Number of items at this level: 9.
Article
    Cocks, N.
  
(2023)
"…pure existence, without sense…":  Joan Copjec, Hitchcock’s Rebecca, and reading the real.
    Textual Practice.
    
         pp. 1-19.
      
     ISSN 1470-1308
  
doi: 10.1080/0950236X.2023.2214122
  
    Cox-Stanton, T. and Gibbs, J.  ORCID: https://orcid.org/0000-0003-0876-1798
  
(2021)
Audiovisual scholarship and experiments in non-linear film history.
    The Cine-Files (15).
    
        
      
     ISSN 2156-9096
ORCID: https://orcid.org/0000-0003-0876-1798
  
(2021)
Audiovisual scholarship and experiments in non-linear film history.
    The Cine-Files (15).
    
        
      
     ISSN 2156-9096
  
  
    Donaldson, L. F., Gibbs, J.  ORCID: https://orcid.org/0000-0003-0876-1798, Purse, L., Pye, D. and Shambu, G.
  
(2022)
Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism.
    Movie: a journal of film criticism (10).
    
         pp. 116-136.
      
     ISSN 2047-1661
ORCID: https://orcid.org/0000-0003-0876-1798, Purse, L., Pye, D. and Shambu, G.
  
(2022)
Roundtable: Movie: a journal of film criticism and the past, present, and future of film criticism.
    Movie: a journal of film criticism (10).
    
         pp. 116-136.
      
     ISSN 2047-1661
  
  
    Gibbs, J.  ORCID: https://orcid.org/0000-0003-0876-1798
  
(2025)
Backlot connections.
    Research in Film and History.
    
         pp. 1-14.
      
     ISSN 2627-5848
ORCID: https://orcid.org/0000-0003-0876-1798
  
(2025)
Backlot connections.
    Research in Film and History.
    
         pp. 1-14.
      
     ISSN 2627-5848
  
  
    Gibbs, J.  ORCID: https://orcid.org/0000-0003-0876-1798
  
(2023)
Creative geography, creative connections: Candyman.
    Movie: a journal of film criticism, 11.
    
         pp. 19-21.
      
     ISSN 2047-1661
ORCID: https://orcid.org/0000-0003-0876-1798
  
(2023)
Creative geography, creative connections: Candyman.
    Movie: a journal of film criticism, 11.
    
         pp. 19-21.
      
     ISSN 2047-1661
  
  
    Gibbs, J.  ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D.
  
(2025)
The Miracle of Morgan’s Creek (1944): 
three perspectives on Preston Sturges and the Production Code.
    Quarterly Review of Film and Video, 42 (1).
    
         pp. 157-184.
      
     ISSN 1543-5326
  
doi: 10.1080/10509208.2024.2410530
  
	(Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)
ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D.
  
(2025)
The Miracle of Morgan’s Creek (1944): 
three perspectives on Preston Sturges and the Production Code.
    Quarterly Review of Film and Video, 42 (1).
    
         pp. 157-184.
      
     ISSN 1543-5326
  
doi: 10.1080/10509208.2024.2410530
  
	(Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)	
Book or Report Section
    Ghosh, S.
  
(2021)
The disability and film-making community in film practice-as-research: the case of we make film.
    
      In: Ullah, F., Monteiro, A. and Jayasankar, K. P. (eds.) 
      Many Voices, Many Worlds : Critical Perspectives on Community Media in India.
    
    
    SAGE Publications India Pvt. Ltd., pp. 143-156.
     ISBN 9789391138479
  
  
    Purse, L.
  
(2017)
Confronting the impossibility of impossible bodies: Tom Cruise and the ageing male action hero movie.
    
      In: Yu, S. Q. and Austin, G. (eds.) 
      Revisiting Star Studies: Cultures, Themes and Methods.
    
    
    Edinburgh University Press, Edinburgh, pp. 162-184, 320 pages.
     ISBN 9781474404310
  
  
Show/Exhibition
    Gibbs, J.  ORCID: https://orcid.org/0000-0003-0876-1798
  
(2025)
To See You (is to love you): Novak variations.
    [Show/Exhibition]
ORCID: https://orcid.org/0000-0003-0876-1798
  
(2025)
To See You (is to love you): Novak variations.
    [Show/Exhibition]
  
  
This list was generated on Fri Oct 31 20:55:21 2025 UTC.