Temporality and statuesque women in George Eliot
Marshall, G.
It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing. To link to this item DOI: 10.16995/ntn.1937 Abstract/SummaryThis article examines George Eliot’s use of references to sculpture and of the sculptural metaphor and argues that this art form is central to her articulation and development of realism in fiction. In assessing sculpture’s links to women, Eliot highlights its temporal as well as its spatial dimensions, and, in so doing, disputes Gotthold Lessing’s analysis of this art form.
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