Number of items: 6.
B
Bignell, J.
ORCID: https://orcid.org/0000-0003-4874-1601
(2021)
Beckett and television: anachronism as innovation.
In: Kiryushina, G., Adar, E. and Nixon, M.
ORCID: https://orcid.org/0000-0002-3730-1785 (eds.)
Samuel Beckett and Technology.
Edinburgh University Press, Edinburgh.
ISBN 9781474463287
K
Kiryushina, G.
ORCID: https://orcid.org/0000-0002-3730-1785 and Nixon, M.
ORCID: https://orcid.org/0000-0002-3730-1785
(2021)
Samuel Beckett's 'The North'.
Journal of Beckett Studies, 30 (2).
pp. 188-204.
ISSN 0309-5207
doi: https://doi.org/10.3366/jobs.2021.0340
Kiryushina, G., Adar, E. and Nixon, M.
ORCID: https://orcid.org/0000-0002-3730-1785, eds.
(2021)
Samuel Beckett and technology.
Edinburgh University Press, Edinburgh, pp288.
ISBN 9781474463287
M
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746
(2021)
Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works.
Cambridge University Press, Cambridge, pp67.
ISBN 9781108959056
doi: https://doi.org/10.1017/9781108938990
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746
(2021)
Technology and the voices of the more than human in Samuel Beckett’s All That Fall.
In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.)
Beckett's Voices / Voicing Beckett.
Brill, Netherlands, pp. 158-174.
ISBN 9789004468399
doi: https://doi.org/10.1163/9789004468382_013
T
Thomson, S.
(2021)
Whatever: Giorgio Agamben's gender trouble.
Textual Practice, 35 (5).
pp. 787-807.
ISSN 0950-236X
doi: https://doi.org/10.1080/0950236X.2020.1731585
This list was generated on Fri Aug 16 20:54:57 2024 UTC.