2025

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2025) Beckett and televisual ecosystems: dramas of the vast wasteland. In: Johnson, N. E., McTighe, T. and Thobois-Gupta, C. (eds.) Samuel Beckett and Ecology. Bloomsbury, London. ISBN 9781350366022 (In Press)

2024

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2024) Samuel Beckett’s television plays. In: Bennett, M. Y. (ed.) The Routledge Companion to Absurdist Literature. Routledge Literature Companions. Routledge, London. ISBN 9781032188126

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2024) “Abiding there unliving” death and bare life in The unnamable. Samuel Beckett Today / Aujourd'hui. ISSN 0927-3131 (In Press)

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2024) Beckett and Cioran. Cambridge Elements in Beckett Studies. Cambridge University Press, Cambridge UK, pp90. (In Press)

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2024) Samuel Beckett and music. In: The Oxford Handbook of Samuel Beckett Studies. Oxford University Press. (In Press)

2022

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2022) Screen and stage space in Beckett’s theatre plays on television. In: Wrigley, A. and Wyver, J. (eds.) Screen Plays: Theatre Plays on British Television. Manchester University Press, Manchester, pp. 226-245. ISBN 9780719097928

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2022) Barthes, Beckett and the theatre: three dialogues. Paragraph, 45 (2). pp. 172-186. ISSN 0264-8334 doi: https://doi.org/10.3366/para.2022.0395

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2022) 'The missing poème: Beckett's fêtes galantes'. In: Brophy, J. and Davies, W. (eds.) Samuel Beckett's Poetry. Cambridge University Press, pp. 115-125. ISBN 9781009222563 doi: https://doi.org/10.1017/9781009222563.009

Rapcsak, B., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Schweighauser, P., eds. (2022) Beckett and media. Manchester University Press, pp248. ISBN 9781526145833 doi: https://doi.org/10.7765/9781526145840

2021

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287

Kiryushina, G. ORCID: https://orcid.org/0000-0002-3730-1785 and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2021) Samuel Beckett's 'The North'. Journal of Beckett Studies, 30 (2). pp. 188-204. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2021.0340

Kiryushina, G., Adar, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2021) Samuel Beckett and technology. Edinburgh University Press, Edinburgh, pp288. ISBN 9781474463287

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013

Thomson, S. (2021) Whatever: Giorgio Agamben's gender trouble. Textual Practice, 35 (5). pp. 787-807. ISSN ‎0950-236X doi: https://doi.org/10.1080/0950236X.2020.1731585

2020

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) “Random dottiness”: Samuel Beckett and the reception of Harold Pinter’s early dramas. In: Rakoczy, A., Hori Tanaka, M. and Johnson, N. (eds.) Influencing Beckett / Beckett Influencing. Collection Karoli. L'Harmattan, Budapest & Paris, pp. 61-74. ISBN 9782343219110

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) Specially for television? Eh Joe, intermediality and Beckett’s drama. Samuel Beckett Today/Aujourd’hui, 32 (1). pp. 41-54. ISSN 1875-7405 doi: https://doi.org/10.1163/18757405-03201004

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2020) When Beckett on Film migrated to television. Књижевна историја (Literary History), 51 (169). pp. 97-108. ISSN 0350-6428 doi: https://doi.org/10.18485/kis.2019.51.169.5

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314

Davies, W. (2020) 'Crawling in the Flanders mud': Samuel Beckett, war writing and scatological pacifism. Journal of War and Culture Studies, 13 (2). pp. 145-162. ISSN 1752-6280 doi: https://doi.org/10.1080/17526272.2019.1644273

Davies, W. (2020) Samuel Beckett's trilogy and the revolution of the body in Vichy France. Twentieth-Century Literature, 66 (1). pp. 11-36. ISSN 0041-462X doi: https://doi.org/10.1215/0041462X-8196685

Gosteva, E. (2020) Metaphysical Comedy: Samuel Beckett and Fyodor Dostoevsky. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00093437

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 and Feldman, M., eds. (2020) Samuel Beckett's Philosophy Notes. Oxford University Press, Oxford.

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2020) ‘The air is full of our cries’: staging Godot during apartheid South Africa. In: Beckett and Politics. Palgrave MacMillan, pp. 195-211. ISBN 9783030471095 doi: https://doi.org/10.1007/978-3-030-47110-1

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2020) Samuel Beckett and intermedial performance: passing between. Samuel Beckett Today / Aujourd'hui, 32 (1). pp. 71-85. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03201006

McTighe, T., Morin, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2020) Beckett and Intermediality / Beckett, artiste intérmedial. Samuel Beckett Today / Aujourd'hui, 32 (1). Brill, Leiden.

2019

Davies, W. (2019) “Occasional extinction or more likely occultation”: form and source in “Long Observation of the Ray”. Samuel Beckett Today/Aujourd'hui, 31 (1). pp. 82-97. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03101007

Little, J., Nugent-Folan, G., Morin, E. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2019) Draff / Résidu. Samuel Beckett Today / Aujourd'hui, 31 (1). Brill | Rodopi, Leiden, The Netherlands, pp181.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2019) "All the variants". In: Rabaté, J.-M. (ed.) The New Samuel Beckett Studies. Cambridge University Press, Cambridge, pp. 36-47. ISBN 9781108559331 doi: https://doi.org/10.1017/9781108559331.003

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2019) Samuel Beckett: la traduction en anglais de 'Textes pour rien'. In: Brown, L. (ed.) Textes pour rien / Texts for Nothing de Samuel Beckett: Le corps de la voix impossible. Lettres Modernes Minard, Paris, pp. 55-66. ISBN 9782406081425 doi: https://doi.org/10.15122/isbn.978-2-406-08143-2.p.0055

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2019) 'never neglect the little things in life': Beckett and the Everyday. Journal of Beckett Studies, 28 (1). Edinburgh University Press.

2018

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2018) Samuel Beckett and the visual. Cambridge University Press, Cambridge. ISBN 9781108422772

Maude, U. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2018) The Bloomsbury companion to modernist literature. Bloomsbury, pp560. ISBN 9781780936413

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Saunders, G., eds. (2018) Special issue on staging Beckett and contemporary theatre and performance cultures. Contemporary Theatre Review, 28 (1). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2017.1405393

2017

Davies, W. (2017) “Home and visiting temperaments”: Beckett’s diasporic encounters. In: Bariselli, M. ORCID: https://orcid.org/0000-0002-6901-8298, Bowe, N. M. and Davies, W. (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 55-76. ISBN 9781443896306

Davies, W. (2017) Introduction: Samuel Beckett and the question of Europe. In: Bariselli, M. ORCID: https://orcid.org/0000-0002-6901-8298, Bowe, N. M. and Davies, W. (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 1-14. ISBN 9781443896306

Davies, W. (2017) A text become provisional: revisiting the capital of the ruins. Journal of Beckett Studies, 26 (2). pp. 169-187. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2017.0201

Davies, W., Bariselli, M. ORCID: https://orcid.org/0000-0002-6901-8298 and Bowe, N. M., eds. (2017) Samuel Beckett and Europe: history, culture, tradition. Cambridge Scholars. ISBN 9781443896306

Gonzalez Ortiz, C. ORCID: https://orcid.org/0000-0002-1420-8756 (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2017) Meditations and monologues: Beckett’s mid-late prose on the radio. In: Addyman, D., Feldman, M. and Tonning, E. (eds.) Samuel Beckett and BBC Radio. Palgrave, Basingstoke and London, pp. 249-267. ISBN 9781349951307 doi: https://doi.org/10.1057/978-1-137-54265-6_12

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902012

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Pattie, D. (2017) Introduction: staging Beckett at the margins. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 227-230. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902001

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, Pattie, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Séguier (transl.), J. (2017) Chronologie du voyage de Samuel Beckett en Allegmagne (28 Septembre 1936 - 2 Avril 1937). In: Brown, L. (ed.) La Violence dans l'oeuvre de Samuel Beckett. Série Samuel Beckett (4). Lettres Modernes Minard, Paris, pp. 313-345. ISBN 9782812450228

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D. (2017) German fever: Beckett in Deutschland. Marbacher Magazine, 158/159. Deutsche Schillergesellschaft, Marbach am Neckar, pp247. ISBN 9783944469300

2016

Antonielli, A. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2016) Edwin John Ellis’s and William Butler Yeats’s "The Works of William Blake: Poetic, Symbolic and Critical"; a manuscript edition, with critical analysis. Firenze University Press, pp762. ISBN 978864533407

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2016) Murphy's thanatopolitics. The Irish Review, 53. pp. 74-88. ISSN 0790-7850

Hulle, D. V., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Neyt, V., eds. (2016) Samuel Beckett's digital library. Beckett Digital Manuscript Project

McFrederick, M. ORCID: https://orcid.org/0000-0002-4816-8465 (2016) Feckham, Peckham, Fulham, Clapham…Hammersmith: Beckett at Riverside Studios. In: Tucker, D. and McTighe, T. (eds.) Staging Beckett in Great Britain. Bloomsbury, Methuen Drama, London, pp. 37-55. ISBN 9781474240178

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2016) Staging Beckett in Ireland: scenographic remains. In: McTighe, T. and Tucker, D. (eds.) Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London, pp. 103-119. ISBN 9781474240550

2015

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2015) Performing right: legal constraints and Beckett’s plays on BBC television. Samuel Beckett Today / Aujourd'hui, 27. 129- 142. ISSN 0927-3131 doi: https://doi.org/10.1163/9789004309937_011

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2015) Beckett beyond the avant-garde: the case of “Casket of Pralinen for a daughter of a dissipated Mandarin". In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Pilling, J. (eds.) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading. ISBN 9780704915343

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2015) 'Beginning of the murmur': archival pre-texts and other sources. Samuel Beckett Today / Aujourd'hui, 27. Brill / Rodopi, Leiden. ISBN 9789004309913

Hulle, D. V. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2015) My Texts are in a Terrible Mess. Journal of Beckett Studies, 24 (1). Edinburgh University Press, Edinburgh, pp161.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Postman and scholar: James Knowlson's friendship with Samuel Beckett. In: On in their company - Essays on Beckett, with Tributes and Sketches; Presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp. 17-23. ISBN 9780704915343

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Ruptures of the visual: Beckett as critic and poet. In: Van Hulle, D. (ed.) The New Cambridge Companion to Samuel Beckett. 2nd edition. Cambridge Companions to Literature. Cambridge University Press, pp. 73-88. ISBN 9781107075191

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Pilling, J., eds. (2015) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp254. ISBN 9780704915343

Tucker, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2015) Toward a scholarly edition of Beckett's critical writings. Journal of Beckett Studies, 24 (1). pp. 49-56. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2015.0119

2014

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2014) Designing Beckett: Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics. In: Gontarski, S. E. (ed.) The Edinburgh companion to Samuel Beckett and the arts. Edinburgh University Press, Edinburgh, pp. 409-422. ISBN 9780748675685

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2014) Historical legacies and unhomely cultural memories in Brian Friel’s The home place. Nordic Irish Studies, 13 (1). pp. 189-203. ISSN 1602-124X

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and McTighe, T. (2014) Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history. Breac: A Digital Journal of Irish Studies, July. ISSN 2372-2231

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746, McTighe, T., Pattie, D. and Tucker, D. (2014) Staging Beckett: constructing histories of performance. Journal of Beckett Studies, 23 (1). pp. 11-33. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0084

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2014) Beckett's unpublished canon. In: Gontarski, S.E. (ed.) The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh University Press, Edinburgh, pp. 282-305. ISBN 9780748675685

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2014) 'Echo's Bones' by Samuel Beckett. Faber & Faber, London, pp128. ISBN 9780571246380

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2014) Samuel Beckett: Echo's Bones. Grove Press, New York, pp128. ISBN 9780802120458

Tucker, D., Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2014) Revisiting Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable. Samuel Beckett Today / Aujourd'hui, 26. Rodopi, Amsterdam, pp316. ISBN 9789042038806

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2014) Performance and Beckett's Bare room. Journal of Beckett Studies, 23 (1). v-xi. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0082

2013

Bryden, M., ed. (2013) Beckett and animals. Cambridge University Press. ISBN 9781107019607

Bryden, M. (2013) The Beckettian bestiary. In: Bryden, M. (ed.) Beckett and animals. Cambridge University Press, Cambridge, pp. 40-58. ISBN 9781107019607

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2013) T.S. Eliot and early modern literature. Oxford University Press, Oxford , pp240. ISBN 9780199574773

McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355

McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Beckett liest deutsche Literatur 1945-1989: Eine Übersicht. In: Wilm, J. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Samuel Beckett und die deutsche Literatur. transcript verlag, pp. 19-31. ISBN 9783837620672

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Germany: circa 1936-1937. In: Uhlmann, A. (ed.) Beckett in Context. Literature in context. Cambridge University Press, Cambridge / New York, pp. 99-108. ISBN 9781107017030

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett Németországban, 1936-37 – felvilágosítók és hályogkovácsok – Bevezetés Beckett Német naplóihoz’ [translation by Török Gabor]. Nagyvilág, 58 (5). pp. 522-531.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett: video artist. In: Fifield, P. and Addyman, D. (eds.) Samuel Beckett: Debts and legacies: New critical essays. Bloomsbury Methuen, London, pp. 177-190. ISBN 9781408184523

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2013) Samuel Beckett's library. Cambridge University Press, pp342. ISBN 9781107001268

Wilm, J. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, eds. (2013) Samuel Beckett und die deutsche Literatur. transcript verlag, pp194. ISBN 9783837620672

2012

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2012) The ends of Ireland: history, criticism, subjectivity. Manchester University Press, Manchester, pp272. ISBN 9780719083839

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2012) The books are in the study as before: Samuel Beckett’s Berkeley. In: Feldman, M. and Mamdani, K. (eds.) Beckett / Philosophy. Sophia University Press, Sophia, pp. 162-83. ISBN 9789540733845

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2012) 'Happily melancholy’: pleasure and pain in Early Beckett. In: Tanaka, M. H., Tsushima, M. and Tajiri, Y. (eds.) Samuel Beckett and Pain. Rodopi, Amsterdam, pp. 27-42. ISBN 978904203523

Pilling, J. and Lawlor, S. P., eds. (2012) Collected poems of Samuel Beckett. Faber and Faber, London, pp499. ISBN 9780571249848

Van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2012) Historisch-krritische genetic crritic! editio, 26 (1). pp. 30-37. ISSN 1865-9446 doi: https://doi.org/10.1515/editio-2012-0004

2011

Carville, C. ORCID: https://orcid.org/0000-0003-3369-0522 (2011) Autonomy and the everyday: Beckett, late modernism and post-war visual art. Beckett Today/ Aujourd'hui, 23. pp. 63-80. ISSN 0927-3131 (Filiations & Connexions/Filiations & Connecting Lines)

Matthews, S. ORCID: https://orcid.org/0000-0003-0296-5298 (2011) The books are in the study as before: Samuel Beckett’s Berkeley. Sofia Philosophical Review, V (I). ISSN 1313-275X

Maude, U. (2011) Beckett and the laws of habit. Modernism/Modernity , 18 (4). pp. 1-9. ISSN 1080-6601

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Beckett's 'Film Vidéo-Cassette projet'. In: Hartel, G. and Glasmeier, G. (eds.) The Eye of Prey: Becketts Film-, Fernseh- und Videoarbeiten: Becketts Fernseh-, Film- und Videoarbeiten. Suhrkamp, Frankfurt am Main, pp. 401-414. ISBN 9783518124604

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Beckett’s manuscripts in the marketplace. Modernism/Modernity, 18 (4). 823 -831. ISSN 1080-6601 doi: https://doi.org/10.1353/mod.2011.0105

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2011) Publishing Samuel Beckett. British Library , pp304. ISBN 9780712358262

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) Samuel Beckett’s German diaries 1936-37. Historicizing Modernism . Continuum, pp272. ISBN 9781441152589

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2011) “a space to note”: Raumästhetik in Becketts Manuskripten. In: Sick , F. (ed.) Raum und Objekt im Werk von Samuel Beckett. transcript verlag, pp. 1-11. ISBN 9783837615159

Pilling, J. (2011) Samuel Beckett’s ‘More Pricks Than Kicks’: in a strait of two wills. Historicizing Modernism. Continuum, London, pp288. ISBN 9781441159472

Pilling, J. and Nash, A. (2011) The 'Shatton and Windup' Affair: Beckett's dealings with the firm of Chatto & Windus, 'Wholesale, Retail and for Exportation'. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (ed.) Publishing Samuel Beckett. The British Library, London, pp. 11-22. ISBN 9780712358262

2010

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, D. (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985

McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Beckett and Germany in the 1930s: the development of a poetics. In: Gontarski , S.E. (ed.) A companion to Samuel Beckett. Wiley-Blackwell, Oxford, UK, pp. 130-142. ISBN 9781405158695

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Beckett back with the Irish. Times Literary Supplement, 23 July 20. ISSN 0307-661X

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Beckett – Frisch – Dürrenmatt. Samuel Beckett Today / Aujourd'hui, 22. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Belacqua revididus: Beckett’s short story 'Echo’s Bones’. Limit(e) Beckett , 1. pp. 92-101. ISSN 2105-1119

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2010) Chronology of Beckett's journey to Germany 1936-1937 (based on the German diaries). Journal of Beckett Studies, 19 (2). pp. 245-272. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2010.0007

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785, ed. (2010) Samuel Beckett: texts for nothing and other shorter prose, 1950-1976. Faber, London. ISBN 9780571244621

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Van Hulle, D., eds. (2010) Beckett and Germany. Journal of Beckett Studies, 19 (2). Edinburgh University Press, UK, pp128. ISBN 9780748641390

Pilling, J. (2010) On not being there: going on without in Beckett. In: Caselli, D. (ed.) Beckett and Nothing. Manchester University Press, Manchester, pp. 20-27. ISBN 9780719080197

Pilling, J. and Lawlor, S. P. (2010) Beckett in transition. In: Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (ed.) Publishing Samuel Beckett. British Library, London, pp. 83-96. ISBN 9780712358262

2009

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2009) Beckett on screen: the television plays. Manchester University Press, Manchester, pp230. ISBN 9780719064203

Bryden, M. (2009) Beckett's Proust/Deleuze's Proust. Palgrave MacMillan, Basingstoke, pp272. ISBN 9780230239470

Maude, U. (2009) Beckett, technology and the body. Cambridge University Press, Cambridge, pp222. ISBN 9780521515375

Maude, U. (2009) 'Material of a Strictly Peculiar Order': Beckett, Merleau-Ponty and perception. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, pp. 77-96. ISBN 9780826497147

Maude, U. (2009) 'A Stirring Beyond Coming and Going’: Beckett and Tourette's. Journal of Beckett Studies, 17 (1-2). pp. 153-168. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000119

Maude, U. and Feldman, M., eds. (2009) Beckett and phenomenology. Continuum Literary Studies . Continuum, pp226. ISBN 9780826497147

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Wilmer, S. E., eds. (2009) Reflections on Beckett: a centenary celebration. Theater: theory/text/performance. University of Michigan Press, Ann Arbor, pp256. ISBN 9780472116645

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Beckett publishing/publishing Beckett in the 1930s. Variants, 6. pp. 209-219. ISSN 1573-3084

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Between art-world and life-world: Beckett's 'Dream of Fair to Middling Women'. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, London, pp. 97-108. ISBN 9780826497147

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Between gospel and prohibition: Beckett in Nazi Germany 1936-1937. In: Kennedy, S. and Weiss, K. (eds.) Samuel Beckett: History, Memory, Archive. Palgrave MacMillan, pp. 31-46. ISBN 9780230619449

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) "Infernal streams": Beckett's rivers. Samuel Beckett Today / Aujourd'hui, 20. pp. 33-47. ISSN 0927-3131

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Samuel Beckett's ‘Film Vidéo-Cassette projet’. Journal of Beckett Studies, 18 (1-2). pp. 32-43. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000259

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2009) Writing myself into the ground. In: Barfield, S., Feldman, M. and Tew, P. (eds.) Beckett and Death. Continuum Literary Studies (2). Continuum, London, pp. 22-30. ISBN 9780826498359

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 and Hulle, D. V. (2009) Beckett's library: from marginalia to notebooks. In: Guardamagna, D. and Sebellin, R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Rome, pp. 57-74. ISBN 9788842090700

Pilling, J. (2009) Beckett and Italian literature (after Dante). In: Guardamagna , D. and Sebellin , R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Bardi, Italy, pp. 178-191. ISBN 9788842090700

Pilling, J. (2009) Beckett's Letters. Journal of Beckett Studies, 18 (1-2). pp. 178-191. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000351

Pilling, J. (2009) A critique of aesthetic judgment: Beckett’s “Dissonance of Ends and Means". In: Gontarski, S. E. (ed.) A Companion to Beckett. Wiley-Blackwell, Oxford, pp. 63-72. ISBN 9781405158695

Pilling, J. (2009) The uses of enchantment: Beckett and the fairy tale. Samuel Beckett Today / Aujourd'hui, 21. pp. 75-85. ISSN 0927-3131

2008

Bryden, M. (2008) Graley Herren, Samuel Beckett’s plays on film and television. In: Constantinidis, S. (ed.) Text and presentation. McFarland, Jefferson, NC, pp. 211-213. ISBN 9780786443666

Bryden, M. (2008) "The Snowball Act": Beckett's literary pathfinding. Rose des vents/Suiseisha, 22. pp. 68-80.

Bryden, M. (2008) Beckett, Böll, and clowns. Samuel Beckett Today / Aujourd'hui, 19. pp. 157-171. ISSN 0927-3131

Bryden, M. (2008) The mid-century Godot: Beckett and Saroyan. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: revolving it all. Oxford University Press, Oxford, pp. 259-270. ISBN 9780195325485

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2008) History in tatters: bodies and things in Samuel Beckett’s theatre. Etudes Britanniques Contemporaines, 35. pp. 27-37. ISSN 1168-4917

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2008) "Unutterably Faint": Beckett’s late English poetry. Fulcrum: an annual of poetry and aesthetics, 6. pp. 507-521. ISSN 1534-7877

2007

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre. In: Sihra, M. (ed.) Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. Palgrave Macmillan, Basingstoke, pp. 97-108. ISBN 9780230006478

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Mutated bodies: stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, 12 (1). pp. 57-65. ISSN 1469-9990 doi: https://doi.org/10.1080/1352816070138081

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Samuel Beckett’s theatre: liminal subjects and the politics of perception. The Princeton University Library Chronicle, 68 (1/2). pp. 450-464.

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Ewangelia i zakaz: Beckett i nazistowskie Niemcy. Kwartalnik Artystyczny, 53 (1). pp. 69-78. ISSN 1232–2105

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Gospel und Verbot: Beckett und Nazi Germany. In: Giesing, M., Hartel, G. and Veit, C. (eds.) Das Raubage in der Stadt: Beckett liest Hamburg. Wallstein Verlag, Göttingen, pp. 69-78. ISBN 9783835301931

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Samuel Beckett and Romanticism in the 1930s. Samuel Beckett Today / Aujourd'hui, 18. pp. 61-76. ISSN 0927-3131 (special issue 'All sturm and no drang')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) Solitude(s) and creative fidgets: Beckett reading Rainer Maria Rilke. Litteraria Pragensia, 17 (33). pp. 6-18. ISSN 0862-8424 (special issue 'Samuel Beckett: textual genesis and reception')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) 'Text-void': silent words in Paul Celan and Samuel Beckett. In: Feldman, M. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (eds.) Beckett’s literary legacies. Cambridge Scholars Publishing, Newcastle, pp. 152-168. ISBN 9781847182814

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) The remains of trace: intra- and intertextual transferences in Beckett’s 'Mirlitonnades' manuscripts. Journal of Beckett Studies, 16 (1 & 2). pp. 121-134. ISSN 1759-7811

Saunders, G. (2007) Reclaiming Sam for Ireland: the Beckett on film project. In: Cave, R. and Levitas, B. (eds.) Irish Theatre in England. Irish Theatrical Diaspora (2). Carysfort Press, Dublin. ISBN 9781904505266

van Hulle, D. and Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2007) “Holo and unholo”: the Beckett Digital Manuscript Project. Samuel Beckett Today / Aujourd'hui, 18. pp. 313-322. ISSN 0927-3131 (special issue 'All sturm and no drang')

2006

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) 'Guess where': from reading to writing in Beckett. Genetic Joyce Studies, 16. ISSN 2031-9002

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) “Scraps of German”: Samuel Beckett reading German literature. Samuel Beckett Today / Aujourd'hui, 16. pp. 259-282. ISSN 0927-3131 (special issue 'Notes diverse holo[graph]')

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2006) 'Writing': die Bedeutung der Deutschlandreise 1936/37 für Becketts schriftstellerische Entwicklung. In: Dittrich, L., Veit, C. and Wichner, E. (eds.) "Obergeschoss still closed": Samuel Beckett in Berlin 1936/37. Matthes & Seitz, Berlin, pp. 103-122. ISBN 9783882219203

2005

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2005) How to watch television? Pedagogy and paedocracy in Beckett’s television plays. Samuel Beckett Today / Aujourd'hui, 15. pp. 281-293. ISSN 0927-3131 (Historicising Beckett / Issues of Performance)

Nixon, M. ORCID: https://orcid.org/0000-0002-3730-1785 (2005) Samuel Beckett’s presence in modern Irish poetry. Yearbook of English Studies, 35. pp. 43-57. ISSN 2222-4289

Saunders, G. (2005) 'A theatre of ruins'. Edward Bond & Samuel Beckett: theatrical antagonists. Studies in Theatre & Performance, 25 (1). pp. 66-77. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.25.1.67/0

2004

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2004) Irish/postcolonial Beckett. In: Oppenheim, L. (ed.) Palgrave Advances in Samuel Beckett Studies. Palgrave Advances. Palgrave Macmillan, pp. 89-109. ISBN 9781403903525

2003

Frost, E. and McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2003) The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon. In: Ben-Zvi, L. (ed.) Drawing on Beckett : portraits, performances, and cultural contexts. Assaph Books. Tel Aviv University, Tel Aviv, pp. 215-238. ISBN 9789659062508

1993

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (1993) Theatre on trial: the later drama of Samuel Beckett. Routledge, London, pp168. ISBN 9780415052023