Accessibility navigation

Beckett’s theatre: embodying alterity

McMullan, A. (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

Full text not archived in this repository.


An analysis of the ways in which Samuel becket's plays erode the boundaries of identity with particular reference to Eleutheria, Waiting for Godot and selected later plays.

Item Type:Book or Report Section
Divisions:Faculty of Arts, Humanities and Social Science > Beckett studies
Faculty of Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
ID Code:24994
Publisher:Oxford University Press

University Staff: Request a correction | Centaur Editors: Update this record

Page navigation