Twyman, M. (2019) Les étiquettes de prix dans le contexte de la cérémonie de distribution solennelle des prix. In: Les éphémères et l’événement (XVIe-XXIe siècles), 12 Feb 2016, pp. 29-48.

Twyman, M. (2018) Charles Hullmandel’s stones at Kingston Lacy. Journal of the Printing Historical Society (28). pp. 23-74.

Twyman, M. (2018) Giovanni Battista Belzoni’s portrait frontispiece in the various editions of his 'narrative of the operations and recent discoveries… in Egypt and Nubia’. Journal of the Printing Historical Society, 3 (29).

Twyman, M., (2018) Hand-colouring or chromolithography: the pros and cons. Bourgery & Jacob (Dissection d’un atlas anatomique du XIXe siècle)

Twyman, M., ed. (2016) John Philips's lithographic notebook. Printing Historical Society, London, pp104.

Twyman, M. and Arbury, J. (2014) The plates of the Herefordshire Pomona. In: Graves Bull, H. and Hogg, R. (eds.) The Herefordshire Pomona. The Folio Society, London, xi-xvi. (containing figures and descriptions of the most esteemed kinds of apples and pears)

Twyman, M. (2013) A history of chromolithography: printed colour for all. British Library, London, pp728. ISBN 9780712357104

Twyman, M. L. (2010) Production: from chromolithography to photolithography. In: Edelstein, T. J. (ed.) Art for all: British posters for transport. Yale Center for British Art . Yale University Press, pp. 43-65. ISBN 9780300152975

Twyman, M. (2009) La notion d'imprimés éphémères: comparaison des approches anglo-saxonnes et françaises. In: Mois du patrimoine écrit 2004, 23 - 24 septembre 2004, Chambéry, pp. 25-43.

Twyman, M. (2009) Lear and lithography. In: Nugent, C. (ed.) Edward Lear the landscape artist: tours of Ireland and the English Lakes, 1835 & 1836. The Wordsworth Trust, Grasmere, pp. 11-29. ISBN 9781905256389

Twyman, M. (2009) Printed ephemera. In: Suarez, M. F. and Turner, M. L. (eds.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 66-82. ISBN 9780521810173 doi: https://doi.org/10.1017/CHOL9780521810173.004

Twyman, M. (2009) The illustration revolution. In: McKitterick, D. (ed.) The Cambridge history of the book in Britain. Cambridge University Press, Cambridge, pp. 117-143. ISBN 9780521866248 doi: https://doi.org/10.1017/CHOL9780521866248.004

Twyman, M. (2008) The long-term significance of printed ephemera. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 9 (1). pp. 19-57. ISSN 2150-668X

Twyman, M. (2007) L'imprimerie: histoire et techniques. ENS Éditions / Institut d’histoire du livre / Les amis du Musée de l’imprimerie, Lyon, pp118. ISBN 9782847881035

Twyman, M. (2007) Images en couleurs: Godefroy Engelmann et Charles Hullmandel et les débuts de la chromolithographie. Panama Musées and Musée de l'imprimerie, Paris and Lyon, pp128.

Twyman, M. (2006) Barnett Freedman: master lithographer. In: Rogerson, I. (ed.) Barnett Freedman the graphic art. Fleece Press, Huddersfield, pp. 192-226.

Twyman, M. (2006) Review of J. Last, the color explosion: nineteenth-century American lithography. The Ephemerist, 10. pp. 19-24.

Twyman, M. (2004) Further thoughts on a schema for describing graphic language. In: 1st International Conference on Typography and Visual Communication, 26th - 30th June 2002, University of Macedonia, Thessaloniki, Greece .

Twyman, M. (2004) Prize labels and the 'Distribution solennelle des Prix'. The Ephemerist. pp. 2-6.

May, A. and Twyman, M. (2004) Reconstructing a Senefelder pole press. Journal of the Printing Historical Society, 7 (new ser. pp. 5-21.

Twyman, M. (2003) Chromolithography: the European legacy. The Ephemera Journal, X. pp. 2-23.