Number of items: 17.
B
Bull, J.
(2006)
Left in front: David Edgar's political theatre.
In: Luckhurst, M. (ed.)
A Companion to Modern British and Irish Drama 1880-2005.
Blackwell Companions: Literature and Culture.
Blackwell, Oxford, pp. 441-453.
ISBN 9781405122283
Butler, A.
(2006)
Gender.
In: Grant, B. K. (ed.)
Schirmer Encyclopedia of Film.
Schirmer/Gale, New York.
ISBN 9780028657912
D
Dunsby, J.
(2006)
Making words sing: nineteenth- and twentieth-century song.
Cambridge University Press, Cambridge.
ISBN 9780511207181
G
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798
(2006)
Filmmakers' choices.
In:
Close-Up 01.
Wallflower Press, London, pp. 1-87.
ISBN 1904764665
Gibbs, J.
ORCID: https://orcid.org/0000-0003-0876-1798 and Pye, D., eds.
(2006)
Close-Up 01: Filmmakers’ choices / The pop song in narrative film / reading Buffy.
Wallflower Press, London, pp256.
ISBN 9781904764571
K
Knox, S.
ORCID: https://orcid.org/0000-0002-5094-6203
(2006)
Reading the ungraspable double-codedness of: the Simpsons.
Journal of Popular Film and Television, 34 (2).
pp. 73-81.
ISSN 1930-6458
doi: https://doi.org/10.3200/JPFT.34.2.73-81
M
McMullan, A.
ORCID: https://orcid.org/0000-0002-2531-3746
(2006)
Performativity, unruly bodies and gender in Brian Friel’s drama.
In: Roche, A. (ed.)
Cambridge Companion to Brian Friel.
Cambridge Companions to Literature.
Cambridge University Press, Cambridge, pp. 142-153.
ISBN 9780521853996
Murjas, T.
ORCID: https://orcid.org/0000-0002-1280-7149
(2006)
'Four of Them' by Gabriela Zapolska. Translated and directed by Teresa Murjas.
[Performance]
N
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
Talking bullets: the language of violence in "City of God".
In: Vieira, E. R. P. (ed.)
"City of God" in several voices: Brazilian social cinema as action.
Critical, Cultural and Communications Press, Nottingham, pp. 32-43.
ISBN 9781905510009
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
Teoria experimental do realismo corpóreo baseada nos filmes de Nagisa Oshima e da nouvelle vague japonesa.
In: Greiner, C. and Amorim, C. (eds.)
Leituras do Sexo.
Annablume, São Paulo, pp. 127-140.
ISBN 857419610X
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
Towards a positive definition of World Cinema.
In: Dennison, S. and Lim, S. H. (eds.)
Remapping world cinema: identity, culture and politics in film.
Wallflower Press, London, pp. 30-37.
ISBN 9781904764632
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
A utopia no Cinema Brasileiro: matrizes, nostalgia, distopias.
Coleção Ensaios.
CosacNaify, São Paulo, pp216.
ISBN 8575035576
Nagib, L.
ORCID: https://orcid.org/0000-0001-8808-9748
(2006)
The zero, the centre and the empty utopia: from Rossellini to Walter Salles.
Studies in European Cinema, 3 (3).
pp. 223-233.
ISSN 2040-0594
doi: https://doi.org/10.1386/seci.3.3.223_1
P
Paget, D. and Roscoe, J.
(2006)
Giving voice: performance and authenticity in the documentary musical.
Jump Cut: a Review of Contemporary Media, 48.
Phillips, A.
(2006)
Pictures of the past in the present: modernity, femininity and stardom in the postwar films of Ozu Yasujiro.
In: Grant, C. and Kuhn, G. E. (eds.)
Screening World Cinema.
The Screen Readers.
Routledge, London, New York.
ISBN 9780415384285
Phillips, A. and Vincendeau, G., eds.
(2006)
Journeys of desire: European actors in Hollywood.
British Film Institute, pp350.
ISBN 9781844571246
T
Taylor, L.
(2006)
The 'unhomely' stage.
Studies in Theatre & Performance, 26 (3).
pp. 205-220.
ISSN 2040-0616
doi: https://doi.org/10.1386/stap.26.3.205/1
This list was generated on Mon Feb 24 12:40:20 2025 UTC.