Article

Cocks, N. (2023) "…pure existence, without sense…": Joan Copjec, Hitchcock’s Rebecca, and reading the real. Textual Practice. pp. 1-19. ISSN 1470-1308 doi: https://doi.org/10.1080/0950236X.2023.2214122

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798 (2023) Creative geography, creative connections: Candyman. Movie: a journal of film criticism, 11. pp. 19-21. ISSN 2047-1661

Gibbs, J. ORCID: https://orcid.org/0000-0003-0876-1798, Glitre, K. and Pye, D. (2023) The Miracle of Morgan’s Creek (1944): three perspectives on Preston Sturges and the Production Code. Quarterly Review of Film and Video. ISSN 1543-5326 (In Press) (Part of Special Issue: Hollywood Film Style and the Production Code: Criticism and History)

Lees, D. (2023) Cinema Ex Machina. Sight and Sound.

Lees, D. (2023) Deepfakes in documentary film production: images of deception in the representation of the real. Studies in Documentary Film. ISSN 1750-3280 doi: https://doi.org/10.1080/17503280.2023.2284680

Mulder, K. J., Williams, L., Lickiss, M., Black, A., Charlton-Perez, A., McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640 and McSorley, E. (2023) Understanding representations of uncertainty, an eye-tracking study part 1: the effect of anchoring. Geoscience Communications, 6 (3). pp. 97-110. ISSN 2569-7110 doi: https://doi.org/10.5194/gc-6-97-2023

O'Brien, A. (2023) Pinning down Hou Hsiao-Hsien’s red balloon. Movie: a journal of film criticism, 11. ISSN 2047-1661

O'Brien, A. (2023) The nature of ostension. Comparative Cinema, 11 (20). pp. 10-25. ISSN 2604-9821 doi: https://doi.org/10.31009/cc.2023.v11.i20.02

Player, M. ORCID: https://orcid.org/0000-0002-8785-488X (2023) UtoPia: an early history of Pia and its role in Japan’s 'self-made' film culture. Japan Forum, 35 (3). pp. 314-343. ISSN 1469-932X doi: https://doi.org/10.1080/09555803.2021.1895283

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2023) Murty Classical Library of India: some notes on the project’s collaborative type-design process for the Indian-script typefaces 머티 인도 고전 총서—인도 글자 활자체에 적용할 서체 디자인 협업 프로세스를 기록하다. GRAPHIC (50). pp. 214-228. (VOICE: Notes from the Typojanchi 2023 『그래픽』 #50 보이스: 타이포잔치 2023 메모들)

Williams, L., Mulder, K. J., Charlton-Perez, A., Lickiss, M., Black, A., McCloy, R. ORCID: https://orcid.org/0000-0003-2333-9640, McSorley, E. and Young, J. (2023) Understanding representations of uncertainty, an eye-tracking study – part 2: the effect of expertise. Geoscience Communications, 6 (3). pp. 111-123. ISSN 2569-7110 doi: https://doi.org/10.5194/gc-6-111-2023

Book or Report Section

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) Adaptation and convergence: Beckett on film. In: Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P. (eds.) Beckett’s Afterlives: Adaptation, Remediation, Appropriation. Manchester University Press, Manchester, pp. 34-49. ISBN 9781526153791

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) Entanglements of intermediality: Polanski, Pinter, Steptoe and Son. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, Oxford, pp. 267-280. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0017

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) Samuel Beckett’s television plays. In: Bennett, M. (ed.) The Routledge Companion to Absurdist Literature. Routledge Literature Companions. Routledge, London. ISBN 9781032188126 (In Press)

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 (2023) The epic in the everyday: television and Doctor Who, ‘The Chase’. In: Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L. (eds.) Epic / Everyday: Moments in Television. The Television Series. Manchester University Press, Manchester. ISBN 9781526170224

Bravo, J. ORCID: https://orcid.org/0000-0002-1013-8412 (2023) Visual displays of local flood risk: examining how residents at risk use flood maps and river level graphs. In: Von Manen, S. M., Jaenichen, C., Lin, T. S., Kremer, K. and Ramirez, R. (eds.) Design for Emergency Management. Routledge, London. ISBN 9781032285030

Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G. (2023) Marie Reidemeister und Otto Neurath: eine Lebens- und arbeitspartnerschaft. In: Shapira, E. and Rossberg, A.-K. (eds.) Gestalterinnen: Frauen, Design und Gesellschaft im Wien der Zwischenkriegszeit. De Gruyter, Berlin/Boston, pp. 213-223. ISBN 9783110771886 doi: https://doi.org/10.1515/9783110771947-014

Costa, B. and Murjas, T. ORCID: https://orcid.org/0000-0002-1280-7149 (2023) Between: an example of collaborative, advocating theatre-making by spoken language interpreters. In: Boyle, C. and Maitland, S. (eds.) Translation as Advocacy. Hodder & Stoughton. (In Press)

Hellings, J. (2023) Alexander Kluge’s ‘Film in the mind of the spectator,’ or after-(dialectical)-images in News from Ideological Antiquity: Marx – Eisenstein – Capital. In: Graça, A. R., Baggio, E. and Penafria, M. (eds.) Filmmakers on Film: Global Perspectives. Bloomsbury / BFI, London, pp. 139-148. ISBN 9781839024870 doi: https://doi.org/10.5040/9781839024900.ch-13

Hellings, J. (2023) One-dimensional man? A reply to Alain Badiou. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium through Other Media. Oxford University Press, New York, pp. 21-28. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0003

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 (2023) Historicising the story through film and music: an intermedial reading of Heimat 2. In: Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S. (eds.) The Moving Form of Film: Historicising the Medium Through Other Media. Oxford University Press, New York, pp. 202-221. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.003.0014

Reid, T. (2023) Regions and nations: the myth of levelling up. In: Harvie, J. and Rebellato, D. (eds.) The Cambridge Companion to British Theatre Since 1945. Cambridge Companions. Cambridge University Press, Cambridge, pp. 246-263. ISBN 9781108377850 doi: https://doi.org/10.1017/9781108377850

Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 (2023) সুন্দর সাবলীল বাংলা হরফের খোঁজে. In: আনন্দ শতক. Anandabazar Patrika, Kolkata, pp. 394-397. ISBN 9789354253225

Report

Purse, L., Lees, D., Philip, A. and Ghosh, S., (2023) What can the industry and Government do to ensure British film and high-end television can adapt for the future? Report. UK Parliament, Westminster. pp4.

Book

Alfandari, N., Asante, B., Bailey, A., Barton, C., Barokka, K., Bei, Z. and Bennett, B. (2023) How we hold: rehearsals for art and social change. Serpentine, London. ISBN 9783753305035

Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601, McMullan, A. ORCID: https://orcid.org/0000-0002-2531-3746 and Verhulst, P., eds. (2023) Beckett's afterlives: adaptation, remediation, appropriation. Manchester University Press, Manchester, pp288. ISBN 9781526153791

Cardwell, S., Bignell, J. ORCID: https://orcid.org/0000-0003-4874-1601 and Donaldson, L., eds. (2023) Epic / everyday: moments in television. The Television Series. Manchester University Press, Manchester, pp264. ISBN 9781526170224

Höfer, U., Burke, C. ORCID: https://orcid.org/0000-0002-0391-3740 and Sandner, G., eds. (2023) Otto Neurath - Gesammelte schriften. Ergänzungsband. Varia-Verstreute schriften. LIT Verlag, Vienna, pp600. ISBN 9783643510686

Kollectiv, P. and Kollectiv, G. (2023) Subversive performance in the age of human capital. Palgrave Macmillan, Switzerland, pp281. ISBN 9783031358142 doi: https://doi.org/10.1007/978-3-031-35815-9

Nagib, L. ORCID: https://orcid.org/0000-0001-8808-9748 and Solomon, S., eds. (2023) The moving form of film: historicising the medium through other media. Oxford University Press, New York, pp340. ISBN 9780197621707 doi: https://doi.org/10.1093/oso/9780197621707.001.0001

Sandhu, K. (2023) Baby 19. Intergraphia.

Thesis

Herron Coleman, K. (2023) If they be two: relationships in women’s coauthored experimental film and video. PhD thesis, University of Reading. doi: https://doi.org/10.48683/1926.00114670

Show/Exhibition

Bennett, B. (2023) Simon Says/Dadda. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – film screening and panel discussion. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 (2023) Reading International: home is where the music is – Chris Zhongtian Yuan. [Show/Exhibition]

Clausen, S. ORCID: https://orcid.org/0000-0002-6536-6236 and Kerestey, P. (2023) Ukrainian wartime posters, exhibition, 571 Oxford Road Gallery, Reading. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2023) Elks in the Rear Window. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2023) Fossils. [Show/Exhibition]

Renshaw, T. (2023) Close corners. [Show/Exhibition]

Renshaw, T. (2023) The larger in/and the smaller. [Show/Exhibition]

Performance

Sandhu, K. (2023) From 'Baby 19'. [Performance]

Sandhu, K. (2023) From 'Gestalt!'. [Performance]

Sandhu, K. (2023) From 'Gestalt!', 'young girls!' and 'Poetic fragments from the irritating archive'. [Performance]

Project

Izadpanah, B. ORCID: https://orcid.org/0000-0002-4455-4350 (2023) Tabrizi Jali typeface: reviving history through letterforms. [Project]

Image

Sandhu, K. (2023) From 'Five [yellow] poems'. [Image] (Experiment-O (Issue 16))

Other

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Gajjar-Bordawekar, K. (2023) ABPN Gujarati typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2023) ABPN Hindi typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.

Kshetrimayum, N., Ross, F. ORCID: https://orcid.org/0000-0002-1094-2961 and Singh, V. (2023) ABPN Marathi typeface. Ananda Bazar Patrika (ABP) Pvt Ltd.