No river: a prosthetic flashback
O'Brien, A. Full text not archived in this repository. It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing. Official URL: https://doi.org/10.16995/intransition.16387 Abstract/SummaryThis video essay responds to moments in The Killing of a Chinese Bookie (1976) in which the protagonist invokes memories of a river. It does so by way of the ‘prosthetic flashback,’ a videographic technique whereby the critic includes extratextual footage which performs a character’s memory image. The work has two key goals: to critically respond to the distinctive anthropocentrism of Cassavetes’s cinema by expanding on fleeting and uncharacteristic (but significant) instances of pathetic fallacy; and to model the affordances of the prosthetic flashback.
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