Balancing act: exploring the tone of The Life Aquatic with Steve ZissouGibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2012) Balancing act: exploring the tone of The Life Aquatic with Steve Zissou. New Review of Film and Television Studies, 10 (1). pp. 132-151. ISSN 1740-0309 (special issue: Wes Anderson and Co.)
It is advisable to refer to the publisher's version if you intend to cite from this work. See Guidance on citing. To link to this item DOI: 10.1080/17400309.2011.635035 Abstract/SummaryThis paper provides an analysis of The Life Aquatic in the context of debates around tone, irony, the Smart Film, the New Sincerity and the Quirky. It argues that Anderson is one of a small but significant number of filmmakers to escape from the indiscriminate irony of fin de sie`cle cinema, and finds The Life Aquatic Aquatic a particularly interesting film in which to explore such matters because of its ready artifice, strong elements of pastiche and measuredly preposterous excesses. Offering a critical analysis, the paper balances an engagement with some of the systemic elements of the film’s tone with the detailed organisation of tonal elements in particular sequences.
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