2025

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2025) Beckett and televisual ecosystems: dramas of the vast wasteland. In: Johnson, N. E., McTighe, T. and Thobois-Gupta, C. (eds.) Samuel Beckett and Ecology. Bloomsbury, London. ISBN 9781350366022 (In Press)

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2025) Sound strategies: music as ideological apparatus. Strange Attractor / MIT, London. ISBN 9781917319010 (In Press)

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2025) Women and the contemporary Scottish stage. In: Fragkou, M. and Benzie, R. (eds.) The Methuen Drama Handbook of Women in Contemporary British Theatre. Bloomsbury, UK, pp. 263-276. ISBN 9781350360259 (In Press)

2024

Alghamdi, B. A. (2024) Participations and Interactions: A study of emerging art practices in Saudi Arabia supported by the Saudi Vision 2030. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117374

Bailer, S. (2024) Caring infrastructures: transforming the arts through feminist curating with care. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119252

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Samuel Beckett’s television plays. In: Bennett, M. Y. (ed.) The Routledge Companion to Absurdist Literature. Routledge Literature Companions. Routledge, London. ISBN 9781032188126

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Technology. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (eds.) The Oxford Handbook of Samuel Beckett. Oxford Handbooks. Oxford University Press, Oxford. (In Press)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Television: from pre-production to programme making and dissemination. In: Beloborodova, O. and Van Hulle, D. (eds.) Toward a Comparative History of the Literary Draft in Europe. John Benjamins, Amsterdam, pp. 473-486. ISBN 9789027215260

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) The absence of television: broadcasting and war in Britain, 1939-45. In: Dickason, R. and Haigron, D. (eds.) Issues and Singularity in the British Media. Palgrave Macmillan, Cham, pp. 71-93. ISBN 9783031606526 doi: https://doi.org/10.1007/978-3-031-60653-3_4

Bulut Peynirci, E. (2024) The application of an information design approach to the development of a user-oriented digital local food map for Berkshire, Oxfordshire, and Hampshire. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119742

Burbridge, A. L. M. (2024) A study of hegemonic masculinity in select plays by Harold Pinter. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119400

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2024) History and legacy of Isotype. Bloomsbury, London, pp208. ISBN 9781350359079 doi: https://doi.org/10.5040/9781350359109

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2024) Isotype, logical empiricism, and the scientific world-conception. In: Damböck, C., Friedl, J. and Höfer, U. (eds.) Ways of the Scientific World-Conception: Rudolf Carnap and Otto Neurath. Studien zur Österreichischen Philosophie, 50. Brill, Leiden, pp. 272-314. ISBN 9789004680197

Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429 (2024) Both Grand & Intimate: UK Livecasting From 2009 to Now. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117335

Cheng, X. (2024) Evolution of Chinese typeforms up to the early 20th century. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119936

Cochrane, C., Goddard, L., Hindson, C. and Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778, eds. (2024) The Routledge companion to twentieth century British theatre and performance volume one: 1900–1950. Routledge Companion, One. Routledge, UK, pp404. ISBN 9780367487898

Daou, M. (2024) Film editing: knowledge, practice, and scholarship. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119550

Duane, C. (2024) The stage and beyond: scenography and audience experience in post-millennial stagings of Samuel Beckett’s works. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119549

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2024) Video essay: choosing death row songs. Music, Sound and the Moving Image, 18 (1). pp. 3-5. ISSN 1753-0776 doi: https://doi.org/10.3828/msmi.2024.2

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2024) An authentic confrontation or a picturesque scene? Theodor W. Adorno and Alexander Kluge on film, the cinema, and television. In: Langston, R. and Simova, I. (eds.) Crisis and Astonishment: Alexander Kluge - Jahrbuch. Vandenhoeck & Ruprecht Verlagge (Brill / V&R unipress), Göttingen, pp. 221-238. ISBN 9783847116646

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2024) Isotype in Africa: Gold Coast, Sierra Leone, and the Western Region of Nigeria, 1952–8. In: Lees-Maffei, G. and Houze, R. (eds.) The Design History Reader. Bloomsbury Publishing. ISBN 9781350133518 (In Press)

Leaver-Yap, M. (2024) Critical intimacies: changing relations in the production of contemporary art. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116411

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, (2024) Synthetic Media Research Network — written evidence (ACT0011) to the House of Lords Communications and Digital Select Committee inquiry: Scaling Up: AI and creative tech. Scaling Up - AI and Creative Tech. Report. UK Parliament, Westminster. pp7.

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 and valentine, j. (2024) An oral history with jina valentine by Kelly Lloyd. BOMB Magazine, 166. ISSN 0743-3204

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2024) World cinema and the ethics of realism. In: Vaysman, M. and Bowers, K. (eds.) The Oxford Handbook of Global Realisms. Oxford Handbooks. Oxford University Press, Oxford. ISBN 9780197610640 doi: https://doi.org/10.1093/oxfordhb/9780197610640.013.22

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2024) No river: a prosthetic flashback. [Video] ([in]Transition, 11 (2))

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2024) A multispecies red-light district for Amsterdam: a propositional image. Cultural Politics, 20 (1). pp. 155-165. ISSN 1751-7435 doi: https://doi.org/10.1215/17432197-10969279

Park, H. (2024) Media archaeology in Samuel Beckett’s television plays. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119130

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2024) The Cheviot and its legacies: dramaturgies of the Left in Scottish theatre. In: Jestrovic, S. and Dutt, B. (eds.) Theatre, Activism, Subjectivity: Searching for the Left in a Fragmented World. Manchester University Press, Manchester. (In Press)

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2024) Theatre and performance in contemporary Scotland. Palgrave Macmillan, UK, pp252. ISBN 9783031611902

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2024) Moving in - Thames Tideway / Chelsea Embankment Commission, London. [Artefact]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2024) Stranieri Ovunque - Foreigners Everywhere, La Biennale di Venezia. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2024) Research and practice in designing type for diverse writing systems: some case studies of typeface designs for South Asian scripts 多样书写系统字体设计的研究与实践 —南亚文字字体设计案例研究 / 菲奥娜·罗斯. Print Culture, 13 (4). pp. 164-175. ISSN 2096-8922

Russell, J. (2024) FOYER. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Lecture-Performance: Performing the Archive. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Poems from the artist's archive. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) Runnymede International Literature Festival 2024. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2024) 'held to account'. British Art Network. (In Press)

Tweed, Z. (2024) Matrix of shame: a feminist reading of shame, the body and radical disruption in the performance works of Marina Abramović, Samuel Beckett and Ana Mendieta. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117065

Tyler, L. (2024) Commodity trailing contemporary performance: Sh!t Theatre’s DollyWould and Selina Thompson’s salt. Contemporary Theatre Review, 34 (2). pp. 133-151. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2024.2334246

Valdivia Bruch, V. K. (2024) The Quest for Representation: The Experimental Art Scene in Lima under Peru’s Military Government (1968-1975). PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117644

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2024) Marie Neurath: designing and publishing Isotype books for children. In: Wilson, N. ORCID: https://orcid.org/0000-0003-4843-840X, Battershill, C., Heywood, S. ORCID: https://orcid.org/0000-0001-6641-2065, Joseph, M. ORCID: https://orcid.org/0000-0002-3045-9897, La Penna, D. ORCID: https://orcid.org/0000-0002-4197-0041, Southworth, H., Staveley, A. and Gordon, E. W. (eds.) Edinburgh Companion to Women in Publishing, 1900-2000. Edinburgh University Press, Edinburgh. ISBN 9781399500340

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 and Edwards, A. ORCID: https://orcid.org/0000-0003-2369-989X (2024) Testing, testing – what about the instructions? In: Cooper, F. and Fitzgerald, D. (eds.) Knowing COVID-19: The Pandemic and Beyond. Manchester University Press, Manchester, pp. 60-85. ISBN 9781526178640 doi: https://doi.org/10.7765/9781526178657.00009

Whitaker, C. (2024) Networked curatorial practice: reorientating and creating spaces for digital artists in South Africa. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117057

Willis, N. (2024) A systematic analysis of visual and algorithmic letter fitting. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117028

2023

Alfandari, N., Asante, B., Bailey, A., Barton, C., Barokka, K., Bei, Z. and Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2023) How we hold: rehearsals for art and social change. Serpentine, London. ISBN 9783753305035

Barnard, L. (2023) Echoes and citations in art and its writing. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00118940

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2023) Simon Says/Dadda. [Show/Exhibition]

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) Adaptation and convergence: Beckett on film. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P. (eds.) Beckett’s Afterlives: Adaptation, Remediation, Appropriation. Manchester University Press, Manchester, pp. 34-49. ISBN 9781526153791

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) Entanglements of intermediality: Polanski, Pinter, Steptoe and Son. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, Oxford, pp. 267-280. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0017

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) The epic in the everyday: television and Doctor Who, ‘The Chase’. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. (eds.) Epic / Everyday: Moments in Television. The Television Series. Manchester University Press, Manchester. ISBN 9781526170224

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P., eds. (2023) Beckett's afterlives: adaptation, remediation, appropriation. Manchester University Press, Manchester, pp288. ISBN 9781526178961

Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 (2023) Visual displays of local flood risk: examining how residents at risk use flood maps and river level graphs. In: Von Manen, S. M., Jaenichen, C., Lin, T. S., Kremer, K. and Ramirez, R. (eds.) Design for Emergency Management. Routledge, London. ISBN 9781032285030

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2023) Marie Reidemeister und Otto Neurath: eine Lebens- und arbeitspartnerschaft. In: Shapira, E. and Rossberg, A.-K. (eds.) Gestalterinnen: Frauen, Design und Gesellschaft im Wien der Zwischenkriegszeit. De Gruyter, Berlin/Boston, pp. 213-223. ISBN 9783110771886 doi: https://doi.org/10.1515/9783110771947-014

Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L., eds. (2023) Epic / everyday: moments in television. The Television Series. Manchester University Press, Manchester, pp264. ISBN 9781526170224

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – film screening and panel discussion. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – Chris Zhongtian Yuan. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2023) Ukrainian wartime posters, exhibition, 571 Oxford Road Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Grabowska, N., Huang, C., Ingawanij, M. A., Teo, W. and Yuan, C. Z. (2023) Chris Zhongtian Yuan, no door, one window, only light - home is where the music is. OnCurating, Zurich. ISBN 9798864939451

Cocks, N. (2023) "…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real. Textual Practice. pp. 1-19. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2023.2214122

Costa, B. and Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2023) Between: an example of collaborative, advocating theatre-making by spoken language interpreters. In: Boyle, C. and Maitland, S. (eds.) Translation as Advocacy. Hodder & Stoughton. (In Press)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2023) Creative geography, creative connections: Candyman. Movie: a journal of film criticism, 11. pp. 19-21. ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D. (2023) The Miracle of Morgan’s Creek (1944): three perspectives on Preston Sturges and the Production Code. Quarterly Review of Film and Video. ISSN 1543-5326 (In Press) (Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) Alexander Kluge’s ‘Film in the mind of the spectator,’ or after-(dialectical)-images in News from Ideological Antiquity: Marx – Eisenstein – Capital. In: Graça, A. R., Baggio, E. and Penafria, M. (eds.) Filmmakers on Film: Global Perspectives. Bloomsbury / BFI, London, pp. 139-148. ISBN 9781839024870 doi: https://doi.org/10.5040/9781839024900.ch-13

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2023) One-dimensional man? A reply to Alain Badiou. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, New York, pp. 21-28. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0003

Herron Coleman, K. (2023) If they be two: relationships in women’s coauthored experimental film and video. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00114670

Hsieh, H. ORCID: https://orcid.org/0009-0000-5316-0727 (2023) Creative infidelity in the process of adaptation: Peter Shaffer from stage to screen. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00118933

Höfer, U., Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G., eds. (2023) Otto Neurath - Gesammelte schriften. Ergänzungsband. Varia-Verstreute schriften. LIT Verlag, Vienna, pp600. ISBN 9783643510686

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2023) Tabrizi Jali typeface: reviving history through letterforms. [Project]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2023) Elks in the Rear Window. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2023) Fossils. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2023) Subversive performance in the age of human capital. Palgrave Macmillan, Switzerland, pp281. ISBN 9783031358142 doi: https://doi.org/10.1007/978-3-031-35815-9

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Gajjar-Bordawekar, K. (2023) ABPN Gujarati typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2023) ABPN Hindi typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2023) ABPN Marathi typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2023) Cinema Ex Machina. Sight and Sound.

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2023) Deepfakes in documentary film production: images of deception in the representation of the real. Studies in Documentary Film. ISSN 1750-3280 doi: https://doi.org/10.1080/17503280.2023.2284680

Mulder, K. J., Williams, L., Lickiss, M., Black, A., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 and McSorley, E. ORCID: https://orcid.org/0000-0002-2054-879X (2023) Understanding representations of uncertainty, an eye-tracking study part 1: the effect of anchoring. Geoscience Communications, 6 (3). pp. 97-110. ISSN 2569-7110 doi: https://doi.org/10.5194/gc-6-97-2023

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2023) Historicising the story through film and music: an intermedial reading of Heimat 2. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium Through Other Media. Oxford University Press, New York, pp. 202-221. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0014

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds. (2023) The moving form of film: historicising the medium through other media. Oxford University Press, New York, pp340. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.001.0001

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2023) Pinning down Hou Hsiao-Hsien’s red balloon. Movie: a journal of film criticism, 11. ISSN 2047-1661

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2023) The nature of ostension. Comparative Cinema, 11 (20). pp. 10-25. ISSN 2604-9821 doi: https://doi.org/10.31009/cc.2023.v11.i20.02

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2023) Anthropogenic noise: an artists talk. In: The Soil Assembly, Kochi Biennale, 01-05 Feb 2023, Kerala, India.

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2023) UtoPia: an early history of Pia and its role in Japan’s 'self-made' film culture. Japan Forum, 35 (3). pp. 314-343. ISSN 1469-932X doi: https://doi.org/10.1080/09555803.2021.1895283

Purse, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, Philip, A. ORCID: https://orcid.org/0000-0003-2186-0619 and Ghosh, S., (2023) What can the industry and Government do to ensure British film and high-end television can adapt for the future? Report. UK Parliament, Westminster. pp4.

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2023) Regions and nations: the myth of levelling up. In: Harvie, J. and Rebellato, D. (eds.) The Cambridge Companion to British Theatre Since 1945. Cambridge Companions. Cambridge University Press, Cambridge, pp. 246-263. ISBN 9781108377850 doi: https://doi.org/10.1017/9781108377850

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2023) Close corners. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2023) The larger in/and the smaller. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2023) সুন্দর সাবলীল বাংলা হরফের খোঁজে. In: আনন্দ শতক. Anandabazar Patrika, Kolkata, pp. 394-397. ISBN 9789354253225

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2023) Murty Classical Library of India: some notes on the project’s collaborative type-design process for the Indian-script typefaces 머티 인도 고전 총서—인도 글자 활자체에 적용할 서체 디자인 협업 프로세스를 기록하다. GRAPHIC (50). pp. 214-228. (VOICE: Notes from the Typojanchi 2023 『그래픽』 #50 보이스: 타이포잔치 2023 메모들)

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) Baby 19. Intergraphia.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Baby 19'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Five [yellow] poems'. [Image] (Experiment-O (Issue 16))

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Gestalt!'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2023) From 'Gestalt!', 'young girls!' and 'Poetic fragments from the irritating archive'. [Performance]

Sheleff, M. (2023) Echoing with a difference: curating voices and the politics of participation. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119536

Ulrich, F. P. (2023) The discourse in early digital type design technologies. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117298

Williams, L., Mulder, K. J., Charlton-Perez, A. ORCID: https://orcid.org/0000-0001-8179-6220, Lickiss, M., Black, A., McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640, McSorley, E. ORCID: https://orcid.org/0000-0002-2054-879X and Young, J. (2023) Understanding representations of uncertainty, an eye-tracking study – part 2: the effect of expertise. Geoscience Communications, 6 (3). pp. 111-123. ISSN 2569-7110 doi: https://doi.org/10.5194/gc-6-111-2023

Zlotea, C. (2023) Searching for bearings outside the historical canon: an investigation into the archive of Charles Mozley, graphic artist, illustrator, and designer. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00119020

2022

Allbon, E. and Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 (2022) Taking our interactive co-design workshop online. In: Allbon, E. and Perry-Kessaris, A. (eds.) Design in Legal Education. Emerging Legal Education. Routledge, 272 pages. ISBN 9780367075798 doi: https://doi.org/10.4324/9780429021411-16

Bartley, S. (2022) 'How we open the doors to a community’: creative collaborations and aesthetic strategies in social isolation. In: Bissell, L. and Weir, L. (eds.) Performance in a Pandemic. Routledge, London, pp. 79-86. ISBN 9780367761349 doi: https://doi.org/10.4324/9781003165644-12

Bartley, S. (2022) Peopling the theatre in a time of crisis. In: Wallace, C., Escoda, C., Monforte, E. and Ramón Prado-Pérez, J. (eds.) Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre. Methuen Drama Engage. Bloomsbury, London, 256. ISBN 9781350180857

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2022) Nation's Finest, Putting Down Roots and Birthing. [Show/Exhibition]

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.) Moments in Television: Sound/image. The Television Series. Manchester University Press, Manchester, pp. 15-37, 248 pages. ISBN 9781526149190

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Black screens: Beckett and television technologies. In: Rapcsak, B., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, P. (eds.) Beckett and Media. Manchester University Press, Manchester, pp. 177-194, 248. ISBN 9781526145833 doi: https://doi.org/10.7765/9781526145840.00018

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Grand designs: television, style and substance in The Time Tunnel. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.) Moments in Television: Substance/style. The Television Series. Manchester University Press, Manchester, pp. 202-224, 258 pages. ISBN 9781526148780

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Screen and stage space in Beckett’s theatre plays on television. In: Wrigley, A. and Wyver, J. (eds.) Screen Plays: Theatre Plays on British Television. Manchester University Press, Manchester, pp. 226-245. ISBN 9780719097928

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Vanity Fair (1967) and the contradictions of colour. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.) Moments in Television: Complexity/simplicity. The Television Series. Manchester University Press, Manchester, pp. 192-215, 280 pages. ISBN 9781526148759

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2022) An introduction to television studies. 4th edition. Routledge, London, pp336. ISBN 9781138665811 doi: https://doi.org/10.4324/9781315619675

Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 and Urrutia-Badilla, B. (2022) Hay Diseño de información si sabes donde buscarlo / There is information design if you know where to look for it. RChD: Creación y Pensamiento, 7 (13). pp. 103-113. ISSN 0719-8426 doi: https://doi.org/10.5354/0719-837X.2022.68377

Brixey-Williams, J. (2022) A Labour of Attentiveness: the emergent place-responsive praxis of matter and context in R.D Laing’s Archway community. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00110019

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Jansen, W. (2022) Soft propaganda, special relationships, and a new democracy: Adprint and Isotype, 1942–1948. De Buitenkant, Amsterdam, pp208. ISBN 9789076452005

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2022) Marie Reidemeister and Otto Neurath: interwoven lives and work. The European Journal of Life Writing, 11. pp. 103-129. ISSN 2211-243X doi: https://doi.org/10.21827/ejlw.11.38787

Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds. (2022) Complexity/simplicity: moments in television. The Television Series. Manchester University Press, Manchester, pp280. ISBN 9781526148759

Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds. (2022) Sound/image: moments in television. The Television Series. Manchester University Press, Manchester, pp248. ISBN 9781526149190

Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Fife Donaldson, L., eds. (2022) Substance/style: moments in television. The Television Series. Manchester University Press, Manchester, pp258. ISBN 9781526148780

Cataldo, A. (2022) Curating Labour. Troubles with gender and dispossession in the exhibition space: a circular movement on historical traces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116457

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Agnès Varda and Xavier Dolan – between politics, the art house and popular culture. French Screen Studies, 22 (4). pp. 345-351. ISSN 2643-895X doi: https://doi.org/10.1080/26438941.2021.1948172

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism. Film Quarterly, 76 (2). pp. 16-24. ISSN 1533-8630 doi: https://doi.org/10.1525/fq.2022.76.2.16

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62 (4). pp. 484-511. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjab051

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Dwoskin: disability, diaspora, dysphoria. Jewish Film and New Media, 10 (2). ISSN 2169-0332 doi: https://doi.org/10.1353/jfn.2022.a914337

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) ‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. MIRAJ: Moving Image Review & Art Journal, 11 (1). pp. 10-33. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00081_1

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, 571 Oxford Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, exhibition, St. Andrews Church, Farnham, UK. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Ukraine relief. [Show/Exhibition]

Dakak, M. (2022) Towards understanding diversity in Arabic type styles: its origins, its current use and its effect on Arab readership. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00111569

Donaldson, L. F., Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Purse, L., Pye, D. and Shambu, G. (2022) Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism. Movie: a journal of film criticism (10). pp. 116-136. ISSN 2047-1661

Fife Donaldson, L. and Purse, L., eds. (2022) Issue 10. Movie: A Journal of Film Criticism, 10. University of Warwick. (ISSN 2047-1661)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Cubitt30. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Frankenstein economy. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2022) The suburban trilogy: Abigail Child's cake and stake. Found Footage Magazine (8). pp. 35-37. ISSN 2462-2885

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2022) Do they owe us a living? [Show/Exhibition]

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2022) Le Plaisir: voices and viewpoints. NECSUS, Spring '22. ISSN 2213-0217

Greene, A.‐m. ORCID: https://orcid.org/0000-0002-0695-3182, Dean, D., Bartley, S. and McAvinchey, C. (2022) Locked up and down: incarceration, care, and art in a pandemic. Gender, Work & Organization, 29 (4). pp. 1346-1359. ISSN 1468-0432 doi: https://doi.org/10.1111/gwao.12801

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2022) Persian and Arabic printing with movable type in Qajar Iran (1818–1900). In: Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (ed.) Arabic Typography: History and Practice. Niggli, Salenstein, pp. 75-153. ISBN 9783721210170

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350, Cousins, S. ORCID: https://orcid.org/0000-0002-1094-2961, Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A. (2022) Gulzar typeface. Google Fonts.

Kenward-Abdollahyan, J. ORCID: https://orcid.org/0000-0002-3513-9585 (2022) Politics and realism in the films of Jafar Panahi and Abbas Kiarostami. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116788

Khara, A. (2022) Fairness in design: a model for critically analysing digital government forms. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00114379

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2022) Stencil-making in Paris in the eighteenth century. In: Berton-Blivet, N., Davy-Rigaux, C. and Guilloux, F. (eds.) Le livre de musique au pochoir à la fin de l’époque moderne. Institut de Recherche en Musicologie. (In Press)

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2022) “When things are equal all over the world the symbols can be the same”: Isotype in West Africa. InfoDesign - Revista Brasileira De Design Da Informação, 19 (2). pp. 1-21. ISSN 1808-5377 doi: https://doi.org/10.51358/id.v19i2.1004

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Bruce, J. (2022) ABPN Bengali typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2022) The Burning. [Video] (Sightlines: Filmmaking in the Academy Issue 4 2022)

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, (2022) Evidence to the inquiry of the Communications and Digital Committee of the House of Lords, ‘A Creative Future’. A Creative Future. CRF0008. Report. UK Parliament, London.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2022) Arabic typography: a paradigm for research-informed practice. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2022) Collections and archives as spaces of ideas and knowledge. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268, ed. (2022) Riccardo Olocco Michele Patane. 'Designing type revivals: handbook for a historical approach to typeface design'. Lazy Dog, Milan, pp112. ISBN 9788898030484

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2022) This is the end of high entertainment: tiny furniture and this is the end. In: Trifonova, T. (ed.) Screening the Art World. Film Culture in Transition. Amsterdam University Press, Amsterdam. ISBN 9789463724852

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2022) You. Art Review Oxford, 4. pp. 5-7.

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2022) Barthes, Beckett and the theatre: three dialogues. Paragraph, 45 (2). pp. 172-186. ISSN 0264-8334 doi: https://doi.org/10.3366/para.2022.0395

Mullaney, M. (2022) The missing mother: how can art works of and on maternity transcend their own audience? PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00115540

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2022) Imagens do Mar. Visões do Paraíso no Cinema Brasileiro Atual. In: Lusvarghi, L., Alvim, L. B. and Lopes, D. C. (eds.) Estudos de Cinema: Retrospectiva e Perspectivas. Polytheama, São Paulo, pp. 16-36. ISBN 9786599619304

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2022) An intermedial reading of Glauber Rocha's Cosmogony. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.) Towards an Intermedial History of Brazilian Cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, Edinburgh, pp. 323-344. ISBN 9781474452984

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2022) The reality of art: an intermedial analysis of Ossessione. In: Blos-Jáni, M., Király, H., Lakatos, M., Pieldner, J. and Sándor, K. (eds.) Intermedial Encounters: Studies in Honour of Ágnes Pethő. Scientia Publishing House, Cluj-Napoca, pp. 359-372.

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (2022) Introduction. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T. (eds.) Towards an Intermedial History of Brazilian Cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, pp. 1-14. ISBN 9781474452984

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Corrêa de Araújo, L. and De Luca, T., eds. (2022) Towards an intermedial history of Brazilian cinema. Edinburgh Studies in Film and Intermediality. Edinburgh University Press, pp304. ISBN 9781474452984

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2022) Overlooked: the role of craft in the adoption of typography in the Muslim Middle East. In: Reese, S. (ed.) Manuscript and Print in the Islamic Tradition. Studies in Manuscript Cultures, 26 (26). De Gruyter, Berlin, pp. 21-60. ISBN 9783110776034 doi: https://doi.org/10.1515/9783110776485-002

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792, Bringhurst, R., Conidi, E., Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350, Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 and Yazıcıgil, O. (2022) Arabic typography: history and practice. niggli, Salenstein, pp416. ISBN 9783721210170

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2022) Nature's ghosts. [Project] (Unpublished)

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 and White, N. (2022) Truth to nature. [Artefact]

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224, White, N. and Smits, A. (2022) Perfect nature: Amstelpark test site. [Show/Exhibition]

O'Donoghue, D. (2022) The noble art of selfpretence: auto/biography and intertextuality in the work of Stephen Dwoskin. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116385

Olsen, B. M. (2022) A diachronic study of food labels with a particular focus on verbal and pictorial narratives that are relevant to health. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00113323

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2022) Dystopian dramaturgies: living in the ruins. In: Tönnies, M. and Voights, E. (eds.) Twenty-First Century Anxieties. Contemporary Drama in English Studies (32). De Gruyter, Berlin, Boston, pp. 87-102. ISBN 9783110758252 doi: https://doi.org/10.1515/9783110758252-007

Roh, J. Y. (2022) A study on the changes of everyday space as a worker in the city: focusing on the drawing series [Li:ving] London. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00113187

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2022) waves. Daedalus Street Athens, Athens, Greece, pp128. ISBN 9781527270799

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2022) waves - Choreographic Devices. Institute of Contemporary Art, London. (Unpublished)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2022) Type-making over the years. In: Kudrnovská, L. (ed.) Building Ligatures: the power of type. TypeTogether, Prague, pp. 92-95. ISBN 9788090845404

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Hudson, J. (2022) Tiro Indic typeface collection. Google Fonts.

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Savoie, A. (2022) Mujeres y tipografia. Texturas (48). pp. 73-81. ISSN 1887-3669 (ISBN 9788418941634)

Russell, J. (2022) CAVAPOOL. [Show/Exhibition]

Russell, J. (2022) Catechism. [Show/Exhibition]

Russell, J., Bedwell, S. and Thomson, M. (2022) Status Quo. [Show/Exhibition]

Russell, J., Mitchell, D. and Audeoud, F. (2022) Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Elmer's One-Day Project. [Artefact]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Gestalt!'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Poetic fragments from the irritating archive'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) From 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Poetic fragments from the irritating archive. Guillemot Press. ISBN 9781913749255

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2022) Shifting perspectives: the space, the work and the body. In: Untitled (1956) - Red, Green and Yellow - Gone Fishing. Flat Time House and Roberts Institute of Art.

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2022) Reading information: using graphic language to enhance engagement with children's books. In: Hagen, A. M. (ed.) Mediation and children's reading: relationships, intervention and organization from the eighteenth century to the present. Lehigh University Press, Lanham, Maryland, pp. 125-145. ISBN 9781611463262

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 and Edwards, A. ORCID: https://orcid.org/0000-0003-2369-989X, (2022) User-friendly point-of-use instructions for home use diagnostic tests. Other. University of Reading doi: https://doi.org/10.17864/1947.000419

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412, Edwards, A. ORCID: https://orcid.org/0000-0003-2369-989X, Hart, J. and Little, G. (2022) Instructions for COVID-19 self-tests: what parts of the test are the most difficult to get right and how can information design help? Information Design Journal, 27 (1). pp. 126-139. ISSN 1569-979X doi: https://doi.org/10.1075/idj.22011.wal

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2022) Period drama. Edinburgh University Press, Edinburgh, pp187. ISBN 9781474462815

Zhang, Y. (2022) Legibility of Chinese-English direction signs: how the spatial presentation of bilingual typography in two different scripts affects sign legibility. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00116734

2021

Atherton, M., Balsom, E., Bolland, E., Cheesman, M., Clarkson, J., Etchells, T., Gluzberg, M., Griffin, J., Hopkins, J., Leslie, E., McCarthy, P., Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Steeds, L. and Taylor, D. (2021) Writing Tests. In: Griffin, J. (ed.) Writing Tests. Site Gallery, Sheffield. ISBN 9781899926114

Bartley, S. (2021) UK people’s theatres: performing civic functions in a time of austerity. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 171-186. ISSN 1470-112X doi: https://doi.org/10.1080/13569783.2020.1853516

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Adventures between TV and film, and between Britain and America. Ecrans, 15 (1). pp. 27-42. ISSN 2267 4357 doi: https://doi.org/10.48611/isbn.978-2-406-12259-3.p.0027 (Special issue "Mémoire et réécritures dans les séries télévisées")

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Articulations of voice and medium in Beckett’s screen work. In: De Vos, L., Hori Tanaka, M. and Johnson, N. (eds.) Beckett’s Voices / Voicing Beckett. Themes in Theatre, 12. Brill, Leiden, pp. 280-294. ISBN 9789004468382 doi: https://doi.org/10.1163/9789004468382_021

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Cringe histories: Harold Pinter and the Steptoes. Humanities, 10 (2). 83. ISSN 2076-0787 doi: https://doi.org/10.3390/h10020083

Bode, L., Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 and Golding, D., eds. (2021) The digital face and deepfakes on screen. Convergence: The International Journal of Research into New Media Technologies, 27 (4). Sage Publications, pp. 849-854. (Special Issue)

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Caractères hybrides allemands 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: caractères du XVe siècle entre gothique et romain. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy, France, pp. 166-179. ISBN 9782378962265

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Gerard Unger: life in letters. De Buitenkant, Amsterdam, pp336. ISBN 9789083052106

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) German hybrid typefaces 1900–14. In: Knebusch, J. (ed.) Gotico-Antiqua, proto-roman, hybrid: 15th-century types between gothic and roman. Atelier National de Recherche Typographique [ANRT], ENSAD / Poem, Nancy / Frankfurt am Main, pp. 161-174. ISBN 9782378962265

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2021) Von der Wiener methode der bildstatistik zu isotype. In: Waldner, G. (ed.) Die Konturen der Welt: Geschichte und Gegenwart visueller Bildung nach Otto Neurath. Mandelbaum Verlag, Vienna, pp. 35-49. ISBN 9783854769668

Byrne, S. ORCID: https://orcid.org/0009-0002-8607-2429 (2021) Livecasting without the live: the multiple temporalities of National Theatre at Home. Connessioni Remote, 12 (3). pp. 57-76. ISSN 2724-2722 doi: https://doi.org/10.54103/connessioni/16818

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) Honour. In: Mussgnug, F., Nabugodi, M. and Petrou, T. (eds.) Thinking Through Relation: Encounters in Creative Critical Writing. New Comparative Criticism. Peter Lang, Oxford, pp. 21-40. ISBN 9781789976397

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2021) ‘Luminous Entities’: Ricciotto Canudo, spiritism, and nascent film theory. In: Thresholds: Interwar Lens Media Cultures 1919-1939. Walther Koenig, Cologne, pp. 101-122. ISBN 9783753300009

Chen, Y.-L. (2021) Unbinding objects: exploring the practices of naming and jointing things. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00118397

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) Reading International – propositions for developing a collaborative art space in the intersection between art school and community. In: Sheleff, M. and Spies, S. (eds.) (Un)commoning voices and (non)communal bodies. OnCurating.org, Zurich, Switzerland, pp. 98-107. ISBN 9798744646660

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2021) 'The strength of the system, my experience of it...'. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2021) Liquid Trust, edition 2021. [Artefact]

Cox-Stanton, T. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2021) Audiovisual scholarship and experiments in non-linear film history. The Cine-Files (15). ISSN 2156-9096

Crabtree, J. and Evans, W. (2021) Slip. [Show/Exhibition]

Crabtree, J., Evans, W. and Hattrick, A. (2021) A particularly pernicious weed. In: Hasham, L. and Rawcliffe, C. (eds.) Mine Searching Yours. Forma, London, UK. ISBN 9781838246204

Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (2021) A commentary on: Reappropriation of gendered Irish Sign Language in one family. Visible Language, 55 (3). pp. 28-35. ISSN 0022-2224 doi: https://doi.org/10.34314/vl.v55i3.4671

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) being eaten by a lion. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) Experimental filmmaking and punk: feminist audio visual culture in the 1970s and 80s. Bloomsbury, London, pp288. ISBN 9781350293083

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2021) The Struggle a trilogy. [Show/Exhibition]

Gaultney, J. V. (2021) Designing italics: Approaches to the design of contemporary secondary text typefaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099060

Ghosh, S. (2021) We Make Film: Filmmaking and Creative Expression by People with Disabilities in Contemporary, Urban India. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00105309

Ghosh, S. (2021) The disability and film-making community in film practice-as-research: the case of we make film. In: Ullah, F., Monteiro, A. and Jayasankar, K. P. (eds.) Many Voices, Many Worlds : Critical Perspectives on Community Media in India. SAGE Publications India Pvt. Ltd., pp. 143-156. ISBN 9789391138479

Gold, S., Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 and Shumate, M. L. (2021) HAIR CLUB: a case study for socially engaged art history. In: Persinger, C. and Rejaie, A. (eds.) Socially Engaged Art History and Beyond. Palgrave Macmillan, Cham, pp. 225-233. ISBN 9783030436087 doi: https://doi.org/10.1007/978-3-030-43609-4_17

Hegarty Lovett, J. (2021) Staging Beckett’s Prose: A Practice As Research Analysis of Staging How It Is. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100315

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2021) معمّای نخستین کتاب فارسی چاپ‌شده با حروف سربی در ایران (Enigma of the first Persian book printed in Iran with movable type). Jahan-e Ketab, 26 (1–3). pp. 41-47. ISSN 1681-9705

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2021) The early typographic representation of the Persian language. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00110763

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ghazi-zadeh, A.-A. (2021) سرآغاز چاپ و حروف‌ریزی فارسی در اروپا (The beginning of Persian printing and typefounding in Europe). Jahan-e Ketab, 25 (9–10). pp. 40-52. ISSN 1681-9705

Kenward, J. ORCID: https://orcid.org/0000-0002-3513-9585 (2021) The right to be forgotten: confronting the past in post-millennial cinema. In: Carranza, A. J. (ed.) Our Fears Made Manifest: Essays on Terror, Trauma and Loss in Film, 1998-2019. McFarland, Jefferson, North Carolina, pp. 182-195. ISBN 9781476679310

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2021) A thousand kitchen tables. In: Bajec, M., Holert, T. and Smith, M. (eds.) Pause. Fervour. Reflections on a Pandemic. Harun Farocki Institut & Journal of Visual Culture, pp. 119-122. ISBN 9781527295445

Leahy, M. (2021) Reading with early-stage Alzheimer's disease. Modifications to book design as a way of supporting preserved literacy skills. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100747

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740, Bashford-Rogers, T. and Keppel-Palmer, M. (2021) The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama. Convergence: The International Journal of Research into New Media Technologies, 27 (4). pp. 954-973. ISSN 1354-8565 doi: https://doi.org/10.1177/13548565211030452 (Special Issue: 'The Digital Face and Deepfakes on Screen')

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2021) Designing for the future: diverse and inclusive typeface design by default. [Video]

Lim, W. J. D. (2021) Networks, artefacts, and technology : nineteenth-century Muslim lithographers, missionaries, and colonialism in the Malay archipelago. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00103819

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2021) Do-for-self works: tear-off flyers & billboards. In: Crawford, R. (ed.) Fleeting Monuments for the Wall of Respect. The Green Lantern Press, Chicago, pp. 202-211. ISBN 9780997416596

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2021) Unsweetened: Ode to Biscuits. [Video]

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2021) The elusive form of film. NECSUS. ISSN 2213-0217

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2021) Central Park and its provision. Open Screens, 41 (1). ISSN 2516-2888 doi: https://doi.org/10.16995/os.47

Patrick, M. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Editorial: Fluxus perspectives. Fluxus Perspectives (51). pp. 1-5. ISSN ‎ 979-8478092658

Pellapaisiotis, H. (2021) Walking Narratives and Affective Mapping. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104550

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2021) Japanese film production during the punk era: independence, intermediality and mediascapes. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00109805

Radinger Field, L. (2021) Women and home in cinema: film practice and gendered spaces. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101682

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Flux us now! Fluxus explored with a camera. Fluxus Perspectives, 51 (51). pp. 6-24. ISSN 9798478092658

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2021) Spoiler alert: instituting feminism will not work without a fight. Instituting Feminism, 52 (52). pp. 47-60. ISSN 9798774294657

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Patrick, M., eds. (2021) Fluxus perspectives. OnCurating Issues, 51 (51). OnCurating, Zurich, pp310. ISBN ‎9798478092658 (Fluxus, Contemporary Art, worldwide research)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Reckitt, H., eds. (2021) Instituting feminism. OnCurating, 52 (52). OnCurating, Zurich, pp226. ISBN 979-8774294657 (Instituting Feminism, Curating, Contemporary Art)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Maridet, C. (2021) Situated knowledges, a cooperation with Tai Kwun, contemporary art, Hong Kong and Migros Museum, Zurich. [Project]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R. and Patel, S., eds. (2021) Contemporary Art Biennials–Our Hegemonic Machines in Times of Emergency. OnCurating Issues, 46 (46). OnCurating, Zurich, pp554. ISBN 979-8667975540 (Contemporary Art, Bienale, Hegemony)

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Kolb, R., Zwick, H., Sheleff, M., Levi, E. and Ruff, R. (2021) Curating on shaky grounds: curating in times of crisis and conflict. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2021) waves. [Performance]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Collections-based research to underpin best practice in typeface design for diverse scripts. In: Satalecka, E. and Połczyński, M. (eds.) Future Graphic Language: New Directions in Verbal Communication. Polish-Japanese Academy of Information Technology, Warsaw, pp. 72-83. ISBN 9788366831

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Invisible hands: tracing the origins and development of the Linotype Devanagari digital fonts. Journal of the Printing Historical Society, 3 (2). pp. 111-153. ISSN 0079-5321

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Barnard, L. and Bayerdörfer, M. (2021) On Waiting … For Their Words To Leave Our Mouth. Strauhof Museum, Zurich, pp132. ISBN 9783952523230

Rowlands, A., Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Ellison, C. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2021) On Waiting … For Their Words To Leave Our Mouth. [Show/Exhibition]

Russell, J. (2021) CONCEPTUAL ART IN THE UK 1998-99. [Show/Exhibition]

Russell, J. (2021) Core. [Show/Exhibition]

Russell, J. (2021) EARLEY. [Show/Exhibition]

Russell, J. (2021) Party de Campagne. [Show/Exhibition]

Russell, J. (2021) Well. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) From 'Third month of the meteorological winter' and 'Cluster of words'. In: Judith: Women Making Visual Poetry. Timglaset Editions.

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) From 'young girls!'. [Performance]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) Goddess Anuket. [Audio]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Audio]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) "Unhappy moo" from 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) 'The irritating archive' for Murmur reading series. [Video]

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 (2021) young girls! the 87 press. ISBN 9781838069872

Sandhu, K. ORCID: https://orcid.org/0000-0001-9663-1656 and Ormonde, R. (2021) Company of Bluewater. [Video] (Issue 78 [online])

Savoie, A. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2021) Dora Pritchett, Dora Laing, Patricia Saunders…the invisible women of Monotype’s Type Drawing Office. In: Levit, B. (ed.) Baseline Shift; Untold stories of women in graphic design history. Princeton Architectural Press, New York, pp. 110-119. ISBN 9781648960062

Sexton, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2021) Seeing it on television: televisuality in the contemporary U.S. 'High-End' series. Bloomsbury Academic, London, pp192. ISBN 9781501359422

Stratton, S. R., Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526, Kaczynski, K. and Jeffery, M. (2021) Living within the play. Public, 31 (61). pp. 60-81.

Stupart, L., (2021) HORSES. Comissioned by Phoenix Gallery

Stupart, L. (2021) Thawing, dissolving, disappearing, bleeding etc.: a scientific study of trauma, time travel and the melting polar ice caps. Art + Australia, 8 (57:1). pp. 118-125. ISSN 1837-2422

Stupart, L. and Gent, C. (2021) All Us Girls Have Been Dead For So Long. [Performance]

Stupart, L., Gent, C. and Anachua, K. (2021) And then, a Harrowing. [Show/Exhibition]

Varadi, A. J. (2021) Reconstructing the 1980s on contemporary American television. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00101660

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Halai, M., Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 and Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 (2021) Beat bad microbes: raising public awareness of antibiotic resistance in Rwanda. Information Design Journal, 26 (1). pp. 17-32. ISSN 0142-5471 doi: https://doi.org/10.1075/idj.20023.wal

Wallers, C. ORCID: https://orcid.org/0000-0002-9843-7897 (2021) From caves to commons: DIY cinema in the UK. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104245

Warner, R. ORCID: https://orcid.org/0000-0001-8857-5084 (2021) Design for decision making: the design of information for later life housing options. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104544

Young, M. (2021) Beholding Beauty: Aesthetics, Style and Sensation in US Quality Television Political Thrillers. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00106867

2020

Aigner, U., Allen, F., Ashton, E., Berthon-Moine, I., Biagioli, M., Biswas, S., Bodman, S., Bolland, E., Borra, C. E., Brinkmann, S., Carr, A. J., Cattle, R., Chan, S., Chevska, M., Coleman, K., Collins, S., Cooke, K., Cottell, F., Cowan, J., Creamer, A.-M., Cuddihy, M., Davies, E., Farhid, N., Finlay, S., Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Gertler, A., Godfrey-Isaacs, L., Greenan, A., Hällsten, J., O’Neill, M. R., Haukka, M., Hodge, S., Johanknecht, S., Kivland, S., Lloyd, L., Ludwig, K., Maclennan, R., Malacart, L., Manchot, M., Mariscal, C., Meynell, K., Mitchell, J., Mitrentse, C., Mooney, S., Mullaney, M., Novaczek, R., Oechsler, M., Olsen, R., Parker, J., Parris, J., Paz, A., Peppé, H., Robertson, H., Ruggaber, K., Schwartz, L., Scott, R., Sear, H., Séraphin, L., Sherbany, A., Siderfin, N., Skelton, P., Smith, R., Spindler, S., Steed, C., Stockham, J., Taylor, D., Thompson, M., Throp, M., Thyes, M., Sutherland, R. V., Von Heyl, M., Voorsanger, J., Westerman, J., Wood, S. and Wright, E. (2020) Salon for a speculative future. [Image]

Aishman, H. (2020) Diffractive curatorial practice: ripples, gaps and the space in-between. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089322

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2020) Tate lates power of bubble. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Judith, A. (2020) purpleSTARS – inclusive curation and production creates inclusive museums. In: Inclusive Digital Interactives: Best Practices, Innovative Experiments, and Questions for Research. Smithsonian. ISBN 9780970835888

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2020) Colour for commerce: letterpress-printed ephemera in Britain, 1740–1830. In: Savage, E. and Grasselli, M. (eds.) Colour Printing 1700-1830. Proceedings of the British Academy. British Academy/Oxford University Press, London. (In Press)

Bartley, S. (2020) Performing Welfare Applied Theatre, Unemployment, and Economies of Participation. Contemporary Performance InterActions. Palgrave Macmillan. ISBN 9783030448530 doi: https://doi.org/10.1007/978-3-030-44854-7

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2020) South London Gallery and Hauser and Wirth. [Project]

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Children’s television and radio. In: Fournier, G. (ed.) La BBC et le service public de l'audiovisuel, 1922-1995. Agregation Anglais. Editions Ellipses, Paris, pp. 111-128. ISBN 9782340041127

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Pinter, authorship and entrepreneurship in 1960s British cinema: the economics of "The Quiller Memorandum". Historical Journal of Film, Radio & Television, 40 (3). pp. 533-550. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778316

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas. In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.) Influencing Beckett / Beckett Influencing. Collection Karoli. L'Harmattan, Budapest & Paris, pp. 61-74. ISBN 9782343219110

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Specially for television? Eh Joe, intermediality and Beckett’s drama. Samuel Beckett Today/Aujourd’hui, 32 (1). pp. 41-54. ISSN 1875-7405 doi: https://doi.org/10.1163/18757405-03201004

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Television biopics: Questions of genre, nation, and medium. In: Cartmell, D. and Polasek, A. D. (eds.) A Companion to the Biopic. Wiley Blackwell, Hoboken, New Jersey, USA, pp. 45-60. ISBN 9781119554813 doi: https://doi.org/10.1002/9781119554783.ch4

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314

Brixey-Williams, J. (2020) Traces of the invisible: how an alternative reading of The Sleeping Beauty fashioned a bookwork heightening awareness of the role of the anesthetist. Journal of Medical Humanities, 41 (1). pp. 41-51. ISSN 1573-3645 doi: https://doi.org/10.1007/s10912-019-09597-3

Butler, A. (2020) Objects in time: artefacts in artists’ moving image. In: Murphy, J. and Rascaroli, L. (eds.) Theorizing Film Through Contemporary Art: Expanding Cinema. Film Culture in Transition. Amsterdam University Press. ISBN 9789462989467

Camillini, G. (2020) Fortunato Depero and Depero futurista 1913–1927. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00096457

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Curating the art school – propositions for developing a collaborative art space in the intersection between art school and community. ResearchCatalogue.

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International. [Project] (Collection)

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2020) Reading International #20, I CARE – Workshop and event with Ultra-red. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Rowlands, A., Sheleff, M. and Spiess, S. (2020) Reading International - the book. Reading International / OnCurating.org, Reading, pp211. ISBN 9781912115686

Costa, F. C. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2020) Chanchadas and intermediality: on musical numbers of Aviso aos Navegantes (Watson Macedo, Brazil, 1950). Alphaville: Journal of Film and Screen Media, 19. pp. 28-30. ISSN 2009-4078 doi: https://doi.org/10.33178/alpha.19.03

Crabtree, J., Evans, W., Chodzko, A., Bhriain, A. N., Marshall, A., Shah, A., Akingbade, A., Drew, B., Wright, C., Land, I., Shearing, J., Packer, J., Baldock, J., Brennan, M., Fahmy, M., Sami, M., Ho, M.-T. T., Macotela, O. V., Becker, P., Evans, R., Orme, R., Wolbers, S. O., Abbas, S. and Middleton, S. (2020) Towner International. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2020) Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown. MIRAJ: Moving Image Review & Art Journal, 9 (2). pp. 270-275. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00052_1

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2020) “Theatre and democracy in Chile: La Re-sentida’s La imaginación del futuro, or the failure of Utopias”. In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.) World Political Theatre and Performance. Themes in Theatre, 11. Brill, Leiden, pp. 181-197. ISBN 9789004425804 doi: https://doi.org/10.1163/9789004430990

Guan, C. and O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2020) Natural aesthetics: environments and perspectives in contemporary film theory. Screen, 61 (2). pp. 331-333. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjaa020

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2020) Adpater arabic typeface. [Project]

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2020) Haghighi's typefaces. NESHAN, The Iranian Graphic Design Magazine (46/47). pp. 192-205.

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2020) Bringing the battle to Britain: Band of Brothers and television runaway production in the UK. Journal of British Cinema and Television, 17 (3). pp. 313-333. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2020.0531

Kolb, R. (2020) Zurich issue: dark matter, grey zones, red light and bling bling. OnCurating Issues, 48 (48). OnCurating, Zurich, pp248. ISBN 9798682580316 (Contemporary Art, Funding, Financing, Art History, Switzerland,)

Kshetrimayum, N. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2020) Linotype Bengali typeface, a revival. Monotype.

Larcombe, G. (2020) Learning through an autonomous experience of art as a social practice. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00096395

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Three public talks for the 2020 International Summer School of the Academy of Fine Arts and Design, University of Ljubljana : Identifying genres and styles, The type market & career options, and Studying typefaces to improve your briefs. [Video]

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2020) Type specimens as learning tools. In: Misiak, M. and Harmsen, L. (eds.) Support independent type—the new culture of type specimens. Slanted, Karlsruhe, pp. 18-19. ISBN 9783948440121

Marshall, L. and Moys, J.-L. (2020) Readers’ experiences of Braille in an evolving technological world. Visible Language, 52 (1/2). ISSN 0022-2224

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2020) ‘The air is full of our cries’: staging Godot during apartheid South Africa. In: Beckett and Politics. Palgrave MacMillan, pp. 195-211. ISBN 9783030471095 doi: https://doi.org/10.1007/978-3-030-47110-1

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2020) Samuel Beckett and intermedial performance: passing between. Samuel Beckett Today / Aujourd'hui, 32 (1). pp. 71-85. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03201006

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2020) Pedagogies of place: Reading. Journal of Beckett Studies, 29 (1). pp. 74-82. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2020.0285

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2020) Hitchcock’s spy films. In: Gottlieb, S. (ed.) Hitchcock Annual. Columbia University Press, pp. 117-127. ISBN 9780231199575 doi: https://doi.org/10.1353/hit.2020.0005

Mulder, K. J., Lickiss, M., Black, A., Charlton-Perez, A. J. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 and Young, J. S. (2020) Designing environmental uncertainty information for experts and non‐experts: does data presentation affect users' decisions and interpretations? Meteorological Applications, 27 (1). e1821. ISSN 1350-4827 doi: https://doi.org/10.1002/met.1821

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2020) 'The Biscuit Town': digital practice, spatiality and discoverability in Reading's heritage sector. Body, Space & Technology, 19 (1). pp. 153-173. ISSN 1470-9120 doi: https://doi.org/10.16995/bst.337

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149, Rattee, J. and Thacker, J. (2020) I, Sheep (A Filmpoem). [Video]

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) El cine como inestética, la vida como no-cine: um estudio sobre la trilogía prohibida de Jafar Panahi. In: Campo, J., Crowder-Taraborrelli, T., Garavelli, C., Piedras, P. and Wilson, K. (eds.) El cine documental Una encrucijada estética y política Inquisiciones contemporáneas al sistema audiovisual de Javier Campo, Tomás Crowder-Ta. Prometeo, Buenos Aires, pp. 155-173. ISBN 9789878331287

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages of Brazilian cinema. [Project] (Collection)

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages to reality: the case of Brazilian cinema. In: Realist Cinema as World Cinema: Non-Cinema, Intermedial Passages. Film Culture in Transition. Amsterdam University Press, Amsterdam, pp. 173-198. ISBN 9789048539215 doi: https://doi.org/10.5117/9789462987517_ch07

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Passages to reality: the case of Brazilian cinema. Translocal, 3. pp. 47-65. ISSN 2184-1519

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Preface to the second enlarged edition. In: Pethő, Á., Cinema and Intermediality : The Passion for the In-Between. Cambridge Scholars Publishing, Newcastle upon Tyne, ix-xi. ISBN 9781527552067

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) Realist cinema as world cinema: non-cinema, intermedial passages, total cinema. Film Culture in Transition (670). Amsterdam University Press, Amsterdam. ISBN 9789462987517 doi: https://doi.org/10.5117/9789462987517

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2020) The blind spot of history: colonialism in Tabu. Observatorio (OBS*), 2020. pp. 27-38. ISSN 1646-5954 doi: https://doi.org/10.15847/obsOBS0001812

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2020) On Arabic justification. Journal of Electronic Publishing, 23 (1). ISSN 1080-2711 doi: https://doi.org/10.3998/3336451.0023.104

Papassissa, E. (2020) Conventions, traditionalism, Latinisation, and modernity in Armenian typefaces across type-making technologies from 1512 to 1977. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099061

Pope, L. (2020) Suiting the action to the word: examining genre film remediations of Shakespeare’s plays. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088955

Poynor, R. (2020) David King: Designer, Activist, Visual Historian. Yale University Press, pp240. ISBN 9780300250107

Purse, L. and Wölfel, U., eds. (2020) Mediating War and Identity: Figures of Transgression in 20th- and 21st-century War Representation. Edinburgh University Press, Edinburgh, pp. 1-13. ISBN 9781474446266

Pye, D., ed. (2020) V.F. Perkins on Movies. Wayne State University Press, pp484. ISBN 9780814346426

Ravichandran, S. P. (2020) The development of typographic forms for the Kannada and Telugu scripts (1801–1900). PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00099826

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) General introduction. In: Aragay, M., Botham, P. and Prado-Pérez, J. R. (eds.) World Political Theatre and Performance: Theories, Histories, Practices. Themes in Theatre (11). Brill Rodopi, Amsterdam, pp. 1-10. ISBN 9789004425804

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2020) ‘What About the Burn Their Bra Bitches?’: debbie tucker green as the Willfully Emotional Subject. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave MacMillan, Cham, Switzerland, pp. 45-66. ISBN 9783030345808 doi: https://doi.org/10.1007/978-3-030-34581-5_3

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2020) Phase IV intersections - art/architecture. [Show/Exhibition]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 and Stewart, P., eds. (2020) Curating the digital. OnCurating Issues, 45 (45). OnCurating, Zurich, pp96. ISBN 9798639231421 (Curating, Digital Media, Contemporary Art, Art history)

Rodriguez, V. (2020) The open constructed public sphere: Aeschylus’ The Suppliant Women in a version by David Greig. Humanities, 9 (1). 21. ISSN 2076-0787 doi: https://doi.org/10.3390/h9010021

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) ALTAMIRALTAMIRALTAMIRA. In: On Translation, Transmission & Transposition, 5 Jun 2019, London, UK, pp. 65-116. (Bricks from the kiln 4)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Altamiraltamiraltamira. In: Ferris, N., Quinn, B., Stuart, M. and Wlash-Lister, A. (eds.) On Translation, Transmission & Transposition. Bricks From The Kiln, London, pp. 65-116. ISBN 9780995683525

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2020) Waves - research residency. [Project] (Unpublished)

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2020) Non-Latin type design – some considerations. In: Barmettler, R. (ed.) Zurich Type Design. Triest Verlag, Triest. ISBN 9783038630432

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Kshetrimayum, N. (2020) ABP branding logos & taglines for news channels. Ananda Bazar Patrika (ABP) Pvt Ltd.

Schilhab, T. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2020) The materiality of reading. Aarhus University Press, pp154. ISBN 9788771849585

Spies, S. (2020) Choreographies of the Curatorial: Performative trajectories for choreography and dance in the museum. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104246

Stupart, L. (2020) After the Ice, the Deluge. [Video]

Stupart, L. (2020) Watershed. [Video]

Tyler, L. (2020) "Almost, but Not Quite': reading debbie tucker green's dramaturgy inside British playwriting studies. In: Adiseshiah, S. and Bolton, J. (eds.) debbie tucker green: Critical Perspectives. Palgrave Macmillan, pp. 129-150. ISBN 9783030345815

Waldeck Villas Boas, M. ORCID: https://orcid.org/0000-0002-4822-632X (2020) Typography and nationalism: the past and modernism under Nazi rule. Journal of Visual Political Communication, 6 (1). pp. 37-80. ISSN 2633-3740 doi: https://doi.org/10.1386/jvpc_00003_1

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Hignett, S., Lim, R. ORCID: https://orcid.org/0000-0003-1705-1480, Parkhurst, C. and Samuel, F. (2020) Explaining drug-resistant infection in community pharmacies through effective information design. Design for Health, 4 (1). pp. 82-104. ISSN 2473-5132 doi: https://doi.org/10.1080/24735132.2020.1731201

Wallers, C. ORCID: https://orcid.org/0000-0002-9843-7897 (2020) Star and Shadow Cinema and before : radical screening culture in Newcastle upon Tyne’. In: Newsinger, J., Presence, S. and Wayne, M. (eds.) Contemporary Radical Film Culture : Networks, Organisations and Activists. Routledge, London, pp. 203-212, 272. ISBN 9781138543614 doi: https://doi.org/10.4324/9781351006385-17

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 and Warren, S. (2020) Presenting whilst retreating in the age of the corporate lanyard. Journal of Organizational Aesthetics, 9 (1). pp. 1-17. ISSN 2168-8575

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046 (2020) Ecodramaturgies: theatre, performance and climate change. New Dramaturgies. Palgrave. ISBN 9783030558529 doi: https://doi.org/10.1007/978-3-030-55853-6

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046 (2020) Performing the bio-urban in Bonnie Ora Sherk’s The Farm and Mierle Laderman Ukeles’s Flow City. Performance Research, 25 (2). pp. 124-131. ISSN 1469-9990 doi: https://doi.org/10.1080/13528165.2020.1752585

Woynarski, L. ORCID: https://orcid.org/0000-0003-2516-0046, Ong, A., Beer, T., Beaupark, S., Winn-Lenetsky, J., Tangen, R. and Nicholson-Sanz, M. (2020) Dossier: climate change and the decolonized future of theatre. Theatre Research International, 45 (2). pp. 179-208. ISSN 1474-0672 doi: https://doi.org/10.1017/S0307883320000085

2019

Al-Taee, N. (2019) Live canvas: digital interface as creative medium. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084824

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS DJ for animal magic, MERL late silent disco part of being human festival. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) PurpleSTARS presentation at creative bridges SEN conference. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2019) Sensory Objects. [Project] (Collection)

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Headon, K. (2019) Suitcase stories movement Tate Exchange. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2019) Pride of place. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Headon, K. and Minnion, A. (2019) purpleSTARS virtual reality quad bike experience at the Berkshire Show 2019. [Artefact]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Minnion, A. and Headon, K. (2019) The MERL's making SENse. [Show/Exhibition]

Angelaki, V. (2019) Theatre & environment. Theatre &. Palgrave Macmillan/Red Globe Press, pp90. ISBN 9781137609830

Angelaki, V. (2019) Performing migration in Vienna: the Volkstheater Trilogy. Performing Ethos, 9 (1). pp. 9-22. ISSN 1757-1987 doi: https://doi.org/10.1386/peet_00002_1

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2019) Printing to 1970. In: Eliot, S. and Rose, J. (eds.) A Companion to the History of the Book. Blackwell Companions to Literature and Culture. Wiley-Blackwell. ISBN 9781119018179

Banham, R. ORCID: https://orcid.org/0000-0003-2851-8090 (2019) The industrialization of the book 1800–1970. In: Eliot, S. and Rose, J. (eds.) The New Blackwell Companion to the History of the Book. Wiley-Blackwell, New York. ISBN 9781119018179

Barker, A. (2019) A comparison of seeking-finding behaviours across the contexts of environmental space, paper documents, and on-screen. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085342

Bartley, S. (2019) Gendering welfare: acts of reproductive labour in applied performance practice. Contemporary Theatre Review, 29 (3). pp. 305-319. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2019.1615901

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2019) Yuh Figet Yuhself - Peckham Partnership, Peckham Platform. [Project]

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) “Do you really enjoy the modern play?”: Beckett on commercial television. In: Stewart, P. and Pattie, D. (eds.) Pop Beckett: Intersections with Popular Culture. Samuel Beckett in Company, 7. Ibidem, Stuttgart, pp. 63-84. ISBN 9783838211930

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) Meta-commentary and mythology: "Episodes" as a performance of transatlantic TV. In: Hills, M., Hilmes, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, Oxford, pp. 163-180. ISBN 9780190663124

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) Performing the identity of the medium: adaptation and television historiography. Adaptation, 12 (2). pp. 149-164. ISSN 1755-0645 doi: https://doi.org/10.1093/adaptation/apz017

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2019) The performing lives of things: animals, puppets, models and effects. In: Walters, J. and Donaldson, L. F. (eds.) Television Performance. Red Globe Press, London, pp. 43-60. ISBN 9781137608192

Black, A. (2019) Information design to make an impact on health care quality – is a user-centred approach enough? In: Mastoridis, K., Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars, Newcastle, UK, pp. 53-68. ISBN 9781527529540

Black, A., Carey, C., Matthews, V. and Solomons, L. (2019) Designing information for families caring for people with dementia. Design for Health, 3 (2). pp. 199-219. ISSN 2473-5132 doi: https://doi.org/10.1080/24735132.2019.1629766

Brezina, D. (2019) Coherence in typeface design: visual similarity of characters in Cyrillic, Devanagari, and Latin. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085141

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2019) Vorwort. In: Jacobs, S. and Rössler, P. (eds.) Jan Tschichold - ein Jahrhunderttypograf?: Blicke in den Nachlass. Wallstein Verlag, Göttingen, pp. 23-25. ISBN 9783835334700

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2019) The mysterious case of the curtailed g: Danish style in type. Perpensa Press, Devizes, pp40. ISBN 9781916053908

Butler, A. (2019) Displacements: reading space and time in moving image installations. Close Readings. Palgrave Macmillan, London, pp178. ISBN 9783030304607

Butler, A. (2019) Devouring images: Hélio Oiticica’s anthropophagic quasi-cinema. Screen, 60 (1). pp. 128-136. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy060

Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) An actor diversifies: a diachronic examination of the work and career of Tony Curran. In: Fife Donaldson, L. and Walters, J. (eds.) Television Performance. Red Globe Press, London, pp. 168-187. ISBN 9781137608192

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2019) Ageless: Akerman’s avatars'. In: Schmid, M. and Wilson, E. (eds.) Chantal Akerman: Afterlives. MHRA/Legenda, Oxford, pp. 54-65. ISBN 9781781886397 doi: https://doi.org/10.2307/j.ctv16km0vw.11

Chau, H. Y. (2019) The contemporary relevance of split portraiture: rereading Marlene Dumas and Francis Bacon. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088721

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 17: Choir workshop with artist Marco Godoy. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International # 18: Performance – PUBLIC MOVEMENT – Emergency Routine. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #12: 'Inter-' Patricia L. Boyd organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #13: The Riddle of the Imp on the Mezzanine (My Journey) Steven Warwick [performance] organised by Novel. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Book of Challenges – led by Noam Enbar and Nir Shauloff [performance]. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #14: The Sound of Words – an exhibition and artist-led workshop by Helen Cammock. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #16: ChorUs – Voice lab for women led by artist Michal Oppenheim. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #19: An Apprenticeship In Queer I Believe It Was – by Nina Wakeford. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Reading International #20 (Un)Commoning Voices & (Non)Communal Bodies. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2019) Throw away your books, go into the streets video: experimental video/animation/curation. [Project] (Collection)

Connor, V. and O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2019) 'The Long Goodbye' - 'Slow Institution' featuring the project, 'In Dublin' by Tina O'Connell (exhibition publication). [Show/Exhibition]

Copetti Klohn, S. (2019) The use of informative and decorative pictures in health and safety posters for children. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084830

Cumiskey, L., Lickiss, M., Šakić Trogrlić, R. and Ali, J. (2019) Interdisciplinary pressure cooker: environmental risk communication skills for the next generation. Geoscience Communications, 2 (2). pp. 173-186. ISSN 2569-7110 doi: https://doi.org/10.5194/gc-2-173-2019

Elduque Busquets, A. (2019) Between film and photography: the bubble of blood in 'The Family of Disorder'. Screen, 60 (1). pp. 148-159. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy069

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2019) Sic. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) The Struggle III: A Glimpse. [Video]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2019) Women artists, feminism and the moving image contexts and practices, Rachel Garfield 'Prescient Intersectionality: Women, Moving Image and Identity Politics in 1980s Britain'. In: Reynolds, L. (ed.) Women Artists, Feminism and the Moving Image Contexts and Practices. Bloomsbury, London, pp. 99-112. ISBN 9781784537005

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2019) Interviews: Ian Cameron, V.F. Perkins, Charles Barr, Alan Lovell. Movie: A Journal of Film Criticism (8). pp. 38-71. ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2019) New approaches to film history. [Project] (Collection)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2019) ‘Say, have you seen the Carioca?’: an experiment in non-linear, non-hierarchical approaches to film history. Movie: A Journal of Film Criticism, 8. ISSN 2047-1661

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2019) Twentieth-century Persian newspaper types – investigating the design process. [Show/Exhibition]

Jackson, M. (2019) Giving Suck. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00117795

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2019) Stencil: a descriptive bibliography. Éditions à jour, Reading, pp24.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891, Minns, E., Nairne, K., Odling-Smee, A. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2019) Marie Neurath: Picturing Science. [Show/Exhibition]

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) Representations of British Chinese identities and British television drama: mapping the field. Journal of British Cinema and Television, 16 (2). pp. 125-145. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0465

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2019) The unwitting pioneer of transatlantic format adaptation: Beryl Vertue. Historical Journal of Film, Radio and Television, 39 (2). pp. 341-365. ISSN 0143-9685 doi: https://doi.org/10.1080/01439685.2018.1522790

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Cassidy, G. (2019) Game of Thrones: investigating British acting. In: Hills, M., Hilmes, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, Oxford, pp. 181-202. ISBN 9780190663124

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Schwind, K. H. (2019) Friends: a reading of the sitcom. Palgrave Macmillan. ISBN 9783030254285 doi: https://doi.org/10.1007/978-3-030-25429-2

Kolb, R. (2019) Revisiting Black Mountain Cross-Disciplinary Experiments and Their Potential for Democratization. OnCurating Issues, 43 (43). OnCurating, Zurich, pp122. ISBN 9781672015431 (Black Mountain College, Contemporary Art, Curating, Experimental Education)

Kolb, R., Krivanek, E., Regli, C. and Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, eds. (2019) Centres⁄Peripheries – Complex Constellations. OnCurating Issues, 41 (41). OnCurating, Zurich, pp176. ISBN 9781070906966

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2019) EuroNoize. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2019) Pil and Galia Kollectiv: (in)visible propaganda. [Show/Exhibition]

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2019) Improvisation as a research methodology: Exploring links between filmmakers’ practice and traditions of enquiry across the academy. Media Practice and Education, 20 (2). pp. 134-146. ISSN 2574-1136 doi: https://doi.org/10.1080/25741136.2019.1605675

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2019) Many ways of directing a film: teaching the ‘modes of creative practice’. In: Mourao, M. D., Semerdjiev, S., Mello, C. and Taylor, A. (eds.) The 21st Century Film, TV and Media School Book – Volume 2: Directing the future. CILECT - the International Association of Film and Television Schools, Sofia, pp. 28-39. ISBN 9786197358087

Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2019) Modes of Creative Practice in the directing of independent fiction films. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00104350

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2019) Slanted Babylon. In: Lynam, I. (ed.) Total Armageddon—A Slanted Reader on Design. Slanted, Karlsruhe, pp. 273-279. ISBN 9783981829662

Lickiss, M. (2019) Design perspectives on multimodal documents: system, medium, and genre relations. Routledge Studies in Multimodality. Routledge. ISBN 9781138096844

Lickiss, M. D. and Cumiskey, L. (2019) Design skills for environmental risk communication: design in and design of an interdisciplinary workshop. The Design Journal, 22 (1). pp. 1373-1385. ISSN 1460-6925 doi: https://doi.org/10.1080/14606925.2019.1594963

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2019) Book design. In: Oxford Handbook of Publishing. Oxford University Press, Oxford, pp. 311-325. ISBN 9780198794202 doi: https://doi.org/10.1093/oxfordhb/9780198794202.013.21

Mastoridis, K., Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312, eds. (2019) Design for visual communication: challenges and priorities. Cambridge Scholars Publishing. ISBN 9781527529540

McIlwraith, A. (2019) Better museum maps: an empirical study comparing the appeal and effectiveness of graphic design approaches. PhD thesis, University of Reading.

Moys, J.-L. (2019) Repositioning aesthetics to improve synergies between research and practice – a typographic perspective. In: Mastoridis, K., Sioki, N. and Dyson, M. C. ORCID: https://orcid.org/0000-0002-0920-4312 (eds.) Design for Visual Communication: Challenges and Priorities. Cambridge Scholars Publishing, Newcastle, pp. 36-52. ISBN 9781527529540

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2019) Between. [Performance]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2019) I, Sheep. [Show/Exhibition]

Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2019) Peeling onions with Granny: on being moved to collaborate. Performing Ethos, 9 (1). pp. 37-53. ISSN 1757-1987 doi: https://doi.org/10.1386/peet_00004_1

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2019) Multimedia identities: an analysis of How Tasty Was My Little Frenchman. Screen, 60 (1). pp. 160-171. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjy067

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Paiva, S. (2019) Passages - travelling in and out of film through Brazilian geography. [Video]

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds. (2019) Intermediality in Brazilian cinema: the case of Tropicália. Screen, 60 (1). Oxford Academic. doi: https://doi.org/10.1093/screen/hjy064

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2019) Energy and eventhood: the infrastructural set piece. Journal of Aesthetics & Culture, 11 (1). 1697551. ISSN 2000-4214 doi: https://doi.org/10.1080/20004214.2019.1697551

Olocco, R. (2019) A new method of analyzing printed type: the case of 15th-century Venetian romans. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088833

Petruska, K. and Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2019) Traveling without a passport: ‘Original’ streaming content in the transatlantic distribution ecosystem. In: Hilmes, M., Hills, M. and Pearson, R. (eds.) Transatlantic Television Drama: Industries, Programs and Fans. Oxford University Press, pp. 49-68. ISBN 9780190663124 doi: https://doi.org/10.1093/oso/9780190663124.003.0004

Purse, L. (2019) Square-jawed strength: gender and resilience in the female astronaut film. Science Fiction Film and Television, 12 (1). pp. 53-72. ISSN 1754-3770

Purse, L. (2019) The new dominance: action-fantasy hybrids and the new superhero in 2000s action cinema. In: Kendrick, J. (ed.) A Companion to the Action Film. Wiley Blackwell, Chichester, West Sussex, pp. 55-73. ISBN 9781119100492 doi: https://doi.org/10.1002/9781119100744.ch3

Purse, L. and Palmer, L., eds. (2019) When the astronaut is a woman. Science Fiction Film and Television (Special Issue), 12 (1). Liverpool University Press.

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2019) The dystopian near-future in contemporary British drama. Journal of Contemporary Drama in English, 7 (1). pp. 72-88. ISSN 2195-0156 doi: https://doi.org/10.1515/jcde-2019-0006

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Come and go. Halt extreme left. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Drift. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2019) Phase III - Le Modulor. [Show/Exhibition]

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Feministiche perspektiven des Kuratoischen / auf das Kuratorieren. In: Adorf, S. and Heinz, K. (eds.) Zeichen/Momente. Vergegenwärtigungen in Kunst und Kulturanalyse. Transcript Verlag, Bielefeld, pp. 183-202. ISBN 9783837642049 doi: https://doi.org/10.14361/9783839442043-010

Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764 (2019) Propositons on Curating. Darmstädter Beitrag zur Neuen Musik. pp. 10-14.

Roberto, R. (2019) Democratising knowledge and visualising progress: illustrations from Chambers's Encyclopaedia, 1859-1892. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085483

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) International El Kurru project. [Project] (In Press)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) Simply untitled. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) A Strange Weave of Time and Space. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) The humility of Plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2019) The humility of plaster. [Project] (Collection)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Collar, B. and Cole, D. (2019) Dimensions tomorrow. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Emberling, G. and Davis, S. (2019) Graffiti as Devotion. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2019) A pocketful of type: the impact of mobile phones on global type design. Type, Fall 2019 (4). pp. 24-33.

Rowlands, A. and Williams, M. (2019) Exercises in Style. [Show/Exhibition]

Russell, J. (2019) Bergen Assembly. [Show/Exhibition]

Russell, J. (2019) SUMMA. [Show/Exhibition]

Russell, J. (2019) Sick Monday. [Show/Exhibition]

Russell, J. (2019) Tainted Love. [Show/Exhibition]

Russell, J. (2019) Screens. [Show/Exhibition]

Sexton, M. and Lees, D. ORCID: https://orcid.org/0000-0002-3787-3740 (2019) Fargo: seeing the significance of style in television poetics? Critical Studies in Television: The International Journal of Television Studies, 14 (3). pp. 343-361. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602019853792

Stupart, L. and Dillon, T. (2019) Turning the tables: the table as utopian object for future struggle. Studies in Arts and Humanities, 5 (1). pp. 24-39. ISSN 2009-8278 doi: https://doi.org/10.18193/sah.v5i1.168

Trayner, J. (2019) The monstrous subject in the sixteenth century: the importance of The Twelve Articles of the Upper Swabian Peasants for reconciling the contemporary image in politics. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00085600

Twyman, M. (2019) Les étiquettes de prix dans le contexte de la cérémonie de distribution solennelle des prix. In: Les éphémères et l’événement (XVIe-XXIe siècles), 12 Feb 2016, pp. 29-48.

Tyler, L. (2019) “Responding to the thing that it is”: a study of new play development in English theatres. Studies in Theatre and Performance, 39 (1). pp. 38-53. ISSN 1468-2761 doi: https://doi.org/10.1080/14682761.2017.1348682

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2019) Effective antimicrobial resistance communication: the role of information design. Palgrave Communcations, 5. 24. ISSN 2055-1045 doi: https://doi.org/10.1057/s41599-019-0231-z

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 (2019) Forging reality: surface and reductionism in the work of Dick Bengtsson. Journal of Contemporary Painting, 5 (2). pp. 233-252. ISSN 2052-6695 doi: https://doi.org/10.1386/jcp_00002_1

Willems, S. ORCID: https://orcid.org/0000-0002-2167-7091 (2019) How not to disappear completely: characterising the role of anonymity in contemporary figurative painting. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00088070

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2019) Too close for comfort: direct address and the affective pull of the confessional comic woman in Chewing Gum and Fleabag. Communication, Culture and Critique, 12 (2). pp. 194-212. ISSN 1753-9129 doi: https://doi.org/10.1093/ccc/tcz014

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2019) Wainwright’s West Yorkshire: affect and landscape in the television drama of Sally Wainwright. Journal of British Cinema and Television, 16 (3). pp. 346-366. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0481

2018

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X (2018) Edinburgh Napier University, Public Engagement Seminars, Sensory Objects developed for and by People with Learning Disabilities become purpleSTARS. Edinburgh Napier University, Edinburgh.

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Andy, M. (2018) PurpleSTARS present to the Disability History Conference London Metropolitan Archive. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2018) PurpleSTARS present at Preparing for Adulthood. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Minnion, A. (2018) #Purplelightup international persons with a disability day British Museum. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Andy, M. and Headon, K. (2018) Sensory expedition and wiki training with the purpleSTARS at Glenside Hospital Museum. [Show/Exhibition] (Unpublished)

Balló, J. and Elduque, A. (2018) Imperio y Estrellita, el ascenso por amor. In: Bou, N. and Pérez, X. (eds.) El cuerpo erótico de la actriz bajo los fascismos. Cátedra, Madrid, pp. 97-108. ISBN 9788437638416

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2018) Children of the world on British television: national and transnational representations. Strenae, 13. ISSN 2109-9081 doi: https://doi.org/10.4000/strenae.1966 (Special issue: Le '68 des enfants / The Children's 68)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2018) James Bond’s forgotten beginnings: television adaptations. In: Strong, J. (ed.) James Bond Uncovered. Palgrave Studies in Adaptation and Visual Culture. Palgrave Macmillan, Basingstoke, pp. 41-60. ISBN 9783319761220 doi: https://doi.org/10.1007/978-3-319-76123-7_3

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2018) Performing television history. Critical Studies in Television: The International Journal of Television Studies, 13 (3). pp. 262-279. ISSN 1749-6039 doi: https://doi.org/10.1177/1749602018782860

Cassany, R., Cortiñas, S. and Elduque, A. (2018) Communicating science: the profile of science journalists in Spain. Comunicar, 26 (55). pp. 9-18. ISSN 1134-3478 doi: https://doi.org/10.3916/C55-2018-01

Cassidy, G. (2018) The rehearsal process of playwright/director Anthony Neilson. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00079996

Cassidy, G. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Phil Davis: the process of acting. Critical Studies in Television: The International Journal of Television Studies, 13 (3). pp. 315-332. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018785833

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2018) Overturning feminist phenomenologies: disability, complex embodiment, intersectionality, and film. In: Rethinking Feminist Phenomenology : Theoretical and Applied Perspectives. Rowman & Littlefield International, London, pp. 187-208. ISBN 9781786603739

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading Internationa #10: The Outside In - Steve Claydon at MERL. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International #11: Studio for Propositional Cinema- ‘Redundant as eyelids in absence of light’ organised by Novel. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International #9: 'Nightwalks with Teenagers’, by Mammalian Diving Reflex. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 6: 'reading in Reading' - David Raymond Conroy, Ghislaine Leung, Cally Spooner and Jesper List Thomsen. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 8: Creating Ruin - Lada Nakonechna at the Abbey Ruins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2018) Reading International 9: creating ruin - online video screening. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Fance, T. (2018) Reading International 10: Nightwalks with Teenagers’ by Mammalian Diving Reflex. [Performance]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Artefact]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2018) Szuper Gallery Slide Show Player #1. [Show/Exhibition]

Conidi, E. (2018) Arabic types in Europe and the Middle East, 1514-1924: challenges in the adaptation of the Arabic script from written to printed form. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00080437

Elduque, A. (2018) Flesh and costumes: the watermelon in 'Vereda Tropical'. In: Baltar, M. (ed.) E pornô, tem pornô? A Panorama of Brazilian Porn. Mimesis International, Milan, pp. 115-137. ISBN 9788869770234

Elduque, A. (2018) Géneros fluidos: familias, amores, sueños. In: Montero, J. F. (ed.) John Cassavetes. Interior noche. Shangrila Textos Aparte, Santander, pp. 310-332. ISBN 9788494761690

Elduque, A. and Araújo, M. (2018) Ecos de revueltas lejanas: Fassbinder, Glauber Rocha y 'El viaje a Niklashausen' (1970). In: Rodrigo García, J. (ed.) Rainer Werner Fassbinder. Solo quiero que me amen. Shangrila Textos Aparte, Santander, pp. 174-195. ISBN 9788494875052

Elduque, A. (2018) Suspiros de España: la censura del sexo en el primer franquismo. In: Bou, N. and Pérez, X. (eds.) El cuerpo erótico de la actriz bajo los fascismos. Cátedra, Madrid, pp. 13-23. ISBN 9788437638416

Ellison, C. (2018) Micro soft words (for dummies and enlightened beings). [Performance]

Feldman, A. (2018) After the law: towards judicial-visual activism. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00089068

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2018) Sic. [Project] (Collection)

Garin, M. and Elduque, A. (2018) Playing the holes. Notes on the Ozuesque gag. In: Choi, J. (ed.) Reorienting Ozu: A Master and His Influence. Oxford University Press, Oxford, pp. 197-214. ISBN 9780190254988

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2018) Reevaluating The Phantom Carriage. [Project] (Collection)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2018) The Phantom Carriage (Körkarlen) (1921). In: Silent Features. Exeter University Press, Exeter, pp. 73-90.

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Reck Miranda, S. (2018) Playing at the margins. [in]Transition, 5 (2). ISSN 2469-4312

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2018) Theatre, performance and politics in Chile: the citizens’ turn. PhD thesis, King's College London. doi: https://doi.org/10.48683/1926.00095596

Hellings, J. ORCID: https://orcid.org/0009-0005-8934-791X (2018) Faire (de la magie): rendre l'invisible visible. In: Où en Sommes-Nous avec la Théorie Esthétique d'Adorno? Pontcerq, Rennes. ISBN 9782919648245

Hobden, F. and Wrigley, A., eds. (2018) Ancient Greece on British television. Screening Antiquity. Edinburgh University Press, Edinburgh, pp272. ISBN 9781474412599

Hobden, F. and Wrigley, A. (2018) Broadcasting Greece: an introduction to Greek Antiquity on the small screen. In: Hobden, F. and Wrigley, A. (eds.) Ancient Greece on British Television. Screening Antiquity. Edinburgh University Press, Edinburgh, pp. 1-23. ISBN 9781474412599

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2018) Early Persian printing and typefounding in Europe. Journal of the Printing Historical Society (29). pp. 87-123. ISSN 0079-5321

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2018) Markazi text typeface. Google Fonts.

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2018) Marlik typeface. Rosetta Type Foundry.

Jeffery, L. (2018) Beckett: art, music and the creative process. PhD thesis, University of Reading.

Kidner, D. (2018) The exhibition of political film and video. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00084078

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2018) Eminents observed: a century of writing, lettering, type and typography at the Central School, London. In: Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (ed.) Typeform Dialogues (2nd edition). Hyphen Press, London, pp. 50-87. ISBN 9780907259527

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891, ed. (2018) Typeform Dialogues (2nd edition). Hyphen Press, London.

Klohn, S. C. and Black, A. (2018) Informative and decorative pictures in health and safety posters for children. Visible Language, 52 (3). pp. 30-51. ISSN 0022-2224

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Crossing broadcasters: the transatlantic exchange between Sylvester ‘Pat’ Weaver and Sir Ian Jacob, 1955-1956. Historical Journal of Film, Radio and Television, 38 (4). pp. 843-862. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2017.1412920

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Exploring the casting of British and Irish actors in contemporary US film and television. In: Cantrell, T. and Hogg, C. (eds.) Exploring television acting. Bloomsbury, London, pp. 154-170. ISBN 9781474248594

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Shameless, the push-pull of transatlantic fiction format adaptation, and star casting. New Review of Film and Television Studies, 16 (3). pp. 295-323. ISSN 1740-7923 doi: https://doi.org/10.1080/17400309.2018.1487130

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Lacey, S., eds. (2018) Acting on television: analytical methods and approaches. Critical Studies in Television, 13 (3). SAGE.

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E., eds. (2018) European cultures of production. Critical Studies in Television, 13 (2). SAGE.

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Weissmann, E. (2018) European cultures of production. Critical Studies in Television, 13 (2). pp. 133-136. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018763202

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2018) Second annual report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2018) The missing body of J. T. Leroy. In: Beber, E. (ed.) The Bodies that Remain. Dead Letter Office, 1. Punctum, London, pp. 251-262. ISBN 9781947447677 doi: https://doi.org/10.21983/P3.0212.1.00

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2018) Rainbow pixels. In: Pavoni, A., Mandic, D., Nirta, C. and Philippopoulos-Mihalopoulos, A. (eds.) Taste. Law and the Senses, 1. University of Westminster Press, London, pp. 239-243. ISBN 9781911534327 doi: https://doi.org/10.16997/book21

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2018) Re-enacting the archive: untimely meditations on the use and abuse of repetition. In: Clarke, P., Jones, S., Kaye, N. and Linsley, J. (eds.) Artists in the Archive Creative and Curatorial Engagements with Documents of Art and Performance. Routledge, London, pp. 144-150. ISBN 9781138915381

Kwon, H. (2018) Narrativisation of site and spatialisation of narrative. PhD thesis, University of Reading.

Lacey, S. and Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2018) Acting on television: analytical methods and approaches. Critical Studies in Television, 13 (3). pp. 257-261. ISSN 1749-6020 doi: https://doi.org/10.1177/1749602018782046

Lawrence, J., Jenner, M., Drew, B., Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972, Jetpacks, J., Liston, K., McCreadie, L., Purgas, P. and Richards, T. (2018) Oh: link zone. [Show/Exhibition]

Leavitt, C. (2018) Notes on the end of 'Rome Open City'. Journal of Italian Cinema and Media Studies, 6 (3). pp. 359-372. ISSN 20477368 doi: https://doi.org/10.1386/jicms.6.3.359_1

Lekka, H. (2018) Linotype’s design of new Greek typefaces for photocomposition in the Greek printing market, 1970-1980. PhD thesis, University of Reading.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2018) Enabling modernity: innovation in modulated Greek typefaces, 1998-2007. Philological Encounters, 3 (4). pp. 412-440. ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340055

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2018) Greek. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-Scriptual: Typography and Graphic Design with Multiple Script Systems. Niggli, Salenstein, Switzerland. ISBN 9783721209822

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2018) Dear Theaster... In: Scott, K. (ed.) Theaster Gates: How to Build a House Museum. Art Gallery of Ontario, Toronto. ISBN 9781894243933

Lodhi, A. and Wrigley, A. (2018) Introduction: radio modernisms: features, cultures and the BBC. Media History, 24 (2). pp. 159-165. ISSN 1469-9729 doi: https://doi.org/10.1080/13688804.2018.1473134

Lodhi, A. and Wrigley, A. (2018) Radio modernisms: features, cultures and the BBC. Taylor & Francis, London. doi: https://doi.org/10.1080/13688804.2018.1473134

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2018) Typography: a very short introduction. Very Short Introductions. Oxford University Press, Oxford, pp155. ISBN 9780199211296 doi: https://doi.org/10.1093/actrade/9780199211296.001.0001

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Saunders, G., eds. (2018) Special issue on staging Beckett and contemporary theatre and performance cultures. Contemporary Theatre Review, 28 (1). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2017.1405393

Miller, H. K. ORCID: https://orcid.org/0000-0001-5255-3764 (2018) Nobody walks: Hitchcock's first impressions of Hollywood. In: Gottlieb, S. (ed.) Hitchcock Annual. Columbia University Press, pp. 74-81. ISBN 9780231190459 doi: https://doi.org/10.1353/hit.2018.0002

Moys, J.-L. (2018) Promoting diversity through developing a sense of community. International Journal for Students as Partners, 2 (2). pp. 135-143. ISSN 2560-7367 doi: https://doi.org/10.15173/ijsap.v2i2.3547

Moys, J.-L., Collier, J. and Joyce, D. (2018) By design: engaging Graphic Communication students in curriculum development. The Journal of Educational Innovation, Partnership and Change, 4 (1). ISSN 2055-4990 doi: https://doi.org/10.21100/jeipc.v4i1.752

Moys, J.-L., Loveland, P. and Dyson, M. ORCID: https://orcid.org/0000-0002-0920-4312 (2018) eInk versus paper: exploring the effects of medium and typographic quality on recall and reading speed. Visible Language, 52 (3). pp. 74-95. ISSN 0022-2224

Moys, J.-L., Martinez-Freile, C., McCrindle, R., Meteyard, L., Robson, H., Kendrick, L. and Wairagkar, M. (2018) Exploring illustration styles for materials used in visual resources for people with aphasia. Visible Language, 52 (3). pp. 96-113. ISSN 0022-2224

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2018) Passages: travelling in and out of film through Brazilian geography. Rumores: Revista Online de Comunicação, Linguagem e Mídias, 12 (24). pp. 19-40. ISSN 1982-677X doi: https://doi.org/10.11606/issn.1982-677X.rum.2018.148836

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Sousa, R. L. d. and Brandão, A. S. (2018) Introduction to the dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal). Aniki: Portuguese Journal of the Moving Image, 5 (2). pp. 306-310. ISSN 2183-1750

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748, Souza, R. L. d. and Brandão, A. S., eds. (2018) Dossier: Brazilian cinema in the neoliberal age (O cinema brasileiro na era neoliberal). Aniki: Portuguese Journal of the Moving Image, 5 (2). AIM - AIM - Associação de Investigadores da Imagem em Movimento.

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2018) Arabic hot metal: the origins of the mechanisation of Arabic typography. Philological Encounters, 3 (4). pp. 496-523. ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340052

Nemeth, T. ORCID: https://orcid.org/0000-0003-3871-5792 (2018) A short history of Arabic type-making. In: Kim, J. M. (ed.) 해외 글꼴의 연구·산업 현황 조사(Ⅲ) -아랍 문자권을 중심으로-. National Hangeul Museum, Seoul, pp. 92-141. ISBN 9791189438135

O'Brien, A. ORCID: https://orcid.org/0000-0002-9527-4076 (2018) In and around The Bay: water, fish, infrastructure. Film Studies, 19 (1). pp. 20-33. ISSN 1469-0314 doi: https://doi.org/10.7227/FS.19.0003

O'Connell, T. ORCID: https://orcid.org/0009-0005-7889-5224 (2018) Sublimation 2018. [Video]

Park, J. (2018) Surface layer time: the process of portraying time in image. PhD thesis, University of Reading.

Polat, D. N. (2018) A typographic analysis of newspapers and magazines in the Turkish alphabet reform (1928-1929). PhD thesis, University of Reading.

Purse, L. (2018) Layered encounters: mainstream cinema and the disaggregate digital composite. Film-Philosophy, 22 (2). pp. 148-167. ISSN 1466-4615 doi: https://doi.org/10.3366/film.2018.0070

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2018) 'Killing joy as a world making project' : anger in the work of debbie tucker green. Contemporary Theatre Review, 28 (3). pp. 390-400. ISSN 1477-2264 doi: https://doi.org/10.1080/10486801.2018.1475356

Reid, T. ORCID: https://orcid.org/0000-0002-4183-0778 (2018) The theatre of Anthony Neilson. Critical Companions. Bloomsbury, London, pp224. ISBN 9781472570307

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Cosmic Laziness. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Cosmic Laziness (Notebook Painting). [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook Architecture. [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook Formism. [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Notebook, Wall, Curve C/Y & Notebook, Wall, Curve P/B. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Phase 2 imagining architecture. [Show/Exhibition]

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) Plan Unplan (Outside Architecture Projects). [Project] (Collection)

Renshaw, T. ORCID: https://orcid.org/0009-0005-0871-2533 (2018) What is Seen, What is Shown. [Show/Exhibition]

Rocha, G. (2018) On cinema. Bloomsbury, x-xiv. ISBN 9781780767031

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Aftercast. tenderbooks, London, pp186. ISBN 9781999712433

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Concrete sculpture. BSR’s Faculty of Fine Arts and the Faculty of Archaeology, History and Letters, and the University of Liverpool in London. (Unpublished)

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Florian Roithmayr - the humility of plaster. [Project]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) More than is needed so as not to be caught short. In: Conference: The Humility of Plaster, 4 Sept 2018, Kettle's Yard, University of Cambridge.

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Premio Lissone 2018. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) Something infinitely distant and strange. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) These here withins. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) The humility of plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358 (2018) The humility of plaster. [Show/Exhibition]

Roithmayr, F. ORCID: https://orcid.org/0009-0005-5425-3358, Ruggaber, K., Perienne, C., Enzing, B., Ernst, B., Morse-Palmer, H., George, D., Gill, A., Joy, C., Ryan, A., Stent, C. and Treister, S. (2018) Group Portrait with Garden. [Show/Exhibition]

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2018) Historical technological impacts on the visual representation of language with reference to South Asian typeforms. Philological Encounters, 3 (4). ISSN 2451-9189 doi: https://doi.org/10.1163/24519197-12340054

Rowlands, A. (2018) Curating Fictions. [Project] (Collection)

Rowlands, A. and Williams, M. (2018) In the reading room of hell. [Show/Exhibition]

Rowlands, A. (2018) Novel Upstairs. [Project] (Collection)

Russell, J. (2018) As much about forgetting. [Show/Exhibition]

Russell, J. (2018) CONDO: Emalin (hosting Galerie Gregor Staiger). [Show/Exhibition]

Russell, J. (2018) Cellular world: cyborg-human-avatar-horror. [Show/Exhibition]

Russell, J. (2018) GOLD. [Show/Exhibition]

Russell, J. (2018) It's all the same fucking day, man. [Show/Exhibition]

Russell, J. (2018) Land and sea. [Show/Exhibition]

Russell, J. (2018) SOFA. [Video]

Russell, J. (2018) The island of flowers. Song Cycle. Song Cycle and Bridget Donahue Gallery: New York, pp12.

Russell, J. (2018) AQUARIUM PROLETARIUM. [Project] (Collection)

Russell, J. (2018) DOGGO. [Artefact]

Russell, J. (2018) DOGGO. [Project] (Collection)

Russell, J. (2018) DOGGO II. [Show/Exhibition]

Russell, J. (2018) SQRRL. [Project] (Collection)

Singh, V. (2018) One letter at a time: index typewriters and the alphabetic interface. [Show/Exhibition]

Singh, V. (2018) Devanagari. In: Wittner, B., Thoma, S. and Hartmann, T. (eds.) Bi-scriptual: typography and graphic design with multiple script systems. Niggli Verlag, Salenstein, Switzerland. ISBN 9783721209822

Singh, V. (2018) The first Indian-script typeface on the Monotype: a missing chapter in the history of mechanical typecasting. Journal of the Printing Historical Society, 29. ISSN 0079-5321

Singh, V. (2018) The machine in the colony: technology, politics, and the typography of Devanagari in the early years of mechanization. Philological Encounters, 3 (4). ISSN 2451-9197 doi: https://doi.org/10.1163/24519197-12340051

Stupart, L. (2018) I want to show you a body: thinking through gender, bodies, and building different worlds. [Project]

Stupart, L. (2018) Kathy's body. In: Beber, E. (ed.) The Bodies that Remain. Punctum Books and University of California Santa Barbara, Brooklyn, NY, pp. 225-229. ISBN 9781947447677 doi: https://doi.org/10.21983/P3.0212.1.00

Taylor, L. (2018) Negotiating theatrical space in performances of Marguerite Duras's later plays. In: Noonan, M. and Pagès-Pindon, J. (eds.) Marguerite Duras: Un Théâtre de Voix/A Theatre of Voices. Études de Langue et Littérature Françaises (420). Brill, Leiden/Boston, pp. 118-134. ISBN 9789004360969

Traina, R. (2018) An information design approach to documenting live art: locating & empowering the document user. PhD thesis, University of Reading.

Twyman, M. (2018) Charles Hullmandel’s stones at Kingston Lacy. Journal of the Printing Historical Society (28). pp. 23-74.

Twyman, M., (2018) Hand-colouring or chromolithography: the pros and cons. Bourgery & Jacob (Dissection d’un atlas anatomique du XIXe siècle)

Twyman, M. (2018) Giovanni Battista Belzoni’s portrait frontispiece in the various editions of his 'narrative of the operations and recent discoveries… in Egypt and Nubia’. Journal of the Printing Historical Society, 3 (29).

Undro, M. D. (2018) Portrait of a process. PhD thesis, University of Reading.

Unger, G. (2018) Theory of type design. Nai 010, Rotterdam, pp240. ISBN 9789462084407

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (2018) Modernity, method and minimal means: typewriters, typing manuals and document design. Journal of Design History, 31 (2). pp. 138-153. ISSN 1741-7279 doi: https://doi.org/10.1093/jdh/epx018

Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, Black, A., Bessemans, A., Bormans, K., Renckens, M. and Barratt, M. (2018) Designing digital texts for beginner readers: performance, practice and process. In: Barzillai, M., Thomson, J. M., Schroeder, S. and Broek, P. W. v. d. (eds.) Learning to read in a digital world. Studies in written language and literacy (17). John Benjamins, Amsterdam, pp. 31-56. ISBN 9789027201225 doi: https://doi.org/10.1075/swll.17.02wal

Woods, F. ORCID: https://orcid.org/0000-0001-8901-6524 (2018) Youth television and platform neutral public service broadcasting. In: Johnson, D. (ed.) From Networks to Netflix: : A Guide to Changing Channels. Routledge, Abingdon, UK, pp. 297-307, Chapter 28. ISBN 9781138998490

Wrigley, A. (2018) Afterlives of BBC Radio features. Media History, 24 (2). pp. 266-282. ISSN 1469-9729 doi: https://doi.org/10.1080/13688804.2018.1479636

Wrigley, A. (2018) Tragedy for teens: Ancient Greek tragedy on BBC and ITV schools television in the 1960s. In: Hobden, F. and Wrigley, A. (eds.) Ancient Greece on British television. Screening Antiquity. Edinburgh University Press, Edinburgh, pp. 84-108. ISBN 9781474412599

2017

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) ‘From the Outside In’ art award box, log and workshop plans. [Project]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X and Hollinworth, N. (2017) Madhouse My House: an immersive reclaiming of old long stay hospitals. Hackney Museum Exhibition. [Show/Exhibition]

Allen, K. ORCID: https://orcid.org/0000-0001-7981-862X, Hwang, F. ORCID: https://orcid.org/0000-0002-3243-3869 and Minnion, A. (2017) Sensory Objects Enterprise - Co-Development and Start Up project AHRC Follow on Fund Project pupleSTARS. [Project]

Angelaki, V. (2017) Social and political theatre in 21st-century Britain: staging crisis. Methuen Drama Engage. Bloomsbury, London, pp288. ISBN 9781474213172

Barreiro, M. S. and Elduque, A. (2017) La mirada y el peso. Iconografía de la clase obrera en 'Chircales' y 'Tierra Nueva'. Cinémas d’Amérique Latine, 25. pp. 144-155. ISSN 1267-4397

Bartley, S. (2017) Hard labour and punitive welfare: the unemployed body at work in participatory performance. Research in Drama Education, 22 (1). pp. 62-75. ISSN 1356-9783 doi: https://doi.org/10.1080/13569783.2016.1263559

Bennett, B. ORCID: https://orcid.org/0009-0003-5311-6381 (2017) Dissonance. [Show/Exhibition]

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Broadcasting children's music. InFormation: Nordic Journal of Art and Research, 6 (2). pp. 1-16. ISSN 1893-2479 doi: https://doi.org/10.7577/information.v6i2.2275 (Special issue: Children's Music)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Children’s television and public service in contemporary Britain. In: Dinter, S. and Schneider, R. (eds.) Transdisciplinary Perspectives on Childhood in Contemporary Britain. Studies in Childhood, 1700 to the Present. Routledge, London, UK, pp. 87-102. ISBN 9781138232105

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2017) Myth. In: Ouellette, L. and Gray, J. (eds.) Keywords for Media Studies. New York University Press, New York, pp. 123-125. ISBN 9781479859610

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Burchardt, J. ORCID: https://orcid.org/0000-0001-9483-1494 (2017) Agents, beneficiaries and victims: picturing people on the land. In: Haigron, D. (ed.) The English Countryside: Representations, Identities, Mutations. Palgrave Macmillan, Basingstoke, pp. 61-82. ISBN 9783319532721 doi: https://doi.org/10.1007/978-3-319-53273-8

Black, A. (2017) Icons as carriers of information. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design: research and practice. Routledge, London, UK, pp. 253-269. ISBN 9781472430700

Black, A., Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412, Brook, M., Carey, C., Goonasekera, M., Meredith, D., Olsson-Brown, A., Rosenorn-Lanng, D. and Vaux, E. (2017) Designing care bundle documentation to support the recognition and treatment of acute kidney injury: a route to quality improvement. In: Design for healthcare. Design for Social Responsibility. Gower, pp. 170-189. ISBN 9781472457424

Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836, eds. (2017) Information design: research and practice. Routledge, London, pp600. ISBN 9780415786324

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Crisis, 1933 – the politicization of Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 226-235. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Formal writing, artist typefaces, and bread-and-butter type (part 2). Forum (33). pp. 7-10. ISSN 1472-0604

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Gerd Arntz. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 256-262. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) How did Futura get to the Moon? In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 351-365. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Jan Tschichold and Futura. In: Eisele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 206-209. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Modernism and traditionalism: points of convergence in European typography, 1925–1950. In: Counter-Signals 2: Hieroglyphs of the anti-commodity. Counter-Signals (2). Other Forms, Chicago / Berlin, pp. 150-161. ISBN 9780998170800

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Munich as a centre for typography 1926–1933. In: Eiesle, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 201-205. ISBN 9781786270931

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 (2017) Otto Neurath and the Vienna Method of Pictorial Statistics (Isotype). In: Esiele, P., Ludwig, A. and Naegele, I. (eds.) Futura: the typeface. Laurence King, London, pp. 252-255. ISBN 9781786270931

Butler, A. (2017) 13 ways of looking at a lake. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) The Long Take: Critical Approaches. Palgrave Macmillan, London, pp. 177-191. ISBN 9781137585721 doi: https://doi.org/10.1057/978-1-137-58573-8_12

Clarke, A., Cooke, K., Roberts, M. M., Holmes, D., Iveson, M., Jenkins, T., Kivland, S., Nader, M., Woodham, N. and Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Decorative dormitories for sleep workers. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International. [Project]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 1: Matt Copson and Alastair MacKinven ‘Eggy and Seedy’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 2: CRASH! presents ‘A Better Britain II: Britlins’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 3: Abel Auer ‘how a black void replaces the white cube and a painting moves from the fine to the performing arts’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 4: Rochelle Goldberg, Veit Laurent Kurz, Stefan Tcherepnin, Hanna Törnudd ‘Ante Phylloxera’. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International 5: the critic as artist. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: CRASH! ‘Xerox Interview Book’. Reading International. ISBN 9781912115716

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Reading International: Eggy + Seedy + Friends - ‘All Day Breakfast’. Reading International. ISBN 9781912115006

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2017) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Bonobo. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) I will survive, video, 8:05mins. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Soviart. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2017) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Hunt, A. and Marshall, B. (2017) Reading International: Bertie Marshall ‘Wilde Re-Write’. Reading International. ISBN 9781912115709

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236, Worley, M. ORCID: https://orcid.org/0000-0002-3049-8714, King, S. and Hunt, A. (2017) Reading International: CRASH! ‘A Better Britain II: Britlins’. Reading International. ISBN 9781912115723

Courage, T. V. (2017) Contemporary Chinese independent cinema: urban spaces, mobility, memory. PhD thesis, University of Reading.

Dyson C., M. ORCID: https://orcid.org/0000-0002-0920-4312 (2017) Information design research methods. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: Research and Practice. Routledge, London, pp. 435-449. ISBN 9780415786324 doi: https://doi.org/10.4324/9781315585680

Elduque Busquets, A. (2017) Trilhas cantadas: circulando pelo documentário musical brasileiro. In: Suppia, A., Guimarães, P. M. and Duccini, M. (eds.) Gêneros cinematográficos e Audiovisuais: Perspectivas Contemporâneas. Urutau/Margem da Palavra, Bragança Paulista.

Elduque Busquets, A. (2017) Primer Plano: the popular face of censorship. L'Atalante. Revista de Estudios Cinematograficos, 23. pp. 49-62. ISSN 2340-6992

Elduque, A. (2017) Canção, história e cinema. In: Carrega, J. and Vitorino Fernandez, S. (eds.) A Europa e os Impérios Coloniais na Literatura e no Cinema. Centro de Investigação em Artes e Comunicação da Universidade do Algarve, Faro, pp. 210-223. ISBN 9789898859242

Elduque, A. (2017) Esperar una mirada: la representación cinematográfica de la pena de muerte. In: Montero, J. F. and Planes Pedreño, J. A. (eds.) Cine entre rejas. Sans Soleil Ediciones, Vitoria-Gasteiz, pp. 203-241. ISBN 9788494735400

Elduque, A. (2017) Outskirts of reason: the dream in Días de papel and Chircales. In: Forrest, D., Harper, G. and Rayner, J. (eds.) Filmurbia: Screening the Suburbs. Palgrave Macmillan, Basingstoke, pp. 149-168. ISBN 9781137531759

Elduque, A. (2017) As Belair went by: an interview with Helena Ignez. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 123-135. ISBN 9783943620726

Elduque, A., ed. (2017) Contemporary Brazilian music film. University of Reading, Reading, pp115. ISBN 9780704915855

Elduque, A. (2017) Cut it like a tambourine beat: Ricardo Miranda on the editing of 'The Age of the Earth'. In: Solomon, S. (ed.) Tropicália and Beyond: Dialogues in Brazilian Film History. Archive Books, Berlin, pp. 193-209. ISBN 9783943620726

Elduque, A. (2017) Hungry gazes, digesting closeups: Pasolini, 'Porcile' and the politics of consumption. Screen, 58 (2). pp. 119-140. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjx014

Elduque, A. (2017) Introduction. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 5-15. ISBN 9780704915855

Elduque, A. (2017) Making it visible: an interview with Sérgio Roizenblit about 'The Miracle of Santa Luzia'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 103-109. ISBN 9780704915855

Elduque, A. (2017) Vindicating the composer: an interview with Márcia Derraik about 'Where the Owl Sleeps'. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 87-89. ISBN 9780704915855

Elduque, A. (2017) What about the end of the history? An interview with Hernani Heffner. In: Elduque, A. (ed.) Contemporary Brazilian Music Film. University of Reading, Reading, pp. 17-21. ISBN 9780704915855

Ellison, C. (2017) Let's interface the music and dance. [Project] (Collection)

Ellison, C. (2017) Workshop: making beyond the post-medium condition. Visual Culture in Britain, 18 (2). pp. 133-162. ISSN 1941-8361 doi: https://doi.org/10.1080/14714787.2017.1353438

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Affectation Correspondence. Tombstone Press, London, UK, pp312. ISBN 9780957675612

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Sic. Y Press, London, UK, pp345. ISBN 9781389201875

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft. [Project] (Collection)

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2017) Wollstonochlincraft 1791-1971. The Good Reader. MA BIBLIOTHÈQUE, London, UK, pp16. ISBN 9781910055328

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies, 16 (1). pp. 38-56. ISSN 1472-5886 doi: https://doi.org/10.1080/14725886.2016.1242313

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) This way out of England: Gallery House in retrospect. Raven Row.

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2017) Valences of subjectivity: the politics of personal narrative in video art. In: Feldman, Z. (ed.) Art and the Politics of Visibility: Contesting the Global, Local and the In-Between. I.B.Tauris & Co. Ltd., London, UK, pp. 137-166. ISBN 9781780769066

Garnett, R. (2017) Address: Critical irony, neo-authenticity and humour in the art we call public. Art and the Public Sphere, 1 (6). pp. 69-79. ISSN 2042-793X doi: https://doi.org/10.1386/aps.6.1-2.69_1

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2017) Opening movements in Ophuls: long takes, leading characters and luxuries. In: Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (eds.) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK, pp. 89-102. ISBN 9781137585721

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2017) Ophuls and film style. [Project] (Collection)

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2017) Opening choices: Notorious (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D. (2017) The Phantom Carriage: a revaluation (audiovisual essay). Movie: a journal of film criticism (7). ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds. (2017) The long take: critical approaches. Palgrave Close Readings in Film and Television. Palgrave Macmillan, London, UK. ISBN 9781137585721

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

Hellmich, C. and Purse, L., eds. (2017) Disappearing war: interdisciplinary perspectives on cinema and erasure in the post-9/11 world. Edinburgh University Press, Edinburgh, pp216. ISBN 9781474416566

Hellmich, C. and Purse, L. (2017) Introduction: film and the epistemology of war. In: Hellmich, C. and Purse, L. (eds.) Disappearing War: Interdisciplinary Perspectives on Cinema and Erasure in the Post-9/11 World. Edinburgh University Press, Edinburgh, UK. ISBN 9781474416566

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Murty Bangla typeface. Harvard University Press.

Hudson, J. and Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2017) Murty Kannada typeface. Harvard University Press.

Husanovic, E. (2017) Dis-Orient Express: belly dancing, hybrid identities and female oriental ‘other’. PhD thesis, University of Reading.

Kim, C. J. H. (2017) Painting in the expanded field from the perspective of Merleau-Ponty’s phenomenology: a practice-based investigation on Western and Eastern approaches. PhD thesis, University of Reading.

Kindel, E. ORCID: https://orcid.org/0000-0001-9995-5891 (2017) Future, Fortune, and the graphic design of information. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information Design: Research and Practice. Routledge, pp. 127-146. ISBN 9781472430700

Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 and Derhy Kurtz, B. W. L. (2017) Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom. In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.) The Rise of Transtexts: Challenges and Opportunities. Routledge Research in Cultural and Media Studies. Routledge, pp. 49-67. ISBN 9781138944671

Kolb, R., Richter, D. ORCID: https://orcid.org/0000-0002-9830-9764, Ahmed, S., Allain Bonilla, M.-L., Choi, B., Danon, E., Farago, C., van der Heide, Y., Mabaso, N., Mdluli, S., Merali, S., Muñiz-Reed, I., Patel, S., Jain, R., Raqs Media, C., Voegele, S., Saner, P., Wei, W. T., Williamson, S. J., Wintle, C. and Wong, M. (2017) Decolonizing Art Institutions. On-Curating, 35 (35). On-Curating, Zurich, pp142. ISBN 9781981991747

Kollectiv, G. and Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 (2017) Playing like a girl. In: Cesura // Accesso. Cesura // Accesso, London, pp. 236-256. ISBN 9780993024610

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) The Immigrants. [Show/Exhibition]

Kollectiv, P. ORCID: https://orcid.org/0000-0001-8349-9318 and Kollectiv, G. (2017) Towards an anti-humanist critique of immaterial labour, or how to negotiate with vampires. In: Sampanikou, E. D. (ed.) Audiovisual Posthumanism. Cambridge Scholars Publishing, Cambridge, pp. 343-354. ISBN 9781443881777

Kontopoulou, A. (2017) Democracy. [Project] (Collection)

Kontopoulou, A. (2017) Democracy and community. In: Bicknell, A. (ed.) BP Art Exchange: Sowing Seeds, Generating Art, Ideas and a Connected Global Community. Tate Publishing, London, pp. 88-98.

Latto, A. (2017) The fragmented text/the fragmented self: exploring the limits of storytelling practice. PhD thesis, University of Reading.

Leonidas, G. ORCID: https://orcid.org/0000-0003-0468-6268 (2017) A reappraisal of Baskerville's Greek types. In: Archer-Parré, C. and Dick, M. (eds.) John Baskerville: art and industry in the Enlightenment. The University of Liverpool Press, Liverpool, pp. 133-150.

Lickiss, M., Mulder, K. J., Black, A., Charlton-Perez, A. J. ORCID: https://orcid.org/0000-0001-8179-6220, McCloy, R. A. ORCID: https://orcid.org/0000-0003-2333-9640 and Chandler, R. (2017) Developing a quick guide on presenting data and uncertainty. Weather, 72 (9). pp. 266-269. ISSN 1477-8696 doi: https://doi.org/10.1002/wea.2998

Lloyd, K. ORCID: https://orcid.org/0000-0001-8941-9526 (2017) Katie Sokoler, your construction paper tears can’t hide your Yayoi Kusama-neurotic underbelly. In: Boyle, J. and Kao, W.-C. (eds.) The Retro-Futurism of Cuteness. Punctum Press, Santa Barbara, pp. 243-260. ISBN 9781947447288

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Choosing type for information design. In: Black, A., Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217, Lund, O. and Walker, S. ORCID: https://orcid.org/0000-0001-5942-1836 (eds.) Information design: research and practice. Routledge, Abingdon, pp. 479-486. ISBN 9780415786324

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Design. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 205-217. ISBN 9780199574797

Luna, P. ORCID: https://orcid.org/0000-0003-1556-1217 (2017) Technology. In: Robbins, K. (ed.) The History of Oxford University Press. Volume 4: 1970–2004. Oxford University Press, Oxford, pp. 179-202. ISBN 9780199574797

Marman, D. T. (2017) Empowering communities through theatre: an applied theatre model for Botswana. PhD thesis, University of Reading.

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2017) Beckett at the Young Vic. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 243-255. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902003

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2017) Staging Beckett: a production history of Samuel Beckett’s drama in London (1955 – 2010). PhD thesis, University of Reading.

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902012