: Beber, E. (ed.) The Bodies that Remain. Dead Letter Office, 1. Punctum, London, pp. 251-262. ISBN 9781947447677 doi: https://doi.org/10.21983/P3.0212.1.00 Kollectiv, P. and Kollectiv, G. (2018) Rainbow pixels. In: Pavoni, A., Mandic, D., Nirta, C. and Philippopoulos-Mihalopoulos, A. (eds.) Taste. Law and the Senses, 1. University of Westminster Press, London, pp. 239-243. ISBN 9781911534327 doi: https://doi.org/10.16997/book21 Kollectiv, P. and Kollectiv, G. (2018) Re-enacting the archive: untimely meditations on the use and abuse of repetition. In: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (eds.) Artists in the Archive Creative and Curatorial Engagements with Documents of Art and Performance. Routledge, London, pp. 144-150. ISBN 9781138915381 Kwon, H. (2018) Narrativisation of site and spatialisation of narrative. PhD thesis, University of Reading. Lacey, S. and Knox, S. (2018) Acting on television: analytical methods and approaches. Critical Studies in Television, 13 (3). pp. 257-261. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018782046 Lawrence, J., Jenner, M., Drew, B., Frearson, A., Jetpacks, J., Liston, K., McCreadie, L., Purgas, P. and Richards, T. (2018) Oh: link zone. [Show/Exhibition] Leavitt, C. (2018) Notes on the end of 'Rome Open City'. Journal of Italian Cinema and Media Studies, 6 (3). pp. 359-372. ISSN 20477368 doi: https://doi.org/10.1386/jicms.6.3.359_1 Lekka, H. (2018) Linotype’s design of new Greek typefaces for photocomposition in the Greek printing market, 1970-1980. PhD thesis, University of Reading.
Leonidas, G.
Leonidas, G. Lodhi, A. and Wrigley, A. (2018) Introduction: radio modernisms: features, cultures and the BBC. Media History, 24 (2). pp. 159-165. ISSN 1469-9729 doi: https://doi.org/10.1080/13688804.2018.1473134 Lodhi, A. and Wrigley, A. (2018) Radio modernisms: features, cultures and the BBC. Taylor & Francis, London. doi: https://doi.org/10.1080/13688804.2018.1473134 Luna, P. (2018) Typography: a very short introduction. Very Short Introductions. Oxford University Press, Oxford, pp155. ISBN 9780199211296 doi: https://doi.org/10.1093/actrade/9780199211296.001.0001 McMullan, A. and Saunders, G., eds. (2018) Special issue on staging Beckett and contemporary theatre and performance cultures. Contemporary Theatre Review, 28 (1). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2017.1405393
Miller, H. K. Moys, J.-L. (2018) Promoting diversity through developing a sense of community. International Journal for Students as Partners, 2 (2). pp. 135-143. ISSN 2560-7367 doi: https://doi.org/10.15173/ijsap.v2i2.3547 Moys, J.-L., Collier, J. and Joyce, D. (2018) By design: engaging Graphic Communication students in curriculum development. The Journal of Educational Innovation, Partnership and Change, 4 (1). ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v4i1.752 Moys, J.-L., Loveland, P. and Dyson, M. (2018) eInk versus paper: exploring the effects of medium and typographic quality on recall and reading speed. Visible Language, 52 (3). pp. 74-95. ISSN 0022-2224 Moys, J.-L., Martinez-Freile, C., McCrindle, R., Meteyard, L., Robson, H., Kendrick, L. and Wairagkar, M. (2018) Exploring illustration styles for materials used in visual resources for people with aphasia. Visible Language, 52 (3). pp. 96-113. ISSN 0022-2224 Nagib, L., Souza, R. L. d. and Brandão, A. S., eds. (2018) Dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal). Aniki: Portuguese Journal of the Moving Image, 5 (2). AIM - AIM - Associação de Investigadores da Imagem em Movimento. Nagib, L. (2018) Passages: travelling in and out of film through Brazilian geography. Rumores: Revista Online de Comunicação, Linguagem e Mídias, 12 (24). pp. 19-40. ISSN 1982-677X doi: https://doi.org/10.11606/issn.1982-677X.rum.2018.148836 Nagib, L., Sousa, R. L. d. and Brandão, A. S. (2018) Introduction to the dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal). Aniki: Portuguese Journal of the Moving Image, 5 (2). pp. 306-310. ISSN 2183-1750 Nemeth, T. (2018) Arabic hot metal: the origins of the mechanisation of Arabic typography. Philological Encounters, 3 (4). pp. 496-523. ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340052 Nemeth, T. (2018) A short history of Arabic type-making. In: Kim, J. M. (ed.) 해외 글꼴의 연구·산업 현황 조사(Ⅲ) -아랍 문자권을 중심으로-. National Hangeul Museum, Seoul, pp. 92-141. ISBN 9791189438135 O'Brien, A. (2018) In and around The Bay: water, fish, infrastructure. Film Studies, 19 (1). pp. 20-33. ISSN 1469-0314 doi: https://doi.org/10.7227/FS.19.0003 O'Connell, T. (2018) Sublimation 2018. [Video] Park, J. (2018) Surface layer time: the process of portraying time in image. PhD thesis, University of Reading. Polat, D. N. (2018) A typographic analysis of newspapers and magazines in the Turkish alphabet reform (1928-1929). PhD thesis, University of Reading. Purse, L. (2018) Layered encounters: mainstream cinema and the disaggregate digital composite. Film-Philosophy, 22 (2). pp. 148-167. ISSN 1466-4615 doi: https://doi.org/10.3366/film.2018.0070 Reid, T. (2018) 'Killing joy as a world making project' : anger in the work of debbie tucker green. Contemporary Theatre Review, 28 (3). pp. 390-400. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2018.1475356 Reid, T. (2018) The theatre of Anthony Neilson. Critical Companions. Bloomsbury, London, pp224. ISBN 9781472570307 Renshaw, T. (2018) Cosmic Laziness. [Show/Exhibition] Renshaw, T. (2018) Cosmic Laziness (Notebook Painting). [Project] (Collection) Renshaw, T. (2018) Notebook Formism. [Project] (Collection) Renshaw, T. (2018) Notebook, Wall, Curve C/Y & Notebook, Wall, Curve P/B. [Show/Exhibition] Renshaw, T. (2018) Phase 2 imagining architecture. [Show/Exhibition] Renshaw, T. (2018) Plan Unplan (Outside Architecture Projects). [Project] (Collection) Renshaw, T. (2018) What is Seen, What is Shown. [Show/Exhibition] Renshaw, T. (2018) Notebook Architecture. [Project] (Collection) Rocha, G. (2018) On cinema. Bloomsbury, x-xiv. ISBN 9781780767031 Roithmayr, F. (2018) Aftercast. tenderbooks, London, pp186. ISBN 9781999712433 Roithmayr, F. (2018) Concrete sculpture. BSR’s Faculty of Fine Arts and the Faculty of Archaeology, History and Letters, and the University of Liverpool in London. (Unpublished) Roithmayr, F. (2018) Florian Roithmayr - the humility of plaster. [Project] Roithmayr, F. (2018) More than is needed so as not to be caught short. In: Conference: The Humility of Plaster, 4 Sept 2018, Kettle's Yard, University of Cambridge. Roithmayr, F. (2018) Premio Lissone 2018. [Show/Exhibition] Roithmayr, F. (2018) Something infinitely distant and strange. [Show/Exhibition] Roithmayr, F. (2018) These here withins. [Show/Exhibition] Roithmayr, F., Ruggaber, K., Perienne, C., Enzing, B., Ernst, B., Morse-Palmer, H., George, D., Gill, A., Joy, C., Ryan, A., Stent, C. and Treister, S. (2018) Group Portrait with Garden. [Show/Exhibition] Roithmayr, F. (2018) The humility of plaster. [Show/Exhibition] Roithmayr, F. (2018) The humility of plaster. [Show/Exhibition]
Ross, F. Rowlands, A. (2018) Curating Fictions. [Project] (Collection) Rowlands, A. and Williams, M. (2018) In the reading room of hell. [Show/Exhibition] Rowlands, A. (2018) Novel Upstairs. [Project] (Collection) Russell, J. (2018) As much about forgetting. [Show/Exhibition] Russell, J. (2018) CONDO: Emalin (hosting Galerie Gregor Staiger). [Show/Exhibition] Russell, J. (2018) Cellular world: cyborg-human-avatar-horror. [Show/Exhibition] Russell, J. (2018) GOLD. [Show/Exhibition] Russell, J. (2018) It's all the same fucking day, man. [Show/Exhibition] Russell, J. (2018) Land and sea. [Show/Exhibition] Russell, J. (2018) SOFA. [Video] Russell, J. (2018) The island of flowers. Song Cycle. Song Cycle and Bridget Donahue Gallery: New York, pp12. Russell, J. (2018) AQUARIUM PROLETARIUM. [Project] (Collection) Russell, J. (2018) DOGGO. [Artefact] Russell, J. (2018) DOGGO. [Project] (Collection) Russell, J. (2018) DOGGO II. [Show/Exhibition] Russell, J. (2018) SQRRL. [Project] (Collection) Singh, V. (2018) One letter at a time: index typewriters and the alphabetic interface. [Show/Exhibition] Singh, V. (2018) Devanagari. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-scriptual: typography and graphic design with multiple script systems. Niggli Verlag, Salenstein, Switzerland. ISBN 9783721209822 Singh, V. (2018) The first Indian-script typeface on the Monotype: a missing chapter in the history of mechanical typecasting. Journal of the Printing Historical Society, 29. ISSN 0079-5321 Singh, V. (2018) The machine in the colony: technology, politics, and the typography of Devanagari in the early years of mechanization. Philological Encounters, 3 (4). ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340051 Taylor, L. (2018) Negotiating theatrical space in performances of Marguerite Duras's later plays. In: Noonan, M. and Pagès-Pindon, J. (eds.) Marguerite Duras: Un Théâtre de Voix/A Theatre of Voices. Études de Langue et Littérature Françaises (420). Brill, Leiden/Boston, pp. 118-134. ISBN 9789004360969 Traina, R. (2018) An information design approach to documenting live art: locating & empowering the document user. PhD thesis, University of Reading. Twyman, M. (2018) Charles Hullmandel’s stones at Kingston Lacy. Journal of the Printing Historical Society (28). pp. 23-74. Twyman, M., (2018) Hand-colouring or chromolithography: the pros and cons. Bourgery & Jacob (Dissection d’un atlas anatomique du XIXe siècle) Twyman, M. (2018) Giovanni Battista Belzoni’s portrait frontispiece in the various editions of his 'narrative of the operations and recent discoveries… in Egypt and Nubia’. Journal of the Printing Historical Society, 3 (29). Undro, M. D. (2018) Portrait of a process. PhD thesis, University of Reading. Unger, G. (2018) Theory of type design. Nai 010, Rotterdam, pp240. ISBN 9789462084407 Walker, S., Black, A., Bessemans, A., Bormans, K., Renckens, M. and Barratt, M. (2018) Designing digital texts for beginner readers: performance, practice and process. In: Barzillai, M., Thomson, J. M., Schroeder, S. and Broek, P. W. v. d. (eds.) Learning to read in a digital world. Studies in written language and literacy (17). John Benjamins, Amsterdam, pp. 31-56. ISBN 9789027201225 doi: https://doi.org/10.1075/swll.17.02wal Walker, S. (2018) Modernity, method and minimal means: typewriters, typing manuals and document design. Journal of Design History, 31 (2). pp. 138-153. ISSN 1741-7279 doi: https://doi.org/10.1093/jdh/epx018 Woods, F. (2018) Youth television and platform neutral public service broadcasting. In: Johnson, D. (ed.) From Networks to Netflix: : A Guide to Changing Channels. Routledge, Abingdon, UK, pp. 297-307, Chapter 28. ISBN 9781138998490 Wrigley, A. (2018) Afterlives of BBC Radio features. Media History, 24 (2). pp. 266-282. ISSN 1469-9729 doi: https://doi.org/10.1080/13688804.2018.1479636 Wrigley, A. (2018) Tragedy for teens: Ancient Greek tragedy on BBC and ITV schools television in the 1960s. In: Hobden, F. and Wrigley, A. (eds.) Ancient Greece on British television. Screening Antiquity. Edinburgh University Press, Edinburgh, pp. 84-108. ISBN 9781474412599 2017Allen, K. and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. [Project] Allen, K. and Hollinworth, N. (2017) Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition. [Show/Exhibition] Allen, K., Hwang, F. and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. [Project] Angelaki, V. (2017) Social and political theatre in 21st-century Britain: staging crisis. Methuen Drama Engage. Bloomsbury, London, pp288. ISBN 9781474213172 Barreiro, M. S. and Elduque, A. (2017) La mirada y el peso. Iconografía de la clase obrera en 'Chircales' y 'Tierra Nueva'. Cinémas d’Amérique Latine, 25. pp. 144-155. ISSN 1267-4397 Bartley, S. (2017) Hard labour and punitive welfare: the unemployed body at work in participatory performance. Research in Drama Education, 22 (1). pp. 62-75. ISSN 1356-9783 doi: https://doi.org/10.1080/13569783.2016.1263559 Bignell, J. (2017) Myth. In: Ouellette, L. and Gray, J. (eds.) Keywords for Media Studies. New York University Press, New York, pp. 123-125. ISBN 9781479859610 Bignell, J. and Burchardt, J. (2017) Agents, beneficiaries and victims: picturing people on the land. In: Haigron, D. (ed.) The English Countryside: Representations, Identities, Mutations. Palgrave Macmillan, Basingstoke, pp. 61-82. ISBN 9783319532721 doi: https://doi.org/10.1007/978-3-319-53273-8 Bignell, J. (2017) Broadcasting children's music. InFormation: Nordic Journal of Art and Research, 6 (2). pp. 1-16. ISSN 1893-2479 doi: https://doi.org/10.7577/information.v6i2.2275 (Special issue: Children's Music) Bignell, J. (2017) Children’s television and public service in contemporary Britain. In: Dinter, S. and Schneider, R. (eds.) Transdisciplinary Perspectives on Childhood in Contemporary Britain. Studies in Childhood, 1700 to the Present. Routledge, London, UK, pp. 87-102. ISBN 9781138232105 Black, A. (2017) Icons as carriers of information. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information design: research and practice. Routledge, London, UK, pp. 253-269. ISBN 9781472430700 Black, A., Bravo, J., Brook, M., Carey, C., Goonasekera, M., Meredith, D., Olsson-Brown, A., Rosenorn-Lanng, D. and Vaux, E. (2017) Designing care bundle documentation to support the recognition and treatment of acute kidney injury: a route to quality improvement. In: Design for healthcare. Design for Social Responsibility. Gower, pp. 170-189. ISBN 9781472457424 Black, A., Luna, P., Lund, O. and Walker, S., eds. (2017) Information design: research and practice. Routledge, London, pp600. ISBN 9780415786324 Burke, C. (2017) Modernism and traditionalism: points of convergence in European typography, 1925–1950. In: Counter-Signals 2: Hieroglyphs of the anti-commodity. Counter-Signals (2). Other Forms, Chicago / Berlin, pp. 150-161. ISBN 9780998170800 Burke, C. (2017) Crisis, 1933 – the politicization of Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 226-235. ISBN 9781786270931 Burke, C. (2017) Formal writing, artist typefaces, and bread-and-butter type (part 2). Forum (33). pp. 7-10. ISSN 1472-0604 Burke, C. (2017) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 256-262. ISBN 9781786270931 Burke, C. (2017) How did Futura get to the Moon? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 351-365. ISBN 9781786270931 Burke, C. (2017) Jan Tschichold and Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 206-209. ISBN 9781786270931 Burke, C. (2017) Munich as a centre for typography 1926–1933. In: Eiesle, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 201-205. ISBN 9781786270931 Burke, C. (2017) Otto Neurath and the Vienna Method of Pictorial Statistics (Isotype). In: Esiele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 252-255. ISBN 9781786270931 Butler, A. (2017) 13 ways of looking at a lake. In: Gibbs, J. and Pye, D. (eds.) The Long Take: Critical Approaches. Palgrave Macmillan, London, pp. 177-191. ISBN 9781137585721 doi: https://doi.org/10.1057/978-1-137-58573-8_12 Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. (2017) Decorative dormitories for sleep workers. [Show/Exhibition] Clausen, S. (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition] Clausen, S. (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition] Clausen, S. (2017) Reading International 5: the critic as artist. [Show/Exhibition] Clausen, S. (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716 Clausen, S. and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition] Clausen, S. and Kerestey, P. (2017) Soviart. [Show/Exhibition] Clausen, S., Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709 Clausen, S. (2017) Reading International. [Project] Clausen, S. (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition] Clausen, S. (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition] Clausen, S. (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006 Clausen, S. (2017) Rehearsing Szuper Gallery. [Show/Exhibition] Clausen, S. and Kerestey, P. (2017) Bonobo. [Show/Exhibition] Clausen, S. and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition] Clausen, S. and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition] Clausen, S., Worley, M., King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723 Courage, T. V. (2017) Contemporary Chinese independent cinema: urban spaces, mobility, memory. PhD thesis, University of Reading. Elduque Busquets, A. (2017) Trilhas cantadas: circulando pelo documentário musical brasileiro. In: Suppia, A., Guimarães, P. M. and Duccini, M. (eds.) Gêneros cinematográficos e Audiovisuais: Perspectivas Contemporâneas. Urutau/Margem da Palavra, Bragança Paulista. Elduque Busquets, A. (2017) Primer Plano: the popular face of censorship. L'Atalante. Revista de Estudios Cinematograficos, 23. pp. 49-62. ISSN 2340-6992 Elduque, A. (2017) Canção, história e cinema. In: Carrega, J. and Vitorino Fernandez, S. (eds.) A Europa e os Impérios Coloniais na Literatura e no Cinema. Centro de Investigação em Artes e Comunicação da Universidade do Algarve, Faro, pp. 210-223. ISBN 9789898859242 Elduque, A. (2017) Esperar una mirada: la representación cinematográfica de la pena de muerte. In: Montero, J. F. and Planes Pedreño, J. A. (eds.) Cine entre rejas. Sans Soleil Ediciones, Vitoria-Gasteiz, pp. 203-241. ISBN 9788494735400 Elduque, A. (2017) Outskirts of reason: the dream in Días de papel and Chircales. In: Forrest, D., Harper, G. and Rayner, J. (eds.) Filmurbia: Screening the Suburbs. Palgrave Macmillan, Basingstoke, pp. 149-168. ISBN 9781137531759 Elduque, A. (2017) As Belair went by: an interview with Helena Ignez. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 123-135. ISBN 9783943620726 Elduque, A., ed. (2017) Contemporary Brazilian music film. University of Reading, Reading, pp115. ISBN 9780704915855 Elduque, A. (2017) Cut it like a tambourine beat: Ricardo Miranda on the editing of 'The Age of the Earth'. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 193-209. ISBN 9783943620726 Elduque, A. (2017) Hungry gazes, digesting closeups: Pasolini, 'Porcile' and the politics of consumption. Screen, 58 (2). pp. 119-140. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjx014 Elduque, A. (2017) Introduction. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 5-15. ISBN 9780704915855 Elduque, A. (2017) Making it visible: an interview with Sérgio Roizenblit about 'The Miracle of Santa Luzia'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 103-109. ISBN 9780704915855 Elduque, A. (2017) Vindicating the composer: an interview with Márcia Derraik about 'Where the Owl Sleeps'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 87-89. ISBN 9780704915855 Elduque, A. (2017) What about the end of the history? An interview with Hernani Heffner. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 17-21. ISBN 9780704915855 Ellison, C. (2017) Let's interface the music and dance. [Project] (Collection) Ellison, C. (2017) Workshop: making beyond the post-medium condition. Visual Culture in Britain, 18 (2). pp. 133-162. ISSN 1941-8361 doi: https://doi.org/10.1080/14714787.2017.1353438 Frearson, A. (2017) Affectation Correspondence. Tombstone Press, London, UK, pp312. ISBN 9780957675612 Frearson, A. (2017) Wollstonochlincraft. [Project] (Collection) Frearson, A. (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328 Frearson, A. (2017) Sic. Y Press, London, UK, pp345. ISBN 9781389201875 Garfield, R. (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180 Garfield, R. (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: https://doi.org/10.1080/14725886.2016.1242313 Garfield, R. (2017) This way out of England: Gallery House in retrospect. Raven Row. Garfield, R. (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066 Garnett, R. (2017) Address: Critical irony, neo-authenticity and humour in the art we call public. Art and the Public Sphere, 1 (6). pp. 69-79. ISSN 2042-793X doi: https://doi.org/10.1386/aps.6.1-2.69_1 Gibbs, J. (2017) Ophuls and film style. [Project] (Collection) Gibbs, J. (2017) Opening movements in Ophuls: long takes, leading characters and luxuries. In: Gibbs, J. and Pye, D. (eds.) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK, pp. 89-102. ISBN 9781137585721 Gibbs, J. and Pye, D. (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661 Gibbs, J. and Pye, D. (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661 Gibbs, J. and Pye, D., eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721 Gonzalez Ortiz, C. (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712 Hellmich, C. and Purse, L., eds. (2017) Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world. Edinburgh University Press, Edinburgh, pp216. ISBN 9781474416566 Hellmich, C. and Purse, L. (2017) Introduction: film and the epistemology of war. In: Hellmich, C. and Purse, L. (eds.) Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, UK. ISBN 9781474416566
Hudson, J. and Ross, F.
Hudson, J. and Ross, F. Husanovic, E. (2017) Dis-Orient Express: belly dancing, hybrid identities and female oriental ‘other’. PhD thesis, University of Reading. Kim, C. J. H. (2017) Painting in the expanded field from the perspective of Merleau-Ponty’s phenomenology: a practice-based investigation on Western and Eastern approaches. PhD thesis, University of Reading. Kindel, E. (2017) Future, Fortune, and the graphic design of information. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information Design: Research and Practice. Routledge, pp. 127-146. ISBN 9781472430700 Knox, S. and Derhy Kurtz, B. W. L. (2017) Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom. In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.) The Rise of Transtexts: Challenges and Opportunities. Routledge Research in Cultural and Media Studies. Routledge, pp. 49-67. ISBN 9781138944671 Kolb, R., Richter, D., Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M. (2017) Decolonizing Art Institutions. On-Curating, 35 (35). On-Curating, Zurich, pp142. ISBN 9781981991747 Kollectiv, G. and Kollectiv, P. (2017) Playing like a girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610 Kollectiv, P. and Kollectiv, G. (2017) Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires. In: Sampanikou, E. D. (ed.) Audiovisual Posthumanism. Cambridge Scholars Publishing, Cambridge, pp. 343-354. ISBN 9781443881777 Kollectiv, P. and Kollectiv, G. (2017) The Immigrants. [Show/Exhibition] Kontopoulou, A. (2017) Democracy. [Project] (Collection) Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community. Tate Publishing, London, pp. 88-98. Latto, A. (2017) The fragmented text/the fragmented self: exploring the limits of storytelling practice. PhD thesis, University of Reading.
Leonidas, G. Lickiss, M., Mulder, K. J., Black, A., Charlton-Perez, A. J., McCloy, R. A. and Chandler, R. (2017) Developing a quick guide on presenting data and uncertainty. Weather, 72 (9). pp. 266-269. ISSN 1477-8696 doi: https://doi.org/10.1002/wea.2998 Luna, P. (2017) Choosing type for information design. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information design: research and practice. Routledge, Abingdon, pp. 479-486. ISBN 9780415786324 Luna, P. (2017) Design. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 205-217. ISBN 9780199574797 Luna, P. (2017) Technology. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 179-202. ISBN 9780199574797 Marman, D. T. (2017) Empowering communities through theatre: an applied theatre model for Botswana. PhD thesis, University of Reading. McFrederick, M. (2017) Staging Beckett: a production history of Samuel Beckett’s drama in London (1955 – 2010). PhD thesis, University of Reading. McFrederick, M. (2017) Beckett at the Young Vic. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 243-255. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902003 McMullan, A., Pattie, D. and Nixon, M., eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden. McMullan, A. (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902012 McMullan, A. and Pattie, D. (2017) Introduction: staging Beckett at the margins. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 227-230. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902001
Miller, H. K.
Miller, H. K. Moys, J.-L. (2017) Visual rhetoric in information design: designing for credibility and engagement. In: Black, A., Luna, P., Lund, O. and Walker, S. (eds.) Information Design: research and practice. Routledge, Farnham, UK. ISBN 9780415786324 (Part 2, chapter 12) Mulder, K. J., Lickiss, M., Harvey, N., Black, A., Charlton-Perez, A., Dacre, H. and McCloy, R. (2017) Visualizing volcanic ash forecasts: scientist and stakeholder decisions using different graphical representations and conflicting forecasts. Weather, Climate and Society, 9 (3). pp. 333-348. ISSN 1948-8327 doi: https://doi.org/10.1175/WCAS-D-16-0062.1 Nagib, L. (2017) Academy visual history with Carlos Diegues. [Video] Nagib, L. (2017) Bernardet visto de longe. In: Pinto, I. and Margarido, O. (eds.) Bernardet 80: impacto e influência no cinema brasileiro. Paco Editorial/Abraccine, Jundiaí, pp. 21-32. ISBN 9788546207886 Nagib, L. (2017) Beyond difference: female participation in the Brazilian film revival of the 1990s. In: Shaw, D. and Martin, D. (eds.) Latin American Women Filmmakers. I.B. Tauris, London/New York, pp. 31-47. ISBN 9781784537111 Nagib, L. (2017) Colonialism as fantastic realism in 'Tabu'. In: Liz, M. (ed.) Portuguese Cinema: Globalizing the Nation. I.B. Tauris, London/New York. Nagib, L. (2017) Le Parricide, le cinéma d’auteur et le Vigo de Salles Gomes. Archives, 109 (111). pp. 48-52. Nagib, L. (2017) Realist cinema as world cinema. In: Stone, R. and Cooke, P. (eds.) The Routledge Companion to World Cinema. Routledge, Abingdon-on-Thames, pp. 310-322. ISBN 9781138918801 Nagib, L. (2017) Tierra, utopía y mito fundador. De Glauber Rocha a Walter Salles. Enfoco (52). pp. 22-33. Nagib, L. (2017) The horizontal spread of a vertical malady: cosmopolitanism and history in Pernambuco’s recent cinematic sensation. In: Delgado, M. M., Hart, S. M. and Johnson, R. (eds.) A Companion to Latin American Cinema. Wiley Blackwell Companions to National Cinemas. Wiley-Blackwell, Hoboken, New Jersey, pp. 343-355. ISBN 9781118552889 Nagib, L. (2017) Antropofagia e intermidialidade: o caso de como era gostoso o meu francês. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 6 (1). ISSN 2316-9230 doi: https://doi.org/10.22475/rebeca.v6n1.479 (REBECA 11) Nagib, L. (2017) Kuarup, o filme. La Furia Umana, 30. ISSN 2037-0431 Nagib, L. (2017) Mysteries of Lisbon and intermedial history-telling. Aniki: Portuguese Journal of the Moving Image, 4 (2). pp. 375-391. ISSN 2183-1750 Nagib, L. (2017) Yaaba, cinefilia e realismo sem fronteiras. Revista África(s), 4 (7). pp. 61-70. ISSN 2446-7375 Nemeth, T. (2017) Arabic type-making in the machine age: the influence of technology on the form of Arabic type, 1908–1993. Islamic Manuscripts and Books, 14. Brill Academic Publishers, Leiden ⸱ Boston, pp509. ISBN 9789004303775 doi: https://doi.org/10.1163/9789004349308 O'Brien, A. (2017) Film and the natural environment: elements and atmospheres. Short Cuts. Wallflower Press, London, pp114. ISBN 9780231182652 O'Brien, A. (2017) Roberto Rossellini presents. In: Gibbs, J. and Pye, D. (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 117-132. ISBN 9781137585721 O'Connell, T. (2017) All that is data that melts into air. [Show/Exhibition] O'Connell, T. (2017) Study for a pavilion: Askeaton. [Show/Exhibition] O'Connell, T. (2017) Temporal Data Study. [Project] (Collection) Poynor, R. (2017) National theatre posters: a design history. Unit Editions, London, pp256. ISBN 9780995666436 Purse, L. (2017) Ambiguity, ambivalence and absence in Zero Dark Thirty. In: Purse, L. and Hellmich, C. (eds.) Disappearing War Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, pp. 131-148. ISBN 9781474416566 Purse, L. (2017) Between phonographic perfection and resistance: Titãs – life even looks like a party. In: Elduque Busquets, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 91-98. ISBN 9780704915855 Purse, L. (2017) Confronting the impossibility of impossible bodies: Tom Cruise and the ageing male action hero movie. In: Yu, S. Q. and Austin, G. (eds.) Revisiting Star Studies: Cultures, Themes and Methods. Edinburgh University Press, Edinburgh, pp. 162-184, 320 pages. ISBN 9781474404310 Purse, L. (2017) Digital visceral: textural play and the flamboyant gesture in digital screen violence. Journal of Popular Film & Television, 45 (1). pp. 16-25. ISSN 0195-6051 doi: https://doi.org/10.1080/01956051.2017.1270137 Purse, L. (2017) Working space: gravity (Alfonso Cuarón) and the digital long take. In: Pye, D. and Gibbs, J. (eds.) The Long Take: Critical Approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, pp. 221-238. ISBN 9781137585721 Reid, T. (2017) Theatre without walls: the National Theatre of Scotland. Journal of Contemporary Drama in English, 5 (1). pp. 86-97. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2017-0007 Renshaw, T. (2017) Notebook architecture at Kunstgriff. [Show/Exhibition] Renshaw, T. (2017) Plan Unplan. [Show/Exhibition] Richter, D. (2017) Being singular/plural in the exhibition context: curatorial subjects at documenta 5, dX, D12, d(13). In: Buurman, N. and Richter, D. (eds.) documenta. Curating the History of the Present. On-Curating, 33 (33). On-Curating, Zurich, pp. 76-88. ISBN 9781546946120 Richter, D. (2017) Invisible philosophers, my fellow travelers. In: Baltensperger + Siepert, , Baltensperger, S. and Siepert, D. (eds.) Invisible philosophy. Amsel Verlag, Zurich. ISBN 9783906325170 Richter, D. (2017) Learning from Dhaka. OnCurating (35). pp. 61-71. ISSN 2673-2904 (Decolonizing Art Institutions) Richter, D. (2017) Propositions on curating, or how much curating is involved in social change. In: Krämer, N. and Müller, P. (eds.) With: A Bookazine on Collaboration between Cultures, Art Forms, and Disciplines. Connecting Spaces, Zurich University of the Arts, Zürich. Richter, D., Kolb, R., Clausen / Szuper Gallery, S., Alves, M. T., Durham, J., Keller, S., Ponger, L., Rosen, R. and Zhao, Z. (2017) De-Colonizing Art Institutions: Artists’ Book. On-Curating, 34 (34). On-Curating, Zurich, pp108. ISBN 9781982088897 Roithmayr, F. (2017) Chelsea Embankment - London. [Project] Roithmayr, F. (2017) Home is not a Place. [Show/Exhibition] Roithmayr, F. (2017) Ir re par sur. [Show/Exhibition] Roithmayr, F. (2017) They call us screamers. [Show/Exhibition] Roithmayr, F. (2017) With, and, or, without. [Project] (Collection)
Ross, F.
Ross, F. Rowlands, A. and Williams, M. (2017) On Reading. [Project] Rowlands, A. (2017) Our words return in patterns. [Project] (Collection) Rowlands, A. and Williams, M. (2017) Our words return in patterns. [Show/Exhibition] Russell, J. (2017) Against interpretation. [Show/Exhibition] Russell, J. (2017) As above, so below: portals, visions, spirits & mystics. [Show/Exhibition] Russell, J. (2017) Encore! [Show/Exhibition] Russell, J. (2017) DOGGO. [Show/Exhibition] Russell, J. (2017) DOGGO. Miami and Zurich: NAME and Zurich Kunsthalle, Miami/Zurich. ISBN 9780997494020 Singh, V. (2017) Devanagari type in the twentieth century. PhD thesis, University of Reading. Singh, V. (2017) From handwritten copy to the printed page in Devanagari: investigating the curious case of Friedrich Max Müller. Journal of the Printing Historical Society (26). pp. 11-22. ISSN 0079-5321 Smart, B. (2017) ‘Drama for people ‘in the know’: Television World Theatre (BBC 1957-59) and Festival (BBC 1963-64). Historical Journal of Film, Radio and Television, 37 (1). pp. 34-48. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2016.1272810 Solomon, S. (2017) William Faulkner in Hollywood: screenwriting for the studios. The South on Screen. University of Georgia Press, Athens, GA, pp320. ISBN 9780820351131 Solomon, S. (2017) Introduction. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books and University of Reading, Berlin, pp. 7-31. ISBN 9783943620726 Solomon, S., ed. (2017) Tropicália and beyond: dialogues in Brazilian film history. Archive Books and University of Reading, Berlin, pp304. ISBN 9783943620726 Tam, K. (2017) Trust in Chinese–English bilingual documents: a heuristic for typographic decision-making. In: Typography Day Colombo 2017, 24–25 Feb 2017, Colombo, Sri Lanka.
Waldeck Villas Boas, M. Walker, S. (2017) Marie Neurath: designing information books for young people. In: Black, A., Lund, O., Luna, P. and Walker, S. (eds.) Information design research and practice. Routledge, pp. 117-126. ISBN 9780415786324 Walker, S. (2017) Research in graphic design. The Design Journal, 20 (5). pp. 549-559. ISSN 1460-6925 doi: https://doi.org/10.1080/14606925.2017.1347416 Walker, S. (2017) The contribution of typography and information design to health communication. In: Cooper, R. and Tsekleves, E. (eds.) Design for health. Routledge, pp. 92-109. ISBN 9781472457424 Woods, F. (2017) Streaming British youth television: online BBC Three as a transitional mome. Cinema Journal, 57 (1). pp. 140-146. ISSN 1527-2087 doi: https://doi.org/10.1353/cj.2017.0065 Wrigley, A. (2017) Higher education and public engagement: Open University and BBC drama co-productions on BBC2 in the 1970s. Journal of British Cinema and Television, 14 (3). pp. 377-393. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2017.0379 2016Allen, K. and Hollinworth, N. (2016) Interactive sensory cow for the Museum of English Rural Life (MERL). [Project] Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. In: International Conference on The Inclusive Museum, August 2015, Los Angeles. Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. The International Journal of the Interactive Museum, 9 (1). pp. 21-38. doi: https://doi.org/10.18848/1835-2014/CGP/v09i01/21-38 Angelaki, V. (2016) The space and culture of translation: Ferdinand Bruckner’s 'Pains of Youth' by Martin Crimp and Katie Mitchell. Journal of Adaptation in Film & Performance, 9 (1). pp. 67-82. ISSN 1753-6421 doi: https://doi.org/10.1386/jafp.9.1.67_1 Bignell, J. (2016) Authenticity and performance of class in British factual TV series. In: Cloarec, N., Haigron, D. and Letort, D. (eds.) Social Class on British and American Screens: Essays on Cinema and Television. McFarland, Jefferson, USA, pp. 58-73. ISBN 9781476662343 Bignell, J. (2016) Cars, places and spaces in police drama. In: McElroy, R. (ed.) Contemporary British Television Crime Drama: Cops on the Box. Routledge Advances in Television Studies. Routledge, London, pp. 123-136. ISBN 9781472454935 Bignell, J. (2016) Representing violence, playing control: warring constructions of masculinity in Action Man toys. In: Wesseling, E. (ed.) The Child Savage, 1890–2010. From Comics to Games. Ashgate Studies in Childhood, 1700 to the Present. Routledge, London, pp. 189-202. ISBN 9781409455981 Blacksell, R. (2016) From visual to textual: typography in/as conceptual art. In: Glasmeier, M. and Prill, T. (eds.) Typografie als Kunstlerisches Ereignis. Textem Verlag, Hamburg, pp. 113-141. ISBN 9783864851254 Blacksell, R. and Walker, S., eds. (2016) Architecture and the spaces of information. Architecture and Culture, 4 (1). Taylor & Francis. Blacksell, R. and Walker, S. (2016) Introduction: architecture and the spaces of information. Architecture and Culture, 4 (1). pp. 1-8. ISSN 2050-7836 doi: https://doi.org/10.1080/20507828.2016.1153241 Blacksell, R. E. (2016) Categories & order systems: Claude Parent and The Serving Library. Intersections of architecture, art and editorial design. Architecture and Culture, 4 (1). pp. 73-89. ISSN 2050-7836 doi: https://doi.org/10.1080/20507828.2015.1094229 Burke, C. (2016) Formal writing, artist typefaces, and bread-and-butter type (part 1). Forum (32). pp. 8-13. ISSN 1472-0604 Burke, C. (2016) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 256-260. ISBN 9783874398930 Burke, C. (2016) Jan Tschichold und Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 206-209. ISBN 9783874398930 Burke, C. (2016) Krise 1933 – Politisierung der Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 226-235. ISBN 9783874398930 Burke, C. (2016) München als typografisches Zentrum. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 201-205. ISBN 9783874398930 Burke, C. (2016) Otto Neurath und die Wiener Methode der Bildstatistik. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 252-255. ISBN 9783874398930 Burke, C. (2016) Wie kam die Futura auf dem Mond? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura. Die Schrift. Verlag Hermann Schmidt, Mainz, pp. 350-365. ISBN 9783874398930 Clausen, S. (2016) Slapping scenes. ONCURATING.ORG, Zurich. Clausen, S. (2016) These are the people in your neighbourhood - Mammalian Diving Reflex. [Show/Exhibition] Clausen, S. and Richter, D. (2016) The six enemies of greatness. ONCURATING.ORG, Zurich. Cooke, K., Harezlak, A., Bizon, M., Bligh, S., Cawkwell, C., Coyle, P., Berman Duff, D., Frearson, A., Klee, S., Guro Larsmon, A. and Schoen, K. (2016) Concrete plastic. [Show/Exhibition] Cooke, K. S. (2016) Art ontologyvalue: staging the ontology of art within systems of value. PhD thesis, University of Reading. Courage, T. (2016) Kelly Reichardt: lost in Oregon. In: Berra, J. (ed.) Directory of World Cinema: American Independent 3. University of Chicago Press, Chicago, pp. 219-223. ISBN 9781783206568 Dyson, M. C. and Beier, S. (2016) Investigating typographic differentiation: italics are more subtle than bold for emphasis. Information Design Journal, 22 (1). pp. 3-18. ISSN 0142-5471 doi: https://doi.org/10.175/idj.22.1.02dys Dyson, M. C. and Suen, C. Y., eds. (2016) Digital fonts and reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems: Volume 1. World Scientific. ISBN 9789814759533 Dyson, M. C., Tam, K., Leake, C. and Kwok, B. (2016) How does expertise contribute to the recognition of Latin and Chinese characters? In: Dyson, M. C. and Suen, C. Y. (eds.) Digital fonts and reading. World Scientific , Singapore, pp. 193-208. ISBN 9789814759533 Dzuverovic, L. (2016) Feeding off contradiction: self managed socialism in focus. In: Feeding Off Contradiction: Self Managed Socialism in Focus, 16 January 2016, Nottingham Contemporary. Dzuverovic, L. (2016) Monuments should not be trusted exhibition. [Show/Exhibition] Dzuverovic, L. (2016) Monuments should not be trusted: exhibition catalogue. Nottingham Contemporary, Nottingham, UK, pp201. ISBN 9781907421082 Dzuverovic, L. (2016) Holly Herndon: a life across bits and atoms. Afterall Journal, 41. pp. 90-97. ISSN 1465-4253 doi: https://doi.org/10.1086/687091 Dzuverovic, L. (2016) Twice erased: the silencing of feminisms in 'Her Noise'. Women and Music: A Journal of Gender and Culture, 20 (1). pp. 88-95. ISSN 1090-7505 doi: https://doi.org/10.1353/wam.2016.0005 Elduque Busquets, A. (2016) Hunger and rotten flesh: Cinema Novo, Pasolini, Eisenstein. [Video] Elduque Busquets, A. (2016) El vuelo del buitre: Ruy Guerra y la historia de las repeticiones. La Furia Umana, 30. ISSN 2037-0431 Elduque Busquets, A. and Salvadó, A. (2016) Aesthetical and narrative uses of the trench in the Hollywood cinema of 1918-1930. L'Atalante. Revista de Estudios Cinematográficos, 21. pp. 93-103. ISSN 2340-6992 Elduque, A. (2016) La comida en familia. In: Balló, J. and Bergala, A. (eds.) Motivos visuales del cine. Galaxia Gutenberg, Barcelona, pp. 77-81. ISBN 9788416495504 Elduque, A. (2016) Pasolini and Third World hunger: an approach to Cinema Novo through 'La ricotta'. Journal of Italian Cinema and Media Studies, 4 (3). pp. 369-385. ISSN 20477368 doi: https://doi.org/10.1386/jicms.4.3.335_7 Elduque, A. (2016) The necessary amateur. Cinema, education and politics. Interview with Cezar Migliorin. Cinema Comparat/ive Cinema, 4 (9). pp. 36-42. ISSN 2014-8933 Frearson, A. (2016) Attempty. [Image] (Armseye Magazine, Issue 2, pp 18-19) Frearson, A. (2016) Frankenstein 2. [Project] (Collection) Frearson, A. (2016) Datocracy. Journal of Visual Art Practice, 15 (2-3). pp. 168-175. ISSN 1758-9185 doi: https://doi.org/10.1080/14702029.2016.1228807 Garfield, R. (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137-156. ISBN 9780810132825 Garfield, R. (2016) The Stephen Dwoskin dossier: introduction. Screen, 57 (1). pp. 71-73. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjw006 Garfield, R. (2016) Stephen Dwoskin-retrospektive in Frankfurt am Main. frankfurtfilmkollectiv, Frankfurt. Garfield, R. S. (2016) Maximalism as a Cosmopolitan strategy in the art of Ruth Novaczek and Doug Fishbone. European Review of History, 23 (5-6). pp. 961-977. ISSN 1350-7486 doi: https://doi.org/10.1080/13507486.2016.1203880 Garin, M. and Elduque, A. (2016) Quantitative meta-analysis of visual motifs throughout film history. El profesional de la información, 25 (6). pp. 883-892. ISSN 1699-2407 Gibbs, J. (2016) Opening movements in Ophuls: Caught (and Madame de …)(audiovisual essay). [in]Transition, 3 (2). ISSN 2469-4312 Healy, C. (2016) Thin place: an alternative approach to place-based curation. Centre for Landscape Studies, NUI Galway. (Unpublished) Healy, C. and Stead, A. (2016) Already the world: a post-humanist dialogue. Alter Rurality. (Unpublished) Hellmich, C. and Purse, L. (2016) Knowing war: moving images and the politics of erasure in the post 9/11 world. E-international relations.
Hudson, J. and Ross, F.
Izadpanah, B. Kollectiv, G. and Kollectiv, P. (2016) Progress report from the strategic sanctuary for the destruction of free will. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2016) The Immigrants. [Project] (Collection) Kollectiv, G. and Kollectiv, P. (2016) Reports from the strategic sanctuary for the destruction of free will. [Project] (Collection) Kontopoulou, A. (2016) The democratic table. [Show/Exhibition]
Kshetrimayum, N. and Ross, F. Lamberg, J. J. J. (2016) Clothing the paper: on the state of newspaper design, redesigns, and art directors’ perspectives in contemporary quality and popular newspapers. PhD thesis, University of Reading. Lee, R. and Moys, J.-L. (2016) Exploring the relationship between language and design: a study of Hong Kong newspapers. Visible Language, 50 (2). pp. 127-149. ISSN 0022-2224 Loveland, P., Moys, J.-L., Tollett, H. and Towriss, M. (2016) Typo-resource: developing T&L support materials through collaboration. The Journal of Educational Innovation, Partnership and Change, 2 (1). 238. ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v2i1.238 McFrederick, M. (2016) Feckham, Peckham, Fulham, Clapham…Hammersmith: Beckett at Riverside Studios. In: Tucker, D. and McTighe, T. (eds.) Staging Beckett in Great Britain. Bloomsbury, Methuen Drama, London, pp. 37-55. ISBN 9781474240178 McMullan, A. (2016) Staging Beckett in Ireland: scenographic remains. In: McTighe, T. and Tucker, D. (eds.) Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London, pp. 103-119. ISBN 9781474240550
Miller, H. K.
Miller, H. K.
Miller, H. K. Murjas, T., (2016) War Child: Meditating on an Archive. University of Reading (https://www.rluk.ac.uk/war-child-archive/) Nagib, L. (2016) Regurgitated bodies: presenting and representing trauma in 'The Act of Killing'. In: Tzioumakis, Y. and Molloy, C. (eds.) The Routledge Companion to Film & Politics. Routledge, Abingdon, pp. 218-230. ISBN 9780415717397 Nagib, L. (2016) Non-cinema: the location of politics in film. Film-Philosophy, 20 (1). pp. 131-148. ISSN 1466-4615 doi: https://doi.org/10.3366/film.2016.0007 Narberhaus, M., Da Rocha, I. and Elduque, A. (2016) Multilingüismo en las aulas: La producción en el Taller Integrado de Periodismo. Opción, 10. pp. 358-375. ISSN 1012-1587 Nemeth, T. (2016) ‘Harmonised type design’ revisited. In: Dyson, M. and Suen, C. Y. (eds.) Digital Fonts and Reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems. World Scientific, Singapore, pp. 150-172. ISBN 9789814759533 doi: https://doi.org/10.1142/9789814759540_0009 O'Brien, A. (2016) Transactions with the world: ecocriticism and the environmental sensibility of new Hollywood. Berghahn Books, Oxford, pp228. ISBN 9781785330001 O'Connell, T. (2016) Public discussion, art practice between 3 generations. Bealtaine Festival Ireland, Wexford Arts Cantre. O'Connell, T. (2016) The Shift, eight years of flat time house. [Show/Exhibition] O'Connell, T. (2016) Valerie Connor, Tina O’Connell and Neal White in conversation. Objectif Exhibitions, Kleine Markt 7–9/26 2000 Antwerp. Saturday 6 February 2016, 5pm. Objectif Exhibitions, Antwerp, Belgium. O'Connell, T. and White , N. (2016) Deep freeze (commissioned art work, with Neal White). [Show/Exhibition] O'Connell, T. and White, N. (2016) 9 Events. [Show/Exhibition] O'Connell, T. and White, N. (2016) An incidental meeting with Tina O'Connell and Neal White, a discussion with Barbara Steveni. [Show/Exhibition] Purse, L. (2016) Affective trajectories: locating diegetic velocity in the cinema experience. Cinema Journal, 55 (2). pp. 151-157. ISSN 0009-7101 (IN FOCUS: Speed) Purse, L. (2016) The new Hollywood, 1981–1999: special/visual effects. In: Whissel, K. and Keil, C. (eds.) Editing and Special/Visual Effects. Behind the Silver Screen. Rutgers University Press, New Brunswick, NJ, pp. 142-155. ISBN 9780813570815 Reid, T. (2016) Scottish drama: the expanded community. In: Lyall, S. (ed.) Community in Modern Scottish Literature. SCROLL: Scottish Cultural Review of Language and Literature (25). Brill Rodopi, Leiden, Netherlands, pp. 143-159. ISBN 9789004317444 Reid, T. (2016) 'Sexy kilts with attitude': Scottish theatre in the twenty-first century. In: Adiseshiah, S. and Lepage, L. (eds.) Twenty-First Century Drama: What Happens Now. Palgrave MacMillan, Basingstoke, pp. 191-211. ISBN 9781137484024 Reid, T. (2016) Teenage dreams : power and imagination in David Greig's Yellow Moon and The Monster in the Hall. Contemporary Theatre Review, 26 (1). pp. 60-70. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2015.1123701 Renshaw, T. (2016) Phase 1. [Show/Exhibition] Renshaw, T. (2016) Shed at Naming Rights. [Show/Exhibition] Renshaw, T. (2016) Notebook architecture. [Show/Exhibition]
Richter, D. Richter, D. (2016) Feminist perspectives on curating. In: Richter, D., Krasny, E. and Perry, L. (eds.) Curating in Feminist Thought. On-Curating, Zurich, pp. 64-76. ISBN 9781532873386 Richter, D. (2016) Learning from Dhaka. In: Garcia-Anton, K., Cataldo, A. and Betancourt, D. C. (eds.) Critical Writing Ensembles. Mousse Publishing, Milan, pp. 234-247. ISBN 9788867492701 Richter, D. (2016) My glam, your glam, we glam. In: Marchetti, L. (ed.) La mode exposée / Fashion curating. HEAD, Geneve, pp. 213-218. ISBN 9782940510146 Richter, D. (2016) Performance Kunst kuratieren? In: Gebhardt Fink, S., Mathis, M. and von Büren, M. (eds.) Performance Chronik Basel: Erinnern und Erzählen (1987-2006). Diaphanes Verlag, Zürich/Berlin, pp. 43-51. ISBN 9783037346341 Richter, D. (2016) (Un)Dinge, oder warum die Sehnsucht nach dem Ding immer reaktionär ist. Interdisziplinäres Ausstellen, 16 (1-2). pp. 8-15. ISSN 1015-6720 Roithmayr, F. (2016) Breath rider. [Performance] Roithmayr, F. (2016) Prague Quadrennial - shared space. [Project] (Unpublished) Roithmayr, F. (2016) Service. [Show/Exhibition] Roithmayr, F., Anderson, R. and Eldret, L. (2016) Foreign Objects. [Show/Exhibition] Roithmayr, F., Arancio, S., Austin, M., Faramawy, A., Finlay, S., Thompson, M. and Teichmann, E. (2016) Inland Far. [Show/Exhibition] Roithmayr, F., Stevens, M., Prouvé, J., Marino di Teana, F., Kobylarz, S., Schlemmer, O., House, S., Morellet, F. and Chardon, N. (2016) Bauhaus + Around. [Show/Exhibition] Roithmayr, F. (2016) EndStart. [Show/Exhibition] Rossi, J. (2016) Collabowrighting the hyper(play)text: a postdramatic digital poetics. PhD thesis, University of Reading. Rowlands, A. and Williams, M., eds. (2016) NOVEL Upstairs. NOVEL, 5. NOVEL - Bergen Kunsthall, Bergen, Norway, pp90. ISBN 9781527203754 Rowlands, A. and Williams, M. (2016) Novel upstairs. [Show/Exhibition] Russell, J. (2016) Le Bourgeois. [Show/Exhibition] Russell, J. (2016) Scissors cut paper wrap stone. [Show/Exhibition] Russell, J. (2016) Tetragrammaton. [Show/Exhibition] Smart, B. (2016) ‘Nats go home’: modernism, television and three BBC productions of Ibsen (1971-1974). Ibsen Studies, 16 (1). pp. 37-70. ISSN 1502-1866 doi: https://doi.org/10.1080/15021866.2016.1180869 Smart, W. and Wrigley, A. (2016) Television history: archives, excavation and the future. A discussion. Critical Studies in Television: The International Journal of Television Studies, 11 (1). pp. 96-109. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602015618634 Souza Borges, R. (2016) Human figure as automaton: directing as gesture as painting. PhD thesis, University of Reading. Trampe, T., Richter, D. and Stassi, E., eds. (2016) Work, Migration, Memes and Personal Geopolitics. On-Curating, 30 (30). On-Curating, Zurich, pp152. ISBN ISBN-13: 978-1533448392 Twyman, M., ed. (2016) John Philips's lithographic notebook. Printing Historical Society, London, pp104. Woods, F. (2016) British youth television: transnational teens, industry, genre. Palgrave, London, pp267. ISBN 9781137445476 Woods, F. (2016) My generation(s): cycles, branding and renewal in E4’s 'Skins'. In: Klein, A. A. and Palmer, R. B. (eds.) Cycles, Sequels, Remakes and Reboots: Multiplicities in Film & Television. University of Texas Press, Austin, Texas, pp. 240-259. ISBN 9781477309001 Woods, F. (2016) Space, authenticity and utopia in the hip-hop teen dance film. In: Evans, M. and Fogarty, M. (eds.) Movies, Moves and Music: The Sonic World of Dance Films. Genre, Music and Sound. Equinox, Sheffield, pp18. ISBN 9781845539580 2015Abraham, S., Bartlett, R., Standage, M., Black, A., Charlton-Perez, A. and McCloy, R. (2015) Do location specific forecasts pose a new challenge for communicating uncertainty? Meteorological Applications, 22 (3). pp. 554-562. ISSN 1469-8080 doi: https://doi.org/10.1002/met.1487 Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Seminar: access all areas. In: Access all areas, 11 November 2011, Whitworth Art Gallery, Manchester. Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Seminar: sensory objects. In: Sensory objects, 25 February 2015, Sackler Rooms, British Museum. Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Sensory objects at the British Museum. [Show/Exhibition] Allen, K., Hollinworth, N., Hwang, F. and Minnion, A., (2015) Sensory objects: a case study. Disability Cooperative Network Angelaki, V. (2015) From history to “Ourstories” in Martin Crimp’s metanarratives. Journal of Contemporary Drama in English, 3 (1). pp. 142-155. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2015-0010 Angelaki, V. (2015) (Up)setting the scene: 'Open Court' as staging and spectating intervention. Contemporary Theatre Review, 25 (4). pp. 472-487. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2015.1078321 Banks, M., Ivison, T., Jacobi, S., Theodoropoulou, L., Adams, J., Smith, M., Moonasinghe, H., Monsisyan, A. and Kontopoulou, A. (2015) New terms: radical education workshops. [Project] Bignell, J. (2015) Performing right: legal constraints and Beckett’s plays on BBC television. Samuel Beckett Today / Aujourd'hui, 27. 129- 142. ISSN 0927-3131 doi: https://doi.org/10.1163/9789004309937_011 Blacksell, R. (2015) Studio International. The Burlington Magazine, 157 (1347). pp. 430-431. ISSN 0007-6287
Chamarette, J.
Chamarette, J. Clausen, S. (2015) Liquid trust at ICA. [Show/Exhibition] Clausen, S. (2015) Bonobo. [Show/Exhibition] Clausen, S. (2015) Liquid trust. [Show/Exhibition] Clausen, S. (2015) Liquid trust. [Project] (Collection) Dzuverovic, L. (2015) Contribution to The World Goes Pop exhibition catalogue. In: Morgan, J. and Frigeri, F. (eds.) The world goes pop. Tate Publishing, London, pp272. ISBN 9781849762700 Elduque, A. (2015) El hambre y los sueños de los conquistadores: 'Aguirre, la cólera de Dios' ('Aguirre, der Zorn Gottes', 1972). In: Higueras Flores, R. (ed.) Werner Herzog. Espejismos de sueños olvidados. Shangrila Textos Aparte, Santander, pp. 244-250. ISBN 9788494367236 Elduque, A. (2015) El tránsito del murciélago: irrupciones de lo fantástico en el cine de Werner Herzog. In: Higueras Flores, R. (ed.) Werner Herzog. Espejismos de sueños olvidados. Shangrila Textos Aparte, Santander, pp. 184-191. ISBN 9788494367236 Elduque, A. (2015) O touro fica: anotações sobre 'O Testamento de Dom Quixote'. Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual, 4 (7). pp. 455-465. ISSN 2316-9230 Garfield, R. (2015) Negotiating the British landscape. In: Dadi, I. (ed.) Anwar Jalal Shemza. Ridinghouse, London, pp. 19-26. ISBN 9781909932135 Garfield, R. (2015) “Out of Chaos”; Ben Uri: 100 years in London, Somerset House, East Wing, 2 July-13th December 2015. [Show/Exhibition] Garfield, R. (2015) The struggle II: opening up. [Video] Garfield, R. (2015) The struggle. [Project] (Collection) Gibbs, J. (2015) Filmmakers' choices. Movie: A Journal of Film Criticism, Warwick, UK. (Republication in e-form) Healy, C. (2015) Thin place exhibition. [Show/Exhibition]
Hudson, J. and Ross, F.
Hudson, J. and Ross, F.
Hudson, J. and Ross, F.
Hudson, J. and Ross, F. Kazakopoulou de Senna, A. (2015) Women’s Popular Cinema in Greece: the case of Olga Malea. PhD thesis, University of Reading. Kollectiv, P. and Kollectiv, G. (2015) Bureaucracy. In: Bureaucracy, 1/7/2015, ICA, London. Kontopoulou, A. (2015) Democracy and community. [Project]
Leonidas, G.
Leonidas, G.
Leonidas, G.
Leonidas, G.
Leonidas, G. Lickiss, M. (2015) Pictures of the molecular world. Education in Chemistry, 18. ISSN 0013-1350 Lickiss, M. D. (2015) relationships between document instantiations across systems, mediums, and genres. PhD thesis, University of Reading. Luna, P. (2015) The Poems of T. S. Eliot [Book design by Paul Luna]. [Artefact] Macbeth, R., Frearson, A. and Riviere, S. (2015) Resource: uncreative writing. [Show/Exhibition] Medioli, F. (2015) Una biografia per immagini. In: Medioli, F. and Mancini, R. (eds.) Il costruttore di immagini: Enrico Medioli sceneggiatore. Aska, Florence, pp. 27-42. ISBN 97888775422448 Medioli, F. and Mancini, R., eds. (2015) Il costruttore di immagini. Aska, Florence, pp144. ISBN 9788875422448
Miller, H. K. Murphet, J. and Solomon, S., eds. (2015) William Faulkner in the media ecology. Louisiana State University Press, Baton Rouge, pp276. ISBN 9780807159484 Nagib, L. (2015) Utopia in Brazilian cinema: from Black God, White Devil to Foreign land. In: Bethencourt, F. (ed.) Utopia in Portugal, Brazil and Lusophone African Countries. Reconfiguring Identities in the Portuguese-Speaking World (4). Peter Lang, Oxford, pp. 121-140. ISBN 9783034318716 Nagib, L. (2015) The politics of slowness and the traps of modernity. In: De Luca, T. and Barradas Jorge, N. (eds.) Slow Cinema. Traditions in World Cinema. Edinburgh University Press, Edinburgh, pp. 25-46. ISBN 9780748696024 Nemeth, T. (2015) A bespoke typeface for an Austrian publishing house. In: Kudrnovská, L. (ed.) 365 Type. étapes, Paris, p. 246. ISBN 9791095254003 Nemeth, T., Březina, D. and Apelian, K. (2015) Rosetta type foundry: the perils of harmonization. Letterseed 11, 7 (1). pp. 164-171. ISSN 2093-1166 O'Brien, A. (2015) Brokeback Mountain: a toast. Movie: a journal of film criticism (6). pp. 29-33. ISSN 2047-1661 Purse, L. (2015) Rotational aesthetics: Michael Bay and contemporary cinema’s machine movement. Senses of Cinema (75). ISSN 1443-4059 Renshaw, T. (2015) Distressed geometry. [Show/Exhibition] Roithmayr, F. (2015) Things that tumble twice. [Show/Exhibition] Roithmayr, F. (2015) The imprint. In: Norwich University of the Arts Annual Fine Art Conference: DIALOGUES 2015: Speculative Matters, Norwich University of the Arts. (Unpublished) Roithmayr, F. (2015) With, and, or, without. [Project] Roithmayr, F. (2015) With, and, or, without. [Show/Exhibition]
Ross, F.
Ross, F. Russell, J. (2015) UNSPECIFIED [Performance] Russell, J. (2015) Animation 1-15, a-P. In: Osbaldeston, D. (ed.) Inflection sandwich. Onomatopee, London, pp. 17-32. ISBN 9789491677281 Russell, J. (2015) Eton. [Show/Exhibition] Russell, J. (2015) Lofoten international art festival 2015: disappearing acts. [Show/Exhibition] Russell, J. (2015) Plague of diagrams. [Show/Exhibition] Russell, J. and Mitchell, D. (2015) Black Forest Magic. [Show/Exhibition] Russell, J. (2015) Bruce Willis, irigaray, and the aesthetics of space travel. EROS Journal, 6. pp. 56-70. ISSN 2048-8352 Russell, J. (2015) SQRRL. [Show/Exhibition] Russell, J. (2015) SQRRL. Rhizome. Smart, B. (2015) Producing classics on outside broadcast in the 1970s: The Little Minister (1975), As You Like It (1978) and Henry VIII (1979). Critical Studies in Television, 10 (3). pp. 67-82. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.10.3.6 Solomon, S. (2015) Words and silk: Gerald Murnane at the cinema. Antipodes, 29 (2). pp. 309-320. ISSN 0893-5580 doi: https://doi.org/10.13110/antipodes.29.2.0309 Unger, G. (2015) Letters from the edge of Europe. In: Granshan Conference, 23–25 July 2015, University of Reading. White, E., Basford, L., Birch, S., Black, A., Culham, A., McGoff, H., Lundqvist, K., Oppenheimer, P., Tanner, J., Wells, M. and Mauchline, A. (2015) Creating and implementing a biodiversity recording app for teaching and research in environmental studies. The Journal of Educational Innovation, Partnership and Change, 1 (1). ISSN 2055-4990 Woods, F. (2015) Girls talk: authorship and authenticity in the reception of Lena Dunham's Girls. Critical Studies in Television, 10 (2). pp. 37-54. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.10.2.4 Woods, F. (2015) Telefantasy tower blocks: space, place and social realism shake-ups in Misfits. Journal of British Cinema and Television, 12 (2). pp. 229-244. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2015.0259 Woynarski, L. (2015) Locating an indigenous ethos in ecological performance. Performing Ethos, 5 (1 & 2). pp. 17-30. ISSN 1757-1987 doi: https://doi.org/10.1386/peet.5.1-2.17_1 Woynarski, L. (2015) A house of weather and a polar bear costume: ecological anthropomorphism in the work of fevered sleep. Performance Research, 20 (2). pp. 24-32. ISSN 1469-9990 doi: https://doi.org/10.1080/13528165.2015.1026722 2014Allahyari, M., Nilchiani, M., Rourke, D. and Frearson, A. (2014) Bitrates. [Show/Exhibition] Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Buckets, baskets and boots: exhibition event at MERL. [Show/Exhibition] Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Seminar: sensory objects in progress. In: Sensory Objects in Progress, 10 June 2014, MERL, Reading. Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Workshop: sensory objects. In: Engage 2014, 4 December 2014, Bristol. Angelaki, V. (2014) Witness or accomplice? Unsafe spectatorship in the work of Anthony Neilson and Simon Stephens. In: Aragay, M. and Monforte, E. (eds.) Ethical Speculations in Contemporary British Theatre. Palgrave Macmillan, Basingstoke, pp. 135-151. ISBN 9781137297563 Angelaki, V. (2014) "Alles Weitere kennen Sie aus dem Kino": Martin Crimp at the cutting edge of representation. Contemporary Theatre Review, 24 (3). pp. 315-330. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2014.921050 Angelaki, V. (2014) Introduction: dealing with Martin Crimp. Contemporary Theatre Review, 24 (3). pp. 309-314. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2014.921031 Angelaki, V. and Rebellato, D., eds. (2014) Dealing with Martin Crimp. Contemporary Theatre Review (special issue), 24 (3). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2014.921031 Banham, R. (2014) 'The largest type in England': wood lettering for jobbing printing 1800–1830. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 27-40, 107-126 (colour images), 181-192 (English text). ISBN 9783932865862 Beier, S. and Dyson, M. C. (2014) The influence of serifs on 'h' and 'i': useful knowledge from design-led scientific research. Visible Language, 47 (3). pp. 74-95. ISSN 0022-2224 Bignell, J. (2014) The spaces of the Wednesday Play (BBC TV 1964–1970): production, technology and style. Historical Journal of Film, Radio and Television, 34 (3). pp. 369-389. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2014.937182 (Special issue "Production, site and style") Bignell, J. and Lacey, S., eds. (2014) British television drama: past, present and future. 2nd edition. Palgrave Macmillan, Basingstoke, pp272. ISBN 9781137327567 Blume, J., Pané-Farré, P. and Smeijers, F. (2014) Vom buch auf die Straße: große Schrift von 1600 bis 1920 (From the book to the street: big letters from 1600 to 1920). [Show/Exhibition] Blume, J., Pané-Farré, P. and Smeijers, F., eds. (2014) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (From the book to the street: big letters in public space). Journal der HGB, 3. Hochschule für Grafik und Buchkunst, Leipzig, pp256. ISBN 9783932865862 Burke, C. and Holter, M. (2014) Timeless signs: Otto Neurath and reflections in Austrian contemporary art. [Show/Exhibition]
Chamarette, J. Clausen, S. and Kerestey, P. (2014) Ballet by Szuper Gallery. ONCURATING Books, Zurich, pp150. ISBN 9783952407813 Clausen, S. (2014) I will survive. [Show/Exhibition] Clausen, S. (2014) Work, Arbeit, Rabota. [Show/Exhibition] Coyle, P., Westwood, M., Frearson, A. and Kane, L. (2014) Remains. [Performance] (Unpublished) Coyle, P., Westwood, M., Frearson, A. and Kane, L. (2014) ..Or maybe it's the same for everyone. In: Lawrence, J. (ed.) ...Or maybe it's the same for everyone. Pavilionary Press, London, UK, pp. 1-4. Donaldson, L. F. (2014) Texture in film. Palgrave Close Readings in Film and Television. Palgrave Macmillan, pp256. ISBN 9781137034786 Durgnat, R. (2014) The Essential Raymond Durgnat. British Film Institute. ISBN 9781844574520 Dyson, M. C. (2014) Applying psychological theory to typography: is how we perceive letterforms special? In: Machin, D. (ed.) Visual communication. Handbooks of communication science (4). De Gruyter Mouton, Berlin, pp. 215-242. ISBN 9783110255492 Dyson, M. C. and Jennings, E. M. (2014) Examining the interfaces to e-journal articles: what do users expect? In: DUXU 2014, June 2014, Creta Maris, Heraklion, Crete, Greece, pp. 164-173. Frearson, A. (2014) Frankenstein2: review of 'I, Frankenstein' on Rotten Tomatoes. [Artefact] Frearson, A. (2014) I. [Show/Exhibition] Garfield, R. (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: https://doi.org/10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain") Garfield, R. (2014) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781 Healy, C. (2014) Thin place. Oriel Myrddin, Carmarthen, Wales, pp102. ISBN 9780955143458 Healy, C. and Palmer, E. (T.) (2014) Meta-morphs: – being a mediator of the ‘thin’ place and ‘thin’ experience in the HE classroom. A paper on the experience of creating transformations in HE teaching and learning. In: Heroes and monsters: extra-ordinary tales of learning and teaching in the arts and humanities, 2-4 June 2014, Manchester. Healy, C. (2014) And the night was kind. 'Ruskin's Ponds' book works by John Woodman. The Blue Notebook: Journal for artists' books., 8 (2). pp. 39-43. ISSN 1751-1712 Hellings, J. (2014) Adorno and art: aesthetic theory contra critical theory. Palgrave Macmillan, UK, pp199. ISBN 9780230347885 Hellings, J. (2014) Amor intellectualis diaboli. In: Kivland, S. (ed.) Folles De Leur Corps / Crazy About Their Bodies. Cafe Gallery Projects in association with Ma Bibliotheque, London, UK, pp. 32-35. Hellings, J. (2014) Making: the invisible visible. In: Klimpel, O. (ed.) The Visual Event: An Education in Appearances. Spector Books, Leipzig, Germany, pp. 30-39. ISBN 9783944669625 Kindel, E. (2014) Stencil dies: new tools for an old trade. In: Blume, J., Pané-Farré, P. and Smeijers, F. (eds.) Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum (Journal der HGB #3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 41-61, 127–145 (colour images); 193–210 (English text). Kollectiv, G. and Kollectiv, P. (2014) Concrete gown for immaterial flows. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2014) Radical Conservatism. [Show/Exhibition] Kollectiv, P., Kollectiv, G., Vasseur, R. and Frearson, A. (2014) Filmarmalade presents... [Show/Exhibition]
Leonidas, G. McMullan, A. (2014) Designing Beckett: Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics. In: Gontarski, S. E. (ed.) The Edinburgh companion to Samuel Beckett and the arts. Edinburgh University Press, Edinburgh, pp. 409-422. ISBN 9780748675685 McMullan, A. (2014) Historical legacies and unhomely cultural memories in Brian Friel’s The home place. Nordic Irish Studies, 13 (1). pp. 189-203. ISSN 1602-124X McMullan, A. and McTighe, T. (2014) Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history. Breac: A Digital Journal of Irish Studies, July. ISSN 2372-2231 McMullan, A., McTighe, T., Pattie, D. and Tucker, D. (2014) Staging Beckett: constructing histories of performance. Journal of Beckett Studies, 23 (1). pp. 11-33. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0084
Miller, H. K. Moys, J.-L. (2014) Investigating readers’ impressions of typographic differentiation using repertory grids. Visible Language, 47 (3). 878. ISSN 0022-2224 Moys, J.-L. (2014) Typographic layout and first impressions: testing how changes in text layout influence reader's judgments of documents. Visible Language, 48 (1). 881. ISSN 0022-2224 Nagib, L. (2014) Reflexive stasis, scale reversal and the myth of modern cinema. In: Lindner, C. and Donald, S. H. (eds.) Inert cities: globalization, mobility and suspension in visual culture. I.B. Tauris, London, pp. 187-201. ISBN 9781780769721 Nagib, L. (2014) Tempo, magnitude e o mito do cinema moderno. Aniki: Portuguese Journal of the Moving Image, 1 (1). pp. 8-21. ISSN 2183-1750 Panos, L. (2014) Postmodernism, culture and feminism: the aesthetics of space and performance in Rock Follies and Rock Follies of '77. Journal of British Cinema and Television, 11 (1). pp. 41-67. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2014.0191 Reid, T. (2014) 'Breid, barley-bree an paintit room': history, identity and utopianism in Lyndsay's Thrie Estaitis and Greig's Glasgow Girls. In: Brown, I. and Berton, J. (eds.) Roots and Fruits of Scottish Culture: Scottish Identities, History and Contemporary Literature. Association for Scottish Literature, Glasgow, pp. 1-16. ISBN 9781908980076 Reid, T. (2014) Staging Scotland : National Theatre of Scotland and shifting conceptions of Scottish identity. In: Jones, H. (ed.) The Media in Europe’s Small Nations. Cambridge Scholars Press, Newcastle, pp. 105-122. ISBN 9781443854177 Renshaw, T. (2014) Hidden. [Show/Exhibition] Renshaw, T. (2014) Nowhere. [Show/Exhibition] Renshaw, T. (2014) 'Outside Architecture': lecture at The British School at Rome. [Project] (Unpublished) Renshaw, T. (2014) Screens. [Show/Exhibition] Roithmayr, F. (2014) The Assistants and the Schoolmaster. In: The 100 Hours Forum, University College, London, UK. (Unpublished) Roithmayr, F. (2014) The Assistants. [Artefact] Roithmayr, F. (2014) Matter of engagement. [Show/Exhibition] Roithmayr, F. (2014) Speculative sculpture in Italy. In: Foreign Artists in Rome, The International Discourse on the Prix De Rome, The Royal Netherlands Institute in Rome, Italy. (Unpublished) Roithmayr, F. (2014) Tacit knowledge of materials. In: Alternative Methods: Art and Education, Wysing Arts Centre, Cambridge, UK. (Unpublished) Roithmayr, F., An Endless Supply, ., Beale, R., Blightman, J., Brierley, B., Conderelli, C., Flood-Paddock, J., Root, P., Pantane, S., Provost, L., Spooner, C., The Grantchester Pottery, ., Pirecki, P., Price, E., Waller, M. A., White, N. and Wilkens, L. (2014) The Influence of Furniture on Love. [Show/Exhibition] Roithmayr, F., Angell, A., Atkins, E., Baldock, J., Burdis, E., Baseman, J., Deshayes, N., Dean, M., Hart, E., Flood-Paddock, J., Holden, A., Kefford, D., Owens, K., Projects, J., Panayiotou, C., Provost, L., Round, G., Sokhanvari, S., Shovlin, J., Summers, A., Wendling, C., Wilson, B. and Wine, J. (2014) Hey I’m Mr. Poetic. [Show/Exhibition] Roithmayr, F., Barham, A., Beckett, J., Cutter, K., Evens, C. B., Dean, M., Metzger, G., Norfolk, R., Osbaldeston, D., Patane, S. and Prodger, C. (2014) Annals of the Twenty-Ninth Century. [Show/Exhibition] Roithmayr, F., Gander, R., Mirza, H., Pradeau, F., Prouvost, L., Walther, F. E. and Cameron-Weir, E. (2014) ...and the stage darkens (or this voice is a big whale). [Show/Exhibition] Roithmayr, F. (2014) Cave. Where do you see yourself in 25 years?. pp. 9-12. Roithmayr, F. (2014) EndStart. [Show/Exhibition]
Ross, F. Rowlands, A. (2014) Symposium for a community of unlearning. In: Judd, B. (ed.) Communion. Black Dog Publishing, London, UK, pp. 34-43. ISBN 9781908966339 Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books. [Show/Exhibition] Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books, as part of The Library Vacine. [Show/Exhibition] Russell, J. (2014) The Good Shepherd. [Show/Exhibition] Russell, J. (2014) Judgement. [Show/Exhibition] Russell, J. (2014) Myth-science-colloquium. [Show/Exhibition] Russell, J. (2014) A speculum that shines. [Show/Exhibition] Russell, J. (2014) Aquarium Proletarium. [Show/Exhibition] Saguaro, S. and Tyler, L. (2014) 'Nature Once More Had Taken Her Part': recuperating anon, the common voice and the uncovered theatre. In: Bloomsbury Adaptations Conference, 5 - 6 May 2011, Bath, UK, pp. 205-226. Slinn, J., Carter, S. and Southall, R. (2014) History of the Monotype Corporation. Printing Historical Society / Vanbrugh Press, London / Woodstock, pp432. ISBN 9780993051005 (Edited by Boag, A. and Burke, C.) Smart, B. (2014) The BBC Television Audience Research Reports, 1957-1979: recorded opinions and invisible expectations. Historical Journal of Film, Radio and Television, 34 (3). pp. 452-462. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2014.937187 Smart, B. (2014) Plot inflation in Greater Weatherfield: Coronation Street in the 1990s. In: Bignell, J. and Lacey, S. (eds.) British Television Drama: Past, Present and Future, 2nd edition. Palgrave Macmillan, Houndsmills, Basingstoke, pp. 70-83. ISBN 9781137327567 Smart, B. (2014) Three different Cherry Orchards, three different worlds: Chekhov at the BBC, 1962-1981. Critical Studies in Television, 9 (3). pp. 65-76. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.9.3.7 Smeijers, F. (2014) Putting letters next to each others: a historical overview (Buchstaben aneinanderreihen: ein geschichtlicher Überblick). In: Vom Buch auf die Strasse: Grosse Schrift im öffenlichen Raum. Journal der HGB (3). Hochschule für Grafik und Buchkunst, Leipzig, pp. 227-250. ISBN 9783932865862 Twyman, M. and Arbury, J. (2014) The plates of the Herefordshire Pomona. In: Graves Bull, H. and Hogg, R. (eds.) The Herefordshire Pomona. The Folio Society, London, xi-xvi. (containing figures and descriptions of the most esteemed kinds of apples and pears) Woods, F. (2014) Classed femininity, performativity, and camp in British structured reality programming. Television and New Media, 15 (3). pp. 197-214. ISSN 1552-8316 doi: https://doi.org/10.1177/1527476412462246 2013Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Seminar: sensory stories retold. In: Sensory Stories Retold, 7 May 2013, Museum Of Liverpool. Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Sensory stories. [Show/Exhibition] Angelaki, V., ed. (2013) Contemporary British theatre: breaking new ground. Palgrave Macmillan. ISBN 9781137010124 Angelaki, V. (2013) Introduction. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 1-8. ISBN 9781137010124 Angelaki, V. (2013) Politics for the middle classes: contemporary audiences and the violence of now. In: Angelaki, V. (ed.) Contemporary British Theatre: Breaking New Ground. Palgrave Macmillan, pp. 57-78. ISBN 9781137010124 Angelaki, V. (2013) Whose voice? Tim Crouch’s 'The Author' and active listening on the contemporary stage. Sillages Critiques, 16. ISSN 1969-6302 Banham, R. (2013) The work force. In: The history of Oxford University Press. Volume 2: 1780-1896. Oxford University Press, London. ISBN 9780199543151 Bignell, J. (2013) Realism and reality formats. In: Ouellette, L. (ed.) A companion to reality television. Wiley-Blackwell, Chichester; Hoboken, NJ, pp. 97-115. ISBN 9780470659274 Bignell, J. (2013) The look: style, technology and televisuality in the New Who. In: O'Day, A. (ed.) Doctor Who: the eleventh hour. Who watching. I. B. Tauris, London and New York, pp. 123-140. ISBN 9781780760193 Black, A., Gibb, A., Carey, C., Barker, S., Leake, C. and Solomons, L. (2013) Designing a questionnaire to gather carer input to pain assessment for hospitalized people with dementia. Visible Language, 47 (2). pp. 37-60. ISSN 0022-2224 Blacksell, R. (2013) Typography after conceptual art: text-based conceptual art and its contribution to contemporary typographic discourse. PhD thesis, University of Sheffield. Blacksell, R. (2013) From looking to reading: text-based conceptual art and typographic discourse. Design Issues, 29 (2). pp. 60-81. ISSN 1531-4790 doi: https://doi.org/10.1162/DESI_a_00210 Blatnik, A., Bodman, S., Bohr, B., Cascella, D., Couch, A., Desjardin, A., Fontcuberta, J., Hulse, M., Dicker, B., Frearson, A., Helgason Gallagher, S., Jaeger, P., Jeff, P., Jenkins, L., Johanknecht, S., Meynell, K., Kaiser, M., Kivland, S., Thurston, N., Mathieu, D., Mikulinsky, R., Nicolas, C., Roush, P., Lusitano, M., Sanderson, M., Schimag, S. A., Schmidt, A., Speck, D. W., Lice, S. o., Soulellis, P., Szczelkun, S. and Zoller, R. (2013) 'Frankenstein2...' in The Book is Alive! In: Waeckerlé, E. and Sawdon-Smith, R. (eds.) The Book is Alive! RGAP, England, pp. 142-149. ISBN 9780956902450 Burke, C. (2013) The “Wiener Methode der Bildstatistik” (ISOTYPE): between art and design. In: Holter, M. C., Höller, B. and Wien, K. (eds.) Zeit(lose) Zeichen / Timeless signs: contemporary art in reference to Otto Neurath. Kerber, Vienna, pp. 23-29. ISBN 9783866787926 Burke, C. (2013) Animated Isotype on film, 1941–7. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 366-389. ISBN 9780907259473 Burke, C. (2013) The Gesellschafts- und Wirtschaftsmuseum in Wien (Social and Economic Museum of Vienna), 1925–34. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 20-106. ISBN 9780907259473 Burke, C. (2013) Interlude in the Netherlands, 1934–40. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 282-296. ISBN 9780907259473 Burke, C. (2013) The Isotype Institute, Oxford: war, welfare, and post-war reconstruction, 1941–8. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 354-365. ISBN 9780907259473 Burke, C. (2013) Pictogram design: Vienna and beyond. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 498-521. ISBN 9780907259473 Burke, C. (2013) The atlas Gesellschaft und Wirtschaft (society and economy), 1930. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London, pp. 186-215. ISBN 9780907259473 Burke, C., Kindel, E. and Walker, S., eds. (2013) Isotype: design and contexts 1925–1971. Hyphen Press, London, pp554. ISBN 9780907259473 Butler, A. (2013) Spiral jetty, thirty seven years later: the cinematic time of James Benning. MIRAJ: Moving Image Review & Art Journal, 2 (2). pp. 174-186. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj.2.2.174_1
Chamarette, J.
Chamarette, J. Clausen, S. (2013) Rehearsing Szuper Gallery. [Show/Exhibition] Cooper, A., Deburka, E., Kenning, D. and Russell, J. (2013) Capital. [Show/Exhibition] Davies, P. and Hemsoll, D. (2013) The Paper Museum of Cassiano Dal Pozzo. A.X. renaissance and later architecture and ornament. The Paper Museum of Cassiano dal Pozzo. The Royal Collection in association with Harvey Miller, London, pp746. ISBN 9781905375776 Davies, P., Howard, D. and Pullan, W., eds. (2013) Architecture and pilgrimage 1000-1500: the southern Mediterranean and beyond. Ashgate, Aldershot, pp304. ISBN 9781472410832 Davies, P. (2013) Framing the miraculous: the devotional functions of perspective in Italian Renaissance tabernacle design. Art History, 36 (5). pp. 898-921. ISSN 1467-8365 doi: https://doi.org/10.1111/1467-8365.12032 Donaldson, L. F. (2013) Performing performers: embodiment and intertextuality in the contemporary biopic. In: Brown, T. and Vidal, B. (eds.) The Biopic in Contemporary Film Culture. AFI Film Readers. Routledge, London, pp. 103-117. ISBN 9780415899413 Donaldson, L. F. (2013) Camera and performer: energetic engagement with the shield. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 209-218. ISBN 9781441157515 Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza. [Performance] Dronsfield, J. L. (2013) Narrator voyeur – Message – Bicycle 2 6 5, §5, The Swerve of Freedom after Spinoza [Performance text]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep) Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face). [Performance] Dronsfield, J. L. (2013) Philosophers enowning that there be no own (face) [Poster digital print on paper]. Royal College of Art, London. (13 March) Dronsfield, J. L. (2013) The Swerve of Freedom after Spinoza, §5, ‘The inadequacy of the chance encounter and the need to go beyond it’ [Digital print A3 poster]. Wilkinson Gallery, London. (Where Narrative Stops, 11 Jul - 1 Sep) Dronsfield, J. L. (2013) Waiting for. [Digital print A3 poster]. Wilkinson Gallery, London. (Derek Jarman: Waiting for Waiting for Godot, 15 Oct - 22 Dec) Dronsfield, J. L. (2013) Where Narrative Stops. [Show/Exhibition] (co-curated with Amanda Wilkinson) Dronsfield, J. L. (2013) Where Narrative Stops, An interview. Wilkinson Gallery, London. Dronsfield, J. L. (2013) The performativity of art. In: Carbone, M. (ed.) Performatives after deconstruction. Bloomsbury, London, pp. 169-185. ISBN 9781441123466 Dronsfield, J. L. (2013) The seminars. In: Elkins, J. (ed.) What do artists know? The Stone Art Theory Institutes. Penn State University Press, pp. 7-121. ISBN 9780271054247 (Dronsfield, J.L. et al) Dronsfield, J. L., Critchley, S., Mirza, H., Cussans, J. and Birrell, R. (2013) I'm on my way [Vinyl record]. Focal Point Gallery, Southend. Dronsfield, J. L. (2013) Democracy headless. In: Year (2013). Komplot, Brussels. ISBN 9782960120738 Dronsfield, J. L. (2013) Douglasistic democracy. In: Year (2013). Komplot, Brussels. ISBN 9782960120738 Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Show/Exhibition] Dronsfield, J. L. (2013) Inspection place: Samuel Beckett's Waiting for Godot at 60. [Performance] Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. In: Ian Kiaer. Le Centre international d'art et du paysage, Ile de Vassiviere, pp. 333-336. ISBN 9782910850593 Dronsfield, J. L. (2013) The swerve of freedom after Spinoza. [Performance] Dyson, M. C. (2013) Where theory meets practice: a critical comparison of research into identifying letters and craft knowledge of type design. Design Journal, 16 (3). pp. 271-294. ISSN 1460-6925 doi: https://doi.org/10.2752/175630613X13660502571741 Elduque I Busquets, A. (2013) La nina i el ninot al cinema de Marco Ferreri. Quaderns de Cine, 8. pp. 55-62. ISSN 1888-4571 doi: https://doi.org/10.14198/QdCINE.2013.8.07 Elduque, A. and Garin, M. (2013) El que cree que saltar significa. In: Benavente, F. and Salvadó Corretger, G. (eds.) Poéticas del gesto en el cine europeo contemporáneo. Intermedio / Grup CINEMA, Barcelona, pp. 417-438. ISBN 9788461620784 Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition] Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition] Garfield, R. (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: https://doi.org/10.5456/issn.5050-3679/2013s06rg Gibbs, J. (2013) The life of mise-en-scène: visual style and British film criticism, 1946–78. Manchester University Press, Manchester, pp288. ISBN 9780719088667 Gruetzner Robins, A. (2013) Whistler's Paris studio: place and meaning. In: Glazer, L. and Merrill, L. (eds.) Palaces of Art: Whistler and the Art Worlds of Aestheticism. Proceedings and other publications. Smithsonian Institution Scholarly Press, Washington, pp. 91-101. ISBN 9781935623311 Kindel, E. (2013) Isotype in Africa, 1952–58. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925–1971. Hyphen Press, London. ISBN 9780907259473 Kindel, E. (2013) The description of stencilling by Gilles Filleau des Billettes: transcription and translation. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 66-86. ISBN 9780907259480 Kindel, E. (2013) A reconstruction of stencilling based on the description by Gilles Filleau des Billettes. In: Kindel, E. and Luna, P. (eds.) Typography papers 9. Hyphen Press, London, pp. 28-65. ISBN 9780907259480 Kindel, E. (2013) A tradition with breaks. Eye Magazine, 22 (86). pp. 38-55. ISSN 0960-779X Kindel, E. and Luna, P., eds. (2013) Typography papers, 9. Hyphen Press, London. ISBN 9780907259480 Knox, S. (2013) The transatlantic dimensions of the time lord: Doctor Who and the relationships between British and North American television. In: O'Day, A. (ed.) Doctor Who: the eleventh hour: a critical celebration of the Matt Smith and Steven Moffat era. I. B. Tauris, London, pp. 106-120. ISBN 9781780760186 Knox, S. (2013) Eye candy for the blind: re-introducing Lyotard's Acinema into discourses on excess, motion and spectacle in contemporary Hollywood. New Review of Film and Television Studies, 11 (3). pp. 374-389. ISSN 1740-7923 doi: https://doi.org/10.1080/17400309.2013.803906 Knox, S. (2013) Reflection iii: Transnationalisation, Television Formats and the Universal. Critical Studies in Television, 8 (2). pp. 104-106. ISSN 1749-6020 Kollectiv, G. and Kollectiv, P. (2013) A Guide to Office Clerical Time Standards. [Performance] Kollectiv, G. and Kollectiv, P. (2013) Suck the living labour. [Show/Exhibition] Lee, S. (2013) A newly discovered portrait of Napoleon by Jacques-Louis David. Burlington Magazine, 155 (1327). pp. 687-692. ISSN 0007-6287
Leonidas, G.
Leonidas, G.
Leonidas, G. Luna, P. and Ould, M. (2013) The printed page. In: Gadd, I. (ed.) The History of Oxford University Press. Volume 1: Beginnings to 1780. Oxford University Press, Oxford. ISBN 9780199557318 Luna, P. (2013) Picture this: how illustrations define dictionaries. In: Typography papers 9. Hyphen Press, London. ISBN 9780907259480 Malvern, S. (2013) Rethinking 'Inside the Visible'. In: Dimitrakaki , A. and Perry, L. (eds.) Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Liverpool University Press, Liverpool, pp. 104-119. ISBN 9781846318931 Malvern, S. (2013) Femininity, feminism and the representation of torture. In: Knapp, A. and Footitt, H. (eds.) Liberal democracies at war: conflict and representation. Bloomsbury, London, pp. 219-232. ISBN 9781441156051 Malvern, S. (2013) Femininity, feminism and the terrorist. In: Malvern, S. and Koureas, G. (eds.) Terrorist Transgressions. Gendered representations of the terrorist in visual culture. I B Tauris, London; New York, pp. 39-55. ISBN 9781780767017 Malvern, S. and Koureas, G., eds. (2013) Terrorist transgressions: gendered representations of the terrorist in visual culture. I.B. Tauris, London; New York, pp226. ISBN 9781780767017 McMullan, A. (2013) Dancing in translation: Irina Brook’s mise en scène of 'Danser à Lughnasa', Jean-Marie Besset’s translation of Brian Friel’s 'Dancing at Lughnasa'. Studies in Theatre & Performance, 33 (2). pp. 211-223. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.33.2.211_1 McTighe, T. (2013) Acts of estrangement: reading the psoriatic-skin. Nyx, A Noctournal, 8. pp. 6-15. McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355 McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988 Murjas, T., ed. (2013) Invisible country: four Polish plays. Intellect, Bristol, pp200. ISBN 9781841504148 Nagib, L. (2013) Film as literature, or the Truffaldian Malaise. In: Andrew, D. and Gillain, A. (eds.) A companion to François Truffaut. Wiley-Blackwell, Oxford, pp. 530-545. ISBN 9781405198479 Nagib, L. (2013) Terra, Utopia e Mito Fundador: de Glauber Rocha a Walter Salles. In: Starling, H. and Borges, A. (eds.) Imaginação da Terra: Memória e utopia no cinema brasileiro. Editora UFMG, Belo Horizonte, pp. 13-39. ISBN 9788542300079 Nagib, L. (2013) Utopía e imágenes marinas en el cine Brasileño: Papel fundamental de Glauber Rocha. Brazil Cultural (12). pp. 12-16. Nagib, L. (2013) The politics of impurity. In: Nagib, L. and Jerslev, A. (eds.) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp. 21-40. ISBN 9781780765105 Nagib, L. and Jerslev, A., eds. (2013) Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781780765112 Nagib, L. (2013) Back to the margins in search of the core: foreign land's geography of exclusion. In: Brandellero, S. (ed.) The Brazilian road movie: journeys of (self) discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. 162-183. ISBN 9780708325988 Nagib, L. (2013) Tempo, magnitude e o mito do cinema moderno. In: Dennison, S. (ed.) World Cinema: As novas cartografias do cinema mundial. Papirus, Campinas, pp. 219-233. ISBN 9788530810603 Nemeth, T. (2013) Simplified Arabic, a new form of Arabic Type for hot-metal composition. In: Kindel, E. and Luna, P. (eds.) Typography Papers. Hyphen, London, pp. 173-189. ISBN 9780907259480 O'Brien, A. (2013) Nonindifferent mountains: ecocriticism, the thin red line and the conditions of film fiction. Film Criticism, 38 (2). pp. 1-19. ISSN 0163-5069 O'Brien, A. (2013) Regarding things in Nashville and the exterminating angel: another path for eco-film criticism. ISLE: Interdisciplinary studies in Literature and Environment, 20 (2). pp. 258-273. ISSN 1076-0962 doi: https://doi.org/10.1093/isle/ist031 Panos, L. (2013) Chaos, culture and fantasy: The television plays of Howard Schuman. Journal of Screenwriting, 4 (3). pp. 287-303. ISSN 1759-7137 doi: https://doi.org/10.1386/josc.4.3.287_1 Panos, L. (2013) Stylised worlds: Colour Separation Overlay in BBC television plays of the 1970s. Critical Studies in Television, 8 (3). pp. 1-17. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.8.3.2 Panos, L. (2013) Trevor Griffiths' 'Absolute Beginners': socialist humanism and the television studio. Journal of British Cinema and Television, 10 (1). pp. 151-170. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2013.0127 Purse, L. (2013) Digital imaging in popular cinema. Edinburgh University Press, Edinburgh, pp208. ISBN 9780748646906 Reid, T. (2013) "Angels and modern myth": Grid Iron and the New Scottish Theatre. In: Duggan, P. and Ukaegbu, V. (eds.) Reverberations Across Small-Scale British Theatre: Politics, Aesthetics and Forms. Intellect, Bristol, pp. 175-193. ISBN 9781783202973 Renshaw, T. (2013) The perfect death - Horizons ( title of painting Horizon ). [Show/Exhibition] Renshaw, T. (2013) John Wikins. Turps, 1 (13). pp. 14-21. ISSN 1749-3994 Robertson, J., Metrybo, J., Faramawy, A., Steadman, S., Lawrence, J., Trevatt, T., Westwood, M., Schneider, P., Frearson, A., O’Grady, M., Schick, A., de Lima, M. and Besley, T. (2013) Art (after). [Show/Exhibition] Roithmayr, F. (2013) The Y. [Show/Exhibition] Roithmayr, F. (2013) assault. [Show/Exhibition] Roithmayr, F. and Heim, A. (2013) Burg. [Show/Exhibition] Roithmayr, F. (2013) Florian Roithmayr. [Show/Exhibition] Roithmayr, F. (2013) I don’t feel like it, the indifference of objects. In: I don’t feel like it, the indifference of objects, University of the Arts, Camberwell College of Art, London, UK. (Unpublished) Roithmayr, F., Ackroyd, R., Bullet, O., Cary, N., Deshayes, N., Flood-Paddock, J. and Stapleton, F. (2013) £5.34. [Show/Exhibition] Roithmayr, F., Audeoud, F., van Dodewaard, F., Jankowski, C., McMahon, B., Oppen Samuelsen, K., Pacquée, R., Ribas, X., Russell, J., Sekula, A., Torgersrud, M., Upritchard, F. and de Vries, A. (2013) O Chair O Flesh. [Show/Exhibition] Rolinson, D. and Woods, F. (2013) Is This England '86 and '88? Memory, haunting and return through television seriality. In: Fradley, M., Godfrey, S. and Williams, M. (eds.) Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 186-202. ISBN 9780748676392
Ross, F. Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition] Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition] Russell, J. (2013) Abysmal plan: waiting until we die and radically accelerated repetitionism. e-flux, 46 (6). Russell, J. (2013) Dog days II. [Show/Exhibition] Russell, J. (2013) I killed my father, I ate human flesh, I quiver with joy: an obsession with Pier Paolo Pasolini. [Show/Exhibition] Russell, J. (2013) She – a factory. [Show/Exhibition] Russell, J. (2013) Then suddenly like all at once. [Show/Exhibition] Russell, J. (2013) To the reader. [Show/Exhibition] Russell, J. (2013) The banquette years. [Show/Exhibition] Russell, J. (2013) The hecklers. [Show/Exhibition] Russell, J. (2013) The universal addressability of dumb things. [Show/Exhibition] Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X Russell, J. (2013) O chair o flesh. [Show/Exhibition] Saunders, G. (2013) Foco Novo: the Icarus of British small scale touring theatre. In: Duggan, P. and Ukaegbu, V. (eds.) Reverberations across Small-Scale British Theatre. Intellect, Bristol. ISBN 9781783202973 Smart, B. (2013) The Life of Galileo and Brechtian television drama. Journal of British Cinema and Television, 10 (1). pp. 112-129. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2013.0125 Taylor, L. (2013) Voice, body and the transmission of the real in documentary theatre. Contemporary Theatre Review, 23 (3). pp. 368-379. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2013.806318 Twyman, M. (2013) A history of chromolithography: printed colour for all. British Library, London, pp728. ISBN 9780712357104 Unger, G., Grace, T. and Vlachou, I. (2013) Alverata: Latin, Greek and Cyrillic typeface. TypeTogether s.r.o., Prague. Unger, G. (2013) Romanesque capitals in inscriptions. In: Kindel, E. and Luna, P. (eds.) Typography Papers 9. Hyphen Press, London, pp. 5-25. ISBN 9780907259480 Walker, S. (2013) Book design for children's reading: typography, picture, print. St Bride Foundation, London, pp224. ISBN 9780950416137 Walker, S. (2013) Graphic explanation for children, 1944-71. In: Burke, C., Kindel, E. and Walker, S. (eds.) Isotype: design and contexts, 1925-1971. Hyphen Press, London, pp. 390-437. ISBN 9780907259473 Woods, F. (2013) Clare Balding: the televisual face of London 2012. Journal of Popular Television, 1 (1). pp. 137-141. ISSN 2046-9861 doi: https://doi.org/10.1386/jptv.1.1.137_1 Woods, F. (2013) Storytelling in song: television music, narrative and allusion in 'The O.C.'. In: Jacobs, J. and Peacock, S. (eds.) Television Aesthetics and Style. Bloomsbury, London, pp. 199-208. ISBN 9781441157515 Woods, F. (2013) Teen TV meets T4: assimilating 'The O.C.' into British youth television. Critical Studies in Television, 8 (1). pp. 14-35. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.8.1.4 2012Angelaki, V. (2012) The plays of Martin Crimp: making theatre strange. Palgrave Macmillan, Basingstoke, pp238. ISBN 9780230293717 Banham, R. (2012) Occasional publishers: producing and marketing books in England 1771–1844. Journal of Historical Research In Marketing, 4 (3). pp. 408-439. ISSN 1755-750X doi: https://doi.org/10.1108/17557501211252961 Beauchamp, A. (2012) A double-decker bus, an elephant and 300 Girl Guides: analyzing 'space' and 'place' in Blue Peter. Journal of Media Practice, 12 (3). pp. 235-244. ISSN 1468-2753 doi: https://doi.org/10.1386/jmpr.12.3.235_1 Bignell, J. (2012) An introduction to television studies. 3rd edition. Routledge, London , pp348. ISBN 9780415598163 Black, A. and Stanbridge, K. (2012) Documents as 'critical incidents' in organisation to consumer communication. Visible Language, 46 (3). pp. 246-281. ISSN 0022-2224 Butler, A. (2012) Eija-Liisa Ahtila's Cinematic Worlds. In: Eija-Liisa Ahtila: Parallel Worlds. Steidl/Moderna Museet/Kiasma, Gottingen, pp. 173-189.
Chamarette, J. Clausen, S. (2012) Performance as social practice. [Show/Exhibition] Davies, P. (2012) Architettura e culto a Venezia e nelle citta' di terraferma 1475-1490. In: Pietro Barozzi. Un vescovo del rinascimento. Fonti e ricerche di storia ecclesiastica padovana (35). Istituto per la storia ecclesiastica padovana, Padua, pp. 193-203. ISBN 8897835015, 9788897835011 Donaldson, L. F. (2012) Effort and affect: engaging with film performance. In: Reason, M. and Reynolds, D. (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect Books, Bristol, pp. 159-174. ISBN 9781841504919 Dronsfield, J. L. (2012) Douglasistic Democracy [Poster digital print on paper]. Kim Kim Gallery, Gwanju, Korea. Dronsfield, J. L. (2012) Finding space to record the time. In: Kirkland, S. D. (ed.) The nature drawings of Peter Karklins. DePaul University, Chicago, IL, pp. 26-27. ISBN 9780978907457 Dronsfield, J. L. (2012) The Goldmine Ten theses on music (rhythm). [Performance] Dronsfield, J. L. (2012) Why names name not. In: Smith, E. (ed.) Kai Althoff & Yaur Oelbaum: there we will be buried. Focal Point, Southend. ISBN 9781907185120 Dronsfield, J. L. (2012) The swerve of freedom after Spinoza, § 14, The true city [Digital print A2 poster]. Wilkinson Gallery, London. (01-31 Mar 2012) Dronsfield, J. L. (2012) Deleuze and the image of thought. Philosophy Today, 56 (4). pp. 400-414. ISSN 0031-8256 Dronsfield, J. L. (2012) Theory as art practice. Art + Media, 1 (1). pp. 36-46. ISSN 2217-9666 Dyson, M. and Stott, C. (2012) Characterizing typographic expertise: do we process typefaces like faces? Visual Cognition, 20 (9). pp. 1082-1094. ISSN 1464-0716 doi: https://doi.org/10.1080/13506285.2012.722568 Elduque, A. (2012) Sangue e carne no cinema de Joaquim Pedro de Andrade. Revista Movimento, 2. pp. 1-24. ISSN 2238-8699 Ellison, C., (2012) Agency of Noise. Christine Ellison Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project] Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance] Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video] Garfield, R. (2012) The Straggle. [Video] Gibbs, J. (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 doi: https://doi.org/10.1080/17400309.2011.635035 (special issue: Wes Anderson and Co.) Gillieson, K. (2012) 18 entries for The Phaidon Archive of Graphic Design. In: The Phaidon Archive of Graphic Design. Phaidon Press Ltd. ISBN 9780714848679 Gillieson, K. (2012) 'New materialism: interviews & cartographies' by Rick Dolphijn and Iris van der Tuin [Book design by Katherine Gillieson]. [Artefact] Kindel, E. and Smeijers, F. (2012) Between writing and type: the stencil letter. [Show/Exhibition] Kindel, E., ed. (2012) Typeform dialogues. Hyphen Press, London, pp48. ISBN 9780907259152 Kindel, E. (2012) User's manual. In: Kindel, E. (ed.) Typeform dialogues. Hyphen Press, London, pp. 5-36, 48 p.. ISBN 9780907259152 Knox, S. (2012) Masterpiece Theatre and British drama imports on US television: discourses of tension. Critical Studies in Television, 7 (1). pp. 29-48. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.7.1.5 Kollectiv, G. and Kollectiv, P., (2012) Against human nature. Umelec. Divus, Prague. Kollectiv, G. and Kollectiv, P. (2012) File Transfer Protocol. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2012) Terminal: a miracle play with popular music from the end of the world. [Project] Kollectiv, P. and Kollectiv, G. (2012) The work of art in the age of mechanical reproduction. In: Newell, D. and Pooke, G. (eds.) Fifty Key Texts in Art History. Routledge Key Guides. Routledge, London. ISBN 9780415497701
Leonidas, G.
Leonidas, G.
Leonidas, G.
Leonidas, G.
Leonidas, G.
Leonidas, G. Malvern, S. (2012) On the troublesome relationship of feminism and terrorism: representing the female terrorist in contemporary art. In: Terrorismus /Geschlecht/ Erinnerung (Terrorism and gender Political violence in Europe since the 19th Century). Campus Verlag, Berlin; New York, pp. 303-322. ISBN 9783593396354 McMullan, A. (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378 Moys, J.-L. (2012) Typographic meaning: readers’ impressions of patterns of typographic differentiation. PhD thesis, University of Reading. Murjas, T. (2012) Surviving Objects. [Performance] Nagib, L. (2012) Physicality, difference, and the challenge of representation: Werner Herzog in the Light of the new waves. In: Prager, B. (ed.) A companion to Werner Herzog. Wiley-Blackwell, Oxford, pp. 58-79. ISBN 978-1-4051-9440-2 Nagib, L. (2012) Além da diferença: a mulher no Cinema da Retomada. Devires, 9 (1). pp. 14-29. ISSN 2179-6483 Nagib, L. (2012) Oshima, corporeal realism and the eroticized apparatus. In: Nagib, L., Perriam, C. and Dudrah, R. (eds.) Theorizing world cinema. I.B. Tauris, London, pp. 161-182. ISBN 9781848854932 Nagib, L., Perriam, C. and Dudrah, R., eds. (2012) Theorizing world cinema. Tauris World Cinema Series. I.B. Tauris, London, pp288. ISBN 9781848854932 O'Brien, A. (2012) When a film remembers its filming: the new Hollywood zoom. Journal of Media Practice, 13 (3). pp. 227-237. ISSN 2574-1136 doi: https://doi.org/10.1386/jmpr.13.3.227_1 O'Connell, T. and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project] Reid, T. (2012) Anthony Neilson. In: Sierz, A. (ed.) Modern British Playwriting: The 1990s. Decades of Modern British Playwriting. Bloomsbury, London, pp. 137-163. ISBN 9781408129265 Reid, T. (2012) Theatre & Scotland. Theatre &. Palgrave MacMillan, UK, pp120. ISBN 9780230292611 Renshaw, T., Donszelmann, H. B. and Maclean, M. (2012) One and One and One. [Show/Exhibition] Roithmayr, F. (2012) As if sunglasses were not necessary. [Artefact] Roithmayr, F. (2012) Like plugging in. [Show/Exhibition] Roithmayr, F., Craven-Jones, A., Do, M., Gasson, C., Hope, C., Poulson, K., Rittenbach, K. and Stanners, A. (2012) Solid on our source planet. [Show/Exhibition] Roithmayr, F. (2012) I don’t feel like it: The indifference of objects. Roithmayr, F., Achaintre, C., Boiffard, J.-A., Flood-Padock, J., Heim, A., Koob-Sassen, H. and Ruggaber, K. (2012) I don’t feel like it: The indifference of objects. [Show/Exhibition]
Ross, F.
Ross, F.
Ross, F.
Ross, F. Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition] Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681 Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition] Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition] Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition] Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175 Russell, J. (2012) Jexus. [Show/Exhibition] Russell, J. (2012) Jexus. Metamute.org. Sanocki, T. and Dyson, M. C. (2012) Letter processing and font information during reading: beyond distinctiveness, where vision meets design. Attention, Perception, & Psychophysics, 74 (1). pp. 132-145. ISSN 1943-3921 doi: https://doi.org/10.3758/s13414-011-0220-9 Saunders, G. (2012) Prizes for modernity in the provinces: The Arts Council’s 1950-1951 regional playwriting competition. History Research, 2 (6). pp. 391-397. ISSN 2159-550X Saunders, G. (2012) The freaks roll call: live art and the Arts Council 1968-1973. Contemporary Theatre Review, 22 (1). pp. 32-45. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.645229 Saunders, G. J. (2012) Mark Ravenhill. In: Sierz, A. (ed.) Modern British playwriting: the 1990s: voices, documents, new interpretations. Methuen Drama, London, UK. ISBN 9781408129265 Sioki, N. and Dyson, M. C. (2012) Serving the reader : typography and layout in early Greek alphabet books (1771-1830). In: Proot, G. (ed.) Jaarboek voor Nederlandse Boekgeschiedenis. Dutch Book Historical Society, Den Haag, pp. 101-116. ISBN 9789460040948 Smart, B. (2012) Brechtian television: theatricality and adaptation of the stage play. In: Loiselle, A. and Maron, J. (eds.) Stages of reality: theatricality in cinema. University of Toronto Press, Toronto, pp. 30-52. ISBN 9781442643529 Smart, B. (2012) Cosmic effects on the intimate screen: J. B. Priestley, Ralph Richardson and 'Johnson over Jordan' (1965). Critical Studies in Television, 7 (1). pp. 49-63. ISSN 1749-6020 doi: https://doi.org/10.7227/CST.7.1.6 Walker, S. (2012) Describing the design of children’s books: an analytical approach. Visible Language, 46 (3). ISSN 0022-2224 2011Angelaki, V. (2011) ‘Martin Crimp and border crossing: The Australian turn’. Contemporary Theatre Review, 21 (4). pp. 544-546. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.617521 Bignell, J. (2011) ‘Anything can happen in the next half-hour’: Gerry Anderson’s transnational science fiction. In: Hochscherf, T. and Leggott, J. (eds.) British Science Fiction Film and Television: Critical Essays. Critical Explorations in Science Fiction and Fantasy (29). McFarland, Jefferson (North Carolina) & London, pp. 73-84. ISBN 9780786446216 Bignell, J., Paget, D. J., Sutherland, H. A. and Taylor, L. (2011) Narrativising the facts: acting in screen and stage docudrama. In: Tönnies, M. and Flotmann, C. (eds.) Narrative in Drama. Contemporary Drama in English (18). Wissenschaftlicher Verlag Trier, Trier, pp. 21-52. ISBN 9783868213157 Bignell, J. (2011) Docudramatizing the real: developments in British TV docudrama since 1990. Studies in Documentary Film, 4 (3). pp. 195-208. ISSN 1750-3280 doi: https://doi.org/10.1386/sdf.4.3.195_1 Bignell, J. (2011) Television for children: problems of national specificity and globalisation. In: Lesnik-Oberstein, K. (ed.) Children in Culture, Revisited: Further Approaches to Childhood. Palgrave Macmillan, Basingstoke, pp. 167-185. ISBN 9780230275546 Brown, T. (2011) Spectacle and value in classical Hollywood cinema. In: Hubner, L. (ed.) Valuing Films: Shifting Perceptions of Worth. Palgrave Macmillan, pp. 49-68. ISBN 9780230229686 Burke, C. (2011) The linguistic status of Isotype. In: Image and Imaging in Philosophy, Science, and the Arts. Ontos, Heusenstamm, pp. 31-58. ISBN 9783868381160 Butler, A. (2011) Sleepwalking from New York to Miami. In: Penz, F. and Lu, A. (eds.) Urban Cinematics: Understanding Urban Phenomena Through the Moving Image. Intellect, Bristol, pp. 183-195. ISBN 9781841504285 Clausen, S. (2011) The Cave: Etant Ballet. [Show/Exhibition] Clausen, S. (2011) INDEPENDENT/NEZALEZHNI. [Show/Exhibition] Clausen, S. (2011) Étant Ballet. [Show/Exhibition] Clausen, S. and Kerestey, P. (2011) Ballet-Granite. [Performance] Clausen, S. (2011) Ballet-performing normality in the face of crisis. The International Journal of the Image, 1 (Issue 2). pp. 157-178. ISSN 2152-7857 De Vos, L. and Saunders, G., eds. (2011) Sarah Kane in context. Manchester University Press, Manchester, UK, pp240. ISBN 9780719077395 Donaldson, L. F. (2011) “Normality is threatened by the Monster”: Robin Wood, Romero and zombies. CineAction (84). pp. 24-31. ISSN 0826-9866 Donaldson, L. F. (2011) “The suffering black male body and the threatened white female body": ambiguous bodies in Candyman. Irish Journal of Gothic and Horror Studies (9). ISSN 2009-0374 Dronsfield, J. L. (2011) Exchange encounter. In: Mircan, M. (ed.) Hans van Houwelingen: undone. Jap Sam Books, Heijningen, pp. 91-105. ISBN 9789490322342 Dronsfield, J. L. (2011) The Goldmine Ten theses on music (rhythm)[Poster digital print on paper]. Focal Point Gallery, Southend-on-Sea. (Thames Delta: 16 Apr - 30 Jun) Dronsfield, J. L. (2011) Philosophers enowning that there be no own (voice) [Poster digital print on paper]. Wilkinson Gallery, London, London. (Where Language Stops: 15 Jul - 14 Aug) Dronsfield, J. L. (2011) Philosophers enowning that there be no own (words) [Poster digital print on paper]. Extra City Kunsthal Antwerp, Belgium. Dronsfield, J. L. (2011) Where Language Stops [Digital print on card]. Wilkinson Gallery, London. (Where Language Stops, 15 Jul - 14 Aug) Dronsfield, J. L. (2011) The face of an artist, if there is such a thing. In: Stappert, A. (ed.) Under the radar: photographs 1983-2011. Kerber, Berlin, pp. 180-181. ISBN 9783866785687 Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, contents [Poster digital print on paper]. Stroom Den Haag, Holland. Dronsfield, J. L. (2011) The swerve of freedom after Spinoza, page 308. [Performance] Dronsfield, J. L. and Wilkinson, A. (2011) Where language stops. [Show/Exhibition] Dronsfield, J. L. (2011) Art philosophy differend. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 43-71. ISBN 9781873352991 Dronsfield, J. L., ed. (2011) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991 Dronsfield, J. L. (2011) A note on the materiality of theory. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham. ISBN 9781873352991 Dronsfield, J. L. (2011) A picture of French literature. In: Dronsfield, J. L. (ed.) Materiality of theory. Article Press, Birmingham, pp. 73-95. ISBN 9781873352991 Dronsfield, J. L. (2011) A picture of French literature. [Performance] Dronsfield, J. L. (2011) A picture of French literature. Extra City, Kunsthal Antwerp. (25 March - 01 May) Dronsfield, J. L. (2011) A picture of French literature. Wilkinson Gallery, London. (Where Language Stops 15 Jul - 14 Aug) Dyson, M. C. (2011) Do designers show categorical perception of typefaces? Visible Language, 45.3 (15.3). pp. 193-220. ISSN 0022-2224 Ellison, C. (2011) Prêt-à-Médiatiser by House of POLLYFIBRE. [Performance] Gibbs, J. (2011) The cry of the owl: investigating decision-making in a contemporary feature film. Movie: a Journal of Film Criticism (3). pp. 80-93. ISSN 2047-1661 Gillieson, K. (2011) 'The democracy of objects' by Levi R. Bryant [Book design by Katherine Gillieson]. [Artefact] Gruetzner Robins, A. (2011) 'J'arrive de London': Jane Avril and Britain. In: Ireson, N. (ed.) Toulouse-Lautrec and Jane Avril: Beyond the Moulin Rouge. The Courtauld Gallery in Association with Paul Holberton Publishing, London, pp. 11-26. ISBN 978907372247 Gruetzner Robins, A. (2011) Marketing Post-Impressionism: Roger Fry's commercial exhibitions. In: Fletcher, P. and Helmreich, A. (eds.) The rise of the modern art market in London, 1850-1939. Manchester University Press, Manchester and New York, pp. 85-97. ISBN 9780719084607 Gruetzner Robins, A. (2011) 'Performing with a pick-axe': the first Vorticist exhibition at the Dore Galleries. In: Antliff , M., Greene, V. and Upstone, R. (eds.) The Vorticists, rebel artists in London and New York, 1914-1918. Tate Publishing, London, UK, pp. 59-68. ISBN 978185439788 Gruetzner Robins, A. (2011) Gwen John: two albums of watercolours. Princeton University Library Chronicle, LXXII (3). pp. 641-682. ISSN 0032 -8456 Gruetzner Robins, A. (2011) Toulouse-Lautrec in Catford: new information about 'La Chaine Simpson'. The Burlington Magazine, 1302 (153). pp. 572-573. ISSN 0007-6287 Ker, D., Allen, K. and Du Sautoy, M. (2011) Everything and nothing project. [Project] Kindel, E. (2011) Reaching the people: Isotype beyond the West. In: Heinrich, R., Nemeth, E., Pichler, W. and Wagner, D. (eds.) Image and Imaging in Philosophy, Science and the Arts. Publications of the Austrian Ludwig Wittgenstein Society, new series, vol. 17, 2 (17). Ontos Verlag, Frankfurt, Paris, Lancaster, New Brunswick, pp. 175-193. ISBN 9783868381160 Knox, S. and Adamou, C. (2011) Transforming television drama through dubbing and subtitling: sex and the cities. Critical Studies in Television, 6 (1). pp. 1-21. ISSN 1749-6020 Kollectiv, G. and Kollectiv, P. (2011) xero, kline & coma. [Project] Kollectiv, G. and Kollectiv, P. (2011) In the intersection of the angles of a table, there is more truth than in all the tangle of muscles: Futurism as anti-humanist critique. History and Theory, Future's P (19). ISSN 1565-8163 Kollectiv, P. and Kollectiv, G. (2011) Epic Sea Battle at Night: a Revolutionary Play with the Economic Thinking of Milton Friedman. [Performance]
Leonidas, G.
Leonidas, G.
Leonidas, G. Lodder, M. (2011) The myths of modern primitivism. European Journal of American Culture, 30 (2). pp. 99-111. ISSN 1758-9118 doi: https://doi.org/10.1386/ejac.30.2.99_1 Luna, P. (2011) The Book of Common Prayer: The texts of 1549, 1559, and 1662 [Book design by Paul Luna]. [Artefact] Luna, P. (2011) Marks, spaces and boundaries. Visible Language, 45 (1-2). pp. 139-160. ISSN 0022-2224 (special issue 'Punctuation') Mabb, D. and Walsh, M. R. (2011) Utopia Ltd. [Show/Exhibition] MacLean, M. and Wilson, C. (2011) Mirei. [Show/Exhibition] Marie, B. and Dronsfield, J. (2011) The aesthetics of differends: an introduction. In: Marie, B. (ed.) Ontology of the There Is. Rosascape, Paris, pp. 28-34. Murjas, T. (2011) ‘I suggest a night at the theatre, Mr.Cameron’: memory, history and responsibility in our class (Nasza Klasa, 2009). Contemporary Theatre Review, 21 (4). pp. 487-510. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2011.610307 (special issue 'Forum: Tim Crouch, the author, and the audience') Nagib, L. (2011) Beto Brant: realismo, género y obra de arte en proceso. In: Vargas Maldonado, J. C. (ed.) Tendencias del cine iberoamericano en el nuevo milenio: Agentina, Brasil, España y Mexico. CUCSH: Universidad de Guadalajara, Mexico, pp. 273-302. ISBN 9786074503753 Nagib, L. (2011) World cinema and the ethics of realism. Continuum, London, pp312. ISBN 9781441165831 Panos, L. (2011) 'Days of Hope' and 'culturalism'. Journal of British Cinema and Television, 8 (1). pp. 44-61. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2011.0005 Purse, L. (2011) Contemporary action cinema. Edinburgh University Press, Edinburgh, pp232. ISBN 9780748638178 Purse, L. (2011) Return of the 'Angry Woman': authenticating female physical action in contemporary cinema. In: Waters, M. (ed.) Women on Screen: Feminism and Femininity in Visual Culture. Palgrave Macmillan, pp. 185-198. ISBN 9780230229655 Purse, L. (2011) The Matrix. In: Geraghty, L. (ed.) Directory of World Cinema: American Hollywood. Directory of World Cinema. Intellect Books, Bristol and Chicago, IL, pp. 99-101. ISBN 9781841504155 Purse, L. (2011) Transformers. In: Geraghty, L. (ed.) American Hollywood. Directory of World Cinema (5). Intellect Books, Bristol and Chicago, IL, pp. 279-281. ISBN 9781841504155 Pye, D. and Luppa, I. (2011) M: Leading the Blind. Movie: a journal of film criticism, 2. pp. 1-13. ISSN 2047-1661 Reid, T. (2011) Identity and Difference in Post-Devolutionary Drama. In: Brown, I. (ed.) The Edinburgh Companion to Scottish Drama. Edinburgh Companions to Scottish Literature. Edinburgh University Press, Edinburgh, pp. 188-199. ISBN 9780748641086 Renshaw, T. (2011) House in the Shape of a Stretcher. [Show/Exhibition] Roithmayr, F. (2011) Like portable scaffolding. In: Vermoortel, S. and Vermoortel, P. (eds.) Buro II - RE-Visiting RE-Inventing. Sun Architecture, Amsterdam, Netherlands, pp. 145-161. ISBN 9789461053374 Roithmayr, F. (2011) Sculpture unlimited. In: Fall-out: new notes on sculpture research conference, The University of London, Goldsmiths College, UK. (Unpublished) Roithmayr, F. (2011) You want to borrow my shades, don’t complain about their tint. [Show/Exhibition] Roithmayr, F., Allen, K., Bloor, S. & T., Burt, T., Chisholm, R., Clarke, C., Davies, K., Edwards, S., Flynn, J., Ghazi, B., Grace, T., Harrington, J., Hawley, S., Housley, P., Longly, G. H., Marquiss, D., Mirza, H., Mosley, R., Musgrave, E., Pyman, J., Richards, J., Round, G., Smith, M., Staton, S., Stonehouse, G., Syed, S., Traina, R., Wermers, N., Westerman, J. and Woods, K. (2011) Fifteen. [Show/Exhibition]
Ross, F. Rowlands, A. (2011) ABC: browser for a speculative collection. In: Nielson, E. and Mara de Wachter, E. (eds.) The Shape We're In. Zabludowicz, London - New York, pp. 122-128. ISBN 9781907921018 Rowlands, A. and Williams, M. (2011) Novel ~ S.C. Issue. In: Meade, F. (ed.) Time Again. Sculpture Center, Long Island City, NY, pp. 1-31. ISBN 0970395566 Rowlands, A. and Williams, M. (2011) Outrageous fortune. [Show/Exhibition] Rowlands, A. and Williams, M. (2011) Time again. [Show/Exhibition] Russell, J. (2011) Angel of History. I can see for miles. [Show/Exhibition] Russell, J. (2011) Praying Mantiss. [Show/Exhibition] Russell, J. (2011) Dear living person. Mute Journal. , 3 (1). pp. 112-122. ISSN ISBN - 978-1-906496-01-2 Russell, J., Rowlands, A. and Beasley, M., eds. (2011) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England/Article Press, Birmingham. ISBN 9781873352151 Saunders, G. (2011) David Eldridge. In: Middeke, M., Schnierer, P. P. and Sierz, A. (eds.) Methuen Drama Guide to Contemporary British Playwrights. Methuen, London, pp. 144-163. ISBN 9781408122785 Saunders, G. (2011) Tickets, critics and censorship: the Royal Court, The Spectator and the Arts Council of Great Britain 1969-1970. Theatre Notebook, 64 (3). pp. 160-173. ISSN 0040-5523 Taylor, L. (2011) The experience of immediacy: emotion and enlistment in fact-based theatre. Studies in Theatre and Performance, 31 (2). pp. 223-237. ISSN 1468-2761 doi: https://doi.org/10.1386/stap.31.2.223_1 Thorpe, A. (2011) Lady Precious Stream. [Performance] Thorpe, A. (2011) "Modern theatre for the twenty-first century"? Shanghai Conservatory of Music's staging of 'The White Goddess' (2009). Asian Theatre Journal, 28 (2). pp. 483-504. ISSN 1527-2109 Thorpe, A. (2011) Style, experimentation and Jingju (Beijing Opera) as a decentered multiplicity. Studies in Theatre & Performance, 31 (3). pp. 275-291. ISSN 2040-0616 Thorpe, A. (2011) Transforming tradition: performances of Jingju ('Beijing Opera') in the UK. Theatre Research International, 36 (01). pp. 33-46. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883310000702 Walker, S. (2011) Explaining history to children: Otto and Marie Neurath’s work on the ‘Visual history of mankind’. Journal of Design History, 25 (4). pp. 345-362. ISSN 1741-7279 doi: https://doi.org/10.1093/jdh/eps031 2010Angelaki, V. (2010) ‘Ethics take centre stage: Issues and representation for today's political theatre’. In: Meyer-Dinkgräfe , D. and Watt, D. (eds.) Ethical Encounters: Boundaries of Theatre, Performance and Philosophy. Cambridge Scholars Publishing, Cambridge, pp. 199-207. ISBN 9781443816953 Angelaki, V. (2010) Grenzen hinausschieben, Zuschauer herausfordern: zur rezeption Howard Barkers. In: Mengel, E. and Weiss, R. (eds.) Weltbühne Wien/World Stage Vienna: Die Rezeption Anglophoner Dramen auf Wiener Bühnen des 20. Jahrhunderts. Wissenschaftlicher Verlag Trier, pp. 297-311. Angelaki, V. (2010) ‘Lessons from Harold Pinter’. Studies in Theatre and Performance, 30 (3). pp. 267-273. ISSN 2040-0616 Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Davies, T., Denny, S., Fujiwara, S., Henke, L., Holen, Y., Keil, M., Mackay, F., Madison, T., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Rees, D., Roithmayr, F., Spooner, C., Stahl, L. and Wallace, I. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition] Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition] Bignell, J. (2010) Docudrama performance: realism, recognition and representation. In: Cornea, C. (ed.) Genre and performance: film and television. Manchester University Press, Manchester, UK, pp. 59-75. ISBN 9780719079801 Bignell, J. (2010) Spies, style and the Cold War: James Bond in the sixties and seventies. In: Ahrens, R., Stierstorfer, K. and Dickason, R. (eds.) Symbolism: an international annual of critical aesthetics. Special focus: propaganda. AMS Press, New York, USA, pp. 81-92. ISBN 9780404635701 Bignell, J. (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, D. (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197 Bignell, J. (2010) Star Wars (1977): back and forth in time and space. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 111-115. ISBN 9781844573363 Bignell, J. (2010) Television and the popular: viewing from the British perspective. Journal of Literary Theory, 4 (2). pp. 181-198. ISSN 1862-5290 doi: https://doi.org/10.1515/JLT.2010.012 Bignell, J. (2010) Transatlantic spaces: production, location and style in 1960s-1970s action-adventure TV series. Media History, 16 (1). pp. 53-65. ISSN 1469-9729 doi: https://doi.org/10.1080/13688800903395460 Brown, T. (2010) 'Entertainment and dystopia': Maurice Chevalier performs Avec le sourire (1936). In: Walters, J. and Brown, T. (eds.) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK, pp. 78-84. ISBN 9781844573363 Brown, T. and Walters, J., eds. (2010) Film moments: criticism, history, theory. British Film Institute/Palgrave Macmillan, London, UK. ISBN 9781844573363 Burke, C. and Eve, M., eds. (2010) From hieroglyphics to Isotype: a visual autobiography (Otto Neurath). Hyphen Press, London, pp224. ISBN 9780907259442 Burke, C., Kindel, E. and Walker, S. (2010) Isotype: international picture language. [Show/Exhibition] Burke, C. (2010) Back to basics: Otto Neurath and Isotype. Cambridge Literary Review, 1 (3). pp. 221-235. ISSN 2042-129x Butler, A. (2010) Must this be the place? In: De Weck, Z. A. (ed.) Eija-Liisa Ahtila: where is where? Walther Konig, Koln, Germany, pp. 88-92. ISBN 9783865607591 Butler, A. (2010) A deictic turn: space and location in contemporary gallery film and video installation. Screen, 51 (4). pp. 305-323. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjq031 Butler, A. (2010) Éloge de l'amour (2001): moments in time. In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 130-134. ISBN 9781844573363 Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition] Clausen, S. (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition] Clausen, S. (2010) Festival VideoDanzaBa. [Show/Exhibition] Clausen, S. (2010) Moves 10 - Framing Motion. [Show/Exhibition] Clausen, S. (2010) Szuper Gallery materials. [Show/Exhibition] Clausen, S. (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition] Clausen, S. (2010) Work/Arbeit/Работа. [Show/Exhibition] Clausen, S. (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition] Clausen, S. (2010) Ballet. [Show/Exhibition] Davies, P. and Hemsoll, D. (2010) Fourteen sheets of drawings by Sebastiano Serlio. In: Beltramini, G. and Elam, C. (eds.) Some degree of happiness: studi di storia dell’architettura in onore di Howard Burns. Edizioni della Normale, Pisa, Italy, pp. 273-296. ISBN 9788876423727 Davies, P. and Hemsoll, D. (2010) Sebastiano Serlio, progetti per una villa fortificata / projects for a fortified villa. In: Faliva, A. (ed.) Ville del Rinascimento padano. I bastioni, il portico e la fattoria / the bastions the portico and the farmyard. Mondadori Electa, Milan, Italy, pp. 97-99. ISBN 9788837077457 Donaldson, L. F. (2010) “There’s something very familiar about all this”: generic play and performance in the Back to the Future trilogy (Robert Zemeckis, 1985, 1989, 1990). In: Ni Fhlainn, S. (ed.) The Worlds of Back to the Future. McFarland, Jefferson, pp. 73-90. ISBN 9780786444002 Donaldson, L. F. (2010) Access and excess in The Texas Chain Saw Massacre. Movie: a journal of film criticism (1). ISSN 2047-1661 Dowd, L., Green, S., Heim, A., Pirecki, P. and Roithmayr, F. (2010) Continous movement of ideas. [Show/Exhibition] Dronsfield, J. (2010) Philosophers enowning that there will be no own. [Performance] Dronsfield, J. (2010) The work of art. In: Davis, B. W. (ed.) Martin Heidegger: key concepts. Acumen Publishing, Durham, pp. 128-139. ISBN 9781844651983 Dronsfield, J. L. (2010) Headless in Hirschorn's Classroom. In: Walwin, J. (ed.) Searching for art's new publics. Intellect, Bristol, pp. 127-136. ISBN 9781841503110 Dronsfield, J. L. (2010) "...where the re-imagined is the repeated". In: Bull, S. and Miletic, D. (eds.) Cities re-imagined. Vojvodina Museum of Contemporary Art, Novi Sad, Serbia, pp. 13-19. ISBN 9788684773687 Dronsfield, J. L. (2010) Pedagogy of the written image. Journal of French and Francophone Philosophy, 18 (2). pp. 87-105. ISSN 2155-1162 Dronsfield, J. L. (2010) Theory as art practice: outnotes for indiscipline. Art&Research, 3 (1). ISSN 1752-6388 Fadel, L. M. and Dyson, M. C. (2010) Interface design for social interaction in e-learning environments. In: Tzanavari, A. and Tsapatsoulis, N. (eds.) Affective, interactive and cognitive methods for e-learning design: creating an optimal education experience. IGI Global, pp. 72-93. ISBN 9781605669403 doi: https://doi.org/10.4018/978-1-60566-940-3.ch004 Gibbs, J. (2010) Sleeping with half open eyes: dreams and realities in The Cry of the Owl. Movie: A Journal of Film Criticism (1). pp. 1-17. Gibbs, J. and Pye, D. (2010) Preminger and Peckinpah: seeing and shaping widescreen worlds. In: Belton, J., Hall, S. and Neale, S. (eds.) Widescreen Worldwide. John Libbey, London, pp. 71-90. ISBN 9780861966943 Gibbs, J. (2010) 'Everything is connected, and everything matters': relationships in I ♥ Huckabees. In: Brown, T. and Walters, J. (eds.) Film Moments. BFI / Palgrave Macmillan, London, pp. 57-60. ISBN 9781844573356 Gruetzner Robins, A. (2010) Manet and the Post-Impressionists: a checklist of exhibits. The Burlington Magazine, 152 (1293). pp. 782-793. ISSN 0007-6287 Gruetzner Robins, A. (2010) Reflections in a mirror: Bonnard's Aphrodite. In: Smith, A. C. and Pickup, S. (eds.) Brill's companion to Aphrodite. Brill's companions in classical studies. Brill, pp. 375-386. ISBN 9789004180031 Kindel, E. (2010) Fit to be seen: stencils for architects, engineers and surveyors. AA Files, 61. pp. 100-109. ISSN 0261-6823 Kindel, E. and Walker, S. (2010) Isotype revisited. Il progetto sugli aspetti meno conosciuti di Isotype. Progetto grafico, 18. pp. 48-57. ISSN 1824-1301 Knox, S. (2010) Reading 'The Truman Show' inside out. Film Criticism, XXXV (1). pp. 1-23. ISSN 0163-5069 Knox, S. and Adamou, C. (2010) Live and kicking: a meta-critical discourse on television and television studies. Science Fiction Film and Television, 3 (2). pp. 271-286. ISSN 1754-3770 doi: https://doi.org/10.3828/sfftv.2010.18 Kollectiv, G. and Kollectiv, P. (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video] Kollectiv, G. and Kollectiv, P. (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance] Kollectiv, G. and Kollectiv, P. (2010) No Haus Like Bau. [Project] Kollectiv, G. and Kollectiv, P. (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2010) WE. [Performance] Luna, P. (2010) The Qur’an: English translation with parallel Arabic text (translated by M.A.S. Abdel Haleem)[Book design by Paul Luna]. [Artefact] MacLean, M. and Renshaw, T. (2010) Architectural Fictions. [Show/Exhibition] Malvern, S. B. (2010) Outside in: the after-life of the plaster cast in contemporary culture. In: Frederiksen, R. and Marchand, E. (eds.) Plaster casts: making, collecting and displaying from classical antiquity to the present. Transformationen der antike. De Gruyter, Berlin, Germany, pp. 351-358. ISBN 9783110208566 McMullan, A. (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985 McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131 Murjas, T. (2010) Ashanti. [Performance] Murjas, T. (2010) Translating Zapolska: research through practice. In: Baines, R., Marinetti, C. and Perteghella, M. (eds.) Staging and performing translation: text and theatre practice. Palgrave Macmillan, pp. 249-266. ISBN 9780230228191 Nagib, L. (2010) Back to the margins in search of the core: "Foreign Land"'s geography of exclusion. In: Iordanova, D., Martin-Jones, D. and Vidal, B. (eds.) Cinema at the periphery. Wayne State University Press, Detroit, pp. 190-210. ISBN 9780814333884 O'Connell, T., White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact] Paget, D. (2010) Acts of commitment: activist arts, the rehearsed reading, and documentary theatre. New Theatre Quarterly, 26 (2). pp. 173-193. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X10000308 Panos, L. (2010) Realism and politics in alienated space: Trevor Griffiths's plays of the 1970s in the television studio. New Theatre Quarterly, 26 (3). pp. 273-286. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X10000461 Purse, L. (2010) Working through the body: textual-corporeal strategies in United 93 (2006). In: Brown, T. and Walters, J. (eds.) Film moments: criticism, history, theory. British Film Institute and Palgrave, London, UK, pp. 157-161. ISBN 9781844573363 Pye, D. (2010) At the border: the limits of knowledge in The Three Burials of Melquiades Estrada and No Country for Old Men. Movie: a journal of film criticism, 1. ISSN 2047-1661 Pye, D. (2010) Enter Lisa: Rear Window (1954). In: Walters, J. and Brown, T. (eds.) Film Moments: Criticism, Theory, History. British Film Institute. ISBN 9781844573356 Renshaw, T., MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition] Roithmayr, F. (2010) Returns. [Artefact] Roithmayr, F., Ådlandsvik, S. and Müller, L.-R. (2010) 2010. [Show/Exhibition] Roithmayr, F., Atkins, E., Bayrle, T., Benedict, W., Ceccaldi, N., Fujiwara, S., Holen, Y., Di Massimo, P., O'Connell, R., Pick, S., Rasmussen, C., Spooner, C. and Stahl, L. (2010) Something blue: A curiosa of contemporary erotica. [Show/Exhibition]
Ross, F. Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition] Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151 Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753 Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition] Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107 Russell, J. (2010) Explain death to very young children. [Show/Exhibition] Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13. Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition] Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact] Russell, J. (2010) Vermillion Vortex. [Video] Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition] Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151 Saunders, G. (2010) Howard Barker’s ‘monstrous assaults’: eroticism, death and the antique text. In: Gritzner, K. (ed.) Eroticism and death in theatre and performance. University of Hertfordshire Press, UK, pp. 144-159. ISBN 9781902806921 Saunders, G. (2010) ‘The great Chinese takeaway’: the strange case of absent Orientalism in contemporary British playwriting. In: Huber, W., Rubik, M. and Novak, J. (eds.) Staging interculturality: contemporary drama in English. Wissenschaftlicher Verlag Trier, Germany, pp. 65-74. ISBN 9783868212327 Saunders, G. (2010) The Beckettian world of Sarah Kane. In: de Vos, L. and Saunders, G. (eds.) Sarah Kane in context. University of Manchester Press, Manchester, UK, pp. 68-79. ISBN 9780719077395 Saunders, G. (2010) Sarah Kane: Cool Britannia's reluctant feminist. In: Hadley, L. and Ho, E. (eds.) Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture. Palgrave Macmillan, Basingstoke, UK, pp. 199-220. ISBN 9780230233317 doi: https://doi.org/10.1057/9780230283169_10 Taylor, L. (2010) Counting Her Dresses and other plays. [Performance] Taylor, L. (2010) The hanging man: death, indeterminacy and the event. Performance Research, 15 (1). pp. 4-13. ISSN 1352-8165 doi: https://doi.org/10.1080/13528165.2010.485757 Thiessen, M. and Dyson, M. C. (2010) 'Clearer and better’: preferences of children with reading difficulties for the typography and illustration in literacy materials. The International Journal of Learning, 16 (12). pp. 365-384. ISSN 1447-9494 Thorpe, A. (2010) Postmodern Chinese opera: re-citing China in 'Monkey, journey to the West'. Contemporary Theatre Review, 20 (1). pp. 68-86. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800903453046 Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975 2009Angelaki, V. (2009) Breaking down barriers high and low: the case of the United Kingdom’s National Theatre. In: Coelsch-Foisner, S. and Flothow, D. (eds.) High Culture and/versus Popular Culture. Winter, pp. 85-93. Banham, R. (2009) Lottery advertising 1800–1826. Journal of the Printing Historical Society (ns.11). pp. 17-60. ISSN 0079-5321 Barry, O. , Decointet, H. , Farmer , G. , Maire , B. , Pierson, J. , Rickards, H. , Toren, A. and Vercruysse, J. (2009) Le chante de la carp. [Show/Exhibition] Beasely, M., Rowlands, A. and Russell, J. (2009) Barefoot in the head. [Show/Exhibition] Becklin, E. , Ellison, C., Humphrey, M., O’Daniel, A. , Sears, K., Sussman, T. and Trondson, A. (2009) Conceptual telegraphy and the song of the wind through its wires. [Show/Exhibition] Bignell, J. (2009) Beckett on screen: the television plays. Manchester University Press, Manchester, pp230. ISBN 9780719064203 Bignell, J. (2009) The police series. In: Gibbs, J. and Pye, D. (eds.) Close-Up 03. Wallflower, London, pp. 1-66. ISBN 9781905674787 Broughton, M. E. (2009) Nigel Kneale (1922-2006). In: Bould, M., Butler, A. M., Roberts, A. and Vint, S. (eds.) Fifty Key Figures in Science Fiction. Routledge Key Guides. Routledge, London, pp. 121-126. ISBN 9780415439497 Burke, C. (2009) Isotype: representing social facts pictorially. Information Design Journal, 17 (3). pp. 211-223. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.17.3.06bur Butler, A. (2009) Yesterday girls: Prinzessin. Rouge, 13. Butler, J., Chapman, J. , Chapman, D. , Harding , A., Harvey , M., Hirst, D. , James, M., Jones , P. , Krut, A., Miller, H. , Renshaw, T., Tait, N. and Valdes, C. (2009) Turps banana 2. [Show/Exhibition] Chaimowicz, M. (2009) Enough tiranny recalled 1972-2009. [Show/Exhibition] Chaimowicz, M. C. (2009) Dressed & undressed. [Show/Exhibition] Chaimowicz, M. C. (2009) We choose our words with care, that neon-moonlit evening; it was as if we were, party to a wonderful alchemy. [Show/Exhibition] Chare, N. (2009) Illuminating the past: reflections on teaching The Name of the Rose. In: Ganze, A. (ed.) Postscript to the middle ages: teaching medieval studies through The Name of the Rose. Syracuse University Press, Syracuse, US, pp. 84-96. ISBN 9780815632344 Chare, N. (2009) Sports unillustrated: the female athlete as representational absence. In: Kevin, C. (ed.) Feminism and the body: interdisciplinary perspectives. Cambridge Scholars Publishing, Newcastle, UK, pp. 178-193. ISBN 9781443809863 Chare, N. (2009) Sexing the canvas: calling on the medium. Art History, 32 (4). pp. 664-689. ISSN 1467-8365 doi: https://doi.org/10.1111/j.1467-8365.2009.00697.x Chare, N. (2009) Testimony. The year's work in critical and cultural theory, 17 (1). pp. 194-221. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbp005 Chare, N. (2009) Upon the scents of paint: Bacon and synaesthesia. Visual Culture in Britain, 10 (3). pp. 255-272. ISSN 1941-8361 doi: https://doi.org/10.1080/14714780903265572 Chare, N. (2009) Warring pixels: cultural memory, digital testimony, and the conflict in Iraq. Convergence, 15 (3). pp. 333-345. ISSN 1748-7382 Clausen, S. (2009) Translation paradoxes and misunderstandings. [Show/Exhibition] Clausen, S. (2009) The artist's studio. [Show/Exhibition] Clausen, S. (2009) Ballet. [Video] Clausen, S. (2009) Suck. Swallow. Breathe. [Video] Clausen, S. (2009) Suck. Swallow. Breathe. [Show/Exhibition] Cooper, D., Gourvil, O. , Krisanamis, U. , Renshaw, T., Smith, D. and Suarez-Universal , V. (2009) Baroque reason. [Show/Exhibition] Davies, P. (2009) The palace of Charles V in Granada and two drawings from the school of Raphael. In: Eriksen, R. and Malmanger, M. (eds.) Imitation, representation and printing in the Italian Renaissance. Fabrizio Serra Editore, Pisa and Rome, Italy, pp. 157-190. ISBN 9788862271110 Davies, P. (2009) Review of 'Tempo novo: Venezia e il quattrocento' by E. Concina. Annali di Architettura, 21. pp. 183-184. ISSN 1124-7169 Dronsfield, J. (2009) Continuum. In: REWIND + PLAY: an anthology of early British video art. Lux, London, pp. 36-37. Dronsfield, J. (2009) Philosophies of art. In: Mullarkey, J. and Lord, B. (eds.) The Continuum Companion to Continental Philosophy. Continuum Companions. Continuum, London, pp. 219-237. ISBN 9780826498304 Dronsfield, J. (2009) Theory as art practice: notes for discipline. Art&Research, 2 (2). ISSN 1752-6388 Dronsfield, J. L. (2009) Before the camera. Parallax, 15 (4). pp. 94-106. ISSN 1460-700X doi: https://doi.org/10.1080/13534640903208966 Ellison, C. (2009) Reconstructing The Incredible. [Audio] Esbester, M. (2009) Mapping the way? Maps, gender, emotion. In: Letherby, G. and Reynolds, G. (eds.) Gendered Journeys, Mobile Emotions. Ashgate, Aldershot, pp. 33-44. ISBN 9780754670346 Esbester, M. (2009) Nineteenth-century timetables and the history of reading. Book History, 12. pp. 156-185. Esbester, M. (2009) Designing time: the design and use of nineteenth-century transport timetables. Journal of Design History, 22 (2). pp. 91-113. ISSN 1741-7279 doi: https://doi.org/10.1093/jdh/epp011 Eve, M. (2009) Isotype in trouble, 1946-1948. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press, pp. 129-135. ISBN 9780907259398 Garfield, R. (2009) A particular incoherence: some films of Vivienne Dick. In: O'Brian, T. (ed.) Between Truth and Fiction: The Films of Vivienne Dick. LUX and The Crawford Gallery, London, pp. 36-53. ISBN 9780954856984 Gibbs, J. and Pye, D., eds. (2009) Close-up 03 : the police series ; Weimar cinema ; Men's cinema. Close-up, 3. Wallflower Press, London, pp224. ISBN 9781905674770 Kaina, P. (2009) [Review of] 'Picasso: challenging the past' by E.Cowling et al. The Art Book, 16 (4). p. 20. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2009.01058_1.x Kaina, P. (2009) [Review of] 'The lure of the East: British Orientalist painting' by Nicholas Tromans (ed). The Art Book, 16 (2). pp. 16-21. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2009.01025_4.x Kaina, P. (2009) [Review of] Edgar Degas: intimität und pose. Nineteenth Century Art Worldwide, 8 (2). ISSN 1543-1002 Kindel, E. (2009) Delight of men and gods: Christiaan Huygens's new method of printing. Journal of the Printing Historical Society, 14 (new se. pp. 5-40. Kollectiv, G. and Kollectiv, P. (2009) Can objects perform?: agency and thingliness in contemporary sculpture and installation. In: Sculpture and Performance, 24 March 2009, Henry Moore Institute, Leeds.
Leonidas, G. MacLean, M., Renshaw, T. and Donszelmann, B. (2009) Outside architecture. [Show/Exhibition] Malvern, S. (2009) [Review of] 'Art history after 9/11' by Werckmeister, O.K., Mirzoeff, N., Eisenman, S.F., Reinhardt, M., Edwards, H. and Duganne, E. Art History, 32 (2). pp. 387-399. ISSN 1467-8365 doi: https://doi.org/10.1111/j.1467-8365.2009.00672.x Malvern, S. and Marchand, E. (2009) Sculpture in Arcadia. Studies in the History of Gardens & Designed Landscapes, 29 (1-2). 1 - 12. ISSN 1943-2186 doi: https://doi.org/10.1080/14601170701806908 McMullan, A. and Wilmer, S. E., eds. (2009) Reflections on Beckett: a centenary celebration. Theater: theory/text/performance. University of Michigan Press, Ann Arbor, pp256. ISBN 9780472116645 McMullan, A. (2009) 'The Home Place': unhomely inheritances. Irish Theatre International, 2 (1). pp. 62-68. ISSN 2009-0870 Murjas, T. (2009) Zapolska's women: three plays. Playtest. Intellect Books, Bristol, pp192. ISBN 9781841502366 Nagib, L. (2009) Panaméricas Utópicas: entranced and transient nations in 'I Am Cuba' and 'Land in Trance'. In: Gladston, P. (ed.) China and other spaces. Critical, Cultural and Communications Press, Nottingham, pp. 71-87. ISBN 9781905510221 Nagib, L. (2009) Rumo a uma definição positiva de world cinema. In: Santana, G. (ed.) Cinema, comunicação e audiovisual. Alameda Editorial, São Paulo. ISBN 9788598325859 Nagib, L. (2009) Filmmaking as the production of reality: a study of Hara and Kobayashi's documentaries. In: Nagib, L. and Mello, C. (eds.) Realism and the audiovisual media. Palgrave Macmillan, Basingstoke, pp. 193-209. ISBN 9780230246973 Nagib, L. and Mello, C., eds. (2009) Realism and the audiovisual media. Palgrave Macmillan, Basingstoke, pp288. ISBN 9780230246973 O'Connell, T. (2009) Public Art Commission Rung by Rung, Tina O'Connell. [Artefact] O'Connell, T. (2009) Step by step. [Show/Exhibition] O'Connell, T. (2009) The wager with the office of experiments. [Show/Exhibition] Purse, L. (2009) Gestures and postures of mastery: CGI and contemporary action cinema's expressive tendencies. In: Balcerzak, S. and Sperb, J. (eds.) Cinephilia in the Age of Digital Reproduction: Film, Pleasure and Digital Culture. Wallflower Press, London & New York, pp. 214-234. ISBN 9781905674848 Robertson, C. (2009) Entries on drawings by Tiberio Calcagni and Giovanni de' Vecchi. In: Franklin, D. (ed.) From Raphael to the Carracci: the art of Papal Rome. National Gallery of Canada, Ottawa, Canada, pp482. ISBN 9780888848673 Robins, A. G. (2009) Walter Sickert and the language of art. In: Brockington, G. (ed.) Internationalism and the arts in Britain and Europe at the fin de siècle. Cultural interactions: studies in the relationship between the arts (4). Peter Lang, Oxford, UK, pp. 27-48. ISBN 9783039111282 Roithmayr, F., LeWitt, S., Penone, G., Dean, M., Cornaro, I., Mattiacci, E., Buttner, A., Serra, R., Houseago, T., Dybbroe Møller, S. and Rodzielski, C. (2009) The young people visiting our ruins see nothing but a style. [Show/Exhibition] Roithmayr, F. (2009) Florian Roithmayr. [Show/Exhibition]
Ross, F.
Ross, F. G. E. Rowlands, A. (2009) Exegesis: when we build let us think that we build forever. In: Noble, R. (ed.) Utopias. MIT Press, Cambridge, MA, pp. 99-102. ISBN 9780262640695 Rowlands, A. and Williams, M. (2009) Kiosk: modes of multiplication. [Show/Exhibition] Rowlands, A. and Williams, M. (2009) Live archive. [Show/Exhibition] Rowlands, A. and Williams, M. (2009) X marks the Bökship. [Show/Exhibition] Rowlands, A. (2009) The Numinous and the Luminous. In: Bracewell, M., Clark, M. and Rowlands, A. (eds.) The Dark Monarch: Magic & Modernity in British Art. TATE, St Ives, xxi-xxxiii. ISBN 9781854378743 Rowlands, A. and Williams, M., eds. (2009) Novel ~ 2. Novel Publication, Birmingham, pp48. ISBN 9781906424091 Russell, J. (2009) EAST International. [Show/Exhibition] Russell, J. (2009) Untitled (Abstraction of labour time eternal recurrence monad). [Image] Russell, J. (2009) Why are conceptual artists juicing again? Because they moisturise its a glistening sparkle. Frieze magazine. pp. 108-112. Russell, J. (2009) Summer. In: Morris, L. (ed.) EAST International 2009. Norwich Universty College of the Arts, Norwich, pp. 104-107. Saunders, G. (2009) About Kane: the playwright & the work. Faber, London, pp192. ISBN 9780571229611 Stiff, P. (2009) Austerity, optimism: modern typography in Britain after the. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398 Stiff, P. and Cerne Oven, P. (2009) Ernest Hoch and reasoning in typography. In: Modern Typography in Britain: graphic design, politics, and society. Typography Papers (8). Hyphen Press. ISBN 9780907259398 Taylor, L. (2009) A dialogue: mnemonic present, un-folding #6. In: Cologni, E. (ed.) Mnemonic Present: Shifting Meaning. Edizioni Mercurio, Vercelli, pp. 106-118. ISBN 9788895522258 Thiessen, M. and Dyson, M. C. (2009) Typography for children with reading difficulties: preferences for type in reading books. International Journal of the Book, 6 (2). pp. 115-122. ISSN 1447-9516 Thorpe, A. (2009) The long and the short of it: negotiating the right space for Asian theatre in the university drama curriculum. Studies in Theatre & Performance, 29 (2). pp. 133-147. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.29.2.133_1 Thorpe, A. and Daboo, J. (2009) Editorial. Studies in Theatre and Performance, 29 (2). pp. 117-120. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.29.2.117_2 Toren, A. (2009) British subjects: self portraiture in British art between 1965-2008. [Show/Exhibition] Toren, A. (2009) Carrots. [Show/Exhibition] Toren, A. (2009) Don't look away. [Show/Exhibition] Toren, A. (2009) Refreshments. [Show/Exhibition] Twyman, M. (2009) La notion d'imprimés éphémères: comparaison des approches anglo-saxonnes et françaises. In: Mois du patrimoine écrit 2004, 23 - 24 septembre 2004, Chambéry, pp. 25-43. Twyman, M. (2009) Lear and lithography. In: Nugent, C. (ed.) Edward Lear the landscape artist: tours of Ireland and the English Lakes, 1835 & 1836. The Wordsworth Trust, Grasmere, pp. 11-29. ISBN 9781905256389 Twyman, M. (2009) Printed ephemera. In: Suarez, M. F. and Turner, M. L. (eds.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 66-82. ISBN 9780521810173 doi: https://doi.org/10.1017/CHOL9780521810173.004 Twyman, M. (2009) The illustration revolution. In: McKitterick, D. (ed.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 117-143. ISBN 9780521866248 doi: https://doi.org/10.1017/CHOL9780521866248.004 Waller, R. H. W. (2009) Simplification: what is gained and what is lost. In: The International Conference of Applications of Information Design, 25-28 June 2008, Mälardalen University in Eskilstuna, Sweden, pp. 219-230. 2008Angelaki, V. (2008) Subtractive forms and composite contents: Martin Crimp’s Fewer Emergencies. In: Schnierer, P. P. and Redling, E. (eds.) Contemporary Drama in English. Wissenschaftlicher Verlag Trier, pp. 31-46. Angelaki, V. (2008) Taking a bite of the Big Apple: Martin Crimp’s The Treatment. In: Angel-Perez, E. and Poulain, A. (eds.) Hunger on the Stage. Cambridge Scholars Publishing, pp. 257-267. Aranda, J., Bumsteinas, A., Garbstiene, L., Bunic, P., Cesarco, A., Dahlberg, K., Deball, M. C., Fontaine, C., Dowd, S., Roithmayr, F., Dujmušic, I., Van Harskamp, N., Ergun, K., Kanajet, M., Esquivias, P., Ferri, J., Torres, M. G., Gavran, D., Grubic, I., Harskamp, N. V., Haus, S., Hiseni, A., Bioskop, I., Ilic, S., Jansa, J., Noir, J., Katic, B., Kovac, I., Tepavcevic, N., Kurcubic, N., Labrovic, S., Lagomarsino, R., Latin, I., Markovic, M., Milak, R., Muresan, C., Nevarez, A., Tevere, V., Ogut, A., Ocko, D., Panayiotou, C., Rascic, L., Richardson, J., Roncevic, D., Suler, K., Takala, P., Tsivopoulos, S., Tur, N., Vatamanu, M. and Tudor, F. (2008) Salon of revolution. [Show/Exhibition] Banham, R. (2008) Nineteenth-century jobbing: the printing methods of Gye and Balne. Journal of the Printing Historical Society, 11 (new se. pp. 25-64. Banham, R., (2008) A handlist of films showing printing & typesetting. Self published (St Bride Library )
Banham, R. and Ross, F. Bennett, J. and Brown, T., eds. (2008) Film and television after DVD. Routledge research in cultural and media studies (15). Routledge, New York, pp202. ISBN 9780415962414 Bignell, J. and Fickers, A., eds. (2008) A European television history. Wiley-Blackwell, New York, pp288. ISBN 9781405163392 Bignell, J. and Weissmann, E. (2008) Cultural difference? Not so different after all. Critical Studies in Television: scholarly studies in small screen fictions, 3 (1). pp. 93-98. ISSN 1749-6020 Brown, T. (2008) Spectacle/gender/history: the case of Gone with the Wind. Screen, 49 (2). pp. 157-178. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjn023 Bull, J. (2008) Spectacular reconstruction: innovation and appropriation in modern British drama. In: Redling, E. and Schnierer, P. P. (eds.) Non-Standard Forms of Contemporary Drama and Theatre. CDE Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 13-29. ISBN 9783868210408 Butler, A. (2008) Feminist perspectives in film studies. In: Donald , J. and Renov , M. (eds.) The Sage Handbook of Film Studies. Sage , London, pp. 391-407. ISBN 9780761943266 Chare, N. (2008) Testimony. The year's work in critical and cultural theory, 16 (1). pp. 288-301. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbn005 Chare, N. (2008) Testimony on trial: reviewing rape in 'The Accused'. Southern Review: Communication, Politics and Culture, 40 (3). pp. 68-83. ISSN 0038-4526 Clausen, S. (2008) Curatorial vaudeville. [Show/Exhibition] Clausen, S. (2008) The Extras Regina, 2008. [Show/Exhibition] Davies, P. (2008) Modello del Tempietto Barbaro. In: Beltramini, G. and Burns, H. (eds.) Palladio. Royal Academy of Arts, London, UK, pp. 242-243. ISBN 9781905711246 Davies, P. (2008) Palladio, l'architettura e la peste. In: Barbieri, F. (ed.) Palladio 1508-2008: Il simposio del cinquecentenario. Marsilio, Venice, Italy, pp. 189-195. ISBN 9788831796262 Davies, P. (2008) A re-reading of Antonio Labacco's drawing of San Sebastiano in Mantua. In: Poeschke, J. and Syndikus, C. (eds.) Leon Battista Alberti: humanist, architekt, kunsttheoretiker. Rhema, Munster, Germany, pp. 299-314. ISBN 9783930454662 Dronsfield, J. (2008) Between Heidegger and Deleuze there never is any difference. In: Raffoul, F. and Pettigrew, D. (eds.) French Interpretations of Heidegger: An Exceptional Reception. SUNY series in Contemporary French Thought. State University of New York Press, Albany, pp. 151-165. ISBN 9780791475591 Dronsfield, J. L. (2008) Funny heterogeneous. In: Maass, G. and Nayoungim, (eds.) It's nice to be nice; try it. Caustic Window, Seoul, S. Korea, pp. 122-126. ISBN 8995646427 Dronsfield, J. L. (2008) Nowhere is aesthetics contra ethics: Rancière the other side of Lyotard. Art&Research, 2 (1). ISSN 1752-6388 Dronsfield, J. L., Rancière, J. and Wright, S. (2008) An exchange with Jacques Rancière. Art&Research, 2 (1). ISSN 1752-6388 Ellison, C. (2008) RGBOHP. [Performance] Fife, L. (2008) Human monstrosity: rape, ambiguity and performance in Rosemary’s Baby (Roman Polanski, 1968). In: Baumgartner, H. and Davis, R. (eds.) Hosting the Monster. At the Interface/Probing the Boundaries (52). Rodopi, Amsterdam / New York, pp. 43-62. ISBN 9042024860 Garfield, R., (2008) L’Encyclopédie Noveaux Médias: Zineb Sedira. Centre Georges Pompidou, Paris. Gillieson, K. (2008) A framework for graphic description in book design. PhD thesis, University of Reading. Gillieson, K. (2008) Limits of reading: the book in action. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 60-63. ISBN 9783899552096 Gillieson, K. (2008) Limits of the book: forethoughts on book design. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 2-5. ISBN 9783899552096 Gillieson, K. (2008) Limits of the book: the book about books. In: Hübner, M. and Klanten, R. (eds.) Fully Booked: Cover Art and Design for Books. Gestalten, Berlin, pp. 28-31. ISBN 9783899552096 Heim, A., Roithmayr, F. and Round, G. (2008) Feeling gave way to structure. [Show/Exhibition] Knox, S. (2008) "Muito boa qualidade, de facto": Shooting the Past e o caso das séries dramáticas de qualidade da televisão britânica na era da televisão de qualidade americana. ["Rather good quality, in fact": Shooting the Past and the case of British Quality Television Drama in the age of AQTV]. In: Discursos e Práticas de Qualidade Na Televisão. Livros Horizonte, Lisboa, pp. 271-286. Kollectiv, G. and Kollectiv, P. (2008) Another Proof of the Preceding Theory. [Video] Kollectiv, G. and Kollectiv, P. (2008) Future Monument. [Project] Kollectiv, G. and Kollectiv, P. (2008) The Institute of Psychoplasmics. [Show/Exhibition] Kollectiv, G. and Kollectiv, P. (2008) Svetlana. [Show/Exhibition] Malvern, S. (2008) The spaces of British art: patronage, institutions, audiences. In: Stephens, C. (ed.) The history of British art 1870-now. The history of British art, 3. Tate Publishing, London, pp. 198-221. ISBN 9781854376527 McMullan, A. (2008) History in tatters: bodies and things in Samuel Beckett’s theatre. Etudes Britanniques Contemporaines, 35. pp. 27-37. ISSN 1168-4917 Mosley, J. (2008) The materials of typefounding: a list of surviving collections. Printing History, NS 4 (4). Mosley, J. (2008) Médailles sur les principaux événements du règne de Louis le Grand 1702, the making of the book. Bulletin du bibliophile, 2. pp. 296-350. ISSN 0399-9742 Murjas, T. (2008) 'The Mistress'(or 'Miss Maliczewska') by Gabriela Zapolska. Translated, designed and directed by Teresa Murjas. [Performance] Reid, T. (2008) Backpages: Scottish Arts Council wields the axe. Contemporary Theatre Review, 18 (3). pp. 398-401. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800802265442 Reid, T. (2008) 'Deformities of the frame': the theatre of Anthony Neilson. Contemporary Theatre Review, 17 (4). pp. 487-498. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800701605110 Renshaw, T. (2008) Images in the vaguest sense. [Show/Exhibition] Richter, D., (2008) ONCURATING.org. Dorothee Richter Robertson, C. (2008) Patronage rivalries: cardinals Odoardo Farnese and Pietro Aldobrandini. In: Burke, J. and Bury, M. (eds.) Art and identity in early modern Rome. Ashgate Press, Aldershot, UK, pp. 95-111. ISBN 9780754656906 Robertson, C. (2008) The invention of Annibale Carracci. Silvana Editoriale, Milan, Italy, pp417. ISBN 9788836609741 Robertson, E. C. (2008) Review of 'Medici women: portraits of power, love and betrayal' by Gabrielle Langdon. The Burlington Magazine, 150. ISSN 0007-6287
Ross, F. Rowlands, A. (2008) Communiqué § 4. In: Birkett, R. and Leaver-Yapp, I. (eds.) Nought to Sixty: 60 projects in 60 weeks. Institute of Contemporary Art, London. ISBN 9781900300599 Rowlands, A. (2008) Shadow cabinet (three rendezvous). [Show/Exhibition] Rowlands, A. (2008) NOVEL. [Show/Exhibition] Rowlands, A. and Williams, M., eds. (2008) Novel. Novel Publication, Berlin, pp42. ISBN 9781906424077 Russell, J. (2008) 'The Return of the Living Dead III. Clement Greenberg is a conceptual artist. Flatness and Shapeism,'. In: Garnett, R. and Hunt, A. (eds.) Gest / Laboratory of Synthesis. Bookworks, London, pp. 81-89. ISBN 9781870699969 Saunders, G. (2008) From resistance to witness: changing spectatorship in the theatre of Sarah Kane. In: Hunkeler, T., Fournier Kiss, C. and Luthi, A. (eds.) Place au public: les spectateurs du theatre contemporain. MétisPresses, Geneva, pp. 153-165. ISBN 9782940406050 Saunders, G. (2008) Patrick Marber’s 'Closer'. Continuum Modern Theatre Guides. Continuum, London, pp118. ISBN 9780826492487 Saunders, G. (2008) Getting closer: Patrick Marber’s excursions into the Pinteresque. Critical Engagements, 2 (2). pp. 150-164. ISSN 1754-0984 Saunders, G. (2008) The persistence of the 'well made play'. In: Redling, E. and Schnierer, P. P. (eds.) Non-standard forms of contemporary drama and theatre. Contemporary Drama in English (15). Wissenschaftlicher Verlag Trier, Trier, pp. 11-21. ISBN 9783868210408 Smart, B. (2008) Simon Gray, 1936–2008: In other words. Contemporary Theatre Review, 18 (4). pp. 542-544. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800802492855 Twyman, M. (2008) The long-term significance of printed ephemera. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9 (1). pp. 19-57. ISSN 2150-668X Williams, D. (2008) Circulating antisemitism: the men of 1914. In: Durão, F. and Williams, D. (eds.) Modernist group dynamics: the politics and poetics of friendship. Cambridge Scholars Publishing, Newcastle, UK, pp. 43-68. ISBN 9781847185082 Williams, D. (2008) Fighting on different fronts: Isaac Rosenberg and John Rodker in the Great War. In: Dickson, R. , Liddiard, J., MacDougall, S., Wilson, J. M. and Williams, D. (eds.) Whitechapel at war: Isaac Rosenberg and his circle. Ben Uri Gallery, The London Jewish Museum of Art, London, UK, pp. 95-98. ISBN 780900157097 Woods, F. (2008) Generation gap? mother, daughters, and music. In: Calvin, R. (ed.) Gilmore girls and the politics of identity : essays on family and feminism in the television series. McFarland, Jefferson, North Carolina, pp. 127-143. ISBN 9780786437276 Woods, F. (2008) Nostalgia, music and the television past revisited in American dreams. Music Sound and the Moving Image, 2 (1). pp. 27-50. ISSN 1753-0776 doi: https://doi.org/10.1353/msm.0.0028 de Souza, J. M. B. and Dyson, M. (2008) Are animated demonstrations the clearest and most comfortable way to communicate on-screen instructions? Information Design Journal, 16 (2). pp. 107-124. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.16.2.03bez 2007Allen, K. (2007) Auraproject. [Project] Allen, K. (2007) Grangerparklife: Online project. [Project] Andrews, M. J. (2007) The importance of ephemera. In: Eliiot, S. and Rose, J. (eds.) A Companion to the History of the Book. Companions to Literature and Culture. Wiley-Blackwell, Oxford, pp. 234-250. ISBN 9781405127653 Angelaki, V. (2007) Performing Phenomenology: the theatre of Martin Crimp. In: Meyer-Dinkgräfe, D. and Watt, D. (eds.) Theatres of Thought. Cambridge Scholars Publishing, pp. 6-12. Angelaki, V. (2007) Structuring consciousness through objects: fluctuating roles and selves in Crimp, Pinter and Ionesco. In: Meyer-Dinkgräfe, D. (ed.) Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Publishing, pp. 126-133. Banham, R. (2007) Trash type. Baseline, 52. pp. 16-21. Bignell, J. (2007) Masculinité, musique et politique dans 'Excalibur'. In: Sipiere, D. and Cohen, A. J.-J. (eds.) Les autres arts dans l'art du cinéma. Le Spectaculaire Cinéma. University of Rennes Press, Rennes, pp. 141-152. ISBN 9782753503885 Bignell, J. (2007) Une lettre en souffrance: l'adaptation de 'La Servante écarlate/The Handmaid's Tale' de Margaret Atwood au cinéma. In: Cloarec, N. (ed.) Lettres de cinéma: de la missive au film-lettre. University of Rennes Press, Rennes, pp. 175-187. ISBN 9782753505308 Bignell, J. (2007) The child as addressee, viewer and consumer in mid-1960s 'Doctor Who'. In: Butler, D. (ed.) Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who. Manchester University Press, Manchester, pp. 43-55. ISBN 9780719076817 Bignell, J. (2007) An introduction to television studies. 2nd edition. Routledge, London, New York, pp368. ISBN 9780415419178 Bignell, J. (2007) Citing the classics: constructing British television drama history in publishing and pedagogy. In: Wheatley, H. (ed.) Re-viewing Television History: Critical Issues in Television Historiography. I B Tauris, London, pp. 27-39. ISBN 9781845111885 Bignell, J. (2007) Seeing and knowing: reflexivity and quality. In: Mccabe, J. and Akass, K. (eds.) Quality TV: contemporary American television and beyond. Reading Contemporary Television. I B Tauris, London, pp. 145-157. ISBN 9781845115104 doi: https://doi.org/10.5040/9780755696376.ch-012 Blackadder, E., Buckley, S., Carter, J., Coates, T., Forster, N., Hollyras, K., Mccrae, J., Mitchell, J. and Sutton, T. (2007) Critic's choice. [Show/Exhibition] Brown, T. (2007) Les Remakes des films français: l'âge classique. In: Viviani, C., Barnier, M. , Bastide, B. and Berthomieu, P. (eds.) Hollywood, les Connexions françaises. Nouveau Monde éditions, Paris, pp. 345-375. ISBN 9782847362312 Brown, T. (2007) 'The DVD of attractions'? The Lion King and the digital theme park. Convergence: The International Journal of Research into New Media Technologies, 13 (2). pp. 169-183. ISSN 1354-8565 doi: https://doi.org/10.1177/1354856507075243 Bull, J. (2007) Telling stories: the Point Blank trilogy. In: Tomlin, L. (ed.) Point Blank. Intellect Press, Bristol, pp. 9-15. ISBN 9781841501697 Bull, J. (2007) 'Being taken no notice of in ten million homes': David Hare's adventures in television. In: Boon, R. (ed.) The Cambridge Companion to David Hare. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 153-168. ISBN 9780521615570 Burke, C. (2007) Active literature: Jan Tschichold and New Typography. Hyphen Press, London, pp336. ISBN 9780907259329 Butler, A. (2007) 'Motor-driven metaphysics': movement, time and action in the films of Maya Deren. Screen, 48 (1). pp. 1-23. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjm001 Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt. Journal of Architecture. Taylor & Francis. Campkin, B. and Dobraszczyk, P. (2007) Architecture and dirt: introduction. The Journal of Architecture, 12 (4). pp. 347-351. ISSN 1466-4410 doi: https://doi.org/10.1080/13602360701614623 Chaimowicz, M. (2007) The ruin: RAW among the ruins. [Show/Exhibition] Chaimowicz, M. (2007) The secret public: the last days of the British underground 1978-1988. [Show/Exhibition] Chaimowicz, M. C. (2007) 16 ans! [Show/Exhibition] Chaimowicz, M. C. (2007) Summer's song. [Show/Exhibition]
Chamarette, J. Chare, N. (2007) Puncture / punctum: representations of women with AIDS. In: Pollock, G. (ed.) Conceptual odysseys: passages to cultural analysis. I.B. Tauris, London, pp. 91-102. ISBN 9781845115227 Chare, N. (2007) Robert Rauschenberg’s undoing: reversibility and irreversibility in erased de Kooning drawing. In: Schreier, B. (ed.) Studies in irreversibility: texts and contexts. Cambridge Scholars Publishing, Newcastle, UK, pp. 118-133. ISBN 9781847182050 Chare, N. (2007) Imaging contingency: an interview with Mary Ann Doane. Parallax, 13 (4). pp. 16-25. ISSN 1460-700X doi: https://doi.org/10.1080/13534640701682743 Chare, N. (2007) Testimony. The year's work in critical and cultural theory, 15 (1). pp. 287-297. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbm016 Chare, N. (2007) The grain of the interview: introducing Diamanda Galás. Parallax, 13 (1). pp. 56-64. ISSN 1460-700X doi: https://doi.org/10.1080/13534640601094874 Chare, N. (2007) The skin of the photograph: representing the murdered women of Juárez. West Coast Line 53, 41 (1). pp. 26-31. ISSN 1182-4271 Chare, N., Ferrett, D. and Galas, D. (2007) Entwined voices: an interview with Diamanda Galás. Parallax, 13 (1). pp. 65-73. ISSN 1460-700X doi: https://doi.org/10.1080/13534640601094890 Clausen, S. (2007) Bohemian work out. [Show/Exhibition] Clausen, S. (2007) Curating degree zero. [Show/Exhibition] Clausen, S. and Tervaniemi, S. (2007) Loving revolution. [Show/Exhibition] Clausen, S. (2007) Szuper gallery. In: Culture Shock. The Artists' Studio, London, pp. 70-79. ISBN 9780954699955 Clausen, S. and Kerestey, P. (2007) I will survive. [Performance] Clausen, S. and Kerestey, P. (2007) I will survive. [Show/Exhibition] Clausen, S. and Kerestey, P., eds. (2007) Liftarchiv. Revolver, Frankfurt, pp120. ISBN 9783865884039 Clausen, S. and Kerestrey, P. (2007) Szuper gallery. [Show/Exhibition] D'Monté, R. and Saunders, G. (2007) Cool Britannia? British political drama in the 1990's. Palgrave Macmillan, London. ISBN 9781403988126 Davies, P. (2007) Representing Siena: an image of the city as ex-voto model. In: Sivefors, P. (ed.) Urban preoccupations: mental and material landscapes. Early modern and modern studies, 2. Fabrizio Serra Editore, Pisa, pp. 197-203. ISBN 9788862270960 Davies, P. (2007) Review of exhibition 'Spectacular miracles. Images of supernatural power from Northwest Italy'. Renaissance Studies, 21 (1). pp. 110-113. ISSN 1477-4658 doi: https://doi.org/10.1111/j.1477-4658.2007.00374.x Demircan, S., Holzfeind, H., Kobro, K., Lloyd, H., Pozarek, V., Schmidt Hansen, L., Solmsdorf, J. and Roithmayr, F. (2007) Die Blaue Blume. [Show/Exhibition] Dobraszczyk, P. (2007) Mapping sewer space in mid-Victorian London. In: Campkin, B. and Cox, R. (eds.) Dirt: New Geographies of Cleanliness and Contamination. I B Tauris, London, pp. 123-137. ISBN 9781845116729 Dobraszczyk, P. (2007) 'Monster sewers': experiencing London's main drainage system. In: Scott, N. (ed.) Monsters and the Monstrous: Myths and Metaphors of Enduring Evil. At the Interface/Probing the Boundaries (38). Rodopi, Amsterdam and New York, pp. 9-32. ISBN 9789042022539 Dobraszczyk, P. (2007) Architecture, ornament and excrement: the Crossness and Abbey Mills pumping stations. The Journal of Architecture, 12 (4). pp. 353-365. ISSN 1466-4410 doi: https://doi.org/10.1080/13602360701614631 Dronsfield, J. (2007) Art and a ‘People to Come': Heidegger and Deleuze. In: McNeill, W. and Kirkland, S. (eds.) Proceedings of the 41st North American Heidegger Conference (DePaul University, Chicago, 3-5 May 2007). Xavier University, Cincinnati, OH, pp. 119-125. Dronsfield, J. (2007) Cryptochromism. Jan van Eyck Academie, Maastricht. Dronsfield, J. L. (2007) Jacques Derrida (1930-2004). In: Costello, D. and Vickery, J. (eds.) Art: Key Contemporary Thinkers. Berg, pp. 121-124. ISBN 9781845203207 Dronsfield, J. L. (2007) The sublime... 'if there is such a thing'. In: Mircan, M. (ed.) Sublime Objects: Collections sans frontières VI. Institut francais de Bucarest and Muzeul National da Arta Contemporana (MNAC), Paris and Bucharest, pp. 1-31. Dronsfield, J. L. (2007) Kopflos I Hirschorns Klassrum. Die Paletten, 266 (4). pp. 50-53. ISSN 0031-0352 Dronsfield, J. L. (2007) A face apart. Arhitext, 170 (4). pp. 46-49. ISSN 1224-886X Ellison, C. (2007) Record. [Performance] Ellison, C. (2007) iPolly Shuffle. [Performance] Fadel, L. M. and Dyson, M. C. (2007) Enhancing interactivity in an online learning environment. Lecture Notes in Computer Science, 4663. pp. 332-344. ISSN 0302-9743 doi: https://doi.org/10.1007/978-3-540-74800-7_27 Gibbs, J. and Pye, D., eds. (2007) Close-Up 02: movies and tone / reading Rohmer / voices in film. Wallflower Press, London, pp256. ISBN 9781905674060 Golden, P. (2007) Love and hysteria. [Show/Exhibition] Golden, P. (2007) Thoughts. [Show/Exhibition] Golden, P. R. (2007) Le recollets Paris. [Show/Exhibition] Kindel, E. (2007) The 'Plaque Decoupee Universelle': a geometric sanserif in 1870s Paris. In: Typography Papers 7. Hyphen Press, pp. 71-80. ISBN 9780907259336 Knox, S. (2007) Five's finest: the import of 'CSI' to British television. In: Allen, M. (ed.) Reading 'CSI': Crime TV Under the Microscope. I B Tauris, London, pp. 183-197. Kollectiv, G. and Kollectiv, P. (2007) Asparagus: a horticultural ballet. [Project] Lee, S. (2007) Napoleon amongst the shopkeepers. David’s 1815 exhibition on London. In: Ledbury, M. (ed.) David after David: essays on the later work. Sterling and Francine Clark Art Institute, Williamstown, USA, pp. 326-341. ISBN 9780931102691 MacLean, M. (2007) Before. [Show/Exhibition] MacLean, M. (2007) Inspiration to order. [Show/Exhibition] MacLean, M. (2007) Considering if…then…else…. Journal of Visual Art Practice, 6 (3). pp. 257-267. ISSN 1758-9185 doi: https://doi.org/10.1386/jvap.6.3.257_1 Malvern, S. B. (2007) C.R.W. Nevinson's "bad boy" modernisms and fascism in the 1930s. In: Walsh, M. J. K. (ed.) A dilemma of English modernism: visual and verbal politics in the life and work of C. R. W. Nevinson (1899-1946). University of Delaware Press, Newark, USA, pp. 182-188. ISBN 9780874139426 Malvern, S. B. (2007) The fourth plinth or the vicissitudes of public sculpture. In: Gerstein, A. (ed.) Display and displacement : sculpture and the pedestal from Renaissance to post-Modern. Paul Holberton Publishing, London, pp. 130-150. ISBN 9781903470305 Marchand, E. (2007) Reproducing relief: the use and status of plaster casts in the Italian renaissance. In: Cooper, D. and Leino, M. (eds.) Depth of field: relief sculpture in Renaissance Italy. Peter Lang, Oxford, UK, pp. 191-223. ISBN 9783039111114 McMullan, A. (2007) From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre. In: Sihra, M. (ed.) Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. Palgrave Macmillan, Basingstoke, pp. 97-108. ISBN 9780230006478 McMullan, A. (2007) Samuel Beckett’s theatre: liminal subjects and the politics of perception. The Princeton University Library Chronicle, 68 (1/2). pp. 450-464. McMullan, A. (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485 McMullan, A. (2007) Mutated bodies: stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, 12 (1). pp. 57-65. ISSN 1469-9990 doi: https://doi.org/10.1080/1352816070138081
Miller, H. K. Murjas, T., ed. (2007) The morality of Mrs Dulska: a play by Gabriela Zapolska. Intellect Books, Bristol, pp192. ISBN 9781841501666 Nagib, L. (2007) Brazil on screen: Cinema Novo, new cinema and utopia. Tauris World Cinema Series. I.B. Tauris, London, pp200. ISBN 9781845113285 Nagib, L. (2007) Going global: the Brazilian scripted film. In: Harvey, S. (ed.) Trading cultures: global traffic and local cultures in film and television. John Libbey, Eastleigh, pp. 95-103. ISBN 9780861966691 Nagib, L. (2007) Paraméricas Utópicas: entranced and transient nations in "I Am Cuba" (1964) and "Land in Anguish" (1967). Hispanic Research Journal, 8 (1). pp. 79-90. ISSN 1745-820X doi: https://doi.org/10.1179/174582007X164357 Paget, D. (2007) ‘Acting with Facts’: actors performing the real in British theatre and television since 1990. A preliminary report on a new research project. Studies in Documentary Film, 1 (2). pp. 165-176. ISSN 1750-3280 doi: https://doi.org/10.1386/sdf.1.2.165_1 Reid, T. (2007) 'From scenes like these old Scotia's grandeur springs': the new National Theatre of Scotland. Contemporary Theatre Review, 17 (2). pp. 192-201. ISSN 1477-2264 doi: https://doi.org/10.1080/10486800701234432 Renshaw, T. (2007) Cocheme Fellows exhibition. [Show/Exhibition] Renshaw, T. (2007) Painting unlimited. [Show/Exhibition] Reynolds, L. (2007) The Graphic Information Research unit: a pioneer of typographic research. In: Typography Papers. Typography Papers (7). Hyphen Press, pp. 115-137. ISBN 9780907259336 Robins, A. G. (2007) A fragile modernism: Whistler and his impressionist followers. Yale University Press, New Haven, USA and London, UK, pp239. ISBN 9780300135459 Robins, A. G. (2007) George Moore’s 'A modern lover': introducing the French Impressionists to London. French Studies, 61 (1). pp. 47-56. ISSN 1468-2931 doi: https://doi.org/10.1093/fs/knl232 Roithmayr, F. (2007) Distributed matter. In: Theory in Practice - Practice as Research Conference, Gallery Lazaretti, Dubrovnik, Croatia. (Unpublished) Roithmayr, F. (2007) Eventually Everything Happens. [Show/Exhibition] Roithmayr, F. (2007) Go I Know Not Whither And Fetch I Know Not What. [Show/Exhibition] Roithmayr, F. and Reid, C. (2007) Aspen 11. [Show/Exhibition] Roithmayr, F., Behr, B., Farmer, G., Haugaard Madsen, L., Henry Longly, G. and Kratz, T. (2007) Ice trade. [Show/Exhibition] Roithmayr, F., Syed, S. and Wake, A. (2007) When something becomes nothing. [Show/Exhibition] Rowlands, A. (2007) 3 Communiqués. Bookworks, London, pp105. ISBN 9781870699914 Rowlands, A. (2007) The movement began with a scandal. In: Rugg, J. and Sedgwick, M. (eds.) Issues in Curating Contemporary Art and Performance. Intellect, pp. 175-184. ISBN 9781841501628 Rowlands, A. (2007) Aspen 11 (part 1). [Show/Exhibition] Rowlands, A. (2007) Aspen 11 (part 2). [Show/Exhibition] Rowlands, A. (2007) Aspen 11 (part 3). [Show/Exhibition] Rowlands, A. (2007) Temporäre Autonome Zone. In: Clausen, S. and Kerestey, P. (eds.) Liftarchiv. Revolver, Frankfurt, pp. 55-65. ISBN 9783865884039 Russell, J., ed. (2007) Frozen tears III. ARTicle Press, Birmingham: University of Central England, pp928. ISBN 9781873352595 Russell, J. (2007) Frozen tears vs Dexter Sinister. [Performance] Russell, J. (2007) Fusion now. [Show/Exhibition] Russell, J. (2007) Into position. [Show/Exhibition] Russell, J. (2007) Lost in the thinking. [Show/Exhibition] Russell, J. and Audeoud, F. (2007) Intrusions au Petit Palais. [Show/Exhibition] Russell, J. and Audeoud, F. (2007) John Russell kills Fabienne Audeoud... [Performance] Russell, J. and Audeoud, F. (2007) Off modern. [Show/Exhibition] Russell, J. (2007) Ocean pose. In: Ocean Pose: catalogue. Matts Gallery, London, pp. 2-11. Russell, J. (2007) Ocean pose. [Show/Exhibition] Saunders, G. (2007) 'Under Redevelopment’: Barrie Keeffe’s and Caryl Churchill’s New City Comedies. In: Henke, C. and Middeke, M. (eds.) Drama and/after postmodernism. Contemporary Drama in English (14). Wissenschaftlicher Verlag Trier, Trier, pp. 19-30. ISBN 9783884769362 Smith, M. M. (2007) Printing red underlines in the incunable period: Sensenschmidt and Frisner's 1475 edition of Justinian's 'Codex'. Printing Historical Society Journal, 10 (new se. pp. 45-57. Smith, M. M. (2007) The red-printing frisket at St Bride Library. Ultrabold: the Journal of St Bride Library, 3. p. 35. Stiff, P. (2007) Edward Wright: design work. [Show/Exhibition] Stiff, P. (2007) Showing a new world in 1942: the gentle modernity of Puffin picture books. Design Issues, 23 (4). pp. 22-38. ISSN 1531-4790 doi: https://doi.org/10.1162/desi.2007.23.4.22 Taylor, L. (2007) 'Savannah Bay' by Marguerite Duras. [Performance] Taylor, L. (2007) In opposition: Hare's response to Thatcherism. In: Boon, R. (ed.) The Cambridge Companion to David Hare. Cambridge Companions to Literature . Cambridge University Press, Cambridge, pp. 49-63. ISBN 9780521615570 Taylor, L. (2007) Performed disembodiment in Duras's fictional spaces. Body, Space & Technology Journal, 7 (1). ISSN 1470-9120 Thorpe, A. (2007) The role of the chou ('clown') in traditional Chinese drama: comedy, criticism and cosmology on the Chinese stage. Edwin Mellen Press. ISBN 9780773453036 Twyman, M. (2007) Images en couleurs: Godefroy Engelmann et Charles Hullmandel et les débuts de la chromolithographie. Panama Musées and Musée de l'imprimerie, Paris and Lyon, pp128. Twyman, M. (2007) L'imprimerie: histoire et techniques. ENS Éditions / Institut d’histoire du livre / Les amis du Musée de l’imprimerie, Lyon, pp118. ISBN 9782847881035 Walker, S. (2007) Letterforms for handwriting and reading: print script and sanserifs in early twentieth-century England. In: Typography papers. Typography papers (7). Hyphen Press, pp. 81-114. ISBN 9780907259336 Waller, R. (2007) Comparing typefaces for airport signs. Information Design Journal, 15 (1). pp. 1-15. ISSN 1569-979X doi: https://doi.org/10.1075/idj.15.1.01wal Weissmann, E. (2007) The victim's suffering translated: CSI: Crime Scene Investigation and the crime genre. Intensities, 4. Weissmann, E. and Boyle, K. (2007) Evidence of things unseen: the pornographic aesthetic and the search for truth in CSI. In: Allen, M. (ed.) Reading 'CSI': Crime TV Under the Microscope. I B Tauris, London, pp. 90-103. 2006Andrews, M. (2006) The stuff of everday life: a brief introduction to the history and definition of printed ephemera. Art Libraries Journal, 31 (4). pp. 5-8. ISSN 0302-4722 Bignell, J. (2006) Programmes and canons. Critical Studies in Television, 1 (1). pp. 31-36. ISSN 1749-6020 Bull, J. (2006) Left in front: David Edgar's political theatre. In: Luckhurst, M. (ed.) A Companion to Modern British and Irish Drama 1880-2005. Blackwell Companions: Literature and Culture. Blackwell, Oxford, pp. 441-453. ISBN 9781405122283 Butler, A. (2006) Gender. In: Grant, B. K. (ed.) Schirmer Encyclopedia of Film. Schirmer/Gale, New York. ISBN 9780028657912 Chaimowicz, M. C. (2006) Around the world in 80 days. [Show/Exhibition] Chaimowicz, M. C. (2006) EGOmania. Just when I think I've understood ... / As soon as I realized he understood ... [Show/Exhibition] Chaimowicz, M. C. (2006) Tate triennial 2006. [Show/Exhibition] Chaimowicz, M. C. (2006) Wandering rocks. [Show/Exhibition] Chaimowicz, M. C. (2006) Zurich suite. [Show/Exhibition] Chaimowicz, M. C. (2006) The subversive charm of the bourgeoisie. [Show/Exhibition] Chare, N. (2006) Book review: revolution in poetic sign language [review of R.Sutton-Spence 'Analysing sign language poetry']. Sign Language Studies, 6 (3). pp. 347-354. ISSN 1533-6263 Chare, N. (2006) Passages to paint: Francis Bacon’s studio practice. Parallax, 12 (4). pp. 83-98. ISSN 1460-700X doi: https://doi.org/10.1080/13534640600956032 Chare, N. (2006) Testimony. The year's work in critical and cultural theory, 14 (1). pp. 283-291. ISSN 1471-681X doi: https://doi.org/10.1093/ywcct/mbl016 Chare, N. (2006) The gap in context: Giorgio Agamben's 'Remnants of Auschwitz'. Cultural Critique, 64. pp. 40-68. ISSN 0882-4371 Davies, P. (2006) The tempietti on the Ponte Sant’Angelo and the Renaissance of architecture in Rome. In: Eriksen, R. and Tschudi, V.P. (eds.) Ashes to ashes : art in Rome between humanism and maniera. Edizioni dell'Ateneo, Rome, pp. 11-40. ISBN 8884761034 Dobraszczyk, P. (2006) Historicizing iron: Charles Driver and the Abbey Mills pumping station (1865-68). Architectural History, 49. pp. 223-256. ISSN 0066-622X Dronsfield, J. (2006) On the very idea of sustainable art. Praesens: Central European Contemporary Art Review, 1. pp. 74-79. ISSN 1588-5534 Dronsfield, J. L. (2006) The condition of film as philosophy: or, how can a film ask a question? Film and Philosophy, 10. pp. 135-150. Dunsby, J. (2006) Making words sing: nineteenth- and twentieth-century song. Cambridge University Press, Cambridge. ISBN 9780511207181 Dyson, M., Lonsdale, M. and Papaefthimiou, M. (2006) Student perspectives on a virtual learning environment: lessons for einstructors. Blended learning: promoting dialogue in innovation and practice. pp. 137-144. Ellison, C. (2006) Craftwork. [Performance] Esbester, M. (2006) "No good reason for the Government to interfere": the State and Railway Employee Safety in Britain, c. 1900-1939. Business and Economic History Online, 4. ISSN 0849-6825 Fadel, L. M. and Dyson, M. C. (2006) Comparing a text- and visual-based interface presenting social information in an online environment. In: Visual Languages and Human-Centric Computing, 2006. VL/HCC 2006. IEEE Symposium o, 4-8 September 2006, Brighton, UK, pp. 143-146. doi: https://doi.org/10.1109/VLHCC.2006.15 Fadel, L. and Dyson, M. C. (2006) The effect of interface design on the enhancement of social presence in online courses. In: ICL2006, 27-29 September 2006, Villach, Austria. Gibbs, J. and Pye, D., eds. (2006) Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy. Wallflower Press, London, pp256. ISBN 9781904764571 Gibbs, J. (2006) Filmmakers' choices. In: Close-Up 01. Wallflower Press, London, pp. 1-87. ISBN 1904764665 Gillieson, K. (2006) The book abstracted. Dot Dot Dot. ISSN 1615-1968 Gillieson, K., Andrew, A. and MacKinnon, E. (2006) Start where you are: Graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616 Gillieson, K., Andrew, A. and Mackinnon, E. (2006) 'Start where you are': graphic ordering influences improvisational dance. Performance Research, 11 (2). pp. 67-74. ISSN 1469-9990 doi: https://doi.org/10.1080/13528160600810616 Kindel, E. (2006) Cheap Jack Flash. Eye, 60. pp. 46-51. Kindel, E. (2006) Patents progress: the Adjustable Stencil. Journal of the Printing Historical Society, 9 (new ser. pp. 65-92. Knox, S. (2006) Reading the ungraspable double-codedness of: the Simpsons. Journal of Popular Film and Television, 34 (2). pp. 73-81. ISSN 1930-6458 doi: https://doi.org/10.3200/JPFT.34.2.73-81 Kollectiv, P. and Kollectiv, G. (2006) Flatpack revolution. [Project] Kollectiv, P. and Kollectiv, G. (2006) Modern lovers. [Show/Exhibition] Lee, S. (2006) Review of 'The legacy of Homer: four centuries of art from the École Nationale Supérieure des Beaux-Arts, Paris' by E.Schwartz, G.Steiner and P.Senechal. The Art Book, 13 (4). pp. 51-52. ISSN 1467-8357 doi: https://doi.org/10.1111/j.1467-8357.2006.00739.x
Leonidas, G. Lonsdale, M. d. S., Dyson, M. C. and Reynolds, L. (2006) Reading in examination-type situations: the effects of text layout on performance. Journal of Research in Reading, 29 (4). pp. 433-453. ISSN 1467-9817 doi: https://doi.org/10.1111/j.1467-9817.2006.00317.x McMullan, A. (2006) Performativity, unruly bodies and gender in Brian Friel’s drama. In: Roche, A. (ed.) Cambridge Companion to Brian Friel. Cambridge Companions to Literature. Cambridge University Press, Cambridge, pp. 142-153. ISBN 9780521853996 Moseley, J. (2006) Garamond, Griffo and others: the price of celebrity. Bibliologia, 1. pp. 17-41. Moseley, J. (2006) La lettre antique. In: Volphilhac-Auger, C. (ed.) D'une Antiquite l'autre: la litterature antique classique dans les bibliotheques du XVe au XIXe siecle. ENS Editions, Lyon, pp. 15-27. Moseley, J. (2006) Stanhope press no 341. In: The dawn of modern printing: Stanhope and Industrial Revolution,. Printing Museum, Tokyo, pp. 93-96. Murjas, T. (2006) 'Four of Them' by Gabriela Zapolska. Translated and directed by Teresa Murjas. [Performance] Nagib, L. (2006) Teoria experimental do realismo corpóreo baseada nos filmes de Nagisa Oshima e da nouvelle vague japonesa. In: Greiner, C. and Amorim, C. (eds.) Leituras do Sexo. Annablume, São Paulo, pp. 127-140. ISBN 857419610X Nagib, L. (2006) Towards a positive definition of World Cinema. In: Dennison, S. and Lim, S. H. (eds.) Remapping world cinema: identity, culture and politics in film. Wallflower Press, London, pp. 30-37. ISBN 9781904764632 Nagib, L. (2006) A utopia no Cinema Brasileiro: matrizes, nostalgia, distopias. Coleção Ensaios. CosacNaify, São Paulo, pp216. ISBN 8575035576 Nagib, L. (2006) Talking bullets: the language of violence in "City of God". In: Vieira, E. R. P. (ed.) "City of God" in several voices: Brazilian social cinema as action. Critical, Cultural and Communications Press, Nottingham, pp. 32-43. ISBN 9781905510009 Nagib, L. (2006) The zero, the centre and the empty utopia: from Rossellini to Walter Salles. Studies in European Cinema, 3 (3). pp. 223-233. ISSN 2040-0594 doi: https://doi.org/10.1386/seci.3.3.223_1 Paget, D. and Roscoe, J. (2006) Giving voice: performance and authenticity in the documentary musical. Jump Cut: a Review of Contemporary Media, 48. Phillips, A. (2006) Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro. In: Grant, C. and Kuhn, G. E. (eds.) Screening World Cinema. The Screen Readers. Routledge, London, New York. ISBN 9780415384285 Phillips, A. and Vincendeau, G., eds. (2006) Journeys of desire: European actors in Hollywood. British Film Institute, pp350. ISBN 9781844571246 Reynolds, L., Walker, S. and Duncan, A. (2006) Children's responses to line spacing in early reading books or "Holes to tell you which line you're on". Visible Language, 40 (3). pp. 246-267. Robertson, C. (2006) Julian Kliemann und Michael Rohlmann, wandmalerei in Italien. Hochrenaissance und Manierismus, 1510-1600. Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege, 59 (1). pp. 20-22. ISSN 0023-5474 Robertson, E. C. (2006) Cardinals Odoardo Farnese and Pietro Aldobrandini as patrons of landscape painting. In: Cappelletti, F. (ed.) Archivi dello sguardo: origini e momenti della pittura di paesaggio in Italia. Le Lettere, Florence, pp. 243-263. ISBN 8871669827 Robins, A. G. (2006) 'Slabs of pink and lumps of brown': the critical reaction to the exhibition of a Monet Grainstack painting in Britain in 1893. In: Fowle, F. (ed.) Monet and French landscape, Vétheuil and Normandy. National Galleries of Scotland, Scotland, pp. 159-171. ISBN 9781903278918 Robins, A. G. (2006) Some newly discovered sketches by Walter Sickert of Gatti's Hungerford palace of varieties. The Burlington Magazine, 148 (1237). pp. 269-272. ISSN 0007-6287 Roithmayr, F. (2006) Glass Bead Game. [Show/Exhibition] Roithmayr, F. (2006) New contemporaries. [Show/Exhibition] Roithmayr, F. (2006) Toyama X. [Show/Exhibition] Roithmayr, F. (2006) Treasure hunt. [Show/Exhibition]
Ross, F. Rowlands, A. (2006) Exegesis: Mark Titchner's 'when we build let us think that we build forever'. In: IT IS YOU. Arnolfini, Bristol:, pp. 50-57. Rowlands, A. (2006) Notes on the smiles are not smiles. In: Stevenson, M. and Titz, S. (eds.) Art of the Eighties and Seventies: English and German Translation. Museum Abteiberg, Monchengladbach, pp. 65-76. Rowlands, A. (2006) The glass bead game. [Show/Exhibition] Taylor, L. (2006) The 'unhomely' stage. Studies in Theatre & Performance, 26 (3). pp. 205-220. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.26.3.205/1 Toren, A. (2006) Drawing breath. [Show/Exhibition] Toren, A. (2006) Houses in motion. [Show/Exhibition] Toren, A. (2006) Narrative painting #1. [Show/Exhibition] Toren, A. (2006) Received wisdom. [Show/Exhibition] Toren, A. (2006) Ten last drawings. [Show/Exhibition] Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226. Twyman, M. (2006) Review of J. Last, the color explosion: nineteenth-century American lithography. The Ephemerist, 10. pp. 19-24. 2005Bignell, J. (2005) Big brother: reality TV in the twenty-first century. Palgrave Macmillan, Basingstoke, pp256. ISBN 9781403916846 Bignell, J. and Orlebar, J. (2005) The television handbook. 3rd edition. Routledge, London and New York, pp340. ISBN 9780415342513 Bignell, J. (2005) And the rest is history: Lew Grade, the creation myth and television historiography. In: Turnock, R. and Johnson, C. (eds.) ITV Cultures: Independent Television Over Fifty Years. Open University Press, Buckingham, pp. 57-70. ISBN 9780335217298 Bignell, J. (2005) Exemplarity, pedagogy and television history. New Review of Film and Television Studies, 3 (1). pp. 15-32. ISSN 1740-7923 doi: https://doi.org/10.1080/17400300500037324 Bignell, J. (2005) Familiar aliens: 'Teletubbies' and postmodern childhood. Screen, 46 (3). pp. 373-388. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/46.3.373 Bignell, J. (2005) From detail to meaning: 'Badlands' (Terence Malick, 1973) and cinematic articulation. In: Gibbs, J. and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 42-52. ISBN 9780719065248 Bignell, J. (2005) How to watch television? Pedagogy and paedocracy in Beckett’s television plays. Samuel Beckett Today / Aujourd'hui, 15. pp. 281-293. ISSN 0927-3131 (Historicising Beckett / Issues of Performance) Bignell, J. (2005) Space for "quality": negotiating with the Daleks. In: Bignell, J. and Lacey, S. (eds.) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp. 76-92. ISBN 9780719069321 Bignell, J. and Lacey, S., eds. (2005) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp240. ISBN 9780719069321 Buckley, S. (2005) 1979. [Show/Exhibition] Bull, J. (2005) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY. Bull, J. (2005) John Bull - 'Serjeant Musgrave Dances to a Different Tune': John McGrath's adaptation of John Arden's 'Serjeant Musgrave's Dance'. In: Bradby, D. and Capon, S. (eds.) Freedom's Pioneer: John McGrath's Work in Theatre, Film and Television,. University of Exeter Press, Exeter, pp. 39-54. ISBN 9780859897488 Bull, J. (2005) Introduction: on interventionist and community theatre. In: Billingham, P. (ed.) Radical Initiatives in Interventionist and Community Theatre. New Directions in Drama and Performance (Volume 1). Intellect, Exeter. ISBN 9781841500683 Butler, A. (2005) Feminist film in the gallery: 'If 6 was 9'. Camera Obscura: Feminism, Culture, and Media Studies, 20 (1 58). pp. 1-31. ISSN 1529-1510 doi: https://doi.org/10.1215/02705346-20-1_58-1 Chaimowicz, M. C. (2005) Concertina. [Show/Exhibition] Chaimowicz, M. C. (2005) Event: a collaboration with the Merce Cunningham Dance Company. [Performance] Chaimowicz, M. C. (2005) Le voyage intèrieur Paris-London. [Show/Exhibition] Chaimowicz, M. C. (2005) A l'école d'une maison. [Show/Exhibition] Chare, N. (2005) Book review of 'Built to win: the female athlete as cultural icon'. Feminist Theory, 6 (3). pp. 369-371. ISSN 1741-2773 doi: https://doi.org/10.1177/146470010500600309 Chare, N. J. (2005) Execrable speech: Louis Ferdinand Céline’s 'Bagatelles pour un massacre'. In: Fahraeus, A. and Jonsson, A. (eds.) Textual ethos studies- or locating ethics. Critical studies, 26. Rodopi, Amsterdam, pp. 53-66. ISBN 9789042017979 Chare, N. J. (2005) Animal magic: Giorgio Agamben’s 'The Open'. Journal of Visual Culture, 4 (2). pp. 267-270. ISSN 1741-2994 doi: https://doi.org/10.1177/1470412905057351 Chare, N. J. (2005) Pain in camera: Susan Sontag 'Regarding the pain of others'. Parallax, 11 (1). pp. 88-89. ISSN 1460-700X doi: https://doi.org/10.1080/1353464052000321128 Chare, N. J. (2005) Regarding the pain: noise in the art of Francis Bacon. Angelaki: Journal of Theoretical Humanities, 10 (3). pp. 133-143. ISSN 1469-2899 doi: https://doi.org/10.1080/09697250500424395 Davies, P. and Hemsoll, D. (2005) Vincenzo Scamozzi: pianta della villa Laurentina di Plinio. In: Beltramini, G. and Burn, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 201-203. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) “La Soranza” a Treville. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 284-286. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) Le ville di Plinio il Giovane e la loro influenza sui progetti di villa veneti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice , pp. 201-203. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) Un 'fortissimo palazzo': Castello Bevilacqua. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 282-284. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) Villa Soranza: modello ligneo e il disegno di Giovanni Battista Berti. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 286-288. ISBN 9788831786409 Davies, P. and Hemsoll, D. (2005) Villa della Torre a Fumane. In: Beltramini, G. and Burns, H. (eds.) Andrea Palladio e la villa veneta: da Petrarca a Carlo Scarpa. Marsilio, Venice, pp. 288-291. ISBN 9788831786409 Dobraszczyk, P. (2005) Sewers, wood engraving and the sublime: picturing London's main drainage system in the Illustrated London News, 1895-62. Victorian Periodicals Review, 38 (4). 349-378 . ISSN 1712-526X Dronsfield, J. L. (2005) I am in the liber: remarks on the question of theorising art. In: Perez, Y., Rodriguez, M. A. and Saladini, E. (eds.) Espazos de Creacion Contemporanea. Concello de Santiago, Santiago de Compostella, pp. 183-195. Dronsfield, J. L. (2005) Memories of underdevelopment: the collages and sculptures of Melita Couta. In: Danos, A. (ed.) Somatópia: Mapping Sites, Siting Bodies. The Hellenic Centre, London and Ministry of Education & Culture, Cyprus, London and Cyprus, pp. 34-43. Dronsfield, J. L. (2005) The resistance of the question to phenomenological reduction: Husserl, Fink, and the adequacy of the Sixth Cartesian Meditation as a response to Heidegger. In: Tymieniecka, A.-T. (ed.) Analecta Husserliana. Springer, Dordrecht, pp. 293-305. ISBN 1402036787 Dronsfield, J. L. (2005) The question lacking at the end of art: Heidegger and Danto. Philosophy Today, 49 (5). pp. 153-160. ISSN 0031-8256 Dyson, M. C. (2005) How do we read text on screen. In: Oostendorp, H. V., Breure, L. and Dillon, A. (eds.) Creation, use and deployment of digital information. Routledge, London, pp. 279-306. ISBN 9780805845877 Gibbs, J. and Pye, D. (2005) Revisiting Preminger: 'Bonjour Tristesse' (1958) and close reading. In: Gibbs, J. and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 108-126. ISBN 9780719065248 Gibbs, J. and Pye, D., eds. (2005) Style and meaning: studies in the detailed analysis of film. Manchester University Press, Manchester. ISBN 9780719065248 Gillieson, K. (2005) Genetics of the 'open text'. Eye, 57. pp. 26-35. Golden, P. (2005) Nothing personal. [Show/Exhibition] Golden, P. (2005) The word. [Show/Exhibition] Golden, P. R. (2005) The word. Onestar press, Paris, France. Hillier, J. M. (2005) Swimming and sinking: form and meaning in an avant-garde film. In: Gibbs, J. and Pye, D. (eds.) Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, Manchester, pp. 155-166. ISBN 9780719065248 Kindel, E. (2005) Ishihara. Eye Magazine, 56. pp. 18-23. ISSN 0960-779X
Leonidas, G. Luna, P. (2005) The typographic design of Johnson's Dictionary. In: Lynch, J. and Mcdermott, A. (eds.) Anniversary essays on Johnson's Dictionary. Cambridge University Press, Cambridge , pp. 175-197. ISBN 9780521848442 doi: https://doi.org/10.2277/052184844X MacLean, M. (2005) The way we work now. [Show/Exhibition] Malvern, S. B. (2005) Monographs, canons, omissions. Sculpture Journal, 13 (1). pp. 143-146. ISSN 1756-9923 doi: https://doi.org/10.3828/sj.13.1.9 Marchand, E. (2005) Review of 'From Flanders to Florence: the impact of Netherlandish painting 1400-1500' by Paula Nuttall. Apollo, CLXI (516 (new s). 74-75 . ISSN 0003-6536 Marchand, E. (2005) Review of exhibition 'Ich, Lovis Corinth: Die Selbstbildnisse' (Nov 2004-Feb 2005). Apollo, CLXI (515). pp. 80-81. ISSN 0003-6536 Moseley, J. (2005) Giovan Francesco Cresci and the baroque letter in Rome. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 115-155. ISBN 9780907259299 Murjas, T. (2005) Strindberg i England. Fallet Fröken Julie. Strindbergiana, 20. pp. 93-115. Murjas, T. (2005) The man. [Performance] Nagib, L. (2005) Cinema Novo, Glauber, Herzog. In: Silva, M. A. (ed.) Glauber par Glauber. Magic Cinema, Paris, pp. 88-90. Nagib, L. (2005) The trilogy of John of God. In: Mira, A. (ed.) The cinema of Spain and Portugal. Wallflower, London, pp. 188-197. ISBN 9781904764441 Paget, D. (2005) Chris Wilkinson (1941-). In: Bull, J. (ed.) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY, pp. 307-312. Paget, D. (2005) Dramadoc/docudrama: the law and regulation. In: Rosenthal, A. and Corner, J. (eds.) New Challenges for Documentary. Manchester University Press, Manchester, pp. 435-452. ISBN 9780719068980 Paget, D. (2005) Ted Willis (1918-1992). In: Bull, J. (ed.) British and Irish dramatists since World War II. Bruccoli Clark Layman, NY, pp. 313-320. Paget, D. (2005) Death of a Princess. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450 Paget, D. (2005) Documentary drama: a critical overview. In: Aitken, I. (ed.) Encyclopedia of the Documentary Film. Routledge, London, New York, pp. 305-309. ISBN 9781579584450 Phillips, A. (2005) The 400 Blows (1959), François Truffaut. In: Geiger, J. and Rutsky, R. L. (eds.) Film Analysis: A Norton Reader. W.W. Norton and Company, New York and London , pp. 550-565. ISBN 9780393979831 Purse, L. (2005) The new spatial dynamics of the bullet-time effect. In: King, G. (ed.) The Spectacle of the Real: From Hollywood to Reality TV and Beyond. Intellect, Exeter, pp. 151-160. ISBN 9781841501208 Renshaw, T. (2005) Short stories about painting. [Show/Exhibition] Robertson, E.C. (2005) Phoenix romanus: Rome 1534-1565. In: Hall, M.B. (ed.) Rome: artistic centers of the Italian renaissance. Cambridge University Press, Cambridge, 184-245 . ISBN 9780521624459 Robertson, E.C. (2005) Silvio Antoniano and the painted decoration of the Villa Belvedere at Frascat. Römisches Jahrbuch der Bibliotheca Hertziana, 35. 415-430 . ISSN 0342-2046 Robertson, E.C. (2005) Review of L. Zirpolo, 'Ave papa, ave papabile. The Sacchetti family, their art patronage, and political aspirations'. The Burlington Magazine, 147 (1232). p. 758. ISSN 0007-6287 Robertson, E.C. (2005) Review of the exhibitions 'Caravaggio. L'ultimo tempo, 1606-1610' (Naples, Museo di Capodimonte), and 'Caravaggio: the final years' (London, National Gallery). Renaissance Studies, 19 (4). pp. 556-560. ISSN 1477-4658 doi: https://doi.org/10.1111/j.1477-4658.2005.0118c.x Robins, A. G. (2005) Suddenly last summer: Walter Sickert and Degas’s six friends at Dieppe. In: O'Brien, M., Roberts, J., Gruetzner Robins, A. E. and Catano, L. (eds.) Edgar Degas: six friends at Dieppe. Museum of Art, Rhode Island School of Design, Providence, USA, pp. 49-64. ISBN 9780911517804 Robins, A. G. and Thomson, R. (2005) Degas, Sickert and Toulouse Lautrec: London and Paris 1870-1910. Tate Publishing, London. ISBN 9781854376343
Ross, F. Rowlands, A. (2005) Growing up absurd. [Show/Exhibition] Smith, M. M. (2005) From manuscript to print: early design changes. In: Estermann, M., Rautenberg, U. and Wittmann, R. (eds.) Band 59. Archiv für Geschichte des Buchwesens . De Gruyter, pp. 1-10. ISBN 9783598248559 Stiff, P. (2005) Co mozna wymarzyc, co trzeba rozwazyc (Dreams and Reasoning). 2+3D, 14 (1). pp. 18-19. Stiff, P. (2005) Zrozumiec czytanie! (Understand reading!). 2+3D, 17 (4). pp. 69-71. Stiff, P. (2005) Brunelleschi's epitaph and the design of public letters in fifteenth century Florence. In: Typography Papers. Typography Papers (6). Hyphen Press. ISBN 9780907259299 Stiff, P. (2005) Kinneir. In: Typography Papers. Typography Papers (6). Hyphen Press, pp. 69-71. ISBN 9780907259299 Stiff, P. (2005) Some documents for a history of information design. Information Design Journal, 13 (3). pp. 216-228. ISSN 1569-979X doi: https://doi.org/10.1075/idjdd.13.3.06sti Stiff, P. (2005) Typography Papers. Vol 6. Hyphen Press. ISBN 9780907259299 Taylor, L. (2005) 'Eden Cinema' by Marguerite Duras. [Performance] Thorpe, A. (2005) Only joking? The relationship between the clown and percussion in Jingju. Asian Theatre Journal, 22 (2). pp. 269-292. ISSN 1527-2109 doi: https://doi.org/10.1353/atj.2005.0034 Toren, A. (2005) New works. [Show/Exhibition] Toren, A. (2005) Whatever happened to social democracy. [Show/Exhibition] Walker, S. (2005) 'The books nobody sees': typography in children's reading books. Baseline, 48. pp. 25-32. Walker, S., Connare, V. and Scaglione, J. (2005) Fabula: type design. University of Reading. Walker, S. (2005) The books that nobody sees: typography in children's reading books. Baseline (48). pp. 25-32. ISSN 0954-9226 Walker, S. F. (2005) The songs the letters sing: typography and children's reading. National Centre for Language and Literacy, Reading, pp23. ISBN 9780704998469 Wheatley, H. (2005) Haunted houses, hidden rooms: women, domesticity and the female Gothic adaptation on television. In: Bignell, J. and Lacey, S. (eds.) Popular television drama: critical perspectives. Manchester University Press, Manchester, pp. 149-165. ISBN 9780719069321 Wheatley, H. (2005) Rooms within rooms: ITV and the studio heritage drama of the 1970s. In: Turnock, R. and Johnson, C. (eds.) ITV Cultures: Independent Television Over Fifty Years. Open University Press, Buckingham, pp. 143-158. ISBN 9780335217298 2004Adamou, C. (2004) Karolos Koun's reading of Greek drama. Filologos, 117. pp. 425-432. Allen, K. (2004) Installation. [Project] Archer, C., Walker, S. and Reynolds, L. (2004) Typography in nineteenth-century children's readers: the Otley connection. In: Mckay, B., Hinks, J. and Bell, M. (eds.) Light on the book trade: essays in honour of Peter Isaac. Print Networks (6). British Library and Oak Knoll Press, London, pp. 118-129. ISBN 9780712347976 Bignell, J. (2004) Another time, another space: modernity, subjectivity and the time machine. In: Redmond, S. (ed.) Liquid Metal: The Science Fiction Reader. Wallflower, London, pp. 136-144. ISBN 9781903364888 Bignell, J. (2004) An introduction to television studies. 1st edition. Routledge, London & New York. ISBN 0415261120 Bignell, J. and O'Day, A. (2004) Terry Nation. Manchester University Press, Manchester. ISBN 9780719065460 Bonham-Carter, E., Buckley, S. and Chaimowicz, M. C. (2004) Jean Cocteau. [Show/Exhibition] Buckley, S. (2004) Narratives. [Show/Exhibition] Bull, J. (2004) What the butler did see: Joe Orton and Oscar Wilde. In: Coppa, F. (ed.) Joe Orton: A Casebook. Casebooks on Modern Dramatists. Routledge, London & New York, pp. 45-60. ISBN 9780815336273 Bull, J. (2004) Barry [née Street; other married names Dancer, Crawford], Ann [Anne] (bap. 1733, d. 1801). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111 Bull, J. (2004) Barry, Spranger (bap. 1717, d. 1777). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111 Bull, J. (2004) Nossiter, Maria Isabella (1735–1759). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111 Bull, J. (2004) Palmer, John (1728–1768). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111 Bull, J. (2004) Palmer, John (1744–1798). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111 Bull, J. (2004) The establishment of British mainstream theatre 1945-1979. In: Kershaw, B. (ed.) British Theatre Since 1895. Cambridge History of British Theatre (3). Cambridge University Press, pp. 326-348. ISBN 9780521651325 doi: https://doi.org/10.2277/0521651328 Cerne-Oven, P. (2004) Analogno/digitalno. Klik, 61. pp. 30-31. ISSN 1408-7936 Cerne-Oven, P. (2004) Ranko Novak: arhitekt na (ne)zacasnem delu v oblikovanju. Oris, VI. pp. 132-141. Chaimowicz, M. C. (2004) It's all an illusion: a sculpture project. [Show/Exhibition] Chaimowicz, M. C. (2004) Like beads on an abacus designed to calculate infinity. [Show/Exhibition] Chaimowicz, M. C. (2004) The future has a silver lining: genealogies of glamour. [Show/Exhibition] Cook, R. J. R. (2004) (S)tools for conviviality. Miser and Now, 2. pp. 2-10. Davies, P. (2004) Santa Maria del Calcinaio a Cortona come architettura di pellegrinaggio. In: Fiore, F.P. (ed.) Francesco di Giorgio alla corte di Federico da Montefeltro. Olschki, Florence, Italy, pp. 679-702. ISBN 8822253221 Davies, P. and Hemsoll, D. (2004) Michele Sanmicheli. Electa, Milan, Italy. ISBN 9788837028046 Davies, P. (2004) The lighting of pilgrimage shrines in Renaissance Italy. Analecta Romana Instituti Danici, Supplementum, 35. pp. 125-148. ISSN 2035-2506 Dunsby, J. (2004) Music-analytical trends of the twentieth century. In: Dejans, P. (ed.) Order and Disorder: music-theoretical strategies in 20th Century Music. Leuven University Press, Leuven, pp. 11-28. ISBN 9789058673695 Dunsby, J. (2004) The battle of Chronos and Orpheus: essays in applied semiology. Oxford University Press, Oxford. Dyson, M. C. (2004) How physical text layout affects reading from screen. Behaviour and Information Technology, 23 (6). pp. 377-393. ISSN 1362-3001 doi: https://doi.org/10.1080/01449290410001715714 Gillieson, K. (2004) On revolutions. Dot Dot Dot. pp. 57-61. ISSN 1615-1968 Gillieson, K. (2004) Semantics of British culture: towards a representation of the English breakfast as a modular system. Dot Dot Dot. pp. 62-64. ISSN 1615-1968 Kindel, E. (2004) Worlds of moiré. Eye, 52. pp. 18-27. Luna, P. (2004) Not just a pretty face: the contribution of typography to lexicography. In: 11th EURALEX International Congress, 6-10 July 2004, Lorient, France, pp. 847-858. Luna, P. F. and Ragg, E. (2004) Designing the Oxford Shakespeare. In: Typography Papers. Typography Papers (5). University of Reading, Reading, pp. 5-21. MacLean, M. (2004) Somewhere ... fast. [Show/Exhibition] Malvern, S. B. (2004) 'For King and country': Frampton's Edith Cavell (1915-1920) and the writing of gender in memorials to the Great War. In: Getsy, D. (ed.) Sculpture and the pursuit of a modern ideal in Britain c. 1880-1930. British art and visual culture since 1750 new readings. Ashgate, Aldershot, UK, pp. 219-244. ISBN 9780754609964 Malvern, S. B. (2004) Modern art, Britain and the Great War: witnessing, testimony and remembrance. Paul Mellon centre for studies in British art . Yale University Press, New Haven, USA. ISBN 9780300105766 Malvern, S. B. (2004) Antibodies: Rachel Whiteread's Water Tower. In: Perry, G. (ed.) Difference and excess in contemporary art: the visibility of women's practice. Blackwell, Oxford, UK, pp. 74-87. ISBN 9781405112024 Marchand, E. (2004) Exemplary gestures and 'authentic' physiognomies: an interpretation of Ghirlandaio's 'Famous Men' in the Palazzo Vecchio, Florence. Apollo. pp. 3-11. ISSN 0003-6536 Marchand, E. (2004) Gebärden in der Florentiner Malerei: Studien zur Charakterisierung von Heiligen, Uomini Famosi und Zeitgenossen im Quattrocento. Kunstgeschichte, 79. Lit Verlag, Muenster. ISBN 9783825877507 May, A. and Twyman, M. (2004) Reconstructing a Senefelder pole press. Journal of the Printing Historical Society, 7 (new ser. pp. 5-21. McMullan, A. (2004) Irish/postcolonial Beckett. In: Oppenheim, L. (ed.) Palgrave Advances in Samuel Beckett Studies. Palgrave Advances. Palgrave Macmillan, pp. 89-109. ISBN 9781403903525 Monks, A., (2004) First funny Medea: Deborah Warner's Medea. In: Weitz, E. (ed.) The Power of Laughter. Carysfort Press, Dublin. ISBN 9781904505051 Mosley, J. (2004) El rediseño de los clásicos: Matthew Carter y la interpretación de modelos históricos. tipoGráfica, 63. pp. 32-40. Mosley, J. (2004) Baskerville, John (1706-1775). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111 Mosley, J. (2004) Caslon, William, the elder (1692-1766). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111 Mosley, J. (2004) Fry, Joseph (1728-1787). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111 Mosley, J. (2004) Jackson, Joseph (1733-1792). In: Matthew , H. C. G. and Harrison , B. (eds.) Oxford Dictionary of National Biography. Oxford University Press. ISBN 9780198614111 Murjas, T. (2004) Bloomers ignite: Zolaesque zealotry in British productions of Miss Julie. Studies in Theatre and Performance, 24 (2). pp. 113-128. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.24.2.113/0 Murjas, T. (2004) Bring me the head of a greenfinch: Miss Julie in Britain. Studies in Theatre and Performance, 24 (1). pp. 37-54. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.24.1.37/0 Nagib, L. (2004) Talking bullets: the language of violence in "City of God". Third Text, 18 (3). pp. 239-250. ISSN 1475-5297 doi: https://doi.org/10.1080/0952882042000227946 O'Connell, T. (2004) Tina O'Connell. [Show/Exhibition] Paget, D. (2004) Case study: Theatre Workshop's 'Oh What a Lovely War', 1963. In: Kershaw, B. (ed.) British Theatre Since 1895. The Cambridge History of British Theatre (Volume 3). Cambridge University Press, Cambridge, pp. 397-411. ISBN 9780521651325 doi: https://doi.org/10.2277/0521651328 Paget, D. (2004) Jeremy Sandford: a docu-retrospect containing an explanation, an (undelivered) funeral oration, divers reminiscences, a draft treatment for a docudrama (and some Shandyan digressions. New Theatre Quarterly, 20 (1). pp. 45-58. ISSN 1474-0613 doi: https://doi.org/10.1017/S0266464X03000320 Phillips, A. (2004) Migration and exile in the classical period. In: Temple, M. and Witt, M. (eds.) The French Cinema Book. British Film Institute, London, pp. 103-117. ISBN 9781844570126 Pye, D. (2004) Being a clown: curious coupling in 'The Pirate'. CineAction, 63. pp. 4-13. Pye, D. (2004) Double vision: miscegenation and point of view in 'The Searchers'. In: Exkstein, A. M. and Lehman, P. R. (eds.) The Searchers: Essays and Reflections on John Ford's Classic Western. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, pp. 223-239. ISBN 9780814330562 Pye, D. (2004) In and around 'The Paradine Case'. Rouge, 4. Renshaw, T. (2004) John Moores 23. [Show/Exhibition] Reynolds, L. and Walker, S. (2004) 'You can't see what the words say': word spacing and letter spacing in children's reading books. Journal of Research in Reading, 27 (1). pp. 87-98. ISSN 0141-0423 doi: https://doi.org/10.1111/j.1467-9817.2004.00216.x Robertson, C. (2004) New documents for the tomb of Paul III. Romisches Jahrbuch fur Kunstgeschichte, 34. pp. 201-220. ISSN 0342-2046 Robins, A. G. (2004) Line 'pregnant with meaning'. In: Smith, A. (ed.) Walter Sickert: 'drawing is the thing'. The Whitworth Art Gallery, Manchester, UK, pp. 6-10. ISBN 9780903261548 Roithmayr, F. (2004) Flights. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Ruth Hӧflich, Munich, Germany. Roithmayr, F. (2004) Solar dreams. [Show/Exhibition] Roithmayr, F. (2004) Table of contents. In: Hoflich, R., Benjamin, M. and Schiran, M. (eds.) Guestroom, No. 4 (Static Commotion). Guestroom, London and Munich, Munich, Germany. Rowlands, A. (2004) Dexter Dalwood. In: Bishop, C. (ed.) This much is certain. Royal College of Art, London, pp. 67-75. ISBN 1874175624 Rowlands, A. (2004) We are all revolutionaries. [Show/Exhibition] Russell, J., ed. (2004) Frozen tears II. Article Press, Univ. of Central England, Birmingham. ISBN 1873352883 Saunders, G. (2004) Edward Bond & the celebrity of exile. Theatre Research International, 29 (3). pp. 256-266. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883304000665 Saunders, G. (2004) 'Out Vile Jelly': Sarah Kane's 'Blasted' & Shakespeare's 'King Lear'. New Theatre Quarterly, 20 (1). pp. 69-77. ISSN 0266-464X doi: https://doi.org/10.1017/S0266464X03000344 Simão, M. F. F., Dyson, M. C. and Assunção, M. (2004) Enhancing social interaction in an online educational environment. In: IV Congresso Brasileiro de Computação, 2004, Itajaí, Santa Catarina, Brasil. Smith, M. M. (2004) The pugillary of Lazzaro de' Soardi and the 'littera galante': more rivals to the Aldine classical octavo in italics. In: Biemans, J., Kuitert, L. and Verkruijsse, P. (eds.) Boek & letter: Boekwetenschappelijke bijdragen ter gelegenheid van het afscheid van profdr Frans A Janssen als hoogleraar in be Boek - en bibliotheekgeschiedenis aa de Universiteit van Amsterdam. De Buitenkant, Amsterdam, pp. 177-193. ISBN 9789076452456 Smith, M. M. (2004) Joseph Cundall and the binding design for the 'Illustrated Biographies of the Great Artists'. The Library, 5 (1). pp. 39-63. ISSN 0024-2160 doi: https://doi.org/10.1093/library/5.1.39 Souto, V. T. and Dyson, M. C. (2004) Location of the table of contents in web documents: same screen or separate screen. In: IADIS International Conference WWW/Internet, 6-9 October 2004, Madrid, Spain. Stevenson, M. (2004) A conversation between Brecht and Buñuel. In: Santaolalla, I. (ed.) Bunuel Siglo XXI. Imagen y Comunicación (6). Prensas Universitarias de Zaragoza, Zaragoza, pp. 511-521. ISBN 9788477336945 Stiff, P. (2004) Why designers need to understand reading. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece . Toren, A. (2004) Clouds in trousers. [Show/Exhibition] Twyman, M. (2004) Further thoughts on a schema for describing graphic language. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece . Twyman, M. (2004) Prize labels and the 'Distribution solennelle des Prix'. The Ephemerist. pp. 2-6. Wheatley, H. (2004) Lifestyle television. In: Mcgown, A. (ed.) The BFI Television Handbook. BFI Publishing, pp. 142-143. ISBN 9781844570270 Wheatley, H. (2004) Putting the mystery back into armchair theatre. Journal of British Cinema and Television, 1 (2). pp. 197-201. ISSN 1755-1714 doi: https://doi.org/10.3366/JBCTV.2004.1.2.197 Wheatley, H. (2004) The limits of television? Natural history programming and the transformation of public service broadcasting. European Journal of Cultural Studies, 7 (3). pp. 325-339. ISSN 1460-3551 doi: https://doi.org/10.1177/1367549404044786 < |
