Nontraditional casting

CRITICISM André, Naomi Adele. Black Opera: History, Power, Engagement. University of Illinois Press, 2018. Arjomand, Minou. “Performative Casting: Bridgerton from Regency Romance to Social Media.” Journal of Dramatic Theory and Criticism, vol. 39, no. 1, 2024, pp. 73-92. DOI: 10.1353/dtc.2024.a951645 Banks, Daniel. “The welcome table: Casting for an integrated society.” Casting a Movement: The Welcome Table Initiative, edited by Claire Syler and Daniel Banks, New York: Routledge, 2019, pp. 12-30. Carroll, Rachel. “Black Britain and the Classic Adaptation: Integrated Casting in Television Adaptations of Oliver Twist and Little Dorrit”. Adaptation, vol. 8, no. 1, 2014, pp.16-30. DOI: 10.1093/adaptation/apu035 Geraghty, Christine. “Casting for the Public Good: BAME Casting in British Film and Television in the 2010s.” Adaptation, vol. 14, no. 2, 2021, pp. 168-186. DOI 10.1093/adaptation/apaa004 Hirwani, Peony. “Charithra Chandran says she felt pressure on Bridgerton set.” The Independent, 20 April 2022, https://www.independent.co.uk/arts-entertainment/tv/news/charithra-chandran-bridgerton-season-2-netflix-b2061304.html Malik, Sarita. “‘Creative Diversity’: UK Public Service Broadcasting After Multiculturalism.” Popular Communication, vol. 11, no. 3, 2013, pp. 227-241, DOI: 10.1080/15405702.2013.810081 Peetz, Julia. “Performing Political Myth.” Bodies, Spaces, Claims: The Theory and Practice of Performing Political Representation, edited by Paula Diehl and Michael Saward, Oxford University Press, 2024, pp. 245-266. DOI: 10.1093/oso/9780198934905.003.0012 Rhimes, Shonda. Year of Yes: How to Dance It Out, Stand in the Sun and be Your Own Person. Simon & Schuster, 2015. Rogers, Jami. “The Shakespearean Glass Ceiling: the State of Colorblind Casting in Contemporary British Theatre.” Shakespeare Bulletin, vol. 31, no. 3, 2013, pp. 405-430. DOI: 10.1353.shb.2013.0039 Sarkar, Ash (@AyoCaesar). “My only contribution to the #Bridgerton discourse is that I actually found it embarrassingly moving to see gorgeous, dark-skinned South Asian women play romantic leads, and I wonder how it would have felt to see that represented in pop culture when I was growing up.” Twitter, 27 March 2022, 8:24 p.m., https://x.com/AyoCaesar/status/1508162973797335042 Shohat, Ella. “The Struggle Over Representation: Casting, Coalitions, and the Politics of Identification.” Late Imperial Culture, edited by Román de la Campa, E. Ann Kaplan and Michael Sprinker. Verso, 1995, pp. 166-178. Taylor, Kelly-Anne. “Simone Ashley: ‘I did a bootcamp to learn to horse ride for Bridgerton.” Radio Times, 19-25 March 2022, https://www.radiotimes.com/tv/drama/bridgerton-season-2-cast-big-rt-interview/ Thompson, Ayanna. “Practicing a Theory/Theorizing a Practice: An Introduction to Shakespearean Colorblind Casting.” Colorblind Shakespeare, edited by Ayanna Thompson. Routledge, 2006, pp.1-24. DOI: 10.4324/9780203944332 Thompson, Ayanna. “To Notice or Not To Notice: Shakespeare, Black Actors and Performance Reviews.” Borrowers and Lenders: The Journal of Shakespeare and Appropriation, vol. 4, no. 1, 2008/09, pp. 1-15. Warner, Kristen J. The Cultural Politics of Colorblind TV Casting. Routledge, 2015. Warner, Kristen J. “In the Time of Plastic Representation.” Film Quarterly, vol. 71, no. 2, 2017, pp. 32-37. DOI: 10.1525/fq.2017.71.2.32