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Items where Division is "Film, Theatre & Television" and Year is 2021

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Jump to: B | C | H | L | M | O | P
Number of items: 15.

B

Bartley, S. (2021) UK people’s theatres: performing civic functions in a time of austerity. Research in Drama Education: The Journal of Applied Theatre and Performance, 26 (1). pp. 171-186. ISSN 1470-112X doi: https://doi.org/10.1080/13569783.2020.1853516

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Adventures between TV and film, and between Britain and America. Ecrans, 21 (2). ISSN 2267 4357 (In Press) (Special issue "Mémoire et réécritures dans les séries télévisées")

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Alien or familiar: sounds and images in The Twilight Zone, ‘The Invaders’ (1961). In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.) Moments in Television: Sound/Image. The Television Series. Manchester University Press, Manchester. (In Press)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Articulations of voice and medium in Beckett’s screen work. In: De Vos, L., Hori Tanaka, M. and Johnson, N. (eds.) Beckett’s Voices / Voicing Beckett. Themes in Theatre, 12. Brill, Leiden, pp. 280-294. ISBN 9789004468382 doi: https://doi.org/10.1163/9789004468382_021

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Cringe histories: Harold Pinter and the Steptoes. Humanities, 10 (2). 83. ISSN 2076-0787 doi: https://doi.org/10.3390/h10020083

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Grand designs: television, style and substance in The Time Tunnel. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.) Moments in Television: Substance/Style. The Television Series. Manchester University Press, Manchester. (In Press)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) Vanity Fair (1967) and the contradictions of colour. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. F. (eds.) Moments in Television: Simplicity/Complexity. The Television Series. Manchester University Press, Manchester. (In Press)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2021) The absence of television: broadcasting and war in Britain, 1939-45. In: Dickason, R. (ed.) Issues and Singularity in the British Media. Atlande, Paris. (In Press)

C

Cox-Stanton, T. and Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2021) Audiovisual scholarship and experiments in non-linear film history. The Cine-Files (15). ISSN 2156-9096

H

Hegarty Lovett, J. (2021) Staging Beckett’s Prose: A Practice As Research Analysis of Staging How It Is. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00100315

L

Lees, D. and Sexton, M. (2021) Seeing it on television: televisuality in the contemporary U.S. 'High-End' series. Bloomsbury Academic, London, pp192. ISBN 9781501359422

Lees, D., Bashford-Rogers, T. and Keppel-Palmer, M. (2021) The digital resurrection of Margaret Thatcher: creative, technological and legal dilemmas in the use of deepfakes in screen drama. Convergence: The International Journal of Research into New Media Technologies, 27 (4). pp. 954-973. ISSN 1354-8565 doi: https://doi.org/10.1177/13548565211030452 (Special Issue: 'The Digital Face and Deepfakes on Screen')

M

McMullan, A. (2021) Samuel Beckett's intermedial ecosystems: closed space environments across the stage, prose and media works. Cambridge University Press, Cambridge. ISBN 9781108938990 doi: https://doi.org/10.1017/9781108938990

O

O'Brien, A. (2021) Central Park and its provision. Open Screens, 41 (1). ISSN 2516-2888 doi: https://doi.org/10.16995/os.47

P

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2021) UtoPia: an early history of Pia and its role in Japan’s 'self-made' film culture. Japan Forum. ISSN 1469-932X doi: https://doi.org/10.1080/09555803.2021.1895283

This list was generated on Wed Oct 20 01:42:45 2021 UTC.

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