Accessibility navigation

Introduction: Harold Pinter’s transmedial histories

Tools
Lists

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451

[thumbnail of Open Access]
Preview
 Text (Open Access) - Published Version
· Available under License Creative Commons Attribution.
· Please see our End User Agreement before downloading.
488kB
[thumbnail of Bignell Davies -Final.pdf] Text - Accepted Version
· Restricted to Repository staff only
376kB

It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing.

To link to this item DOI: 10.1080/01439685.2020.1778314

Abstract/Summary

This article introduces the special issue by exploring the transmediality of Harold Pinter's work. By examining Pinter's texts across television, radio and cinema, as well as theatre, this article argues that both Pinter's formal experimentation and development as a cultural figure are intimately connected to his consistent practice of working across a variety of media.

Item Type:Article
Refereed:Yes
Divisions:Interdisciplinary Research Centres (IDRCs) > Samuel Beckett Research Centre
Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
ID Code:89961
Uncontrolled Keywords:Harold Pinter; radio; television; drama; film; adaptation; theatre.
Publisher:Taylor & Francis
Download Statistics

Downloads

Downloads per month over past year

Altmetric
Deposit Details

University Staff: Request a correction | Centaur Editors: Update this record

Page navigation

See also