Article

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Agnès Varda and Xavier Dolan – between politics, the art house and popular culture. French Screen Studies, 22 (4). pp. 345-351. ISSN 2643-895X doi: https://doi.org/10.1080/26438941.2021.1948172

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Backdating the Crip Technoscience Manifesto: Stephen Dwoskin’s digital activism. Film Quarterly, 76 (2). pp. 16-24. ISSN 1533-8630 doi: https://doi.org/10.1525/fq.2022.76.2.16

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Curating the Godardian institution: agency and critique in film and contemporary art. Screen, 62 (4). pp. 484-511. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/hjab051

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) Dwoskin: disability, diaspora, dysphoria. Jewish Film and New Media, 10 (2). ISSN 2169-0332 doi: https://doi.org/10.1353/jfn.2022.a914337

Chamarette, J. ORCID: https://orcid.org/0000-0003-0701-1514 (2022) ‘A long meandering slide’: feminist critique, genderqueerness, sexual agency and Crip subjectivity in Stephen Dwoskin’s late works. MIRAJ: Moving Image Review & Art Journal, 11 (1). pp. 10-33. ISSN 2045-6298 doi: https://doi.org/10.1386/miraj_00081_1

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150 (2022) The suburban trilogy: Abigail Child's cake and stake. Found Footage Magazine (8). pp. 35-37. ISSN 2462-2885

Book or Report Section

Sandhu, K. (2022) Shifting perspectives: the space, the work and the body. In: Untitled (1956) - Red, Green and Yellow - Gone Fishing. Flat Time House and Roberts Institute of Art.

Book

Roithmayr, F. (2022) waves. Daedalus Street Athens, Athens, Greece, pp128. ISBN 9781527270799

Sandhu, K. (2022) Poetic fragments from the irritating archive. Guillemot Press. ISBN 9781913749255

Thesis

Mullaney, M. (2022) The missing mother: how can art works of and on maternity transcend their own audience? PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00115540

Roh, J. Y. (2022) A study on the changes of everyday space as a worker in the city: focusing on the drawing series [Li:ving] London. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00113187

Artefact

Sandhu, K. (2022) Elmer's One-Day Project. [Artefact]

Show/Exhibition

Bennett, B. (2022) Nation's Finest, Putting Down Roots and Birthing. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, 571 Oxford Gallery, Reading. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Artists for Ukraine, exhibition, St. Andrews Church, Farnham, UK. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2022) Ukraine relief. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Cubitt30. [Show/Exhibition]

Frearson, A. ORCID: https://orcid.org/0000-0001-5223-7972 (2022) Frankenstein economy. [Show/Exhibition]

Garfield, R. ORCID: https://orcid.org/0000-0003-4747-4150, Kollectiv, P. and Kollectiv, G. (2022) Do they owe us a living? [Show/Exhibition]

Russell, J. (2022) CAVAPOOL. [Show/Exhibition]

Russell, J. (2022) Catechism. [Show/Exhibition]

Russell, J., Bedwell, S. and Thomson, M. (2022) Status Quo. [Show/Exhibition]

Russell, J., Mitchell, D. and Audeoud, F. (2022) Les Trois Mouseketeers – Tout Pour Rien: Fabien Audeoud, Dan Mitchell, John Russell. [Show/Exhibition]

Sandhu, K. (2022) From 'Gestalt!'. [Show/Exhibition]

Sandhu, K. (2022) From 'Poetic fragments from the irritating archive'. [Show/Exhibition]

Performance

Sandhu, K. (2022) From 'Poetic fragments from the irritating archive'. [Performance]