Formal writing, artist typefaces, and bread-and-butter type (part 2)
Burke, C. Full text not archived in this repository. It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing. Abstract/SummaryThe final part of this two-part essay on German type design in the first half of the twentieth century examines how quirky 'artist typefaces' gave way to more self-effacing letterforms, and considers the importance of calligraphy for Jan Tschichold.
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