Article

Kiryushina, G. ORCID: https://orcid.org/0000-0002-3730-1785 and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2021) Samuel Beckett's 'The North'. Journal of Beckett Studies, 30 (2). pp. 188-204. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2021.0340

Thomson, S. ORCID: https://orcid.org/0000-0003-2698-3458 (2021) Whatever: Giorgio Agamben's gender trouble. Textual Practice, 35 (5). pp. 787-807. ISSN ‎0950-236X doi: https://doi.org/10.1080/0950236X.2020.1731585

Book or Report Section

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013

Book

Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2021) Samuel Beckett and technology. Edinburgh University Press, Edinburgh, pp288. ISBN 9781474463287

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990