Gendering welfare: acts of reproductive labour in applied performance practiceBartley, S. (2019) Gendering welfare: acts of reproductive labour in applied performance practice. Contemporary Theatre Review, 29 (3). pp. 305-319. ISSN 1477-2264
It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing. To link to this item DOI: 10.1080/10486801.2019.1615901
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1 The Fawcett Society, ‘The Impact of Austerity on Women’, The Fawcett Society Policy Briefing: March 2012, March 7, 2012, http://www.fawcettsociety.org.uk/wp-content/uploads/2013/02/The-Impact-of-Austerity-on-Women-19th-March-2012.pdf (accessed July 20, 2016).
2 Women’s Budget Group, ‘The Impact on Women of the 2016 Budget: Women Paying for the Chancellor’s Tax Cuts’, Women’s Budget Group, 2016, http://wbg.org.uk/wp-content/uploads/2016/03/WBG_2016Budget_Response_PDF.pdf (accessed July 20, 2016).
3 The Fawcett Society, ‘The Impact of Austerity on Women’, 7.
4 Women’s Budget Group, ‘The Impact on Women of the 2016 Budget’, 11.
5 Feminist Fightback, ‘Cuts are a Feminist Issue’, Soundings 49 (2011): 73–83, (77).
6 National Portfolio Application, Clean Break, 2014, unpublished Freedom of Information Request, 3.
7 See: Alywyn Walsh, ‘Staging Women in Prisons: Clean Break Theatre Company’s Dramaturgy of the Cage’, Crime, Media, Culture: An International Journal 12, no. 3 (2016): 309–26; ‘(En)gendering Habitus: Women, Prison, Resistance’, Contemporary Theatre Review 24, no. 1 (2014): 40–52; and Caoimhe McAvinchey, Clean Break (London: Bloomsbury, forthcoming).
8 Clean Break, ‘About Spent’, Clean Break, http://www.cleanbreak.org.uk/productions/spent (accessed June 15, 2016).
9 Lydia chose not to be credited under her full name and so I am not reproducing it here.
10 Clean Break, National Portfolio Application, 3.
11 See Diane Sainsbury, ed., Gender and Welfare State Regimes, (Oxford: Oxford University Press, 1999); Thomas Boje and Arnlaug Leira, eds., Gender, Welfare State and the Market: Towards a New Division of Labour, (London: Routledge, 2000); and Gillian Pascall, Gender Equality in the Welfare State? (Bristol: Policy Press, 2012).
12 Diane Sainsbury, Gendering Welfare States (London: Sage, 1994), 2.
13 Women’s Budget Group, ‘The Impact on Women of the 2016 Budget’, 3.
14 See Elizabeth Wilson, Women and the Welfare State (London: Tavistock, 1977); and Hilary Land, ‘The Family Wage’, Feminist Review, no. 6 (1980): 55–78.
15 ‘The Social Insurance and Allied Services Report’ produced by William Beveridge and now commonly known as the Beveridge report.
16 For those unable to pay into the contributions system, The National Assistance Act 1948 was introduced to replace the Elizabethan Poor Law 1601. This act sought ‘to make further provision for the welfare of disabled, sick, aged and other persons’ and provide accommodation and assistance to those that were deemed destitute.
17 The Equal Pay Act 1970 legislated for equity between genders in regards to pay and employment conditions. More recently the New Labour government’s introduction of the National Minimum Wage increased maternity rights and Universal Child Benefit. Additionally, European policies around gender equality have been influential in challenging gender disparity in the UK.
18 The Fawcett Society, 30.
19 National Council for Voluntary Organisations, ‘Cultural Comissioning Programme’, NCVO, https://www.ncvo.org.uk/practical-support/information/public-services/cultural-commissioning-programme (accessed January 17, 2018).
20 James Thompson, ‘Towards an Aesthetics of Care’, RIDE: The Journal of Applied Theatre and Performance 24, no. 4 (2015): 430–41 (437).
21 Ibid., 438.
22 See, for example, Caoimhe McAvinchey, ed., Performance and Community: Case Studies, (London: Bloomsbury, 2013); Helen Nicholson, Applied Drama The Gift of Theatre (Basingstoke: Palgrave Macmillan, 2005); and Petra Kuppers, Community Performance: An Introduction (Oxon: Routledge, 2007).
23 Carol Gilligan, Joining the Resistance (Cambridge: Polity, 2011), 23.
24 Waslin, unpublished interview.
25 Anna Herrmann, email exchange with the author, March 15, 2018.
26 ‘CLINKS MEMBER’S NEWS: Using the Arts to Support Women’, Clinks, January 22, 2016, http://www.clinks.org/clinks-light-lunch-issue-422-22nd-january-2016#memnews4 (accessed December 20, 2016).
27 Nicholas Ridout, Stage Fright, Animals and Other Theatrical Problems (Cambridge: Cambridge University Press, 2006), 6.
28 Joan Tronto, Caring Democracy: Markets, Equality, and Justice (New York: New York University Press, 2013), 55.
29 Waslin, unpublished interview.
30 See Selma James, Sex, Race and Class, The Perspective of Winning: A Selection of Writings 1952–2011 (Oakland: PM Press, 2012); Mariarosa Dalla Costa, Family, Welfare, and the State: Between Progressivism and the New Deal (Edinburgh: Common Notions, [1983] 2015); and Leopoldina Fortunati, The Arcane of Reproduction: Housework, Prositution, Labour and Capital (Brooklyn: Automedia, 1995).
31 Silvia Federici, Revolution at Point Zero: Housework, Reproduction, and Feminist Struggle (Oakland: PM Press, 2012), 96.
32 Katherine Chandler, unpublished Spent script, 2016. Kindly provided by Clean Break.
33 Ibid.
34 Ibid.
35 Karl Marx, Capital, Volume 1: A Critique of Political Economy, trans. Samuel Moore and Edward Aveling (New York: Dover Publications, [1908] 2011), 158.
36 Tracy Shildrick et al., Are ‘Cultures of Worklessness’ Passed Down the Generations? (London: Joseph Rowntree Foundation, December 2012).
37 Marx, 92.
38 Chandler, Spent.
39 Anna Taylor and Rachel Loopstra, Too Poor To Eat: Food Insecurity in The UK (London: The Food Foundation, 2016), 1.
40 Graham Whitham, Child Poverty in 2012: It Shouldn’t Happen Here (London: Save the Children, 2012), 8.
41 Tronto, Caring Democracy, 174–5.
42 Federici, Revolution at Point Zero, 92–3.
43 Emma Waslin, Unpublished interview with the author, London, September 2016.
44 Clean Break, Spent Budget, unpublished Freedom of Information Request, 2016.
45 Waslin, interview with author.
46 Ibid.
47 Department for Work and Pensions, ‘Jobseekers Allowance: Elligibility’, gov.uk, https://www.gov.uk/jobseekers-allowance/eligibility (accessed November 1, 2018).
48 Thompson, ‘Towards an Aesthetics of Care’, 430–41, (438).
49 Gus Tyler in Kathi Weeks, The Problem with Work: Feminism, Marxism, Antiwork Politics, and Postwork Imaginaries (Durham: Duke University Press, 2011).
50 Clean Break, ‘2013–2014 Management Accounts’, unpublished Freedom of Information request, 2016.
51 Clean Break, ‘Clean Break Programme 2012–15’, unpublished Freedom of Information request, 2016, 7.
52 Clean Break, ‘Annual Report 2014–2015’, 10. http://beta.charitycommission.gov.uk/charity-details/?regid=1017560&subid=0 (accessed June 15, 2016).
53 Ibid.
54 Women’s Resource Centre, ‘Women-only services: Making the Case’ (London: WRC, 2011), 2–3.
55 Clean Break, ‘Annual Report 2014–2015’.
56 Other major funders of Clean Break include: Big Lottery, City & Islington, Esmée Fairbairn Foundation, and John Lyons Charity.
57 Adrian Harvey, Funding Arts and Culture in a Time of Austerity (London: Arts Council England, 2016), 9–10, http://www.artscouncil.org.uk/sites/default/files/download-file/Funding%20Arts%20and%20Culture%20in%20a%20time%20of%20Austerity%20(Adrian%20Harvey.pdf) (accessed April 15, 2016].
58 ‘Troubled Arts Venues get £14m Arts Council Bail-out’, BBC News, May 28, 2014, http://www.bbc.co.uk/news/entertainment-arts-27518118 (accessed March 20, 2017).
59 Ibid.
60 Feminist Fightback, ‘Cuts are a Feminist Issue’, 78. University Staff: Request a correction | Centaur Editors: Update this record |