"Muito boa qualidade, de facto": Shooting the Past e o caso das séries dramáticas de qualidade da televisão britânica na era da televisão de qualidade americana. ["Rather good quality, in fact": Shooting the Past and the case of British Quality Television Drama in the age of AQTV]

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Knox, S. ORCID: https://orcid.org/0000-0002-5094-6203 (2008) "Muito boa qualidade, de facto": Shooting the Past e o caso das séries dramáticas de qualidade da televisão britânica na era da televisão de qualidade americana. ["Rather good quality, in fact": Shooting the Past and the case of British Quality Television Drama in the age of AQTV]. In: Discursos e Práticas de Qualidade Na Televisão. Livros Horizonte, Lisboa, pp. 271-286.

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Item Type:	Book or Report Section
Refereed:	Yes
Divisions:	Arts, Humanities and Social Science > School of Arts and Communication Design > Film, Theatre & Television
ID Code:	46065
Uncontrolled Keywords:	quality television, British television drama
Publisher:	Livros Horizonte

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References

• Bakhtin, Mikhail. “The Problem of Speech Genres” in Speech Genres and Other Late Essays. Ed. Caryl Emerson and Michael Holquist. Trans. Vern W. McGee. Austin: University of Texas Press, 1986: 60-102. • Bignell, Jonathan. “Seeing and knowing: reflexivity and quality” in Akass, Kim and McCabe, Janet (eds.). Contemporary American TV Drama: The Quality Debate. London: I.B. Tauris, forthcoming. • Billen, Andrew. “Why I love American TV” The Observer, 28 July 2002. • Brunsdon, Charlotte. “Problems with Quality” Screen 31: 1 (1990): 67-90. • Bull, John. “Mapping the Terrain: Troy Kennedy Martin’s Edge of Darkness” in Bignell, Jonathan, et al. (eds.). British Television Drama: Past, Present and Future. Houndmills; New York: Palgrave, 2000: 93-99. • Cardwell, Sarah. “‘Television aesthetics’ and close analysis: style, mood and engagement in Perfect Strangers (Stephen Poliakoff, 2001)” in Gibbs, John and Pye, Douglas (eds.). Style and meaning: Studies in the detailed analysis of film. Manchester; New York: Manchester UP, 2005: 179-194. • Caughie, John. Television Drama: Realism, Modernism, and British Culture. Oxford: Oxford UP, 2000. • Chapman, James. Saints and Avengers: British Adventure Series of the 1960s. London; New York: I.B. Tauris, 2002. • Holdsworth, Amy. “‘Slow Television’ and Stephen Poliakoff’s Shooting the Past” Journal of British Cinema and Television 3: 1 (2006): 128-133. • Lawson, Mark. “Goodbye, Ally McBeal. We owe you” The Guardian, 20 April 2002. • Miller, Jeffrey S. Something Completely Different: British Television and American Culture. Minneapolis: University of Minnesota Press, 2000. • Nelson, Robin. TV Drama in Transition: Forms, Values and Cultural Change. Basingstoke: Macmillan, 1997. • Nelson, Robin. “Locating Poliakoff: an Auteur in Contemporary TV Drama” Journal of British Cinema and Television 3: 1 (2006): 122-127. • Rixon, Paul. “The Changing Face of American Television Programmes on British Screens” in Jancovich, Mark and Lyons, James (eds.). Quality Popular Television: Cult TV, the Industry and Fans. London: BFI, 2003: 48-61. • Rixon, Paul. American Television on British Screens: A Story of Cultural Interaction. Houndmills; New York: Palgrave Macmillan, 2006. • Thompson, Mark. “What's wrong with our TV?” The Guardian, 24 August 2002. • Wells, Matt. “Where the writer is king” The Guardian, 27 January 2003. • Zettl, Herbert. “The Rare Case of Television Aesthetics” Journal of the University Film Association 30: 2 (1978): 1-12.

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"Muito boa qualidade, de facto": Shooting the Past e o caso das séries dramáticas de qualidade da televisão britânica na era da televisão de qualidade americana. ["Rather good quality, in fact": Shooting the Past and the case of British Quality Television Drama in the age of AQTV]

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