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‘Harmonised type design’ revisited

Nemeth, T. (2016) ‘Harmonised type design’ revisited. In: Dyson, M. and Suen, C. Y. (eds.) Digital Fonts and Reading. Series on Language Processing, Pattern Recognition, and Intelligent Systems. World Scientific, Singapore, pp. 150-172. ISBN 9789814759533

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To link to this item DOI: 10.1142/9789814759540_0009

Abstract/Summary

In 1993 Charles Bigelow and Kris Holmes published The design of a Unicode font. It was one of the first scholarly discussions of type design for multiple scripts, and likely coined the term harmonised design. Bigelow and Holmes defined the concept thus: ‘By “harmonization”, we mean that the basic weights and alignments of disparate alphabets are regularized and tuned to work together, so that their inessential differences are minimized, but their essential, meaningful differences preserved.’ In 1993 the introduction of the Unicode standard provided the technological background which allowed this novel approach as fonts could now contain many thousands of characters. And just as Unicode aspired to be the single, universal encoding standard of the world, now it became tangible to create typefaces with unified typographic representations of many of the world's scripts. Harmonised type design was soon widely embraced, copied and promoted, and was received with little, if any, critique. Bigelow and Holmes' assertion that ‘harmonization seems like a desirable goal’ appears to have been a view which was widely shared in the trade, and harmonisation became an established concept. This article revisits the notion of harmonised type design 20 years after its inception. It critically assesses the origin of the concept, identifies its parallels to modernist design ideas, and queries its applicability in different typographic scenarios. Some limits of the concept of harmonised type design are discussed and different interpretations of designing type for multiple scripts are briefly mentioned.

Item Type:Book or Report Section
Refereed:Yes
Divisions:No Reading authors. Back catalogue items
Faculty of Arts, Humanities and Social Science > School of Arts and Communication Design > Typography & Graphic Communication
ID Code:87161
Uncontrolled Keywords:Multilingual, typography, Arabic, harmonisation, type design
Publisher:World Scientific

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