2025

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2025) Beckett and televisual ecosystems: dramas of the vast wasteland. In: Johnson, N. E., McTighe, T. and Thobois-Gupta, C. (eds.) Samuel Beckett and Ecology. Bloomsbury, London. ISBN 9781350366022 (In Press)

2024

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Samuel Beckett’s television plays. In: Bennett, M. Y. (ed.) The Routledge Companion to Absurdist Literature. Routledge Literature Companions. Routledge, London. ISBN 9781032188126

Carville, C. (2024) “Abiding there unliving” death and bare life in The unnamable. Samuel Beckett Today / Aujourd'hui. ISSN 0927-3131 (In Press)

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2024) Beckett and Cioran. Cambridge Elements in Beckett Studies. Cambridge University Press, Cambridge UK, pp90. (In Press)

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2024) Samuel Beckett and music. In: The Oxford Handbook of Samuel Beckett Studies. Oxford University Press. (In Press)

2022

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Screen and stage space in Beckett’s theatre plays on television. In: Wrigley, A. and Wyver, J. (eds.) Screen Plays: Theatre Plays on British Television. Manchester University Press, Manchester, pp. 226-245. ISBN 9780719097928

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2022) Barthes, Beckett and the theatre: three dialogues. Paragraph, 45 (2). pp. 172-186. ISSN 0264-8334 doi: https://doi.org/10.3366/para.2022.0395

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2022) 'The missing poème: Beckett's fêtes galantes'. In: Brophy, J. and Davies, W. (eds.) Samuel Beckett's Poetry. Cambridge University Press, pp. 115-125. ISBN 9781009222563 doi: https://doi.org/10.1017/9781009222563.009

Rapcsak, B., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, P., eds. (2022) Beckett and media. Manchester University Press, pp248. ISBN 9781526145833 doi: https://doi.org/10.7765/9781526145840

2021

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287

Kiryushina, G. ORCID: https://orcid.org/0000-0002-3730-1785 and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2021) Samuel Beckett's 'The North'. Journal of Beckett Studies, 30 (2). pp. 188-204. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2021.0340

Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2021) Samuel Beckett and technology. Edinburgh University Press, Edinburgh, pp288. ISBN 9781474463287

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013

Thomson, S. (2021) Whatever: Giorgio Agamben's gender trouble. Textual Practice, 35 (5). pp. 787-807. ISSN ‎0950-236X doi: https://doi.org/10.1080/0950236X.2020.1731585

2020

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas. In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.) Influencing Beckett / Beckett Influencing. Collection Karoli. L'Harmattan, Budapest & Paris, pp. 61-74. ISBN 9782343219110

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Specially for television? Eh Joe, intermediality and Beckett’s drama. Samuel Beckett Today/Aujourd’hui, 32 (1). pp. 41-54. ISSN 1875-7405 doi: https://doi.org/10.1163/18757405-03201004

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) When Beckett on Film migrated to television. Књижевна историја (Literary History), 51 (169). pp. 97-108. ISSN 0350-6428 doi: https://doi.org/10.18485/kis.2019.51.169.5

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314

Davies, W. (2020) 'Crawling in the Flanders mud': Samuel Beckett, war writing and scatological pacifism. Journal of War and Culture Studies, 13 (2). pp. 145-162. ISSN 1752-6280 doi: https://doi.org/10.1080/17526272.2019.1644273

Davies, W. (2020) Samuel Beckett's trilogy and the revolution of the body in Vichy France. Twentieth-Century Literature, 66 (1). pp. 11-36. ISSN 0041-462X doi: https://doi.org/10.1215/0041462X-8196685

Gosteva, E. (2020) Metaphysical Comedy: Samuel Beckett and Fyodor Dostoevsky. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00093437

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 and Feldman, M., eds. (2020) Samuel Beckett's Philosophy Notes. Oxford University Press, Oxford.

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2020) ‘The air is full of our cries’: staging Godot during apartheid South Africa. In: Beckett and Politics. Palgrave MacMillan, pp. 195-211. ISBN 9783030471095 doi: https://doi.org/10.1007/978-3-030-47110-1

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2020) Samuel Beckett and intermedial performance: passing between. Samuel Beckett Today / Aujourd'hui, 32 (1). pp. 71-85. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03201006

McTighe, T., Morin, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2020) Beckett and Intermediality / Beckett, artiste intérmedial. Samuel Beckett Today / Aujourd'hui, 32 (1). Brill, Leiden.

2019

Davies, W. (2019) “Occasional extinction or more likely occultation”: form and source in “Long Observation of the Ray”. Samuel Beckett Today/Aujourd'hui, 31 (1). pp. 82-97. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03101007

Little, J., Nugent-Folan, G., Morin, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2019) Draff / Résidu. Samuel Beckett Today / Aujourd'hui, 31 (1). Brill | Rodopi, Leiden, The Netherlands, pp181.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2019) "All the variants". In: Rabaté, J.-M. (ed.) The New Samuel Beckett Studies. Cambridge University Press, Cambridge, pp. 36-47. ISBN 9781108559331 doi: https://doi.org/10.1017/9781108559331.003

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2019) Samuel Beckett: la traduction en anglais de 'Textes pour rien'. In: Brown, L. (ed.) Textes pour rien / Texts for Nothing de Samuel Beckett: Le corps de la voix impossible. Lettres Modernes Minard, Paris, pp. 55-66. ISBN 9782406081425 doi: https://doi.org/10.15122/isbn.978-2-406-08143-2.p.0055

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2019) 'never neglect the little things in life': Beckett and the Everyday. Journal of Beckett Studies, 28 (1). Edinburgh University Press.

2018

Carville, C. (2018) Samuel Beckett and the visual. Cambridge University Press, Cambridge. ISBN 9781108422772

Maude, U. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2018) The Bloomsbury companion to modernist literature. Bloomsbury, pp560. ISBN 9781780936413

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Saunders, G., eds. (2018) Special issue on staging Beckett and contemporary theatre and performance cultures. Contemporary Theatre Review, 28 (1). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2017.1405393

2017

Davies, W. (2017) “Home and visiting temperaments”: Beckett’s diasporic encounters. In: Bariselli, M. ORCID: https://orcid.org/0000-0002-6901-8298, Bowe, N. M. and Davies, W. (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 55-76. ISBN 9781443896306

Davies, W. (2017) Introduction: Samuel Beckett and the question of Europe. In: Bariselli, M. ORCID: https://orcid.org/0000-0002-6901-8298, Bowe, N. M. and Davies, W. (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 1-14. ISBN 9781443896306

Davies, W. (2017) A text become provisional: revisiting the capital of the ruins. Journal of Beckett Studies, 26 (2). pp. 169-187. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2017.0201

Davies, W., Bariselli, M. ORCID: https://orcid.org/0000-0002-6901-8298 and Bowe, N. M., eds. (2017) Samuel Beckett and Europe: history, culture, tradition. Cambridge Scholars. ISBN 9781443896306

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2017) Meditations and monologues: Beckett’s mid-late prose on the radio. In: Addyman, D., Feldman, M. and Tonning, E. (eds.) Samuel Beckett and BBC Radio. Palgrave, Basingstoke and London, pp. 249-267. ISBN 9781349951307 doi: https://doi.org/10.1057/978-1-137-54265-6_12

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902012

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Pattie, D. (2017) Introduction: staging Beckett at the margins. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 227-230. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902001

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, Pattie, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Séguier (transl.), J. (2017) Chronologie du voyage de Samuel Beckett en Allegmagne (28 Septembre 1936 - 2 Avril 1937). In: Brown, L. (ed.) La Violence dans l'oeuvre de Samuel Beckett. Série Samuel Beckett (4). Lettres Modernes Minard, Paris, pp. 313-345. ISBN 9782812450228

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (2017) German fever: Beckett in Deutschland. Marbacher Magazine, 158/159. Deutsche Schillergesellschaft, Marbach am Neckar, pp247. ISBN 9783944469300

2016

Antonielli, A. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2016) Edwin John Ellis’s and William Butler Yeats’s "The Works of William Blake: Poetic, Symbolic and Critical"; a manuscript edition, with critical analysis. Firenze University Press, pp762. ISBN 978864533407

Carville, C. (2016) Murphy's thanatopolitics. The Irish Review, 53. pp. 74-88. ISSN 0790-7850

Hulle, D. V., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Neyt, V., eds. (2016) Samuel Beckett's digital library. Beckett Digital Manuscript Project

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2016) Feckham, Peckham, Fulham, Clapham…Hammersmith: Beckett at Riverside Studios. In: Tucker, D. and McTighe, T. (eds.) Staging Beckett in Great Britain. Bloomsbury, Methuen Drama, London, pp. 37-55. ISBN 9781474240178

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2016) Staging Beckett in Ireland: scenographic remains. In: McTighe, T. and Tucker, D. (eds.) Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London, pp. 103-119. ISBN 9781474240550

2015

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2015) Performing right: legal constraints and Beckett’s plays on BBC television. Samuel Beckett Today / Aujourd'hui, 27. 129- 142. ISSN 0927-3131 doi: https://doi.org/10.1163/9789004309937_011

Carville, C. (2015) Beckett beyond the avant-garde: the case of “Casket of Pralinen for a daughter of a dissipated Mandarin". In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Pilling, J. (eds.) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading. ISBN 9780704915343

Carville, C. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2015) 'Beginning of the murmur': archival pre-texts and other sources. Samuel Beckett Today / Aujourd'hui, 27. Brill / Rodopi, Leiden. ISBN 9789004309913

Hulle, D. V. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2015) My Texts are in a Terrible Mess. Journal of Beckett Studies, 24 (1). Edinburgh University Press, Edinburgh, pp161.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Postman and scholar: James Knowlson's friendship with Samuel Beckett. In: On in their company - Essays on Beckett, with Tributes and Sketches; Presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp. 17-23. ISBN 9780704915343

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Ruptures of the visual: Beckett as critic and poet. In: Van Hulle, D. (ed.) The New Cambridge Companion to Samuel Beckett. 2nd edition. Cambridge Companions to Literature. Cambridge University Press, pp. 73-88. ISBN 9781107075191

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Pilling, J., eds. (2015) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp254. ISBN 9780704915343

Tucker, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Toward a scholarly edition of Beckett's critical writings. Journal of Beckett Studies, 24 (1). pp. 49-56. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2015.0119

2014

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2014) Designing Beckett: Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics. In: Gontarski, S. E. (ed.) The Edinburgh companion to Samuel Beckett and the arts. Edinburgh University Press, Edinburgh, pp. 409-422. ISBN 9780748675685

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2014) Historical legacies and unhomely cultural memories in Brian Friel’s The home place. Nordic Irish Studies, 13 (1). pp. 189-203. ISSN 1602-124X

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and McTighe, T. (2014) Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history. Breac: A Digital Journal of Irish Studies, July. ISSN 2372-2231

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, McTighe, T., Pattie, D. and Tucker, D. (2014) Staging Beckett: constructing histories of performance. Journal of Beckett Studies, 23 (1). pp. 11-33. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0084

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2014) Beckett's unpublished canon. In: Gontarski, S.E. (ed.) The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh University Press, Edinburgh, pp. 282-305. ISBN 9780748675685

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2014) 'Echo's Bones' by Samuel Beckett. Faber & Faber, London, pp128. ISBN 9780571246380

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2014) Samuel Beckett: Echo's Bones. Grove Press, New York, pp128. ISBN 9780802120458

Tucker, D., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2014) Revisiting Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable. Samuel Beckett Today / Aujourd'hui, 26. Rodopi, Amsterdam, pp316. ISBN 9789042038806

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2014) Performance and Beckett's Bare room. Journal of Beckett Studies, 23 (1). v-xi. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0082

2013

Bryden, M., ed. (2013) Beckett and animals. Cambridge University Press. ISBN 9781107019607

Bryden, M. (2013) The Beckettian bestiary. In: Bryden, M. (ed.) Beckett and animals. Cambridge University Press, Cambridge, pp. 40-58. ISBN 9781107019607

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2013) T.S. Eliot and early modern literature. Oxford University Press, Oxford , pp240. ISBN 9780199574773

McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355

McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Beckett liest deutsche Literatur 1945-1989: Eine Übersicht. In: Wilm, J. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett und die deutsche Literatur. transcript verlag, pp. 19-31. ISBN 9783837620672

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Germany: circa 1936-1937. In: Uhlmann, A. (ed.) Beckett in Context. Literature in context. Cambridge University Press, Cambridge / New York, pp. 99-108. ISBN 9781107017030

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett Németországban, 1936-37 – felvilágosítók és hályogkovácsok – Bevezetés Beckett Német naplóihoz’ [translation by Török Gabor]. Nagyvilág, 58 (5). pp. 522-531.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett: video artist. In: Fifield, P. and Addyman, D. (eds.) Samuel Beckett: Debts and legacies: New critical essays. Bloomsbury Methuen, London, pp. 177-190. ISBN 9781408184523

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett's library. Cambridge University Press, pp342. ISBN 9781107001268

Wilm, J. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2013) Samuel Beckett und die deutsche Literatur. transcript verlag, pp194. ISBN 9783837620672

2012

Carville, C. (2012) The ends of Ireland: history, criticism, subjectivity. Manchester University Press, Manchester, pp272. ISBN 9780719083839

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2012) The books are in the study as before: Samuel Beckett’s Berkeley. In: Feldman, M. and Mamdani, K. (eds.) Beckett / Philosophy. Sophia University Press, Sophia, pp. 162-83. ISBN 9789540733845

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2012) 'Happily melancholy’: pleasure and pain in Early Beckett. In: Tanaka, M. H., Tsushima, M. and Tajiri, Y. (eds.) Samuel Beckett and Pain. Rodopi, Amsterdam, pp. 27-42. ISBN 978904203523

Pilling, J. and Lawlor, S. P., eds. (2012) Collected poems of Samuel Beckett. Faber and Faber, London, pp499. ISBN 9780571249848

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2012) Historisch-krritische genetic crritic! editio, 26 (1). pp. 30-37. ISSN 1865-9446 doi: https://doi.org/10.1515/editio-2012-0004

2011

Carville, C. (2011) Autonomy and the everyday: Beckett, late modernism and post-war visual art. Beckett Today/ Aujourd'hui, 23. pp. 63-80. ISSN 0927-3131 (Filiations & Connexions/Filiations & Connecting Lines)

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2011) The books are in the study as before: Samuel Beckett’s Berkeley. Sofia Philosophical Review, V (I). ISSN 1313-275X

Maude, U. (2011) Beckett and the laws of habit. Modernism/Modernity , 18 (4). pp. 1-9. ISSN 1080-6601

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Beckett's 'Film Vidéo-Cassette projet'. In: Hartel, G. and Glasmeier, G. (eds.) The Eye of Prey: Becketts Film-, Fernseh- und Videoarbeiten: Becketts Fernseh-, Film- und Videoarbeiten. Suhrkamp, Frankfurt am Main, pp. 401-414. ISBN 9783518124604

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Beckett’s manuscripts in the marketplace. Modernism/Modernity, 18 (4). 823 -831. ISSN 1080-6601 doi: https://doi.org/10.1353/mod.2011.0105

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2011) Publishing Samuel Beckett. British Library , pp304. ISBN 9780712358262

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Samuel Beckett’s German diaries 1936-37. Historicizing Modernism . Continuum, pp272. ISBN 9781441152589

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) “a space to note”: Raumästhetik in Becketts Manuskripten. In: Sick , F. (ed.) Raum und Objekt im Werk von Samuel Beckett. transcript verlag, pp. 1-11. ISBN 9783837615159

Pilling, J. (2011) Samuel Beckett’s ‘More Pricks Than Kicks’: in a strait of two wills. Historicizing Modernism. Continuum, London, pp288. ISBN 9781441159472

Pilling, J. and Nash, A. (2011) The 'Shatton and Windup' Affair: Beckett's dealings with the firm of Chatto & Windus, 'Wholesale, Retail and for Exportation'. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (ed.) Publishing Samuel Beckett. The British Library, London, pp. 11-22. ISBN 9780712358262

2010

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, D. (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985

McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Beckett and Germany in the 1930s: the development of a poetics. In: Gontarski , S.E. (ed.) A companion to Samuel Beckett. Wiley-Blackwell, Oxford, UK, pp. 130-142. ISBN 9781405158695

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Beckett back with the Irish. Times Literary Supplement, 23 July 20. ISSN 0307-661X

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Beckett – Frisch – Dürrenmatt. Samuel Beckett Today / Aujourd'hui, 22. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Belacqua revididus: Beckett’s short story 'Echo’s Bones’. Limit(e) Beckett , 1. pp. 92-101. ISSN 2105-1119

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Chronology of Beckett's journey to Germany 1936-1937 (based on the German diaries). Journal of Beckett Studies, 19 (2). pp. 245-272. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2010.0007

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2010) Samuel Beckett: texts for nothing and other shorter prose, 1950-1976. Faber, London. ISBN 9780571244621

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2010) Beckett and Germany. Journal of Beckett Studies, 19 (2). Edinburgh University Press, UK, pp128. ISBN 9780748641390

Pilling, J. (2010) On not being there: going on without in Beckett. In: Caselli, D. (ed.) Beckett and Nothing. Manchester University Press, Manchester, pp. 20-27. ISBN 9780719080197

Pilling, J. and Lawlor, S. P. (2010) Beckett in transition. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (ed.) Publishing Samuel Beckett. British Library, London, pp. 83-96. ISBN 9780712358262

2009

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2009) Beckett on screen: the television plays. Manchester University Press, Manchester, pp230. ISBN 9780719064203

Bryden, M. (2009) Beckett's Proust/Deleuze's Proust. Palgrave MacMillan, Basingstoke, pp272. ISBN 9780230239470

Maude, U. (2009) Beckett, technology and the body. Cambridge University Press, Cambridge, pp222. ISBN 9780521515375

Maude, U. (2009) 'Material of a Strictly Peculiar Order': Beckett, Merleau-Ponty and perception. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, pp. 77-96. ISBN 9780826497147

Maude, U. (2009) 'A Stirring Beyond Coming and Going’: Beckett and Tourette's. Journal of Beckett Studies, 17 (1-2). pp. 153-168. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000119

Maude, U. and Feldman, M., eds. (2009) Beckett and phenomenology. Continuum Literary Studies . Continuum, pp226. ISBN 9780826497147

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Wilmer, S. E., eds. (2009) Reflections on Beckett: a centenary celebration. Theater: theory/text/performance. University of Michigan Press, Ann Arbor, pp256. ISBN 9780472116645

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Beckett publishing/publishing Beckett in the 1930s. Variants, 6. pp. 209-219. ISSN 1573-3084

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Between art-world and life-world: Beckett's 'Dream of Fair to Middling Women'. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, London, pp. 97-108. ISBN 9780826497147

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Between gospel and prohibition: Beckett in Nazi Germany 1936-1937. In: Kennedy, S. and Weiss, K. (eds.) Samuel Beckett: History, Memory, Archive. Palgrave MacMillan, pp. 31-46. ISBN 9780230619449

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) "Infernal streams": Beckett's rivers. Samuel Beckett Today / Aujourd'hui, 20. pp. 33-47. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Samuel Beckett's ‘Film Vidéo-Cassette projet’. Journal of Beckett Studies, 18 (1-2). pp. 32-43. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000259

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Writing myself into the ground. In: Barfield, S., Feldman, M. and Tew, P. (eds.) Beckett and Death. Continuum Literary Studies (2). Continuum, London, pp. 22-30. ISBN 9780826498359

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Hulle, D. V. (2009) Beckett's library: from marginalia to notebooks. In: Guardamagna, D. and Sebellin, R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Rome, pp. 57-74. ISBN 9788842090700

Pilling, J. (2009) Beckett and Italian literature (after Dante). In: Guardamagna , D. and Sebellin , R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Bardi, Italy, pp. 178-191. ISBN 9788842090700

Pilling, J. (2009) Beckett's Letters. Journal of Beckett Studies, 18 (1-2). pp. 178-191. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000351

Pilling, J. (2009) A critique of aesthetic judgment: Beckett’s “Dissonance of Ends and Means". In: Gontarski, S. E. (ed.) A Companion to Beckett. Wiley-Blackwell, Oxford, pp. 63-72. ISBN 9781405158695

Pilling, J. (2009) The uses of enchantment: Beckett and the fairy tale. Samuel Beckett Today / Aujourd'hui, 21. pp. 75-85. ISSN 0927-3131

2008

Bryden, M. (2008) Graley Herren, Samuel Beckett’s plays on film and television. In: Constantinidis, S. (ed.) Text and presentation. McFarland, Jefferson, NC, pp. 211-213. ISBN 9780786443666

Bryden, M. (2008) "The Snowball Act": Beckett's literary pathfinding. Rose des vents/Suiseisha, 22. pp. 68-80.

Bryden, M. (2008) Beckett, Böll, and clowns. Samuel Beckett Today / Aujourd'hui, 19. pp. 157-171. ISSN 0927-3131

Bryden, M. (2008) The mid-century Godot: Beckett and Saroyan. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: revolving it all. Oxford University Press, Oxford, pp. 259-270. ISBN 9780195325485

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2008) History in tatters: bodies and things in Samuel Beckett’s theatre. Etudes Britanniques Contemporaines, 35. pp. 27-37. ISSN 1168-4917

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2008) "Unutterably Faint": Beckett’s late English poetry. Fulcrum: an annual of poetry and aesthetics, 6. pp. 507-521. ISSN 1534-7877

2007

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre. In: Sihra, M. (ed.) Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. Palgrave Macmillan, Basingstoke, pp. 97-108. ISBN 9780230006478

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Mutated bodies: stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, 12 (1). pp. 57-65. ISSN 1469-9990 doi: https://doi.org/10.1080/1352816070138081

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Samuel Beckett’s theatre: liminal subjects and the politics of perception. The Princeton University Library Chronicle, 68 (1/2). pp. 450-464.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Ewangelia i zakaz: Beckett i nazistowskie Niemcy. Kwartalnik Artystyczny, 53 (1). pp. 69-78. ISSN 1232–2105

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Gospel und Verbot: Beckett und Nazi Germany. In: Giesing, M., Hartel, G. and Veit, C. (eds.) Das Raubage in der Stadt: Beckett liest Hamburg. Wallstein Verlag, Göttingen, pp. 69-78. ISBN 9783835301931

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Samuel Beckett and Romanticism in the 1930s. Samuel Beckett Today / Aujourd'hui, 18. pp. 61-76. ISSN 0927-3131 (special issue 'All sturm and no drang')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Solitude(s) and creative fidgets: Beckett reading Rainer Maria Rilke. Litteraria Pragensia, 17 (33). pp. 6-18. ISSN 0862-8424 (special issue 'Samuel Beckett: textual genesis and reception')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) 'Text-void': silent words in Paul Celan and Samuel Beckett. In: Feldman, M. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Beckett’s literary legacies. Cambridge Scholars Publishing, Newcastle, pp. 152-168. ISBN 9781847182814

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) The remains of trace: intra- and intertextual transferences in Beckett’s 'Mirlitonnades' manuscripts. Journal of Beckett Studies, 16 (1 & 2). pp. 121-134. ISSN 1759-7811

Saunders, G. (2007) Reclaiming Sam for Ireland: the Beckett on film project. In: Cave, R. and Levitas, B. (eds.) Irish Theatre in England. Irish Theatrical Diaspora (2). Carysfort Press, Dublin. ISBN 9781904505266

van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) “Holo and unholo”: the Beckett Digital Manuscript Project. Samuel Beckett Today / Aujourd'hui, 18. pp. 313-322. ISSN 0927-3131 (special issue 'All sturm and no drang')

2006

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) 'Guess where': from reading to writing in Beckett. Genetic Joyce Studies, 16. ISSN 2031-9002

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) “Scraps of German”: Samuel Beckett reading German literature. Samuel Beckett Today / Aujourd'hui, 16. pp. 259-282. ISSN 0927-3131 (special issue 'Notes diverse holo[graph]')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) 'Writing': die Bedeutung der Deutschlandreise 1936/37 für Becketts schriftstellerische Entwicklung. In: Dittrich, L., Veit, C. and Wichner, E. (eds.) "Obergeschoss still closed": Samuel Beckett in Berlin 1936/37. Matthes & Seitz, Berlin, pp. 103-122. ISBN 9783882219203

2005

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) How to watch television? Pedagogy and paedocracy in Beckett’s television plays. Samuel Beckett Today / Aujourd'hui, 15. pp. 281-293. ISSN 0927-3131 (Historicising Beckett / Issues of Performance)

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2005) Samuel Beckett’s presence in modern Irish poetry. Yearbook of English Studies, 35. pp. 43-57. ISSN 2222-4289

Saunders, G. (2005) 'A theatre of ruins'. Edward Bond & Samuel Beckett: theatrical antagonists. Studies in Theatre & Performance, 25 (1). pp. 66-77. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.25.1.67/0

2004

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2004) Irish/postcolonial Beckett. In: Oppenheim, L. (ed.) Palgrave Advances in Samuel Beckett Studies. Palgrave Advances. Palgrave Macmillan, pp. 89-109. ISBN 9781403903525

2003

Frost, E. and McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2003) The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon. In: Ben-Zvi, L. (ed.) Drawing on Beckett : portraits, performances, and cultural contexts. Assaph Books. Tel Aviv University, Tel Aviv, pp. 215-238. ISBN 9789659062508

1993

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (1993) Theatre on trial: the later drama of Samuel Beckett. Routledge, London, pp168. ISBN 9780415052023