Panaméricas Utópicas: entranced and transient nations in 'I Am Cuba' and 'Land in Trance'Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2009) Panaméricas Utópicas: entranced and transient nations in 'I Am Cuba' and 'Land in Trance'. In: Gladston, P. (ed.) China and other spaces. Critical, Cultural and Communications Press, Nottingham, pp. 71-87. ISBN 9781905510221 Full text not archived in this repository. It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing. Abstract/SummaryThis Chapter looks at two political films, Land in Trance (Glauber Rocha, 1967) and I Am Cuba (Mikhail Kalatozov, 1964), which address the subject of the nation through the enactment of trance. Rejecting all forms of naturalistic account, both films adopt a series of anti-realist devices, such as poetic language, synecdoche, personification, parable and allegory, as a means of expanding the concept of the nation beyond territorial borders and conveying the meaning of revolution through the film form rather than its content.
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