Items where Division is "Samuel Beckett Research Centre"
Number of items at this level: 146. 2022
Bignell, J.
McMullan, A.
Nixon, M.
Rapcsak, B., Nixon, M. 2021Bignell, J. (2021) Beckett and television: anachronism as innovation. In: Kiryushina, G., Adar, E. and Nixon, M. (eds.) Samuel Beckett and Technology. Edinburgh University Press, Edinburgh. ISBN 9781474463287
Kiryushina, G.
Kiryushina, G., Adar, E. and Nixon, M. McMullan, A. (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge, pp67. ISBN 9781108959056 doi: https://doi.org/10.1017/9781108938990 McMullan, A. (2021) Technology and the voices of the more than human in Samuel Beckett’s All That Fall. In: de Vos, L., Tanaka, M. H. and Johnson, N. (eds.) Beckett's Voices / Voicing Beckett. Brill, Netherlands, pp. 158-174. ISBN 9789004468399 doi: https://doi.org/10.1163/9789004468382_013 Thomson, S. (2021) Whatever: Giorgio Agamben's gender trouble. Textual Practice, 35 (5). pp. 787-807. ISSN 0950-236X doi: https://doi.org/10.1080/0950236X.2020.1731585 2020
Bignell, J. Bignell, J. (2020) Specially for television? Eh Joe, intermediality and Beckett’s drama. Samuel Beckett Today/Aujourd’hui, 32 (1). pp. 41-54. ISSN 1875-7405 doi: https://doi.org/10.1163/18757405-03201004 Bignell, J. (2020) When Beckett on Film migrated to television. Књижевна историја (Literary History), 51 (169). pp. 97-108. ISSN 0350-6428 doi: https://doi.org/10.18485/kis.2019.51.169.5 Bignell, J. and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314 Davies, W. (2020) 'Crawling in the Flanders mud': Samuel Beckett, war writing and scatological pacifism. Journal of War and Culture Studies, 13 (2). pp. 145-162. ISSN 1752-6280 doi: https://doi.org/10.1080/17526272.2019.1644273 Davies, W. (2020) Samuel Beckett's trilogy and the revolution of the body in Vichy France. Twentieth-Century Literature, 66 (1). pp. 11-36. ISSN 0041-462X doi: https://doi.org/10.1215/0041462X-8196685 Gosteva, E. (2020) Metaphysical Comedy: Samuel Beckett and Fyodor Dostoevsky. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00093437 Matthews, S. and Feldman, M., eds. (2020) Samuel Beckett's Philosophy Notes. Oxford University Press, Oxford.
McFrederick, M. McMullan, A. (2020) Samuel Beckett and intermedial performance: passing between. Samuel Beckett Today / Aujourd'hui, 32 (1). pp. 71-85. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03201006 McTighe, T., Morin, E. and Nixon, M., eds. (2020) Beckett and Intermediality / Beckett, artiste intérmedial. Samuel Beckett Today / Aujourd'hui, 32 (1). Brill, Leiden. 2019Davies, W. (2019) “Occasional extinction or more likely occultation”: form and source in “Long Observation of the Ray”. Samuel Beckett Today/Aujourd'hui, 31 (1). pp. 82-97. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-03101007 Little, J., Nugent-Folan, G., Morin, E. and Nixon, M., eds. (2019) Draff / Résidu. Samuel Beckett Today / Aujourd'hui, 31 (1). Brill | Rodopi, Leiden, The Netherlands, pp181. Nixon, M. (2019) "All the variants". In: Rabaté, J.-M. (ed.) The New Samuel Beckett Studies. Cambridge University Press, Cambridge, pp. 36-47. ISBN 9781108559331 doi: https://doi.org/10.1017/9781108559331.003 Nixon, M. (2019) Samuel Beckett: la traduction en anglais de 'Textes pour rien'. In: Brown, L. (ed.) Textes pour rien / Texts for Nothing de Samuel Beckett: Le corps de la voix impossible. Lettres Modernes Minard, Paris, pp. 55-66. ISBN 9782406081425 doi: https://doi.org/10.15122/isbn.978-2-406-08143-2.p.0055 Nixon, M. and Van Hulle, D., eds. (2019) 'never neglect the little things in life': Beckett and the Everyday. Journal of Beckett Studies, 28 (1). Edinburgh University Press. 2018Carville, C. (2018) Samuel Beckett and the visual. Cambridge University Press, Cambridge. ISBN 9781108422772 Maude, U. and Nixon, M., eds. (2018) The Bloomsbury companion to modernist literature. Bloomsbury, pp560. ISBN 9781780936413 McMullan, A. and Saunders, G., eds. (2018) Special issue on staging Beckett and contemporary theatre and performance cultures. Contemporary Theatre Review, 28 (1). Taylor and Francis. doi: https://doi.org/10.1080/10486801.2017.1405393 2017Davies, W. (2017) “Home and visiting temperaments”: Beckett’s diasporic encounters. In: Bariselli, M., Bowe, N. M. and Davies, W. (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 55-76. ISBN 9781443896306 Davies, W. (2017) Introduction: Samuel Beckett and the question of Europe. In: Bariselli, M., Bowe, N. M. and Davies, W. (eds.) Samuel Beckett and Europe: History, Culture, Tradition. Cambridge Scholars Publishing, Cambridge, pp. 1-14. ISBN 9781443896306 Davies, W. (2017) A text become provisional: revisiting the capital of the ruins. Journal of Beckett Studies, 26 (2). pp. 169-187. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2017.0201 Davies, W., Bariselli, M. and Bowe, N. M., eds. (2017) Samuel Beckett and Europe: history, culture, tradition. Cambridge Scholars. ISBN 9781443896306 Gonzalez Ortiz, C. (2017) “Teatro Chileno y política: de macro y micropolíticas hacia un Giro Ciudadano". In: Cottin, G., González, M. and Mella, C. (eds.) Ideas desde el Reino Unido: críticas y propuestas para el desarrollo de Chile. Independent, London, pp. 37-52. ISBN 9789563687712 Matthews, S. (2017) Meditations and monologues: Beckett’s mid-late prose on the radio. In: Addyman, D., Feldman, M. and Tonning, E. (eds.) Samuel Beckett and BBC Radio. Palgrave, Basingstoke and London, pp. 249-267. ISBN 9781349951307 doi: https://doi.org/10.1057/978-1-137-54265-6_12 McMullan, A., Pattie, D. and Nixon, M., eds. (2017) Staging Beckett at the Margins / Autres scènes beckettiennes. Samuel Beckett Today / Aujourd'hui, 29 (2). Brill, Leiden. McMullan, A. (2017) Staging Ireland's Dispossessed: Sarah Jane Scaife's Beckett in the City Project. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 361-374. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902012 McMullan, A. and Pattie, D. (2017) Introduction: staging Beckett at the margins. Samuel Beckett Today / Aujourd'hui, 29 (2). pp. 227-230. ISSN 0927-3131 doi: https://doi.org/10.1163/18757405-02902001 Nixon, M. and Séguier (transl.), J. (2017) Chronologie du voyage de Samuel Beckett en Allegmagne (28 Septembre 1936 - 2 Avril 1937). In: Brown, L. (ed.) La Violence dans l'oeuvre de Samuel Beckett. Série Samuel Beckett (4). Lettres Modernes Minard, Paris, pp. 313-345. ISBN 9782812450228 Nixon, M. and Van Hulle, D. (2017) German fever: Beckett in Deutschland. Marbacher Magazine, 158/159. Deutsche Schillergesellschaft, Marbach am Neckar, pp247. ISBN 9783944469300 2016Antonielli, A. and Nixon, M., eds. (2016) Edwin John Ellis’s and William Butler Yeats’s "The Works of William Blake: Poetic, Symbolic and Critical"; a manuscript edition, with critical analysis. Firenze University Press, pp762. ISBN 978864533407 Carville, C. (2016) Murphy's thanatopolitics. The Irish Review, 53. pp. 74-88. ISSN 0790-7850 Hulle, D. V., Nixon, M. and Neyt, V., eds. (2016) Samuel Beckett's digital library. Beckett Digital Manuscript Project McFrederick, M. (2016) Feckham, Peckham, Fulham, Clapham…Hammersmith: Beckett at Riverside Studios. In: Tucker, D. and McTighe, T. (eds.) Staging Beckett in Great Britain. Bloomsbury, Methuen Drama, London, pp. 37-55. ISBN 9781474240178 McMullan, A. (2016) Staging Beckett in Ireland: scenographic remains. In: McTighe, T. and Tucker, D. (eds.) Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London, pp. 103-119. ISBN 9781474240550 2015Bignell, J. (2015) Performing right: legal constraints and Beckett’s plays on BBC television. Samuel Beckett Today / Aujourd'hui, 27. 129- 142. ISSN 0927-3131 doi: https://doi.org/10.1163/9789004309937_011 Carville, C. and Nixon, M., eds. (2015) 'Beginning of the murmur': archival pre-texts and other sources. Samuel Beckett Today / Aujourd'hui, 27. Brill / Rodopi, Leiden. ISBN 9789004309913 Carville, C. (2015) Beckett beyond the avant-garde: the case of “Casket of Pralinen for a daughter of a dissipated Mandarin". In: Nixon, M. and Pilling, J. (eds.) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading. ISBN 9780704915343 Hulle, D. V. and Nixon, M., eds. (2015) My Texts are in a Terrible Mess. Journal of Beckett Studies, 24 (1). Edinburgh University Press, Edinburgh, pp161. Nixon, M. (2015) Ruptures of the visual: Beckett as critic and poet. In: Van Hulle, D. (ed.) The New Cambridge Companion to Samuel Beckett. 2nd edition. Cambridge Companions to Literature. Cambridge University Press, pp. 73-88. ISBN 9781107075191 Nixon, M. (2015) Postman and scholar: James Knowlson's friendship with Samuel Beckett. In: On in their company - Essays on Beckett, with Tributes and Sketches; Presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp. 17-23. ISBN 9780704915343 Nixon, M. and Pilling, J., eds. (2015) On in their company: essays on Beckett, with tributes and sketches; presented to Jim Knowlson on his 80th Birthday. Beckett International Foundation, Reading, pp254. ISBN 9780704915343 Tucker, D. and Nixon, M. (2015) Toward a scholarly edition of Beckett's critical writings. Journal of Beckett Studies, 24 (1). pp. 49-56. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2015.0119 2014McMullan, A. (2014) Designing Beckett: Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics. In: Gontarski, S. E. (ed.) The Edinburgh companion to Samuel Beckett and the arts. Edinburgh University Press, Edinburgh, pp. 409-422. ISBN 9780748675685 McMullan, A. (2014) Historical legacies and unhomely cultural memories in Brian Friel’s The home place. Nordic Irish Studies, 13 (1). pp. 189-203. ISSN 1602-124X McMullan, A. and McTighe, T. (2014) Samuel Beckett, the Gate Theatre Dublin, and the contemporary Irish independent theater sector: fragments of performance history. Breac: A Digital Journal of Irish Studies, July. ISSN 2372-2231 McMullan, A., McTighe, T., Pattie, D. and Tucker, D. (2014) Staging Beckett: constructing histories of performance. Journal of Beckett Studies, 23 (1). pp. 11-33. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0084 Nixon, M., ed. (2014) 'Echo's Bones' by Samuel Beckett. Faber & Faber, London, pp128. ISBN 9780571246380 Nixon, M. (2014) Beckett's unpublished canon. In: Gontarski, S.E. (ed.) The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh University Press, Edinburgh, pp. 282-305. ISBN 9780748675685 Nixon, M., ed. (2014) Samuel Beckett: Echo's Bones. Grove Press, New York, pp128. ISBN 9780802120458 Tucker, D., Nixon, M. and Van Hulle, D., eds. (2014) Revisiting Molloy, Malone meurt / Malone Dies and L’Innommable / The Unnamable. Samuel Beckett Today / Aujourd'hui, 26. Rodopi, Amsterdam, pp316. ISBN 9789042038806 Van Hulle, D. and Nixon, M. (2014) Performance and Beckett's Bare room. Journal of Beckett Studies, 23 (1). v-xi. ISSN 0309-5207 doi: https://doi.org/10.3366/jobs.2014.0082 2013Bryden, M., ed. (2013) Beckett and animals. Cambridge University Press. ISBN 9781107019607 Bryden, M. (2013) The Beckettian bestiary. In: Bryden, M. (ed.) Beckett and animals. Cambridge University Press, Cambridge, pp. 40-58. ISBN 9781107019607 Matthews, S. (2013) T.S. Eliot and early modern literature. Oxford University Press, Oxford , pp240. ISBN 9780199574773 McTighe, T. (2013) ‘Getting known’: Beckett, Ireland and the creative industries. In: Walsh, F. (ed.) That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. 157-172. ISBN 9781783190355 McTighe, T. (2013) The Haptic Aesthetic in Samuel Beckett's Drama. New Interpretations of Beckett in the 21st Century. Palgrave Macmillan, New York, pp224. ISBN 9781137276988 Nixon, M. (2013) Germany: circa 1936-1937. In: Uhlmann, A. (ed.) Beckett in Context. Literature in context. Cambridge University Press, Cambridge / New York, pp. 99-108. ISBN 9781107017030 Nixon, M. (2013) Samuel Beckett Németországban, 1936-37 – felvilágosítók és hályogkovácsok – Bevezetés Beckett Német naplóihoz’ [translation by Török Gabor]. Nagyvilág, 58 (5). pp. 522-531. Nixon, M. (2013) Samuel Beckett: video artist. In: Fifield, P. and Addyman, D. (eds.) Samuel Beckett: Debts and legacies: New critical essays. Bloomsbury Methuen, London, pp. 177-190. ISBN 9781408184523 Nixon, M. (2013) Beckett liest deutsche Literatur 1945-1989: Eine Übersicht. In: Wilm, J. and Nixon, M. (eds.) Samuel Beckett und die deutsche Literatur. transcript verlag, pp. 19-31. ISBN 9783837620672 Van Hulle, D. and Nixon, M. (2013) Samuel Beckett's library. Cambridge University Press, pp342. ISBN 9781107001268 Wilm, J. and Nixon, M., eds. (2013) Samuel Beckett und die deutsche Literatur. transcript verlag, pp194. ISBN 9783837620672 2012Carville, C. (2012) The ends of Ireland: history, criticism, subjectivity. Manchester University Press, Manchester, pp272. ISBN 9780719083839 Matthews, S. (2012) The books are in the study as before: Samuel Beckett’s Berkeley. In: Feldman, M. and Mamdani, K. (eds.) Beckett / Philosophy. Sophia University Press, Sophia, pp. 162-83. ISBN 9789540733845 McMullan, A. (2012) Samuel Beckett's scenographic collaboration with Jocelyn Herbert. Degrés, 149-150. pp. 1-17. ISSN 0770-8378 Nixon, M. (2012) 'Happily melancholy’: pleasure and pain in Early Beckett. In: Tanaka, M. H., Tsushima, M. and Tajiri, Y. (eds.) Samuel Beckett and Pain. Rodopi, Amsterdam, pp. 27-42. ISBN 978904203523 Pilling, J. and Lawlor, S. P., eds. (2012) Collected poems of Samuel Beckett. Faber and Faber, London, pp499. ISBN 9780571249848 Van Hulle, D. and Nixon, M. (2012) Historisch-krritische genetic crritic! editio, 26 (1). pp. 30-37. ISSN 1865-9446 doi: https://doi.org/10.1515/editio-2012-0004 2011Carville, C. (2011) Autonomy and the everyday: Beckett, late modernism and post-war visual art. Beckett Today/ Aujourd'hui, 23. pp. 63-80. ISSN 0927-3131 (Filiations & Connexions/Filiations & Connecting Lines) Matthews, S. (2011) The books are in the study as before: Samuel Beckett’s Berkeley. Sofia Philosophical Review, V (I). ISSN 1313-275X Maude, U. (2011) Beckett and the laws of habit. Modernism/Modernity , 18 (4). pp. 1-9. ISSN 1080-6601 Nixon, M., ed. (2011) Publishing Samuel Beckett. British Library , pp304. ISBN 9780712358262 Nixon, M. (2011) Samuel Beckett’s German diaries 1936-37. Historicizing Modernism . Continuum, pp272. ISBN 9781441152589 Nixon, M. (2011) “a space to note”: Raumästhetik in Becketts Manuskripten. In: Sick , F. (ed.) Raum und Objekt im Werk von Samuel Beckett. transcript verlag, pp. 1-11. ISBN 9783837615159 Nixon, M. (2011) Beckett's 'Film Vidéo-Cassette projet'. In: Hartel, G. and Glasmeier, G. (eds.) The Eye of Prey: Becketts Film-, Fernseh- und Videoarbeiten: Becketts Fernseh-, Film- und Videoarbeiten. Suhrkamp, Frankfurt am Main, pp. 401-414. ISBN 9783518124604 Nixon, M. (2011) Beckett’s manuscripts in the marketplace. Modernism/Modernity, 18 (4). 823 -831. ISSN 1080-6601 doi: https://doi.org/10.1353/mod.2011.0105 Pilling, J. (2011) Samuel Beckett’s ‘More Pricks Than Kicks’: in a strait of two wills. Historicizing Modernism. Continuum, London, pp288. ISBN 9781441159472 Pilling, J. and Nash, A. (2011) The 'Shatton and Windup' Affair: Beckett's dealings with the firm of Chatto & Windus, 'Wholesale, Retail and for Exportation'. In: Nixon, M. (ed.) Publishing Samuel Beckett. The British Library, London, pp. 11-22. ISBN 9780712358262 2010Bignell, J. (2010) Into the void: Beckett's television plays and the idea of broadcasting. In: Caselli, D. (ed.) Beckett and nothing: trying to understand Beckett. Manchester University Press, Manchester, UK, pp. 125-142. ISBN 9780719080197 McMullan, A. (2010) Performing embodiment in Samuel Beckett's drama. Routledge Advances in Theatre and Performance Studies, 12. Routledge, pp186. ISBN 9780415385985 McTighe, T. (2010) Haptic interfaces: the live and the recorded body in Beckett's Eh Joe on stage and screen. Samuel Beckett Today / Aujourd'hui, 22. pp. 463-475. ISSN 0927-3131 Nixon, M., ed. (2010) Samuel Beckett: texts for nothing and other shorter prose, 1950-1976. Faber, London. ISBN 9780571244621 Nixon, M. and Van Hulle, D., eds. (2010) Beckett and Germany. Journal of Beckett Studies, 19 (2). Edinburgh University Press, UK, pp128. ISBN 9780748641390 Nixon, M. (2010) Beckett and Germany in the 1930s: the development of a poetics. In: Gontarski , S.E. (ed.) A companion to Samuel Beckett. Wiley-Blackwell, Oxford, UK, pp. 130-142. ISBN 9781405158695 Nixon, M. (2010) Beckett back with the Irish. Times Literary Supplement, 23 July 20. ISSN 0307-661X Nixon, M. (2010) Beckett – Frisch – Dürrenmatt. Samuel Beckett Today / Aujourd'hui, 22. ISSN 0927-3131 Nixon, M. (2010) Belacqua revididus: Beckett’s short story 'Echo’s Bones’. Limit(e) Beckett , 1. pp. 92-101. ISSN 2105-1119 Nixon, M. (2010) Chronology of Beckett's journey to Germany 1936-1937 (based on the German diaries). Journal of Beckett Studies, 19 (2). pp. 245-272. ISSN 1759-7811 doi: https://doi.org/10.3366/jobs.2010.0007 Pilling, J. (2010) On not being there: going on without in Beckett. In: Caselli, D. (ed.) Beckett and Nothing. Manchester University Press, Manchester, pp. 20-27. ISBN 9780719080197 Pilling, J. and Lawlor, S. P. (2010) Beckett in transition. In: Nixon, M. (ed.) Publishing Samuel Beckett. British Library, London, pp. 83-96. ISBN 9780712358262 2009Bignell, J. (2009) Beckett on screen: the television plays. Manchester University Press, Manchester, pp230. ISBN 9780719064203 Bryden, M. (2009) Beckett's Proust/Deleuze's Proust. Palgrave MacMillan, Basingstoke, pp272. ISBN 9780230239470 Maude, U. (2009) Beckett, technology and the body. Cambridge University Press, Cambridge, pp222. ISBN 9780521515375 Maude, U. (2009) 'Material of a Strictly Peculiar Order': Beckett, Merleau-Ponty and perception. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, pp. 77-96. ISBN 9780826497147 Maude, U. (2009) 'A Stirring Beyond Coming and Going’: Beckett and Tourette's. Journal of Beckett Studies, 17 (1-2). pp. 153-168. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000119 Maude, U. and Feldman, M., eds. (2009) Beckett and phenomenology. Continuum Literary Studies . Continuum, pp226. ISBN 9780826497147 McMullan, A. and Wilmer, S. E., eds. (2009) Reflections on Beckett: a centenary celebration. Theater: theory/text/performance. University of Michigan Press, Ann Arbor, pp256. ISBN 9780472116645 Nixon, M. (2009) Between gospel and prohibition: Beckett in Nazi Germany 1936-1937. In: Kennedy, S. and Weiss, K. (eds.) Samuel Beckett: History, Memory, Archive. Palgrave MacMillan, pp. 31-46. ISBN 9780230619449 Nixon, M. (2009) Writing myself into the ground. In: Barfield, S., Feldman, M. and Tew, P. (eds.) Beckett and Death. Continuum Literary Studies (2). Continuum, London, pp. 22-30. ISBN 9780826498359 Nixon, M. (2009) Beckett publishing/publishing Beckett in the 1930s. Variants, 6. pp. 209-219. ISSN 1573-3084 Nixon, M. (2009) Between art-world and life-world: Beckett's 'Dream of Fair to Middling Women'. In: Maude, U. and Feldman, M. (eds.) Beckett and Phenomenology. Continuum Literary Studies . Continuum, London, pp. 97-108. ISBN 9780826497147 Nixon, M. (2009) "Infernal streams": Beckett's rivers. Samuel Beckett Today / Aujourd'hui, 20. pp. 33-47. ISSN 0927-3131 Nixon, M. (2009) Samuel Beckett's ‘Film Vidéo-Cassette projet’. Journal of Beckett Studies, 18 (1-2). pp. 32-43. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000259 Nixon, M. and Hulle, D. V. (2009) Beckett's library: from marginalia to notebooks. In: Guardamagna, D. and Sebellin, R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Rome, pp. 57-74. ISBN 9788842090700 Pilling, J. (2009) Beckett and Italian literature (after Dante). In: Guardamagna , D. and Sebellin , R. M. (eds.) The Tragic Comedy of Samuel Beckett. Laterza, Bardi, Italy, pp. 178-191. ISBN 9788842090700 Pilling, J. (2009) Beckett's Letters. Journal of Beckett Studies, 18 (1-2). pp. 178-191. ISSN 1759-7811 doi: https://doi.org/10.3366/E0309520709000351 Pilling, J. (2009) A critique of aesthetic judgment: Beckett’s “Dissonance of Ends and Means". In: Gontarski, S. E. (ed.) A Companion to Beckett. Wiley-Blackwell, Oxford, pp. 63-72. ISBN 9781405158695 Pilling, J. (2009) The uses of enchantment: Beckett and the fairy tale. Samuel Beckett Today / Aujourd'hui, 21. pp. 75-85. ISSN 0927-3131 2008Bryden, M. (2008) Graley Herren, Samuel Beckett’s plays on film and television. In: Constantinidis, S. (ed.) Text and presentation. McFarland, Jefferson, NC, pp. 211-213. ISBN 9780786443666 Bryden, M. (2008) "The Snowball Act": Beckett's literary pathfinding. Rose des vents/Suiseisha, 22. pp. 68-80. Bryden, M. (2008) Beckett, Böll, and clowns. Samuel Beckett Today / Aujourd'hui, 19. pp. 157-171. ISSN 0927-3131 Bryden, M. (2008) The mid-century Godot: Beckett and Saroyan. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: revolving it all. Oxford University Press, Oxford, pp. 259-270. ISBN 9780195325485 McMullan, A. (2008) History in tatters: bodies and things in Samuel Beckett’s theatre. Etudes Britanniques Contemporaines, 35. pp. 27-37. ISSN 1168-4917 Nixon, M. (2008) "Unutterably Faint": Beckett’s late English poetry. Fulcrum: an annual of poetry and aesthetics, 6. pp. 507-521. ISSN 1534-7877 2007McMullan, A. (2007) From matron to matrix: gender, authority and (dis)embodiment in Beckett’s Theatre. In: Sihra, M. (ed.) Women in Irish Drama: A Century of Authorship and Representation. Performance Interventions. Palgrave Macmillan, Basingstoke, pp. 97-108. ISBN 9780230006478 McMullan, A. (2007) Samuel Beckett’s theatre: liminal subjects and the politics of perception. The Princeton University Library Chronicle, 68 (1/2). pp. 450-464. McMullan, A. (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485 McMullan, A. (2007) Mutated bodies: stage performances of Beckett's late prose texts by Mabou Mines (1984) and Gare St. Lazare Players, Ireland (2005). Performance Research, 12 (1). pp. 57-65. ISSN 1469-9990 doi: https://doi.org/10.1080/1352816070138081 Nixon, M. (2007) Gospel und Verbot: Beckett und Nazi Germany. In: Giesing, M., Hartel, G. and Veit, C. (eds.) Das Raubage in der Stadt: Beckett liest Hamburg. Wallstein Verlag, Göttingen, pp. 69-78. ISBN 9783835301931 Nixon, M. (2007) Ewangelia i zakaz: Beckett i nazistowskie Niemcy. Kwartalnik Artystyczny, 53 (1). pp. 69-78. ISSN 1232–2105 Nixon, M. (2007) Samuel Beckett and Romanticism in the 1930s. Samuel Beckett Today / Aujourd'hui, 18. pp. 61-76. ISSN 0927-3131 (special issue 'All sturm and no drang') Nixon, M. (2007) Solitude(s) and creative fidgets: Beckett reading Rainer Maria Rilke. Litteraria Pragensia, 17 (33). pp. 6-18. ISSN 0862-8424 (special issue 'Samuel Beckett: textual genesis and reception') Nixon, M. (2007) 'Text-void': silent words in Paul Celan and Samuel Beckett. In: Feldman, M. and Nixon, M. (eds.) Beckett’s literary legacies. Cambridge Scholars Publishing, Newcastle, pp. 152-168. ISBN 9781847182814 Nixon, M. (2007) The remains of trace: intra- and intertextual transferences in Beckett’s 'Mirlitonnades' manuscripts. Journal of Beckett Studies, 16 (1 & 2). pp. 121-134. ISSN 1759-7811 Saunders, G. (2007) Reclaiming Sam for Ireland: the Beckett on film project. In: Cave, R. and Levitas, B. (eds.) Irish Theatre in England. Irish Theatrical Diaspora (2). Carysfort Press, Dublin. ISBN 9781904505266 van Hulle, D. and Nixon, M. (2007) “Holo and unholo”: the Beckett Digital Manuscript Project. Samuel Beckett Today / Aujourd'hui, 18. pp. 313-322. ISSN 0927-3131 (special issue 'All sturm and no drang') 2006Nixon, M. (2006) 'Writing': die Bedeutung der Deutschlandreise 1936/37 für Becketts schriftstellerische Entwicklung. In: Dittrich, L., Veit, C. and Wichner, E. (eds.) "Obergeschoss still closed": Samuel Beckett in Berlin 1936/37. Matthes & Seitz, Berlin, pp. 103-122. ISBN 9783882219203 Nixon, M. (2006) 'Guess where': from reading to writing in Beckett. Genetic Joyce Studies, 16. ISSN 2031-9002 Nixon, M. (2006) “Scraps of German”: Samuel Beckett reading German literature. Samuel Beckett Today / Aujourd'hui, 16. pp. 259-282. ISSN 0927-3131 (special issue 'Notes diverse holo[graph]') 2005Bignell, J. (2005) How to watch television? Pedagogy and paedocracy in Beckett’s television plays. Samuel Beckett Today / Aujourd'hui, 15. pp. 281-293. ISSN 0927-3131 (Historicising Beckett / Issues of Performance) Nixon, M. (2005) Samuel Beckett’s presence in modern Irish poetry. Yearbook of English Studies, 35. pp. 43-57. ISSN 2222-4289 Saunders, G. (2005) 'A theatre of ruins'. Edward Bond & Samuel Beckett: theatrical antagonists. Studies in Theatre & Performance, 25 (1). pp. 66-77. ISSN 2040-0616 doi: https://doi.org/10.1386/stap.25.1.67/0 2004McMullan, A. (2004) Irish/postcolonial Beckett. In: Oppenheim, L. (ed.) Palgrave Advances in Samuel Beckett Studies. Palgrave Advances. Palgrave Macmillan, pp. 89-109. ISBN 9781403903525 2003Frost, E. and McMullan, A. (2003) The Blue Angel Beckett on film project : questions of adaptation, aesthetics and audience in filming Beckett’s theatrical canon. In: Ben-Zvi, L. (ed.) Drawing on Beckett : portraits, performances, and cultural contexts. Assaph Books. Tel Aviv University, Tel Aviv, pp. 215-238. ISBN 9789659062508 1993McMullan, A. (1993) Theatre on trial: the later drama of Samuel Beckett. Routledge, London, pp168. ISBN 9780415052023 |
