Accessibility navigation

Beckett’s theatre: embodying alterity

Lists
Tools

McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 (2007) Beckett’s theatre: embodying alterity. In: Ben-Zvi, L. and Moorjani, A. (eds.) Beckett at 100: Revolving it All. Oxford University Press, pp. 166-176. ISBN 9780195325485

Full text not archived in this repository.

It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing.

Abstract/Summary

An analysis of the ways in which Samuel becket's plays erode the boundaries of identity with particular reference to Eleutheria, Waiting for Godot and selected later plays.

Item Type:Book or Report Section
Refereed:Yes
Divisions:Interdisciplinary Research Centres (IDRCs) > Samuel Beckett Research Centre
Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
ID Code:24994
Publisher:Oxford University Press
Altmetric
Related URLs
Deposit Details

University Staff: Request a correction | Centaur Editors: Update this record

Page navigation

See also