Accessibility navigation


Items where Division is "Faculty of Arts, Humanities and Social Science > School of Arts and Communication Design > Art > Fine Art"

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Date | Creators/Editors | Item Type | No Grouping
Number of items at this level: 323.

Article

Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. The International Journal of the Interactive Museum, 9 (1). pp. 21-38.

Clausen, S. (2011) Ballet-performing normality in the face of crisis. The International Journal of the Image, 1 (Issue 2). pp. 157-178. ISSN 2152-7857

Cook, R. J. R. (2004) (S)tools for conviviality. Miser and Now, 2. pp. 2-10.

Dzuverovic, L. (2016) Holly Herndon: a life across bits and atoms. Afterall Journal, 41. pp. 90-97. ISSN 1465-4253 doi: 10.1086/687091

Dzuverovic, L. (2016) Twice erased: the silencing of feminisms in her noise. Women and Music: A Journal of Gender and Culture (20). ISSN 1090-7505 (In Press)

Garfield, R. (2016) Deflationary tactics with the archive of life: contemporary Jewish art and popular culture. Journal of Modern Jewish Studies. ISSN 1472-5886 doi: 10.1080/14725886.2016.1242313

Garfield, R. (2014) Imagining multicultural London: containment and excess in snatch. European Judaism, 47 (2). pp. 60-68. ISSN 0014-3006 doi: 10.3167/ej.2014.47.02.08 (Special issue "Writing Jews In Contemporary Britain")

Garfield, R. (2013) Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick. Open Arts Journal, 1 (1). pp. 45-59. ISSN 2050-3679 doi: 10.5456/issn.5050-3679/2013s06rg

Garfield, R. (2016) The Stephen Dwoskin dossier: introduction. Screen, 57 (1). pp. 71-73. ISSN 1460-2474 doi: 10.1093/screen/hjw006

Garfield, R. S. (2016) Maximalism as a Cosmopolitan strategy in the art of Ruth Novaczek and Doug Fishbone. European Review of History, 23 (5-6). pp. 961-977. ISSN 1350-7486 doi: 10.1080/13507486.2016.1203880

Healy, C. (2014) And the night was kind. 'Ruskin's Ponds' book works by John Woodman. The Blue Notebook: Journal for artists' books., 8 (2). pp. 39-43. ISSN 1751-1712

Healy, C. (2016) Thin place: an alternative approach to place-based curation. Centre for Landscape Studies, NUI Galway. (In Press)

Healy, C. and Stead, A. (2016) Already the world: a post-humanist dialogue. Alter Rurality . (In Press)

Kollectiv, G. and Kollectiv, P. (2011) In the intersection of the angles of a table, there is more truth than in all the tangle of muscles: Futurism as anti-humanist critique. History and Theory, Future's P (19). ISSN 1565-8163

MacLean, M. (2007) Considering if…then…else…. Journal of Visual Art Practice, 6 (3). pp. 257-267. ISSN 1758-9185 doi: 10.1386/jvap.6.3.257_1

Renshaw, T. (2013) John Wikins. Turps, 1 (13). pp. 14-21. ISSN 1749-3994

Russell, J. (2013) Abysmal plan: waiting until we die and radically accelerated repetitionism. e-flux , 46 (6).

Russell, J. (2015) Bruce Willis, irigaray, and the aesthetics of space travel. EROS Journal, 6. pp. 56-70. ISSN 2048-8352

Russell, J. (2011) Dear living person. Mute Journal. , 3 (1). pp. 112-122. ISSN ISBN - 978-1-906496-01-2

Russell, J. (2013) Dear living person II: story of the eyes. F.R.DAVID (10). pp. 81-103. ISSN 1874-026X

Russell, J. (2012) Jexus. Metamute.org .

Russell, J. (2015) SQRRL. Rhizome.

Russell, J. (2009) Why are conceptual artists juicing again? Because they moisturise its a glistening sparkle. Frieze magazine. pp. 108-112.

Book or Report Section

Clausen, S. (2007) Szuper gallery. In: Culture Shock. The Artists' Studio, London, pp. 70-79. ISBN 9780954699955

Dzuverovic, L. (2015) Contribution to The World Goes Pop exhibition catalogue. In: Morgan, J. and Frigeri, F. (eds.) The world goes pop. Tate Publishing, London, pp272. ISBN 9781849762700

Garfield, R. (2016) Between seeing and knowing: Stephen Dwoskin’s Behindert and the camera’s caress. In: Clayton, S. and Mulvey, L. (eds.) Other Cinemas: Politics, Culture and British Experimental Film in the 1970s. IB Taurus, London. ISBN 9781784537180 (In Press)

Garfield, R. (2016) From the evacuees to grandma's house: class, sexuality and Jewish identity on British television 1975-2012. In: Abrams, N. (ed.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television and Popular Culture. Cultural Expressions. Northwestern University Press, pp. 137-156. ISBN 9780810132825 (In Press)

Garfield, R. (2015) Negotiating the British landscape. In: Dadi, I. (ed.) Anwar Jalal Shemza. Riding House, London, pp. 19-26. ISBN 9781909932135 (In Press)

Garfield, R. (2014) Playing with history: negotiating subjectivity in contemporary lens based work. In: Valman, N. and Roth, L. (eds.) The Routledge Handbook to Contemporary Jewish Cultures. Routledge, London. ISBN 9780415473781

Garfield, R. (2009) A particular incoherence: some films of Vivienne Dick. In: O'Brian, T. (ed.) Between Truth and Fiction: The Films of Vivienne Dick. LUX and The Crawford Gallery, London, pp. 36-53. ISBN 9780954856984

Hellings, J. (2014) Amor intellectualis diaboli. In: Kivland, S. (ed.) Folles De Leur Corps / Crazy About Their Bodies. Cafe Gallery Projects in association with Ma Bibliotheque, London, UK, pp. 32-35.

Hellings, J. (2014) Making: the invisible visible. In: Klimpel, O. (ed.) The Visual Event: An Education in Appearances. Spector Books, Leipzig, Germany, pp. 30-39. ISBN 9783944669625

Rowlands, A. (2011) ABC: browser for a speculative collection. In: Nielson, E. and Mara de Wachter, E. (eds.) The Shape We're In. Zabludowicz, London - New York, pp. 122-128. ISBN 9781907921018

Rowlands, A. (2008) Communiqué § 4. In: Birkett, R. and Leaver-Yapp, I. (eds.) Nought to Sixty: 60 projects in 60 weeks. Institute of Contemporary Art, London. ISBN 9781900300599

Rowlands, A. (2004) Dexter Dalwood. In: Bishop, C. (ed.) This much is certain. Royal College of Art, London, pp. 67-75. ISBN 1874175624

Rowlands, A. (2006) Exegesis: Mark Titchner's 'when we build let us think that we build forever'. In: IT IS YOU. Arnolfini, Bristol:, pp. 50-57.

Rowlands, A. (2009) Exegesis: when we build let us think that we build forever. In: Noble, R. (ed.) Utopias. MIT Press, Cambridge, MA, pp. 99-102. ISBN 9780262640695

Rowlands, A. (2010) For writing out loud or a potential workshop on fiction. In: Beasley, M., Rowlands, A. and Russell, J. (eds.) Barefoot in the Head. Art-Writing-Research (4). Article Press, Birmingham, pp. 38-58. ISBN 9781873352151

Rowlands, A. (2006) Notes on the smiles are not smiles. In: Stevenson, M. and Titz, S. (eds.) Art of the Eighties and Seventies: English and German Translation. Museum Abteiberg, Monchengladbach, pp. 65-76.

Rowlands, A. (2009) The Numinous and the Luminous. In: Bracewell, M., Clark, M. and Rowlands, A. (eds.) The Dark Monarch: Magic & Modernity in British Art. TATE, St Ives, xxi-xxxiii. ISBN 9781854378743

Rowlands, A. (2014) Symposium for a community of unlearning. In: Judd, B. (ed.) Communion. Black Dog Publishing, London, UK, pp. 34-43. ISBN 9781908966339

Rowlands, A. (2007) Temporäre Autonome Zone. In: Clausen, S. and Kerestey, P. (eds.) Liftarchiv. Revolver, Frankfurt, pp. 55-65. ISBN 9783865884039

Rowlands, A. (2012) Vendor. In: Sawtell, H., Rowlands, A. and Diedrichsen, D. (eds.) Broadsheet 1 - 3. Institute of Contemporary Art and Bloomberg, London, London. ISBN 9781900300681

Rowlands, A. (2007) The movement began with a scandal. In: Rugg, J. and Sedgwick, M. (eds.) Issues in Curating Contemporary Art and Performance. Intellect, pp. 175-184. ISBN 9781841501628

Rowlands, A. and Williams, M. (2010) Novel. In: Keller, C. (ed.) Kiosk: Modes of Multiplication. Christoph Keller. JPR Ringier and Stiftung Preussische Museen zu Berlin, Berlin. ISBN 9783037640753

Rowlands, A. and Williams, M. (2011) Novel ~ S.C. Issue. In: Meade, F. (ed.) Time Again. Sculpture Center, Long Island City, NY, pp. 1-31. ISBN 0970395566

Russell, J. (2015) Animation 1-15, a-P. In: Osbaldeston, D. (ed.) Inflection sandwich. Onomatopee, London, pp. 17-32. ISBN 9789491677281

Russell, J. (2012) Dear living person. In: Elms, A. and Reinke, S. (eds.) Blast CounterBlast. Mercer Union/WhiteWalls Inc, Toronto. ISBN 9781926627175

Russell, J. (2010) ‘Is the idea of British art a British fantasy?’. In: Lewisohn, C. (ed.) GBAD Fanzine. Tate Publishing, London, pp. 4-5, 12-13.

Russell, J. (2007) Ocean pose. In: Ocean Pose: catalogue. Matts Gallery, London, pp. 2-11.

Russell, J. (2008) 'The Return of the Living Dead III. Clement Greenberg is a conceptual artist. Flatness and Shapeism,'. In: Garnett, R. and Hunt, A. (eds.) Gest / Laboratory of Synthesis. Bookworks, London, pp. 81-89. ISBN 9781870699969

Russell, J. (2009) Summer. In: Morris, L. (ed.) EAST International 2009. Norwich Universty College of the Arts, Norwich, pp. 104-107.

Russell, J. (2010) A largely intolerable combination of two mainly unconnected texts: 1. Description of the Barefoot in the Head event, at BHQU, NY, 12/11/09; 2. Fictioning and the End. In: Russell, J., Rowlands, A. and Beasley, M. (eds.) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England, Birmingham, pp. 68-85. ISBN 9781873352151

Segal, N. (2003) "Then some had rather it were she than I": sexing the textual body. In: Segal, N., Taylor, L. and Cook, R. J. R. (eds.) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp. 93-110. ISBN 9780333949696

Conference or Workshop Item

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Seminar: access all areas. In: Access all areas, 11 November 2011, Whitworth Art Gallery, Manchester.

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Seminar: sensory objects. In: Sensory objects, 25 February 2015, Sackler Rooms, British Museum.

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Seminar: sensory objects in progress. In: Sensory Objects in Progress, 10 June 2014, MERL, Reading.

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Seminar: sensory stories retold. In: Sensory Stories Retold, 7 May 2013, Museum Of Liverpool.

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Workshop: sensory objects. In: Engage 2014, 4 December 2014, Bristol.

Allen, K., Hollinworth, N., Hwang, F., Minnion, A. and Kwiatkowska, G. (2016) Interactive sensory objects for and by people with learning disabilities. In: International Conference on The Inclusive Museum, August 2015, Los Angeles.

Dzuverovic, L. (2016) Feeding off contradiction: self managed socialism in focus. In: Feeding Off Contradiction: Self Managed Socialism in Focus, 16 January 2016, Nottingham Contemporary.

Healy, C. and Palmer, E. (T.) (2014) Meta-morphs: – being a mediator of the ‘thin’ place and ‘thin’ experience in the HE classroom. A paper on the experience of creating transformations in HE teaching and learning. In: Heroes and monsters: extra-ordinary tales of learning and teaching in the arts and humanities, 2-4 June 2014, Manchester.

Kollectiv, G. and Kollectiv, P. (2009) Can objects perform?: agency and thingliness in contemporary sculpture and installation. In: Sculpture and Performance, 24 March 2009, Henry Moore Institute, Leeds.

Kollectiv, P. and Kollectiv, G. (2015) Bureaucracy. In: Bureaucracy, 1/7/2015, ICA, London.

Book

Clausen, S. and Kerestey, P. (2014) Ballet by Szuper Gallery. ONCURATING Books, Zurich, pp150. ISBN 9783952407813

Clausen, S. and Kerestey, P., eds. (2007) Liftarchiv. Revolver, Frankfurt, pp120. ISBN 9783865884039

Dzuverovic, L. (2016) Monuments should not be trusted: exhibition catalogue. Nottingham Contemporary, Nottingham, UK, pp201. ISBN 9781907421082

Golden, P. R. (2005) The word. Onestar press, Paris, France.

Healy, C. (2014) Thin place. Oriel Myrddin, Carmarthen, Wales, pp102. ISBN 9780955143458

Hellings, J. (2014) Adorno and art: aesthetic theory contra critical theory. Palgrave Macmillan, UK, pp199. ISBN 9780230347885

Pittuck, S., Clarkin, A. and Clarkin, J., eds. (2003) Miser and now. Volume 1-4. Keith Talent Gallery, London.

Rowlands, A. (2007) 3 Communiqués. Bookworks, London, pp105. ISBN 9781870699914

Rowlands, A. and Williams, M., eds. (2008) Novel. Novel Publication, Berlin, pp42. ISBN 9781906424077

Rowlands, A. and Williams, M., eds. (2009) Novel ~ 2. Novel Publication, Birmingham, pp48. ISBN 9781906424091

Rowlands, A. and Williams, M., eds. (2010) Novel ~ 3. Novel Publication, Brussels, pp80. ISBN 9781906424107

Russell, J., ed. (2003) Frozen tears I. Article Press, Univ. of Central England, Birmingham. ISBN 1873352689

Russell, J., ed. (2004) Frozen tears II. Article Press, Univ. of Central England, Birmingham. ISBN 1873352883

Russell, J., ed. (2007) Frozen tears III. ARTicle Press, Birmingham: University of Central England, pp928. ISBN 9781873352595

Russell, J., Rowlands, A. and Beasley, M., eds. (2011) Barefoot in the Head. Art-Writing Research Series, 4. Article Press, University of Central England/Article Press, Birmingham. ISBN 9781873352151

Segal, N., Taylor, L. and Cook, R. J. R. (2003) Indeterminate bodies. Palgrave Macmillan, Basingstoke, pp256. ISBN 9780333949696

Artefact

O'Connell, T. (2009) Public Art Commission Rung by Rung, Tina O'Connell. [Artefact]

O'Connell, T., White, N. and Vermuri, V. (2010) Public Art Commission, Where is Heidenheim? Tina O'Connell and Neal White. [Artefact]

Russell, J. (2010) Untitled (Abstraction of Labour Time/ External Recurrence/Monad). [Artefact]

Show/Exhibition

Allen, K. (2003) alter. [Show/Exhibition]

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2014) Buckets, baskets and boots: exhibition event at MERL. [Show/Exhibition]

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2015) Sensory objects at the British Museum. [Show/Exhibition]

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A. (2013) Sensory stories. [Show/Exhibition]

Barry, O. , Decointet, H. , Farmer , G. , Maire , B. , Pierson, J. , Rickards, H. , Toren, A. and Vercruysse, J. (2009) Le chante de la carp. [Show/Exhibition]

Beasely, M., Rowlands, A. and Russell, J. (2009) Barefoot in the head. [Show/Exhibition]

Becklin, E. , Ellison, C., Humphrey, M., O’Daniel, A. , Sears, K., Sussman, T. and Trondson, A. (2009) Conceptual telegraphy and the song of the wind through its wires. [Show/Exhibition]

Bibby, R. and Ellison, C. (2010) Ultra High Temperatures #1. [Show/Exhibition]

Blackadder, E., Buckley, S., Carter, J., Coates, T., Forster, N., Hollyras, K., Mccrae, J., Mitchell, J. and Sutton, T. (2007) Critic's choice. [Show/Exhibition]

Bonham-Carter, E., Buckley, S. and Chaimowicz, M. C. (2004) Jean Cocteau. [Show/Exhibition]

Buckley, S. (2005) 1979. [Show/Exhibition]

Buckley, S. (2004) Narratives. [Show/Exhibition]

Butler, J., Chapman, J. , Chapman, D. , Harding , A., Harvey , M., Hirst, D. , James, M., Jones , P. , Krut, A., Miller, H. , Renshaw, T., Tait, N. and Valdes, C. (2009) Turps banana 2. [Show/Exhibition]

Chaimowicz, M. (2009) Enough tiranny recalled 1972-2009. [Show/Exhibition]

Chaimowicz, M. (2010) Marc Camille Chaimowicz. [Show/Exhibition]

Chaimowicz, M. (2007) The ruin: RAW among the ruins. [Show/Exhibition]

Chaimowicz, M. (2007) The secret public: the last days of the British underground 1978-1988. [Show/Exhibition]

Chaimowicz, M. C. (2007) 16 ans! [Show/Exhibition]

Chaimowicz, M. C. (2006) Around the world in 80 days. [Show/Exhibition]

Chaimowicz, M. C. (2005) Concertina. [Show/Exhibition]

Chaimowicz, M. C. (2009) Dressed & undressed. [Show/Exhibition]

Chaimowicz, M. C. (2006) EGOmania. Just when I think I've understood ... / As soon as I realized he understood ... [Show/Exhibition]

Chaimowicz, M. C. (2004) It's all an illusion: a sculpture project. [Show/Exhibition]

Chaimowicz, M. C. (2005) Le voyage intèrieur Paris-London. [Show/Exhibition]

Chaimowicz, M. C. (2004) Like beads on an abacus designed to calculate infinity. [Show/Exhibition]

Chaimowicz, M. C. (2003) MCC. [Show/Exhibition]

Chaimowicz, M. C. (2007) Summer's song. [Show/Exhibition]

Chaimowicz, M. C. (2006) Tate triennial 2006. [Show/Exhibition]

Chaimowicz, M. C. (2003) Ten banners. [Show/Exhibition]

Chaimowicz, M. C. (2003) Une exposition pour Cluny. [Show/Exhibition]

Chaimowicz, M. C. (2006) Wandering rocks. [Show/Exhibition]

Chaimowicz, M. C. (2009) We choose our words with care, that neon-moonlit evening; it was as if we were, party to a wonderful alchemy. [Show/Exhibition]

Chaimowicz, M. C. (2006) Zurich suite. [Show/Exhibition]

Chaimowicz, M. C. (2004) The future has a silver lining: genealogies of glamour. [Show/Exhibition]

Chaimowicz, M. C. (2005) A l'école d'une maison. [Show/Exhibition]

Chaimowicz, M. C. (2006) The subversive charm of the bourgeoisie. [Show/Exhibition]

Clausen, S. (2010) Ballet. [Show/Exhibition]

Clausen, S. (2007) Bohemian work out. [Show/Exhibition]

Clausen, S. (2015) Bonobo. [Show/Exhibition]

Clausen, S. (2011) The Cave: Etant Ballet. [Show/Exhibition]

Clausen, S. (2007) Curating degree zero. [Show/Exhibition]

Clausen, S. (2008) Curatorial vaudeville. [Show/Exhibition]

Clausen, S. (2008) The Extras Regina, 2008. [Show/Exhibition]

Clausen, S. (2010) Fallstudie - Künstlerische (Selbst) Ausbildung. [Show/Exhibition]

Clausen, S. (2010) Festival VideoDanzaBa. [Show/Exhibition]

Clausen, S. (2014) I will survive. [Show/Exhibition]

Clausen, S. (2011) INDEPENDENT/NEZALEZHNI. [Show/Exhibition]

Clausen, S. (2015) Liquid trust. [Show/Exhibition]

Clausen, S. (2015) Liquid trust at ICA. [Show/Exhibition]

Clausen, S. (2010) Moves 10 - Framing Motion. [Show/Exhibition]

Clausen, S. (2012) Performance as social practice. [Show/Exhibition]

Clausen, S. (2013) Rehearsing Szuper Gallery. [Show/Exhibition]

Clausen, S. (2009) Suck. Swallow. Breathe. [Show/Exhibition]

Clausen, S. (2010) Szuper Gallery materials. [Show/Exhibition]

Clausen, S. (2016) These are the people in your neighbourhood - Mammalian Diving Reflex. [Show/Exhibition]

Clausen, S. (2010) Transfer zone 4; temporary life; temporary communities. [Show/Exhibition]

Clausen, S. (2009) Translation paradoxes and misunderstandings. [Show/Exhibition]

Clausen, S. (2014) Work, Arbeit, Rabota. [Show/Exhibition]

Clausen, S. (2010) Work/Arbeit/Работа. [Show/Exhibition]

Clausen, S. (2009) The artist's studio. [Show/Exhibition]

Clausen, S. (2010) The strength of the system and my experiences of it, was that in fact, oddly enough, it was actually a very collaborative enterprise already. [Show/Exhibition]

Clausen, S. (2011) Étant Ballet. [Show/Exhibition]

Clausen, S. and Kerestey, P. (2007) I will survive. [Show/Exhibition]

Clausen, S. and Kerestrey, P. (2007) Szuper gallery. [Show/Exhibition]

Clausen, S. and Tervaniemi, S. (2007) Loving revolution. [Show/Exhibition]

Cooper, A. , Deburka, E. , Kenning, D. and Russell, J. (2013) Capital. [Show/Exhibition]

Cooper, D., Gourvil, O. , Krisanamis, U. , Renshaw, T., Smith, D. and Suarez-Universal , V. (2009) Baroque reason. [Show/Exhibition]

Dzuverovic, L. (2016) Monuments should not be trusted exhibition. [Show/Exhibition]

Ellison, C. (2013) The Prophetic Sound: a day and night of noise cabaret(symposium of talks and live performances). [Show/Exhibition]

Ellison, C. (2013) Squirmish at the Oasis: an evening of performance and rant hosted by Agency of Noise at the Kinsgate Workshsops Trust in affiliation with Camden Arts Centre. [Show/Exhibition]

Garfield, R. (2015) “Out of Chaos”; Ben Uri: 100 years in London, Somerset House, East Wing, 2 July-13th December 2015. [Show/Exhibition]

Garfield, R. (2015) The struggle II: opening up. [Show/Exhibition]

Golden, P. (2003) In portraiture irrelevance is ugliness. [Show/Exhibition]

Golden, P. (2007) Love and hysteria. [Show/Exhibition]

Golden, P. (2005) Nothing personal. [Show/Exhibition]

Golden, P. (2007) Thoughts. [Show/Exhibition]

Golden, P. (2005) The word. [Show/Exhibition]

Golden, P. R. (2007) Le recollets Paris. [Show/Exhibition]

Healy, C. (2015) Thin place exhibition. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2014) Concrete gown for immaterial flows. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2012) File Transfer Protocol. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2008) The Institute of Psychoplasmics. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2010) Pil and Galia Kollectiv: solo exhibition at Te Tuhi Art Centre, Auckland, New Zealand. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2016) Progress report from the strategic sanctuary for the destruction of free will. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2014) Radical Conservatism. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2013) Suck the living labour. [Show/Exhibition]

Kollectiv, G. and Kollectiv, P. (2008) Svetlana. [Show/Exhibition]

Kollectiv, P. and Kollectiv, G. (2006) Modern lovers. [Show/Exhibition]

Mabb, D. and Walsh, M. R. (2011) Utopia Ltd. [Show/Exhibition]

MacLean, M. (2007) Before. [Show/Exhibition]

MacLean, M. (2003) Home from home. [Show/Exhibition]

MacLean, M. (2007) Inspiration to order. [Show/Exhibition]

MacLean, M. (2004) Somewhere ... fast. [Show/Exhibition]

MacLean, M. (2005) The way we work now. [Show/Exhibition]

MacLean, M. and Renshaw, T. (2010) Architectural Fictions. [Show/Exhibition]

MacLean, M. and Wilson, C. (2011) Mirei. [Show/Exhibition]

MacLean, M., Renshaw, T. and Donszelmann, B. (2009) Outside architecture. [Show/Exhibition]

O'Connell, T. (2016) The Shift, eight years of flat time house. [Show/Exhibition]

O'Connell, T. (2009) Step by step. [Show/Exhibition]

O'Connell, T. (2004) Tina O'Connell. [Show/Exhibition]

O'Connell, T. (2009) The wager with the office of experiments. [Show/Exhibition]

O'Connell, T. and White , N. (2016) Deep freeze (commissioned art work, with Neal White). [Show/Exhibition]

O'Connell, T. and White, N. (2016) 9 Events. [Show/Exhibition]

O'Connell, T. and White, N. (2016) An incidental meeting with Tina O'Connell and Neal White, a discussion with Barbara Steveni. [Show/Exhibition]

Renshaw, T. (2007) Cocheme Fellows exhibition. [Show/Exhibition]

Renshaw, T. (2015) Distressed geometry. [Show/Exhibition]

Renshaw, T. (2014) Hidden. [Show/Exhibition]

Renshaw, T. (2011) House in the Shape of a Stretcher. [Show/Exhibition]

Renshaw, T. (2008) Images in the vaguest sense. [Show/Exhibition]

Renshaw, T. (2004) John Moores 23. [Show/Exhibition]

Renshaw, T. (2016) Notebook architecture. [Show/Exhibition]

Renshaw, T. (2014) Nowhere. [Show/Exhibition]

Renshaw, T. (2007) Painting unlimited. [Show/Exhibition]

Renshaw, T. (2003) Painting year zero. [Show/Exhibition]

Renshaw, T. (2016) Phase 1. [Show/Exhibition]

Renshaw, T. (2014) Screens. [Show/Exhibition]

Renshaw, T. (2005) Short stories about painting. [Show/Exhibition]

Renshaw, T. (2013) The perfect death - Horizons ( title of painting Horizon ). [Show/Exhibition]

Renshaw, T., Donszelmann, H. B. and Maclean, M. (2012) One and One and One. [Show/Exhibition]

Renshaw, T., MacLean, M. and Donszelmann, B. (2010) Interior Life. [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 1). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 2). [Show/Exhibition]

Rowlands, A. (2007) Aspen 11 (part 3). [Show/Exhibition]

Rowlands, A. (2013) From script to reading to exhibition to performance to print. [Show/Exhibition]

Rowlands, A. (2005) Growing up absurd. [Show/Exhibition]

Rowlands, A. (2008) NOVEL. [Show/Exhibition]

Rowlands, A. (2012) Papers, fictions, scripts & circles. [Show/Exhibition]

Rowlands, A. (2008) Shadow cabinet (three rendezvous). [Show/Exhibition]

Rowlands, A. (2004) We are all revolutionaries. [Show/Exhibition]

Rowlands, A. (2013) Words to be Spoken Aloud. [Show/Exhibition]

Rowlands, A. (2006) The glass bead game. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Kiosk: modes of multiplication. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) Live archive. [Show/Exhibition]

Rowlands, A. and Williams, M. (2012) Millenium Magazine. [Show/Exhibition]

Rowlands, A. and Williams, M. (2010) NOVEL at dépendance. [Show/Exhibition]

Rowlands, A. and Williams, M. (2016) Novel upstairs. [Show/Exhibition]

Rowlands, A. and Williams, M. (2010) Novel ~ 2. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Outrageous fortune. [Show/Exhibition]

Rowlands, A. and Williams, M. (2011) Time again. [Show/Exhibition]

Rowlands, A. and Williams, M. (2009) X marks the Bökship. [Show/Exhibition]

Russell, J. (2011) Angel of History. I can see for miles. [Show/Exhibition]

Russell, J. (2014) Aquarium Proletarium. [Show/Exhibition]

Russell, J. (2013) Dog days II. [Show/Exhibition]

Russell, J. (2009) EAST International. [Show/Exhibition]

Russell, J. (2015) Eton. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books. [Show/Exhibition]

Russell, J. (2014) Everything is about to happen: an ongoing archive of artists’ books, as part of The Library Vacine. [Show/Exhibition]

Russell, J. (2010) Explain death to very young children. [Show/Exhibition]

Russell, J. (2007) Fusion now. [Show/Exhibition]

Russell, J. (2014) The Good Shepherd. [Show/Exhibition]

Russell, J. (2013) I killed my father, I ate human flesh, I quiver with joy: an obsession with Pier Paolo Pasolini. [Show/Exhibition]

Russell, J. (2007) Into position. [Show/Exhibition]

Russell, J. (2012) Jexus. [Show/Exhibition]

Russell, J. (2014) Judgement. [Show/Exhibition]

Russell, J. (2016) Le Bourgeois. [Show/Exhibition]

Russell, J. (2012) Les fleurs du mal: new art from London. [Show/Exhibition]

Russell, J. (2015) Lofoten international art festival 2015: disappearing acts. [Show/Exhibition]

Russell, J. (2007) Lost in the thinking. [Show/Exhibition]

Russell, J. (2014) Myth-science-colloquium. [Show/Exhibition]

Russell, J. (2013) O chair o flesh. [Show/Exhibition]

Russell, J. (2007) Ocean pose. [Show/Exhibition]

Russell, J. (2015) Plague of diagrams. [Show/Exhibition]

Russell, J. (2011) Praying Mantiss. [Show/Exhibition]

Russell, J. (2010) 'Public Sculpture (The Social)' 2010. [Show/Exhibition]

Russell, J. (2015) SQRRL. [Show/Exhibition]

Russell, J. (2016) Scissors cut paper wrap stone. [Show/Exhibition]

Russell, J. (2013) She – a factory. [Show/Exhibition]

Russell, J. (2012) THR S NT & NVR HS BN NYTHNG T NDRSTND. [Show/Exhibition]

Russell, J. (2016) Tetragrammaton. [Show/Exhibition]

Russell, J. (2013) Then suddenly like all at once. [Show/Exhibition]

Russell, J. (2013) To the reader. [Show/Exhibition]

Russell, J. (2013) The banquette years. [Show/Exhibition]

Russell, J. (2013) The hecklers. [Show/Exhibition]

Russell, J. (2014) A speculum that shines. [Show/Exhibition]

Russell, J. (2013) The universal addressability of dumb things. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) Intrusions au Petit Palais. [Show/Exhibition]

Russell, J. and Audeoud, F. (2007) Off modern. [Show/Exhibition]

Russell, J. and Mitchell, D. (2015) Black Forest Magic. [Show/Exhibition]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (2010) Grand National. [Show/Exhibition]

Russell, J., Bedwell, S., Thompson, M. and Williamson, A. (1997) Rude Britannia: British Comic Art. [Show/Exhibition]

Stiff, P. (2007) Edward Wright: design work. [Show/Exhibition]

Toren, A. (2009) British subjects: self portraiture in British art between 1965-2008. [Show/Exhibition]

Toren, A. (2009) Carrots. [Show/Exhibition]

Toren, A. (2004) Clouds in trousers. [Show/Exhibition]

Toren, A. (2009) Don't look away. [Show/Exhibition]

Toren, A. (2006) Drawing breath. [Show/Exhibition]

Toren, A. (2003) Golem. [Show/Exhibition]

Toren, A. (2006) Houses in motion. [Show/Exhibition]

Toren, A. (2006) Narrative painting #1. [Show/Exhibition]

Toren, A. (2005) New works. [Show/Exhibition]

Toren, A. (2006) Received wisdom. [Show/Exhibition]

Toren, A. (2009) Refreshments. [Show/Exhibition]

Toren, A. (2006) Ten last drawings. [Show/Exhibition]

Toren, A. (2005) Whatever happened to social democracy. [Show/Exhibition]

Performance

Chaimowicz, M. C. (2005) Event: a collaboration with the Merce Cunningham Dance Company. [Performance]

Clausen, S. and Kerestey, P. (2011) Ballet-Granite. [Performance]

Clausen, S. and Kerestey, P. (2007) I will survive. [Performance]

Ellison, C. (2006) Craftwork. [Performance]

Ellison, C. (2011) Prêt-à-Médiatiser by House of POLLYFIBRE. [Performance]

Ellison, C. (2008) RGBOHP. [Performance]

Ellison, C. (2007) Record. [Performance]

Ellison, C. (2012) Slideshow by POLLYFIBRE. [Performance]

Ellison, C. (2007) iPolly Shuffle. [Performance]

Kollectiv, G. and Kollectiv, P. (2010) Critical Mass: Sermon for the Church of the Atom (part of A Theatre to Address at Arnolfini, Bristol and Late at Tate Britain). [Performance]

Kollectiv, G. and Kollectiv, P. (2013) A Guide to Office Clerical Time Standards. [Performance]

Kollectiv, G. and Kollectiv, P. (2010) WE. [Performance]

Kollectiv, P. and Kollectiv, G. (2011) Epic Sea Battle at Night: a Revolutionary Play with the Economic Thinking of Milton Friedman. [Performance]

Russell, J. (2015) UNSPECIFIED [Performance]

Russell, J. (2007) Frozen tears vs Dexter Sinister. [Performance]

Russell, J. and Audeoud, F. (2007) John Russell kills Fabienne Audeoud... [Performance]

Project

Allen, K. (2007) Auraproject. [Project]

Allen, K. (2007) Grangerparklife: Online project. [Project]

Allen, K. (2004) Installation. [Project]

Ellison, C. (2012) Instructions for an Audio Performance/Scissors Music. [Project]

Ker, D., Allen, K. and Du Sautoy, M. (2011) Everything and nothing project. [Project]

Kollectiv, G. and Kollectiv, P. (2007) Asparagus: a horticultural ballet. [Project]

Kollectiv, G. and Kollectiv, P. (2008) Future Monument. [Project]

Kollectiv, G. and Kollectiv, P. (2010) No Haus Like Bau. [Project]

Kollectiv, G. and Kollectiv, P. (2012) Terminal: a miracle play with popular music from the end of the world. [Project]

Kollectiv, G. and Kollectiv, P. (2011) xero, kline & coma. [Project]

Kollectiv, P. and Kollectiv, G. (2006) Flatpack revolution. [Project]

O'Connell, T. and White, N. (2012) Public Art Commission, 1x1 project, Tina O'Connell and Neal White. [Project]

Renshaw, T. (2014) 'Outside Architecture': lecture at The British School at Rome. [Project] (Unpublished)

Image

Russell, J. (2009) Untitled (Abstraction of labour time eternal recurrence monad). [Image]

Video

Clausen, S. (2009) Ballet. [Video]

Clausen, S. (2009) Suck. Swallow. Breathe. [Video]

Ellison, C. (2012) Prêt-à-Médiatiser by House of POLLYFIBRE. [Video]

Garfield, R. (2012) The Straggle. [Video]

Kollectiv, G. and Kollectiv, P. (2008) Another Proof of the Preceding Theory. [Video]

Kollectiv, G. and Kollectiv, P. (2010) Co-operative explanatory capabilities in organizational design and personnel management. [Video]

Russell, J. (2010) Vermillion Vortex. [Video]

Audio

Ellison, C. (2009) Reconstructing The Incredible. [Audio]

Web Resource

Allen, K., Hollinworth, N., Hwang, F. and Minnion, A., (2015) Sensory objects: a case study. Disability Cooperative Network

Ellison, C., (2012) Agency of Noise. Christine Ellison

Garfield, R., (2008) L’Encyclopédie Noveaux Médias: Zineb Sedira. Centre Georges Pompidou, Paris.

Other

Clausen, S. (2016) Slapping scenes. ONCURATING.ORG, Zurich.

Clausen, S. and Richter, D. (2016) The six enemies of greatness. ONCURATING.ORG, Zurich.

Garfield, R. (2016) Stephen Dwoskin-retrospektive in Frankfurt am Main. frankfurtfilmkollectiv, Frankfurt.

O'Connell, T. (2016) Public discussion, art practice between 3 generations. Bealtaine Festival Ireland, Wexford Arts Cantre.

O'Connell, T. (2016) Valerie Connor, Tina O’Connell and Neal White in conversation. Objectif Exhibitions, Kleine Markt 7–9/26 2000 Antwerp. Saturday 6 February 2016, 5pm. Objectif Exhibitions, Antwerp, Belgium.

This list was generated on Sun Dec 4 20:37:47 2016 GMT.

Page navigation